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Agenda 08-10-23 City of Boynton Beach Art Advisory Board Agenda Thursday, August 10, 2023, 6:30 pm IN PERSON MEETING Boynton Beach City Commission Chambers 100 East Ocean Ave, Boynton Beach, FL 33435 Zoom Access htt se//usOC webezoomeus//8280 C 7C 2104 wd:::::OV Eb3ozal hzc J bmFxT1 k WIIhLUT09 Meeting ID: 828 6676 2104 Passcode: 202578 Art Advisory Board Members Clovis Moodie, Vice Chair Cynthia Alexis, Board Member Gregory Hartmann, Board Member Phyllis Pacilli, Board Member Ace Tilton Ratcliff, Board Member Sam Velazquez, Board Member Vacant: One Board Member, Two Alternates City Staff Glenn Weiss, Public Art Manager Stacy Irsay, Public Art Coordinator Sophia Burnston, Public Art Intern Catherine Cherry-Guberman, Minutes Specialist City Attorney's Office Amelia Jadoo, Attorney Presenters Dolores Fernandez Alonso, CEO, WXEL, South Florida PBS Dena Rigby, Art Consultant, WXEL, South Florida PBS Gary Moore, Artist, Solid Waste Truck Drivers Project I. Call to Order a. Roll Call b. Excused Absence Requests c. Appointment of alternate(s) for absent member(s) d. Agenda Approval or Amendments e. Review of Voting Process. i. Removing Items from the Table Boynton Beach Art Advisory Board Agenda, Updated,August 10, 2023. Page 1 ii. Prior to discussion, a motion should be moved and seconded iii. Voting by Zoom or telephone iv. Public comments limited to Public Comments. II. Approval of Minutes (Postponed until Sept Mtg.) Motion: June 29, 2023 meeting minutes are approved as written or amended. (Ex. A) III. Informational Items from the Board IV. Public Comments 3 minutes per speaker. In-person speakers, then followed by Zoom speakers. V. Announcements/Reports/Presentations A. Exhibitions (Ex B) a. Parks & Recreation Month and Boynton Mailboxes. July & August Closing Parks & Rec event on August 17, 5-6 PM b. Prints curated by Joseph Velasquez. Opens September 15, 5:30-7:00 PM B. Grants / Fundraising a. City Awarded Mellon Foundation Grant of$100,000 for Heart of Boynton Unity Project. To be announced at August 15, 2023 City Commission meeting. b. City Awarded a FY24 Florida Grant of$16,659 for Heart of Boynton Unity Project and other art activities. Applied for FY25 Florida Grant for Kinetic Biennial C. Opportunities a. Traffic Cabinet Wraps from Artist Roster 2023-2026. (see new business) D. AiPP and Private Development. a. Development Page Update (Ex C1) b. Review of Criteria for Approval of Private Development Artwork (Ex C2) E. City Commission Actions and Discussion a. Advisory Board and Art in Public Places Ordinance Changes. Readings August 15 & Sept 5 (Ex C3) b. FY23-24 Budget F. September Meeting Date a. Wednesday, Sept 6 or Monday, Sept 11, 2023 VI. Action Items A. Motion: The artwork proposal titled "Harmony" by Patti Warashina at South Florida PBS / WXEL, 3401 S. Congress Avenue, is approved to satisfy the Art in Public Places requirement for the Cornelia T Bailey Cultural Arts Center addition. (Ex D) Note: Requires action for removal from the Table. Note: Artwork location was approved by the Board on July 14, 2022 Boynton Beach Art Advisory Board Agenda, Updated,August 10, 2023. Page 2 VII. Old Business Solid Waste Truck Drivers Project Review, Discussions and Recommendation regarding "Kings of the Streets" proposal for artwork by Gary Moore (Ex E) VIII. New Business Traffic Cabinet Wraps: Locations and use of Artist Roster 2023-2026 for artists. (Ex F) Artist Selection Committee for Heart of Boynton Unity Project: No Exhibit IX. Future Agenda Items Discussion of Public Art Master Plan Discussion of Boynton Beach Brand Discussion of Art in Public Places Guidelines for City-Owned Public Artworks X. Adjournment Attached Items Exhibit A: June 29, 2023 Regular Meeting Minutes Exhibit B: Arts & Cultural Center Exhibits Exhibit C1: Private Development Update Exhibit C2: Criteria for Private Development Exhibit C3: Advisory Board Ordinance 23-016 and Art in Public Places Ordinance 23-017 Exhibit D: WXEL presentation and staff report for Patti Warashina artwork for WXEL at 2401 S. Congress Ave Exhibit E: King of the Streets proposal by Gary Moore Exhibit F: Potential Traffic Cabinet Locations for Vinyl Wraps Notice If a person decides to appeal any decision made by the City Commission with respect to any matter considered at this meeting, he/she will need a record of the proceedings and, for such purpose, he/she may need to ensure that a verbatim record of the proceeding is made, which record includes the testimony and evidence upon which the appeal is to be based (F.S. 286.0105) The City shall furnish appropriate auxiliary aids and services where necessary to afford an individual with a disability an equal opportunity to participate in and enjoy the benefits of a service, program or activity conducted by the City. Please contact the City Clerk's Office (561)742-6060 or (TTY) 1-800-955-8771, at least forty eight hours prior to the program or activity in order for the City to reasonably accommodate your request. Additional agenda items may be added subsequent to the publication of the agenda on the City's web site. Information regarding items added to the Agenda after it is published on the City's website can be obtained from the office of the City Clerk. The Board (Committee)may only conduct public business after a quorum has been established. If no quorum is established within fifteen minutes of the noticed start time of the meeting, the City Clerk or her designee will so note the failure to establish a quorum and the meeting shall be concluded. Board Members nay not participate further even when purportedly acting in an informal capacity. Boynton Beach Art Advisory Board Agenda, Updated,August 10, 2023. Page 3 rr � t r z -- _ Dr X w m bio S: l � t �f kjtilrt 4�, X L O �", �1 � � r SA •V � � ��G i ��'i�t'r Y �d=i..�f 1 # y N 4-JCCU ca v� y All t o t��I��1i1 rirD 40, ,s m�; �a169,1k1. r Y >�mY �ilzr I � N x> J � O i 1 y r s i ��ir mLO m Jr 44 Cd cj 4,NINE X !4 I i. .w x a L l " �S ro + TH + N I � t g+ � v + I�I W?L l r + O N O N 7 D 7 Q F— N 00 N r WLL Wv co NOW ot , Ca ry IMM { w Ap k LU Q d, O r N N 7 C N C n , ,.i _ I , ' F � Q M N O N O N 11 d4t�wq � E N m � N cr O m ca N 'i U {E � r n � w = C If(. li Y � U 1 C 1 0 t N i Cl) N O N 7 � O qi FY23 PRIVATE DEVELOPMENT Future Public Art, August 14, 2023EXHIBIT C1 P za t 2- 13J - a 73 fk� ILC 4 M lC5}B i dr h A : .= d Potter Townhouse k it c� niurri 8 si o Y Blvd t °° Qack qij�ge BN C L z E 7 th Ave b. Boynton Office BoC Daycare =Old B n d Sub-Cultureh aVilla es & Pierce Apts z ch s vd Ocean One Apts Shalimar Apts. Broadstone Apts O an e Town Square Apts C n �W r olbrght KU in B E 18th Riverwalk m Er q`p o C d L9 IU Bethesda Hosp. WXEL/PBS 7 I Pawn Shop r � AlW t a R r Bay Walk Townhouses d a - tine Qr Cli 3800 S Congress M M Completed Artwork Approved * Artist Selection in Process Future Public Art Possible Murals Art in PyM uYlq Ee OfjtXrPAA"CgbA4a�rFaya4ckage-Missing June Minutes PECK TEXT: Updates since 14. t report FY23 PRIVATE DEVELOPMENT Future Public Art, August 14, 2023EXHIBIT C1 Art Completed, Needs Final Approval Projects in Discussion with Staff (Continued) Riverwalk E. Woolbright Road and Intracoastal Ocean One Apts ( By Hyperion ) Light sculptures and parking garage grill. Ocean Ave and Federal, NE corner Art sites, artist & artworks approved. Seeking sculpture on Ocean at Federal Hwy Artist Mark Fuller. Installation Complete Dedication on June 6, 2023 Baptist Health, Bethesda Hospital East 2815 S Seacrest Blvd & 26th Ave SW Art Design Approved Delray Palm (Voluntary w/$5,000 Support) Town Square Apartments (by Times Equity) 3377 S Federal Hwy Apartments at Boynton Beach & Seacrest Mural Design: Full Art Board Approval Construction Fence Project with Artist Images Artist: Kristin Pavlick, Mural in Process Potential Future Protects with Art Art Location Approved WXEL/PBS Cultural Arts Center Bride of Christ Daycare 3401 South Congress Avenue 202 NE 11TH AVE Sculpture in Entry Garden on Congress Bay Walk Townhouses Boynton Beach Office Condo 3103 South Federal Hwy. 1102 N. Federal Hwy & M L King Blvd. Mural on ML King Boynton Beach Cottage District (AiPP Funding) 121 NE 4TH AVE Broadstone Apartments 212 S Federal Hwy & SE 2nd Ave Potter Townhomes 2508 N FEDERAL HWY (At Potter St) Two sculptures on Federal Hwy The Pierce Apartments (by Affiliated) Sub-Culture Restaurant 115 N. Federal Hwy & Ocean Ave, NW corner 211 East Ocean Ave (Historic Magneson House) Seeking sculpture at Ocean & Federal and Mu- Murals on Shipping Containers ral facing railroad on garage Commercial Warehouse 3800 S Congress Ave Projects in Discussion with Staff Donation to Public Art Fund Shalimar Apartments 3520 W. Boynton Blvd & Knuth Rd Publix Distribution Center Developer talking with an Artist 5500 Park Ridge Blvd The Villages Apartments 405 E Ocean at 3rd Street Seeking sculpture on Ocean at railroad Art in P4�]�uYlgge�pfjtXrPAA"CgbA4a�rFaya4ckage-Missing June Minutes PECK TEXT: Updates since 1 report EXHIBIT C2 DEFINITIONS AND ART ADVISORY BOARD POWERS in the CODE OF ORDINANCES PART II CODE OF ORDINANCES Chapter 27 ADVISORY BOARDS AND COMMITTEES ARTICLE II. BOYNTON BEACH ART ADVISORY BOARD Sec. 27-22. Definitions. Art, Artwork, or Works of Art means tangible creations by artists exhibiting the highest quality of skill and aesthetic principles and includes all forms of the visual arts..... ......The following shall not be considered artwork or works of art for purposes of this article: a. Reproductions or unlimited copies of original artwork. b. Art objects, which are mass-produced. c. Works that are decorative, ornamental, or functional elements of the architecture or landscape design, except when commissioned from an artist Artist or Professional Artist means a practitioner in the visual arts, generally recognized by critics and peers as a professional of serious intent and ability. Indications of a person's status as a professional artist include, but are not limited to, income realized through the sole commission of artwork, frequent or consistent art exhibitions, placement of artwork in public institutions or museums, receipt of honors and awards, and training in the arts; Sec. 27-24. Purpose and duties. (d) The Art Advisory Board shall have the following additional powers and duties: ....(5) Exercise their authority to approve, approve with conditions or disapprove proposed installation of artwork based on Art in Public Places Program Guidelines;.... Sec. 27-27. Art Advisory Board's guidelines and recommendations. (a) Selection criteria. The art and artist selection criteria shall be in compliance with the Art Advisory Board's guidelines and recommendations. (b) Guidelines. The Art Advisory Board shall prepare and from time to time recommend to the City Commission revisions to the Art in Public Places Program guidelines and make the same available to the public, which shall provide guidance for program organization; organizational governance and staffing responsibilities; procedures for project planning; artist selection; art selection criteria; art placement criteria; donations; loans and memorials; collection management; and administration of the public art fund. Text related to Artist and Artwork Criteria in the Art Advisory Board ordinance adopted by the City Commission in 2016. City of Boynton Beach. 1 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 10 EXHIBIT C2 CRITERIA FOR ARTIST AND ARTWORK 2005 GUIDELINES ARTWORK SELECTION METHODS, 2005 ART IN PUBLIC PLACES GUIDELINES (Page 41 & 42) A. Selection Criteria for Artists General criteria to consider in selecting artists for public or private projects should include: 1. The aesthetic and technical quality and originality of the artist's previous work as evidenced by slides and other supporting materials; 2. The artist's previous experience with public art projects of a similar scale and scope; 3. The artist's demonstrated ability to execute and complete a project in a timely and professional manner; 4. The artist's ability to communicate ideas verbally and visually, and work effectively in a team environment; 5. The appropriateness of the artist's proposal to the particular project and its probability of successful completion; 6. A wide variety of nationally known artists as well as local artists. B. Selection Criteria for Artwork General criteria for the Commission or Developer to consider in selecting artwork for public or private projects should include: 1. Quality: artwork demonstrates originality, artistic excellence, and quality; 2. Media: all visual forms and media may be considered, subject to the selection jury or the Arts Commission; 3. Style: artworks of all schools, styles, and tastes should be considered; 4. Response to Site: artworks and art places should be appropriate in scale, material, form, content, and value for the immediate, general, social, and physical environments with which they are to relate; 5. Team Approach: encourage the early involvement of the artist as a member of the project design team of architect, engineer, landscape architect, etc.; 6. Durability: consideration should be given to structural and surface integrity, permanence, and protection against theft,vandalism, weathering, excessive maintenance and repair costs; 7. Elements of Design: consider that public art, in addition to meeting aesthetic requirements, may also serve to establish focal points,terminate areas, modify, enhance, or define specific spaces or establish identity; 8. Public Liability: artworks and art places should be examined for unsafe conditions or factors that may bear on public liability; 9. Diversity: strive for diversity of style, scale, media, artists, community values, forms of expression, and equitable distribution of artworks throughout the City. Text related to Artist and Artwork Criteria in the Art in Public Places Guidelines adopted by the City Commission in 2005. City of Boynton Beach. 2 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 11 EXHIBIT C2 OTHER TEXT RELATED TO OVERALL PROGRAM AND ARTWORKS 2005 GUIDLINES CITY IMAGE ( Page 13) Arts Commission Image Statement: To heighten awareness of our City's historical and contemporary personality by celebrating its diversity and strengthening the City as a destination location. By vitalizing, stimulating and focusing on cultural interaction, amenities, education, business growth and economic development, the City will create a communal sense of pride and civic ownership. PROGRAM OVERVIEW (Pages 14 & 15) It is the intent of the Arts Commission to develop public art projects that: enhance the urban environment of public spaces, as well as the visual design form and content of the City; enhance a particular community, and; enhance the tourist and economic potential of Boynton Beach and individual sites within the community. It is the intent of the Arts Commission to create an Art in Public Places Program that will become an effective and valuable tool in enhancing building projects, green spaces and public areas. The Art in Public Places Program will benefit the City of Boynton Beach by: • Enhancing the City's image • Creating a positive image and identity • Expressing who we are as a community • Making Boynton Beach a destination location • Gaining amenities and appreciative assets • Creating investments that will increase in value • Educating the community • Creating a sense of civic pride • Evoking emotion and stimulate community interaction • Improving the environment • Increasing quality of life • Creating a greater cultural base • Preserving community history • Attracting the arts, artists and art advocates to the community • Placing The City Boynton Beach "on the map". DEVELOPER OPTIONS (Page 18 & 17) 1) Artwork on Site Upon assessment of the public art fee, the Developer may elect to site a permanent public artwork as part of the development project. Using this option, the Developer may: • Elect to site permanent public artwork as part of the development project and utilize the Arts Commission's assistance to develop the Art in the project or; • Select artist directly to execute a project that meet specific art criteria or; Text related to Artist and Artwork Criteria in the Art in Public Places Guidelines adopted by the City Commission in 2005. City of Boynton Beach. 3 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 12 EXHIBIT C2 OTHER TEXT RELATED TO OVERALL PROGRAM AND ARTWORKS 2005 GUIDLINES • Hire a professional consultant to select artists to commission site-specific, architecturally integrated artworks that meet specific art criteria or; • Purchase artworks for permanent installation. Artworks may be: • Singular, discrete objects (sculpture); • Artist designed amenities (streetscapes, paving treatments, lighting standards and treatments, benches, way finders, architecturally integrated water features, artist designed landscape treatments or other artist designed amenities or aesthetic treatments); • Artworks must be located in publicly accessible locations. The Artwork on Site approach benefits the Developer to: • Create a positive relationship with the community • Attract visitors to the Art project therefore the development • Provide a competitive edge • Create a signature/ identity for the project ART IN PUBLIC PLACES ART SELECTION GUIDELINES (Page 22) The following are specifics that will guide the art selection process. The Art selection process is very similar to the architecture and construction of a building. Our reference document** provides detailed examples of this process. • Will the art component be concentrated in one area or distributed throughout the public spaces? • Is the proposed project/program a collaborative effort? If so, specify the participants, responsibilities, and proposed arts budget allocation to non-arts components, if applicable. • How will the art component function within the whole development?Activate a space? Provide a landmark? Serve a function (gateway, seating, etc.)? • Who are the primary and secondary audiences for the artwork or cultural program (pedestrians, building users, tourists, automobile traffic, etc.)? • How has the anticipated audience influenced your choice of artwork? • If applicable, describe plans for artwork to conform to necessary safety and functional requirements. Who will assist on these requirements? • Describe plans for fabrication and installation of the artwork. • Describe needs and plans for ongoing maintenance or program development responsibilities. • Please submit 50 percent schematic design, with model, if appropriate. Refer to the Reference Document**: Criteria and Evaluation Tools for more on this topic ** The Reference Document was not adopted with the Guidelines in 2005. Text related to Artist and Artwork Criteria in the Art in Public Places Guidelines adopted by the City Commission in 2005. City of Boynton Beach. 4 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 13 EXHIBIT C2 DRAFT AIT IN PUBLIC PLACES GUIDELINES FOR PROPERTY OWNERS, SEPT 2022 DRAFT ART IN PUBLIC PLACE GUIDELINES FOR PROPERTY OWNERS, SEPT 2022, (Page 16) Review Criteria As per the Art in Public Places program, the proposal will be evaluated on the following: • Appropriateness of the artwork to the site and site environmental conditions; • Maximum visual accessibility to pedestrian or vehicular traffic; • Quality of the artwork; • Maintenance requirements; and • Whether the artwork too closely resembles a business logo, trademark or branding image and then is rejected as a sign. OTHER TEXT: ARTWORK ENCOURAGED IN BOYTNON BEACH (PAGE 12) The guidelines encourage • unique works of art made specifically for the owner's property in Boynton Beach through direct contracts with the artist(s); and • artworks fabricated in the United States of America. The guidelines encourage public art that has the following attributes • Appropriate art for the site with careful consideration of placement, landscaping and other surrounding elements; • Artwork expressing one or more of the diverse cultures of Boynton Beach; • Surprising and unexpected art; • An experience to be in, touch or interact with; • A powerful impact on city through size, prominent location, image, and/or multiple artworks: • Museum quality public art that is of high quality, approachable and inspiring. Text related to Artist and Artwork Criteria in the Draft Art in Public Places Guidelines for Property Owners adopted by the Art Advisory Board 2022. City of Boynton Beach. 5 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 14 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave STAFF REPORT Art in Public Places Proposal WXEL/South Florida PBS Cornelia T. Bailey Cultural Arts Center, South Congress Ave The Public Art Manager report reviews the artwork"Harmony" and the credentials of artist Patti Warashina for compliance with the Art in Public Places requirements and criteria established in the Code of Ordinances and Art in Public Places guidelines. The art and artist are also reviewed against the draft 2022 guidelines recommended by the Art Advisory Board for adoption by the City Commission. WXEL/ South Florida PBS is required to install artwork valued at or above$28,000 for the new Bailey Cultural Arts Center. Art Advisory Board Ordinance and 2005 Art in Public Places Guidelines Patti Warashina and her work meet and exceed the requirements for artist qualification based upon her national honors, awards and prestigious museum collections. The proposed sculpture "Harmony" matches the artwork for which she has received the honors and awards thereby exhibits "the highest quality of skill and aesthetic principles" as required. As the artist is not fabricating the sculpture, "Harmony" will be cast and painted by Blue Mountain Fine Arts who fabricate with quality workmanship and durability. Beyond quality, skills and durability,the Guidelines criteria include responsiveness to the site. The artwork reflects the many decades long commitment of WXEL to broadcasting the arts to Boynton residents and the new facility to enjoy the performing arts in person. The Public Art Manager recommends approval of Harmony by Patti Warashina. PROPOSAL • "Harmony" by artist Patti Warashina, Seattle,Washington • 12 Foot Sculpture of cast aluminum with epoxy painted surface. • Fabricated by Blue Mountain Fine Arts of Baker City, Oregon. • Placement in public garden space between the new Bailey Cultural Arts Center and South Congress Ave See attached submittal by WXEL/South Florida PBS ORDINANCE COMPLIANCE Compliance with the Text of the Code of Ordinance of the City of Boynton Beach, Part II, Section 27, Article II Boynton Beach Art Advisory Board. 1. Satisfying the Definition of Artwork "Art,Artwork, or Works of Art means tangible creations by artists exhibiting the highest quality of skill and aesthetic principles and includes all forms of the visual art..." All form of visual art accepted. Compliant August 10, 2023 Public Art Assessment Page 1 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 1 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 15 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave "Highest skill and aesthetic principles": "Harmony" matches the artist's work from the last 15 years that museums, galleries, American Craft Council and Smithsonian Institution have acknowledged as exhibiting the highest qualities of skill and aesthetic principles. Compliant. 2. Satisfying the Definition of Artist "Artist or Professional Artist means a practitioner in the visual arts, generally recognized by critics and peers as a professional of serious intent and ability. Indications of a person's status as a professional artist include, but are not limited to, " • "Income realized through the sole commission of artwork": Multiple public art commissions for Northwest USA cities and sales in private galleries for 50 years. • 'frequent or consistent art exhibitions": 50 years of exhibitions in galleries and museums including the major American museums for American crafts • "placement of artwork in public institutions or museums" o National Museum of American Art/Smithsonian Institution, Renwick Collection o Museum of Art and Design, New York City, NY o National Museum of Modern Art, Kyoto Japan o Incheon World Ceramic Center, Incheon, South Korea o American Museum of Ceramic Art, Pomona, CA o Mint Museum of Art, Charlotte, NC o Fredrick Weisman Museum, Minneapolis, MN o Los Angeles County Museum of Art, Los Angeles, CA o Seattle, Portland, Bellevue,Tacoma and University of Washington art museums • "receipt of honors and awards" o Two highest American awards for craft artists ■ 2022 American Craft Council Gold Medal Award ■ 2020 Smithsonian Visionary Award o Governor's Award of Special Commendation for the Arts, State of Washington o National Endowment for the Arts Award (1975, 1986, 2012) • "training in the arts": Masters of Fine Arts, University of Washington All criteria in Code of Ordinances for the artist are met. Compliant. 2005 GUIDELINE COMPLIANCE ARTIST "General criteria to consider in selecting artists for public or private projects should include" 1. The aesthetic and technical quality and originality of the artist's previous work as evidenced by slides and other supporting materials; a. See attached. 2. The artist's previous experience with public art projects of a similar scale and scope,- a. cope,a. Warashina recently completed work at same scale and materials for a private developer in the Seattle b. Blue Mountain Fine Arts will fabricate the sculpture. Blue Mountain has fabricated many cast sculptures at a similar scale for public artists. August 10, 2023 Public Art Assessment Page 2 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 2 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 16 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave 3. The artist's demonstrated ability to execute and complete a project in a timely and professional manner,- a. anner,a. Warashina has completed thousands of artworks for presentations in museums and galleries for more than 50 years. 4. The artist's ability to communicate ideas verbally and visually, and work effectively in a team environment,- a. nvironment,a. Warashina was an art professor at the University of Washington for more than 30 years. 5. The appropriateness of the artist's proposal to the particular project and its probability of successful completion,- a. ompletion,a. In discussion with the WXEL, Warashina imagined a sculpture that celebrates the performing arts 6. A wide variety of nationally known artists as well as local artists. a. Boynton Beach provides exceptional access to public art by Palm Beach County and Florida artist, but nationally known artists are more limited. Warashina joins Albert Paley and Ralfonso as artists recognized by major American art institutions. In the public art profession, Deedee Morrison, Matthew Placzek, David Dahlquist, Krivanek+Breaux, Guy Angelo Wilson and Andrew Kovacs and in Kinetic Art,Jeff Kahn, Jim La Paso and Edwin Cheong have excellent reputations. All criteria in Guidelines for the artist are met. Compliant. ARTWORK "General criteria for the Commission (now Art Advisory Board) or Developer to consider in selecting artwork for public or private projects should include:" 1. Quality:artwork demonstrates originality, artistic excellence, and quality,- a. uality,a. See "Artwork" above in compliance with Artwork in Code of Ordinances 2. Media:all visual forms and media may be considered, subject to the selection jury or the Arts Commission (Now Art Advisory Board) a. : Painted cast aluminum sculpture. Compliant. 3. Style:artworks of all schools, styles, and tastes should be considered a. : No restrictions on style,therefore compliant. 4. Response to Site:artworks and art places should be appropriate in scale, material,form, content, and value for the immediate, general, social, and physical environments with which they are to relate; a. The site is the new Bailey Cultural Arts Center where WXEL viewers and all Boynton residents and students can attend performances of music and readings, lectures and discussions and the immersive environment of the digital walled "igloo". The Cultural Arts Center confirms the role of WXEL as the primary South Florida provider of arts, culture and educational programming on television, cable and the internet. The figure holding her baton and musical note and sitting on the globe identifies this role of WXEL and the new Center. b. The artwork enhances the new exterior garden space, welcomes visitors to the Cultural Arts Center with many music performances, provides an aesthetic accent for drivers and August 10, 2023 Public Art Assessment Page 3 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 3 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 17 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave pedestrians on South Congress and appeals to the WXEL audiences of children, parents, seniors and life-long learners. According to WXEL,Warashina has been loved by children for its playful qualities and admired by adults for its aesthetics. 5. Team Approach:The landscape architect has adjusted the plants and lighting to highlight the sculpture. 6. Durability:consideration should be given to structural and surface integrity,permanence, and protection against theft, vandalism, weathering, excessive maintenance and repair costs; a. The aluminum and automobile/epoxy paint are preferred materials for South Florida humidity, salt and sun. The aluminum is resistant to corrosion. The paint surface can be cleaned and protected with wax on a regular basis. Vandalism with a hammer, knife or spray paint can be repaired. 7. Elements of Design:consider that public art, in addition to meeting aesthetic requirements, may also serve to establish focal points, terminate areas, modify, enhance, or define specific spaces or establish identity,- a. dentity,a. As in the response to site above,the work serves the site a focal point and help identify the cultural activities of the Bailey Cultural Arts Center. 8. Public Liability:artworks and art places should be examined for unsafe conditions or factors that may bear on public liability,- a. iability,a. With the required hurricane wind engineering,the raised platform and the smooth and rounded sculpture surfaces,the sculpture should be safe for public accessibility. 9. Diversity:strive for diversity of style, scale, media, artists, community values,forms of expression, and equitable distribution of artworks throughout the City. a. "Harmony" increases the diversity of artwork in the City. In Boynton Beach,the artwork will be the first by a Japanese American artist,the first modern style figurative sculpture, the first from Northwest USA artist and the second by a nationally honored craft artist. In the form of a music conductor,the sculpture responds to the thousands of students and adults in City of Boynton and south Palm Beach County who are or have performed in choirs, choruses, concert bands, marching bands and orchestras. b. The South Congress area has two artworks in Barrier Free Park and a student painted mural at Congress Middle School. None of these artworks can be seen from South Congress Ave. c. Artwork by Warashina will be the second by a woman from outside Florida and joins George Gadsen,Tracy Guiteau, Edwin Cheong and Dana Donaty as artists with diverse ethnic heritage. All criteria in 2005 Guidelines for the artwork are met. Compliant. August 10, 2023 Public Art Assessment Page 4 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 4 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 18 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave 2022 DRAFT GUIDELINE COMPLIANCE REVIEW CRITERIA As per the Art in Public Places program, the proposal will be evaluated on the following: •Appropriateness of the artwork to the site and site environmental conditions; See 2005 Guideline Criteria above. • Maximum visual accessibility to pedestrian or vehicular traffic; Location for visual accessibility approved by Art Advisory Board on July 14, 2022 • Quality of the artwork; See 2005 Guideline Criteria above. • Maintenance requirements;and See 2005 Guidelines Criteria "Durability" above and questions answered by Blue Mountain Fine Arts in the submittal • Whether the artwork too closely resembles a business logo, trademark or branding image and then is rejected as a sign. Artwork does not resemble a logo,trademark or brand. Artwork satisfies Review Criteria in the Draft 2022 Guidelines. ENCOURAGED ARTWORK The guidelines encourage • unique works of art made specifically for the owner's property in Boynton Beach through direct contracts with the artist(s), and Artwork made by the owner for site through contract with the artist • artworks fabricated in the United States of America. Artwork to by fabricated in Oregon The guidelines encourage public art that has the following attributes • Appropriate art for the site with careful consideration of placement, landscaping and other surrounding elements, Entrance to garden and landscaping designed for the sculpture. • Artwork expressing one or more of the diverse cultures of Boynton Beach; Artwork reflects attributes of Japanese culture by a Japanese-American artist • Surprising and unexpected art, Surprising as only one of four public sculptures by Warashina in the USA • An experience to be in, touch or interact with; Music will accompany the sculpture to enhance the experience • A powerful impact on city through size, prominent location, image, and/or multiple artworks: Powerful impact of the garden. Not necessarily to City. • Museum quality public art that is of high quality, approachable and inspiring. Similar works by Warashina in many museums. All criteria in 2022 Draft Guidelines for the artwork are met. Compliant. August 10, 2023 Public Art Assessment Page 5 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 5 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 19 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave Addendum on the Honors for Patti Warashina Highest Honors in American Craft In the USA,two prominent American institutions recognize the work of living artists in crafts as part of American heritage.The American Craft Council and the Smithsonian Institution have bestowed the Gold Medal and Visionary Award respectively on Patti Warashina. Related to Boynton Beach, Albert Paley has received both honors. Smithsonian Institution Established by the US Congress in 1846,the Smithsonian Institution is the world's largest complex of museums, education and research centers. Since the 1960s,the Smithsonian has built and manages six museums of art and culture on the Mall in Washington, DC. The Smithsonian Visionary Award Presented by the Smithsonian Institution and the Smithsonian Women's Committee "The Visionary Award, established in 2014, is presented annually at the Smithsonian Craft Show to artists who are deemed by curators and experts in the field to have risen to the pinnacle of sculptural arts and design, who have works in major museums, and who have demonstrated distinction, creativity, artistry, and of course, vision in his or her respective medium." Nine artists have received the award. Warashina in 2020. Paley in 2014. American Craft Council Since its founding in 1939,the Council has been the primary national American organization representing artists working in the genre of contemporary craft. College of Fellows Since 1975, "the American Craft Council has recognized people who have made an outstanding contribution to the crafts in America by awarding the distinction of Fellow of the Council." In 48 years, 325 American artists have been elected to the College of Fellows. Warashina and Paley were elected to the College in 1994. Gold Medal for Consummate Craftsmanship "Every two years, one or more Fellows are recognized as Gold Medalists, an award for a lifetime of achievement. It is the highest award given by the Council. Gold Medal awardees represent the extraordinary among afield of elite craftspeople. The significance cannot be overstated, and the value of material related to the individuals has proportional importance to the preservation and scholarship of American craft."Gold Medals have been awarded to 53 American artists since 1981. Warashina in 2022, Paley in 2010. August 10, 2023 Public Art Assessment Page 6 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 6 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 20 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave Patti Warashina Public Art Projects £ S t � ! — r � -- -- .l 1 Performing Arts Theater, Bellevue, WA 1994 Downtown Street, Portland, OR, 2009 h r rtrr` ` t,.lt, �il l,•'=3��, ti t r" � � �}'��t F��i r� c �� % ��S'k. :�f s Sr r 5�� r t SJr �1��,,,��?��r�➢f _, a s s t �7 117 cl�� trr�2� �l-`1 IliiirtSS}iii (r f� r,� w YS�4�� s�U� �l��t��pdRy}lltt!`YkfS y ,a r - i Vulcan Properties, Seattle,WA, 2022 August 10, 2023 Public Art Assessment Page 7 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 7 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 21 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave Recent Sculptures by Patti Warashina 47 KU J �t f August 10, 2023 Public Art Assessment Page 8 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 8 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 22 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave The SCULPTURE Possible Interpretations and Sources of Meaning The Globe Music is known as the universal language—therefore the globe. Even if you can't speak the language, people can enjoy the same music. The Conducting Conductors and music directors bring people together through music especially to sing. A very high percentage of Americans have harmonized in choirs, played in school bands or sang at rock concerts. The Harmony Harmony is a significant positive goal for human relationships. Depending on a person's age and experience they might remember the CocaCola commercial "I'd Like to Teach the World to Sing (In Perfect Harmony)". Or"Let us walk with each other in perfect harmony" from the song"Let There Be Peace on Earth." Or"Lift every voice and sing till earth and heaven ring, ring with the harmonies of Liberty;..."from "Lift Every Voice and Sign" The Red Make-Up: Japanese Kabuki Theater Note: Warashina has not made this reference in the materials that I have seen. As the use of red on the sculpture was questioned, I believe our questioning comes from European sculpture and theater that uses natural color on the face. In the Japanese ' s Kabuki and Noh theater, red and black are the " dominant make-up colors. Consistently for � }n centuries red eye shadow and red lips have v been applied over a very white pancake. The white frequently has a light powdering of red in various locations. The make-up pattern can be seen in 200-year-old woodblock prints and contemporary productions of Kabuki. At the Morikami Museum in 2022,the museum featured four 'mm Japanese American Floridians and one Vietnamese American. The same white pancake, red eye shadow, red lips and redy dusting can be seen in the work of three of these contemporary � � artists. (Images available) �W 111 August 10, 2023 Public Art Assessment Page 9 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 9 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 23 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave 12 foot tall Statues. Rare to Experience With an internet search of statues of people or gods around the world, I learned that ground-level statues at 12 to 15 feet are rare. As a cultural tourist myself, I can hardly remember any experiences with this scale. Most ground-level statues of people are actual size or just a little bigger or smaller. If not actual size,the scale jumps to the monumental such as the Statue of Liberty or roadside Paul Bunyan. Examples by Height *Nike (Winged Victory) of Samothrace in the Louvre; 9 feet tall. Larger Mayan Stelae, Central America: 10 to 13 feet George Merrick, Coral Gables 12ft on 6 ft base *Justice by Alison Saar, Low Angeles, 12 feet on ground Adam & *Eve by Botero, Colombia, 12 feet on 3 feet base Average Easter Island Sculpture: 13 feet tall Elephanta Caves Guard Sculptures, India: 13-18 feet James Simon Statues,Tampa and Pittsburgh: 15-16 feet Iwo Jima Memorial: 15 to 18 foot tall soldiers Larry Bird, Indiana: 17 feet of 1 foot base David by Michelangelo: 17 feet tall on a six foot base Thomas Jefferson Memorial: 19 feet tall on the 6 foot fr,¢ base Lincoln Memorial. 19 feet tall. Lincoln would be 28 feet tall standing r � A Warn Embrace, Britto, Miami Beach: Guessing 30 °S feet FYI: Columns in the entrance to the Arts& Cultural Center are 13 feet tall. Three-Graces by Niki-de-Saint-Phalle, 12-14 feet *The Harp by Augusta Savage: 14 foot tall figure on two foot base A World of Possibilities by Viola Frey, 10ft& 12 ft on ground Statues with Color: Rare to See too. In American and European sculpture, color was absent for centuries. (Ancient sculpture in the eastern Mediterranean and other sculpture in Central America and much of Asia has been very colorful) In the USA, ceramic artists after WWII began to make larger and larger human figures in clay with multi- colored glazes. Patti Warashina was part of this American art movement. More recently, artists like Mario Britto and Friends with You have added color to statues across south Florida made of painted metal and inflatables. Of course, Disneyworld has its fiberglass cartoon characters "in living color." August 10, 2023 Public Art Assessment Page 10 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 10 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 24 EXHIBIT D Staff Report: Art in Public Places Proposal for WXEL Bailey Cultural Arts Center, South Congress Ave Skinsuits: 21st Century Attire Some concern was suggested about nudity even if the sculpture matches some bathing suits at Ocean Front Park in Boynton Beach. Harmony's surface is composed of black rectangles on a white background that could be a skinsuit. Lycra fan skinsuits covering the entire body have beenv adopted by Olympic sports like swimming, - gymnastics and speedskating. Superhero costumes are a regular part of TV and movie . (r It ,� viewing for all ages. Every conceivable graphic ,� t pattern can now be purchased. Skin-tight leggings and tops are seen on people in many leisure locations like malls, parks, restaurants and backyard BBQs. Gosho Ninyo Note: Warashina has not made this reference in the materials that I have seen. In the last 400 years in Japan, an art form has existed called Gosho Ninyo or palace dolls. These joyfully fat babies and toddlers sculptures match many of the " qualities in Harmony and hundreds of smaller '` sculptures by Warashina. The dolls are ceramic with, y'��14��s� � an all-white surface. The lips are bright red and the eyes are small. The nude dolls are partially covered for modesty with a cloth resembling a one-piece �u� swimsuit or large bib. The proportions of the head, limbs,feet and hands are anatomically incorrect as the artist exaggerates the figures to enhance the aesthetic and joy. August 10, 2023 Public Art Assessment Page 11 PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 11 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 25 EXHIBIT D SOUTH FL .. IDA, OPBS BOARD OF DIRECTORS SOUTH FLORIDA PBS OFFICERS Public Artwork Acquisition Michael J.Zinner,M.D. Chair Artwork Title: Harmony Artist:Patti Warashina(b. 1940) Peter L.Bermont Medium: Cast aluminum with epoxy-painted surface Immediate Past Chair Scale: 15' x 7' x 7',inclusive of an 18"planter and an 18"concrete base.Music will emanate from within the base. David C.Prather,Esq. Location: In raised triangular planter at the front of the building. This space had previously been Chair Elect identified with tiles but is being redesigned to have foliage around the artwork.This will create a raised Leonard Klorfine barrier so viewers will be able to walk around the artwork,but not touch the artwork. Vice Chair Lighting: To be finalized.The sculpture will likely be lit from below at night. Lisa Mendelson Patti Warashina was chosen by a Leadership committee and approved by the Board of Trustees of Vice Chair South Florida PBS. Her whimsical sculpture will ignite the imaginations of all viewers, specifically Charles M.Tatelbaum young children, and encourage them to engage with music. Vice Chair Art Acquisition Mission: Nicholas Perricone,M.D. South Florida PBS art acquisitions will stimulate creativity and artistic exploration,sparking the Secretary imaginations of children and adults.Artwork will be used to inspire, educate,and engage viewers in the vibrant cultural ecosystem,through identifiable imagery that speaks to its diverse community. Susan M.Mansolillo Treasurer South Florida PBS is a trusted and beloved community leader,therefore artwork chosen will align with its core pillars:Kids&Education;Arts,Music&Culture;Environment& Science;Health& (RECTORS Wellness; and Civic Engagement. Artwork will invite educational opportunities for people of all ages, Sandy Batchelor abilities,and backgrounds.Visual art and sound will be used as constructive tools for engagement and Fred Berens creativity. Irving Bolotin Approach: Mark W.Cook The outdoor entry sculpture will visually represent the positive influence of music on one's well-being Margaret Eidson,M.D. and creative self. George T.Elmore Timeline: Harvey A.Goldman The extensive fabrication process will take approximately two years. An installation date will be David L.Jaffe,Ph.D. determined in approximately one year. Michele Kessler Process: Carolina Lanao A diverse and eclectic group of artists nationwide were considered for this project. Each artist had Elizabeth Nabel,M.D. experience at different levels in the public realm. Of high interest were artists who combine imagery Tony Newbold that would engage the imaginations of young viewers.After review by the Leadership of South Florida PBS,a short list was identified and asked to present designs.This included an artist in Florida,as well Daniel E.Ponton as artists in other regions of the United States. Handel R.Robinson,M.D. Heather Rohan Laurie Silvers Essie Yates,M.D. Dolores Fernandez Alonso President&CEO 1.877.772.7867 Miami—Dade Palm Beach 800 S.Douglas Road,Suite 205 3401 S.Congress Avenue Developlihlafit�p8b ftl ilaMbPOIS"osah✓i rnWXEL3bk$'�3VAgressAve Boynton Beach,Fl,33426-8401 12 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 26 „ 4 L , S y� , } i r �f l�} .,, /{it lt:ll-, v r s A it >a 'v� ,1, >�l, .� ,r,•- r 4 ,t tJ � ii tTN\tf ii#yr{it t }t � 11kl1�y#s iti 4 s r t,'y r t r x < t t UlA . s ! r y s 7 ! r s ��t, � •;�, i �, t rr,,,,,t,, ,r t��,�fr3��r � `,,y,t} , , t t��t ,r�#s yr{ t 1 v t(ti,+ Sirs 3(t ))$ 7 1 E L, W N X STM, 4 >f r �N � r v N N � N .N U ui rn Y W c o � — Q t= '^" N -6 all 0 N t O O (n N N EXHIBIT D PRE LI M I NARY ARCH ITECTU RAL RE N DE RI NGS CORNELIA T.BAILEY CULTURAL ARTS CENTER MAIN ENTRY-FACING .r^ i lH, x i _ C �E r SOUTHEAST PRELIMINARY ARCHITECTURAL RENDERINGS yi r ^r� S� 1i :I 'LTL hv� 6' 1l{ 4— IA � i p "ss 1fkSmil �� '. � rnrnn�orataBSY�� >r v' ' NTER U)B VE �Y d �' i iii is r S ARTS Si11C110 11 71, '�� I4R9SzE, c, 5 ) I' v f CORNELIA T.BAILEY CULTURAL ARTS CENTER OVERALL FLOOR PLAN aTMIT PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 15 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 29 EXHIBIT D PRELIMINARY ARCHITECTURAL RENDERINGS r h s- ��vl• w o .r.v,.4, ,t'4 NEI CORNELIA T,BAILEY CULTURAL ARTS CENTER sJ`s� PATIONOHTHWEST t �, SE.CIJFi.IU— VESTISUt lilt)� `cam zY a, •,r { COMMON LOBBY } �� u� )�i{�t�� 'R 1�'`�`" ��its v ��'arU �� • ,��,�z� PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 16 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 30 117 EXHIBIT D G 1 J i r 11A f aI f 4 ', I ( F ... f a 4 , f � s � � .7— f r I , d `* ' I r " I fiF F PBS South Florida Artwork Proposal for WXEL on S Congress Ave 17 August 10 2023 Art Advisory Board Agenda Package (Missing June Minutes 31 r , ee ( � f i r I t � s t _a, I. 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Painted cast aluminum Location: Westlake & Republic Streets, Seattle, WA dip- . tit Invited by: Vulcan Real 7 t Estate, Seattle, WA 4� tts= r Started: 2019 Installed: 2022 vY Statement: The female figure in "Dreamer" lies on on a "dock" on her tstomach, hands on chin, knee bent. A fish in the water looks at her while one . rests on her feet. She appears to be pondering the purity of nature, and is meant to provide calm to any and all gazing upon her. 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J S7S .at a, glyso �� tial M �'N1i�;Sli�\}lit t i i 91P�?' - ��V i� rt,,,: rt � t ppa "DIV ,, EXHIBIT D } 't �40 �tV)� « Jjf l Y,� izt i is � �irrri 4; F )r Ir it i �is�Zys�rr�yii s' Irttirr�sl��rl�t� �� i"; r South Florida Artwork Propgsg',� August 10 2023 Art Advisory Bor, ir Pa ,n r i is,�� ' Si C 1tti5 EXHIBIT D s CARE & MAINTENANCE OF PAINTED CAST ALUMINUM "Harmony" is a cast aluminum sculpture and has an epoxy painted surface that is very durable and similar to automotive paint. The following paint system is what is used on "Harmony" 1. Tnemec Catalytic Primer (#161); 2. Tnemec Fluoronar (#1070); 3. Tnemec Clear Coat (#1076). The performance of"Tnemec" products is excellent for surface stability and color fastness. "Fluoronar" is the top-of-the-line color coating, and the clear coat offers an added layer of protection against color fade. Maintenance schedule: Wash and clean the painted surfaces on a semi-annual basis to remove typical atmospheric deposits, dirt, grime, bird droppings, etc. The painted surfaces should be hand-washed with a mild solution of"Envirotex Zyfo Cleaner"(non-ionic cleaner), water and soft cotton rags. Avoid using any abrasives or coarse brush scrubbing during these cleanings. If staining or graffiti appear on the painted areas, avoid solvents and harsh chemicals. It is recommended to use Meguires#4 heavy cut cleaner (liquid rubbing compound) applied with soft cotton rags and hand-rubbed to remove any blemishes. A final hand-applied coat of"Meguire's Mirror Glaze 26 Hi-Tech wax" should be included in any annual maintenance procedures for all painted surfaces. If the paint is ever seriously compromised down to bare metal, both the primer and color coats can be field repaired by brush or roller application. For maintenance questions on "Harmony" you can contact Blue Mountain Fine Art by phone at 541-523-3001 or email at bluemountainfineart@msn.com. A local art conservator could be another resource for maintenance issues as well. d C r /� tti nu - [,rlp 'i Ciba 'fir 07 _L F4 'South Fonda Artwork ropog6i�or- ' L on S. Congress/eve August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 47 EXHIBIT D Conservation Plan Follow-up Questions: 04/28/23 Dena Rigby: Am I reading it correctly that it should be hand washed twice a year, and waxed once a year? Travis Fouts, BMFA (Fabricator Supervisor): The cleaning twice a year and waxing once a year is what we recommend. D. Rigby: Should they expect any color fading over time? T. Fouts The percentage of color fade is something I can't put a number to. This paint is like automotive paint so yes over twenty years the paint is going to degrade very slowly over time. D. Rigby: Are there any joints/connections that will be particularly vulnerable to weight and should be considered "fragile?" Patti mentioned concern over the wand having a tarp over the piece if they wish to wrap it for protection during a major storm. T. Fouts: No concerns from us on any joints or connections. If they were to wrap the piece for protection, they would want to make sure it's wrapped tight like some sort of boat wrap shrink wrap. If the covering is loose at all in the wind it could damage the paint. D. Rigby: I thought Patti might have said the base would be steel versus aluminum. Will the base attachment to the concrete be painted? Will that need any recoating with a special paint to keep it sealed? T. Fouts: The base will cast aluminum unless Patti or the engineer specifies. The base attachments will be stainless steel threaded rods that are epoxied into the concrete so not maintenance is required for this. PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 34 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 48 EXHIBIT D PATTI WARASHINA pat.wara@comcast.net http://pattiwarashina.com BORN: March 16, 1940 EDUCATION: 1958-62 University of Washington,Seattle,WA B.F.A. 1962-64 University of Washington,Seattle,WA M.F.A. AWARDS& GRANTS: 2022 American Craft Council Gold Medalist, Minneapolis, MN 2021 The Meloy Stevenson Award of Distinction,Archie Bray Foundation, Helena, MT 2020 Smithsonian Visionary Artist Award,Washington, DC 2019 Commission for Private Outdoor Sculpture("Dreamer"). Installed March 15,2022.Seattle,WA 2018 United States Artist Fellowship, United States Artists,Chicago, IL 2014 Distinguished Educator Award,James Renwick Alliance/Smithsonian American Art Institution,Wash., DC 2012 National Endowment for the Arts Award 2012 Timeless Award, University of Washington,Seattle,WA 2011 Legends Award,Watershed Center for the Ceramic Arts, Newcastle, ME 2009 Award for Northwest Sculpture Collection,TriMet PublicArt Program, Portland,OR("City Reflections") 2009 Regis Masters Award&Exhibition, Northern Clay Center; Minneapolis, MN 2008 Voulkos Fellow Award,Archie Bray Foundation, Helena, MT 2008 PONCHO Artist of the Year Award(Northwest Artist), Morrie&Joan Alhadeff,Seattle,WA 2003 Distinguished Alumna Award, University of Washington,College of Arts and Sciences,Seattle,WA 2001 Lifetime Achievement Award/Woman of the Year(Twining Humber Award),Artist Trust,Seattle,WA 2001 Invited as visiting artist for a cultural exchange,as part of the World Ceramic Exposition in Incheon,South Korea. 1992 Honor Program Award/Commission, King County Arts Commission,Seattle,WA("Mercurial Miss") 1992 Arts/Humanities and Social Sciences Faculty Scholar Award, University of Washington,Graduate School Fund 1986 Northwest Special Collections Award Commission,Seattle Arts Commission 1%for the Arts, Portable Works Collection,Seattle,WA("A Procession") 1986 National Endowment for the Arts Award 1980 Governor's Award of Special Commendation for the Arts,Olympia,WA 1978 World Craft Council Travel Grant,Japan/United States Friendship Committee,and Ford Foundation Grant (traveled to Japan, Hong Kong,Thailand,Singapore, Bali,and Philippines). 1975 National Endowment for the Arts Award 1972 University of Washington Graduate School Research Fund. HONORS: 2016 "2016 Patti Warashina Award for Emerging Artists,"Museum of Northwest Art, LaConnor,WA 2013 50-Year Retrospective Exhibition, Bellevue Art Museum, Bellevue,WA 2012 50-Year Retrospective Exhibition,American Museum of Ceramic Art, Pomona,CA 2007 Archives of American Art,Smithsonian Institution,Oral History Interview, Nanette Laitman Documentation Project(Interviewed by Doug Jeck). 2006 Elected Honorary Member of the National Council on the Education for Ceramic Arts(NCECA) 2005 Artist Images Series Featured Artist, University of Washington Libraries,Seattle,WA PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 35 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 49 EXHIBIT D 2001 Invited to give a series of presentations as part of a cultural exchange sponsored by China Worker's Center for International Exchange(CWCIE).Traveled to Shanghai,Yixing, Beijing,Xian, Hong Kong. 1994 Elected Member to American Craft's"Council of Fellows,"New York City, NY 1994 Archives of American Art,Smithsonian Institution. Personal"lifetime"papers collected. 1991 29-Year Retrospective Exhibition, Bellevue Art Museum, Bellevue,WA 1983 Elected Member, International Academy of Ceramics, UNESCO,Geneva,Switzerland 1980 Governor's Award of Special Commendation for the Arts,Olympia,WA SOLO EXHIBITIONS: 2022 Patti Warashina, Marmot Art Space,Spokane,WA 2022 Patti Warashina, Perkins Coie Law Offices,Spokane,WA 2019 Patti Warashina:Approaching a Clay Narrative,Otterbein University,Westerville,OH 2018 Patti Warashina:Transitory Conversations, Mesa Contemporary Arts Museum, Mesa,AZ 2016 Thinking Clearly,Abmeyer+Wood Fine Art,Seattle,WA 2014 Patti Warashina:Scrutiny, Davidson Gallery,Seattle,WA 2013 Patti Warashina:Wit& Wisdom,50-Year Retrospective, Bellevue Art Museum, Bellevue,WA 2012 Patti Warashina:Wit& Wisdom,50-Year Retrospective,American Museum of Ceramic Art, Pomona,CA 2010 Patti Warashina:Conversations, Howard House Gallery,Seattle,WA 2009 2009 Regis Masters Exhibition, Northern Clay Center, Minneapolis, MN 2006 Northwest Print Center, Portland,OR(2 person) 2006 Bridge 9,Society for Contemporary Crafts, Pittsburgh, PA(3 person) 2004 Patti Warashina:Real Politique, Howard House Contemporary Art,Seattle,WA 2004 Patti Warashina, Loveed Fine Art,Gallery Pahk, New York City, NY 2004 Patti Warashina:Recent Works,Jundt Art Museum,Gonzaga University,Spokane,WA 2001 Patti Warashina:Mile Post Queens, Howard House Contemporary Art,Seattle,WA 1991 Patti Warashina:Ceramic Sculpture 1962-91,29-Year Retrospective, Bellevue Art Museum, Bellevue,WA SELECTED EXHIBITIONS: 2018 On The Edge,works from permanent collection of the Seattle Art Museum,Seattle,WA 2018-19 Familiar Faces&New Voices:Surveying Northwest Art,from permanent collection of Tacoma Art Museum, Tacoma,WA 2017 From Funk to Punk: Left Coast Ceramics, Everson Museum of Art,Syracuse, NY 2017 BC to BC:Contemporary Ceramics from Baja California to British Columbia,San Diego Art Institute,CA 2017 Bodies&Beings:An Invitational Exhibition of Figurative Sculpture,Abmeyer+Wood Fine Art,Seattle,WA 2017 Women Working With Clay, Eleanor D.Wilson Museum at Hollins University, Roanoke,VA 2016 NCECA Honors&Fellows Exhibition"(50th Anniversary). Leedy-Voulkos Art Center, Kansas City, MO 2016 Ceramics A to Z:AMOCA's Permanent Collection,American Museum of Ceramic Art, Pomona,CA 2016 Seattle Art Fair,Century Link Field Event Center,Abmeyer+Wood Fine Art,Seattle,WA 2016 Matched Makers: Northwest Artist Couples, Museum of Northwest Art, LaConnor,WA 2014-17 Inciteful Clay..Three-year,nine-city tour of the work of 26 ceramic artists who use their medium"to issue provocative critiques of current social and political inequities." 2015 Divergent Currents:The Ripple Effect of Japan on American Ceramic Artists,Clay Art Center, Port Chester, NY 2013 The Price of Freedom,Walkers Point Center for the Arts, Milwaukee,WI 2012 ArtPalmBeach, Loveed Fine Arts, New York, NY,West Palm Beach Convention Center, Palm Beach, FL 2012 Marks:Sculptors in Two Dimensions,Washington State Convention Center,Seattle,WA 2012 Around the Bend and Over the Edge:Seattle Ceramics 1964-1977, Henry Art Gallery, University of Washington,Seattle,WA 2012 Without Boundaries:Transformations in American Craft,Craft Alliance Gallery,St. Louis, MO 2011 Seattle As Collector:Seattle Office of Arts&Cultural Affairs Turns 40,40th Anniversary Exhibition at the Seattle Art Museum,Seattle,WA PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 36 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 50 EXHIBIT D 2011 From the Center to the Edge:Celebrating 60 Years of Creativity and Innovation at the Archie Bray Foundation, Helena, MT 2010-11 First Biennial Clay Throw Down, Bellevue Art Museum, Bellevue,WA 2010 ArtPalmBeach, Loveed Fine Arts, New York, NY,West Palm Beach Convention Ctr.,West Palm Beach, FL 2010 L.A.Art Show,American Museum of Ceramic Art, Pomona,CA, LA Convention Center, Los Angeles,CA 2010 Show of Hands-Northwest Women Artists 1880-2010,Whatcom Museum at the Lightcatcher, Bellingham,WA 2009 Tell Me a Story:Contemporary Narrative Ceramics, University of Northern Iowa,Cedar Falls, IA 2009 International Ceramics Invitational 2009,Armory Art Center,West Palm Beach, FL 2009 Large Ceramics:Selections from the Permanent Collection,Arizona State University Art Museum& Ceramics Research Center,Tempe,AZ 2007-09 Craft in America: Expanding Traditions(seven-city traveling museum Exhibition). 2007 Form and Imagination:Women Ceramic Sculptors,American Museum of Ceramic Art, Pomona,CA 2006 Natural Elements:Selections from the Permanent Collection,Contemporary Crafts Museum, Portland,OR 2006-07 Human Form in Clay-The Mind's Eye,international exhibition,Shigaraki Ceramic Cultural Park, Shigaraki,Japan.Also traveled to Museum of Ceramic Art, Hyogo,Japan. 2005 Diverse Domain:Contemporary North American Ceramic Art,Yingge Ceramic Museum(YingKo Museum), Taipei County,Taiwan. 2004 Contemporary American Ceramics(1950-1990).Traveling exhibition sponsored by the National Museum of Modern Art, Kyoto,Japan. 2004 Bare Clay:Ceramic Nudes in 20th Century Art,Garth Clark Gallery, New York City, NY 2003 The Legacy of Modern Ceramic Art, Part II: Modern Ceramic Art from an International Perspective, Museum of Modern Ceramic Art,Gifu,Japan and Ceramic Cultural Park, Mino,Japan. 2003 21st Century Ceramics in the U.S.and Canada,Columbus College of Art and Design,Columbus,OH 2002 Clay Body Rhetoric:Ceramic Figures of Speech, Beach Museum of Art, Kansas State University, Manhattan, KS 2002 Northwest Masters:Selections from the City of Seattle Portable Works Collection, Bank of America Tower City Space/Seattle Art Gallery,Seattle,WA 2002 Shaping the Future with Earth,World Contemporary Ceramic Exposition 2002, Incheon,South Korea. 2001 USA Clay,Smithsonian American Art Museum, Renwick Gallery,Washington, DC.Selections from the Allan Chasanoff Ceramic Collection, Mint Museum,Charlotte, NC. PUBLIC ART COMMISSIONS: • "Dreamer"(2022),Vulcan Real State,Seattle,WA. Installed 3122 • "City Reflections"(2009),Tri-Met Public Art Program Award, Northwest Sculpture Collection, Portland,Transit Mall, Portland,OR • "Mercurial Miss"(1994), King County Arts Commission, 1992 Honors Award, Meydenbauer Convention Center, Bellevue,WA • "A Procession"(1986),Seattle Arts Commission,Seattle's Northwest Special Collection,Washington State Convention Center,Seattle,WA PUBLIC COLLECTIONS: (Selected): • Vulcan Real Estate,Seattle,WA • Everson Museum of Art,Syracuse, NY • National Museum of Modern Art, Kyoto Japan • American Museum of Ceramic Art, Pomona,CA • Northwest Museum of Arts&Culture,Spokane,WA • Incheon World Ceramic Center, Incheon,South Korea • American Museum of Art and Design, New York City, NY • Mint Museum of Art,Charlotte, NC • Art Gallery of Western Australia, Perth Cultural Center, Perth,Australia • National Museum of American Art/Smithsonian Institution, Renwick Collection • Fredrick Weisman Museum, University of Minnesota, Minneapolis, MN PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 37 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 51 EXHIBIT D • Los Angeles County Museum of Art, Los Angeles,CA PUBLIC COLLECTIONS (Cont'd): (Selected): • Seattle Art Museum,Seattle,WA • Tacoma Art Museum,Tacoma,WA • Arizona State University Art Museum,Ceramic Study Center,Tuscon,AZ • Museum of Art&Design, NYC • Microsoft Corporation, Redmond,WA • John Michael Kohler Art Center,Sheboygan WI • Racine Art Museum, Racine,WI • Jundt Art Museum,Spokane,WA • University of Washington,Suzzallo Library,Seattle,WA • University of Washington, Meany Hall for the Performing Arts,Seattle,WA • Honolulu Museum of Art, Honolulu, HI • Portland Art Museum,Gordon Gilkey Print Collection, Portland,OR • Portland Art Museum, Portland,OR • Arkansas Art Museum, Little Rock,AK • Henry Art Gallery, University of Washington,Seattle,WA PUBLICATIONS: • Patti Warashina,John Natsoulas Publishing. Hardbound. 2021 • Patti Warashina,John Natsoulas Publishing. Softbound.2019 • "Patti Warashina,"HEY! Magazine,Art and Pop Culture,Anne de HEY!,No.4,Season 2,Sept,2018 • Warashina, Patti(b.1940), HistoryLink.org,Sheila Farr(online encyclopedia of WA State history),2017. • "Savage Style:Two artists who tackle serious subjects with eccentric wit".Seattle Times, May,2016. • Review of"Thinking Clearly"exhibit at Abmeyer+Wood Fine Arts. • art ltd.;"Patti Warashina:"Scrutiny"at Davidson Galleries,"by Matthew Kangas, Mar/Apr.2014. • Wit and Wisdom are baked into Patti Warashina's Art",Seattle Times, Michael Upchurch.July,2013. • "A mesmerizing spin with ceramist Patti Warashina,"Los Angeles Times,Scarlett Cheng,Sept,2012 • "Patti Warashina:Wit and Wisdom"(2012).American Museum of Ceramic Art, Pomona,California, Martha Kingsbury. 165 pages with over 60 full-page and over 100 smaller color images. • "The Irrational Exuberance of Patti Warashina,Sculptor,"Kerameiki Techni, Ronald Kuchta and Matthew Kangas. 12-page feature article,Cover photo and 37 color photos,2002. • "Patty Warashina's Secrets"by Matthew Kangas,American Ceramics,Vol. 13,(#3)Spring 2000 • "Intimate Immensity: Recent Works by Patti Warashina"by Glenn Brown,62-page catalog for exhibition at Texas Tech University, 1996 • "Patti Warashina—Ceramic Sculpture 1962-1991",Catalog for Bellevue Art Museum 29-Year Retrospective,Vicki Halper, 1991. • "Ceramics in the Pacific Northwest:A History"by LaMar Harrington, UW Press, 1979 VIDEOS: • "Patti Warashina:Artist". Produced by John Forsen, Fidget.tv. Interviews with Patti about her careerand work. Filmed on three separate occasions from 2009 to 2012,leading up to her 50 year retrospectives. • "Patti Warashina: Inside the Studio of a Ceramic Sculptor", Bellevue Art Museum, 1991 PROFESSIONAL AFFILIATIONS: 2010-2019 Archie Bray Foundation, Board Member 1970-1995 University of Washington,Seattle,WA(Retired 1995, Professor Emerita) 1968-69 Cornish School of Allied Arts,Seattle,WA 1965-68 Eastern Michigan State University,Ypsilanti, MI 1964-65 Wisconsin State University, Platteville,WI PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 38 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 52 EXHIBIT D Addendum to WXEL Proposal for Harmony Description: This is a free-standing sculpture of an abstract female figure in cream, black, and light red, sitting atop a cream and red sphere. The figure has the appearance of an acrobat/dancer,with her arms raised holding a red conductor's baton in her right hand and a black musical note in her left hand.The figure has a whimsical short hairstyle, denoting motion or movement that wraps around the crown of her head. Her facial features are in the artist's signature style, denoted with light red for all features except for her eye color, which is black. Her eye shape suggests the figure is of Asian descent. Her left eyebrow is raised and she smiles as she casts her gaze downward.The figure wears what appears to be a unitard or full-length body suit,that has geometric black rectangles, her shape below her dress is denoted with two lines representing her chest area and her waist. Her knees are bent, and her feet wrap around the edge of the sphere.The sphere has red latitude and longitude grid lines. Please find below important information about what Patti has said in her proposed design: "This female figure, "clothed" in abstracted rhythmic musical scores, is conducting an imaginary orchestra for a universal audience, while sitting on a speaker box that emanates music. "This female figure is conducting celestial music to the world as a way to assemble a global audience, while balanced on the planet Earth." "On my travels, I have often encountered historical sculptures of large and sometimes monumental scale (see photo). I have often found that these large figures emit and convey a feeling of"protection," as if in the presence of a maternal figure,when you stand within their proximity, as my own physical scale becomes diminished." i s, . F - I always suggest including a plaque.While it's premature to create wording for a plaque or discuss specifics, South Florida PBS is creating an educational video and has discussed docents for visitors, especially geared to children. I would suggest that any viewer knows she is Japanese American and from the rural community of Spokane.The educational component is the highest priority for South Florida PBS. PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 39 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 53 EXHIBIT D Addendum to WXEL Proposal for Harmony -Asper city requirements, South Florida PBS was adamant the chosen artwork would not be confused with a corporate logo. They also fulfilled the city requirement that it be a professional working artist. Thus,they chose a museum-collected artist with a signature style.They wanted the artwork to be a work of fine art,versus a fabricated innocuous design. -They wanted artwork that would speak to the creative power of music and inspire children to think playfully and creatively. -While some artists have a professional practice where they change their artwork to fit a color request or shape at the direction of a client, Patti Warashina has a practice that includes her signature style of being in a specific range of colors (i.e., often cream, black, and red) and having abstract body forms with faces that are playful, suggesting humor. -Important to know about Patti Warashina's practice is that she is a ceramic artist who creates her work in hand-built ceramics before it is scaled up for a public space. She has to sculpt the piece by hand, exactly how she would create any artwork for a private collector or museum. From that exact piece, her fabricators scale it up via 3-d scanning and printing, upon which the molds are made, and the surface painting is based. She is very specific about what colors she uses and the design. She does not entertain changes, because it is her artwork and her practice. -The fabrication company she is using works with the best artists in the business.You noted that Jim Dine and Deborah Butterfield have work that looks rough and were concerned the fabricator cannot properly fabricate Patti Warashina's work to look like porcelain.Those works by Dine and Butterfield are specific to them and how they want their work to look. Butterfield's work has very intricate painting for the patina,to make each element appear like real cast wood. For Patti Warashina,the large,fabricated version will be as you have seen in her other work titled, "Dreamer." It will have a very clean finish and be created to appear as a Patti Warashina sculpture.There is no roughness in her work. Please let me know if you want to discuss this further in a call. Thank you, Dena Rigby, Art Consultant PBS South Florida Artwork Proposal for WXEL on S. Congress Ave 40 August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 54 King of the Streets 8/7/2023 EXHIBIT E i e n KINGS OF THE STREET Sebe Waste®rarer Public Art aspen chaBounw,9 aeh 49.r r rziva, GOALS KINGS OF THE STREETS recognizes the vital contribution of solid waste truck drivers in maintaining the sustainabilitV, sanitation and environmental well-being for Boynton Beach residents. The truck drivers themselves are generally an unseen,though ubiquitous presence in the daily lives of the City's inhabitants.Through my conversations with drivers,they generally acknowledged a sense of being undervalued and underappreciated for their public service work.Remarkably this has not had a negative effect on their professionalism and commitment to their chosen occupations.After I accompanied a driver on a portion of his pick-up schedule he expressed the view that,"In the end we are just a bunch of guys trying to do their job." I say you are more than just a bunch of guys doing your job!! KINGS OF THE STREETS will elevate the Solid Waste Truck Drivers by way of anointing their service vehicles.A gesture of salutation, an appreciation, a symbol of gratitude for their extra ordinary services in the stewardship and protection of the living environment. KINGS OF THE STREETS creates a culturally specific visibility for the workers and drivers as they daily service Boynton Beach communities.The selected vehicles become"mobile" art installations where the artwork provide opportunities for the drivers to connect with residents by encouraging conversation and positive engagements with residents. SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Proposal for Solid Waste Truck Drivers, August 2023, Gary M&Ild10 2023 Art Advisory Board Agenda Package-Missing June Minutes 55 1 King of the Streets 8/7/2023 EXHIBIT E SOLID WASTE RESI DENTAL PICKUP { TWICE A WEEK ON EVERY STREET SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 WHAT FOR BOYNTON ? .ma NOT JUST MORE GRAPHICS SOMETHING UNIQUE "ONE OFAKIND" WITH DIGNITY ; SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Proposal for Solid Waste Truck Drivers, August 2023, Gary 0&1,ld10 2023 Art Advisory Board Agenda Package-Missing June Minutes 56 2 King of the Streets 8/7/2023 EXHIBIT E CAN IT BE A BEAUTIFUL AND MEANINGFUL SCULPTURE? Ji REMEMBER THE HOOD ORNAMENT AUTOMOTIVE ICONS SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 DISCOVERING BOYNTON BEACH PATTERN BOYNTON HOUSE ICONS Boynton Beach residents adorn their homes with joy and pride. I } CIABA,k1CM9[1tM4flY WNEN1+��I�V kYV ii}� iz t IMI 9FT9f GNTH Sariyah 3 f I�I Elegance Personality Pride ; SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Proposal for Solid Waste Truck Drivers, August 2023, Gary M&Ild10 2023 Art Advisory Board Agenda Package-Missing June Minutes 57 3 King of the Streets 8/7/2023 EXHIBIT E { INSPIRED BY BOYNTON BEACH RESIDENTS � / t LIONS s t . DIGNITY ! 'aG t r n � SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 s a INSPIRED BY BOYNTON BEACH RESIDENTS f S U N SUNSHINE SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Proposal for Solid Waste Truck Drivers, August 2023, Gary 0&1,ld10 2023 Art Advisory Board Agenda Package-Missing June Minutes 58 4 King of the Streets 8/7/2023 EXHIBIT E INVENTING A BOYNTON BEACH PATTERN SOLID WASTE TRUCK ICONS: Which One? A gesture of salutation, an appreciation, a symbol of gratitude for their extra ordinary services in the stewardship and protection of the living environment. Encourages conversation and positive engagements between drivers and residents. SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 INVENTING A BOYNTON BEACH PATTERN THE CROWN � t v ti A LION'S DIGNITY. THE SUN'S SHINE SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Proposal for Solid Waste Truck Drivers, August 2023, Gary 0&1,ld10 2023 Art Advisory Board Agenda Package-Missing June Minutes 59 5 King of the Streets 8/7/2023 EXHIBIT E 31 IMP: ✓ � tsrcSk) �� t � . ` tux - 'y ,rtnrkF n l "Flr�" ep+ 4 j f 'ifik Vo. � t INSPIRMION:CROM WORN INVENTING A BOYNTON BEACH PATTERN SOLID WASTE TRUCK CROWNS e, i w,ti G r I l o r Roof ? SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Proposal for Solid Waste Truck Drivers, August 2023, Gary M&Ild10 2023 Art Advisory Board Agenda Package-Missing June Minutes 60 6 King of the Streets 8/7/2023 EXHIBIT E EARLY STUDIES ADDING CROWNSTO TRUCKS FIRSTTHE GRILL f THEN THE ROOF ABOVE THE DRIVER — q 1q r � MFACSOfIRESIPEEE r / Sif BIX/ala®68aE11$aI�WeSia1111CM.AYER f11h11C Pal !!!! "`- .111m CONCEPT 0@IIFi IPary L.MaeaeSlu�a 31101P9 Gi@ r� r I t= i woi OVER THE DRIVER. CROWNING THEM . MODEST, YET STRONGLY SYMBOLIC LIKE THE SUN RAYS OF LIBERTY SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Proposal for Solid Waste Truck Drivers, August 2023, Gary 0&1,ld10 2023 Art Advisory Board Agenda Package-Missing June Minutes 61 7 King of the Streets 8/7/2023 EXHIBIT E CAN THE DESIGN OF THE CROWN BE CONSISTENT ACROSS THE FLEET and yet UNIQUE TO THE DRIVER? SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 �r r , tu t h Ae i y i v y nand we31e Trues arwer ' PlJY69icAespral it Guysra ur ss®mE CONCEPTUAL DESIGN PROCESS Proposal for Solid Waste Truck Drivers, August 2023, Gary 0&1,ld10 2023 Art Advisory Board Agenda Package-Missing June Minutes 62 8 King of the Streets 8/7/2023 EXHIBIT E INVENTING BOYNTON BEACH PATTERN FIRST DRAFT OF A CROWN � f 4� N",a 0s9 Pieces rearranged for different trucks & driversk' SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 I1�� t }vi n tt ttf �r vaaR a \t ?I114� f 3 �titb ! 4 I ff j6 tl=t Mill SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Proposal for Solid Waste Truck Drivers, August 2023, Gary 0&1,ld10 2023 Art Advisory Board Agenda Package-Missing June Minutes 63 9 King of the Streets 8/7/2023 EXHIBIT E , i 1�2��1 's l( „yr+ ,5 t�� t•�, � , t _ 3 SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Project Description: Kings of the Streets and Kings in Motion Kings of the Streets creates a window of opportunity for the Drivers to connect with community by "crowning"exterior areas of their service vehicles.A select number of driver trucks are adorned with modified versions of the traditional monarch crown.The crown designs are unique to each truck as drivers have the chance to assist the artist in the conceptual design process and the configuration of the crowns during the installation. Kings...in motion is a collaboration with the Solid Waste Truck Drivers,This project creates a permanent online presence for the Solid Waste Truck Drivers through the City of Boynton Beach's official website. Drivers are filmed for 60 second interviews conducted by the artist or others.The minimal production requirement is that Drivers state their name and typical route.For example: "my name is John Brown and my route is the Chapel Hill community".That statement might take about 5 seconds.For the remaining 55 seconds the Drivers are free to communicate whatever message to the general public they desire.It might be stories about themselves,families or comments regarding their service communities.Drivers also have the option to submit their own video,or video from another source to be edited into the final film. Proposal for Solid Waste Truck Drivers, August 2023, Gary O&Ild10 2023 Art Advisory Board Agenda Package-Missing June Minutes 64 10 King of the Streets 8/7/2023 EXHIBIT E Gary Moore Artist Statement Gary L.Moore uses temporary and permanent art installations,drawing,and sculpture to explore the Black American presence in personal and public landscapes. Bio Born in Pee Bee in South Carolina,raised in Philadelphia,Pennsylvania,Gary L.Moore relocated to Miami,Florida in 1988 to attend the University of Miami where he studied sculpture.He later earned a Master of Fine Arts from Vermont College in Montpelier;Vermont.Moore was a fellow at the Whitney Museum of American Art Independent Study Program in 1991-92.He was commissioned for his first public art commission,the Ninth Street Pedestrian Mall in Miami,in1994. Moore's first major museum installation was at the Ft.Lauderdale Museum of Art.His studio works have been exhibited at the Institute of Contemporary Art,Philadelphia;Miami Dade College Museum of Art and Design;Intermedia Arts,Minneapolis,Minn.;and Jaffe Center for Book Arts, New York,New York.Moore's public art installations are in the collections of Village of the Arts, Philadelphia,PA;Creative Time,New York,New York;Miami Dade County,palm Beach,Delray Beach,City of Ft.Lauderdale,Dania Beach and University of South Florida at`Pampa,Florida. Dania f3each:Reunef,bw the Legacy: a series of 7 historical marker's commemorating the history ofthe founding of Dania Beach Ficoda. Previous Work anodized and annealed aluminum panels,3M Graphic Film,rivets each panel'is 48 x 72"attached dimes€y onto existing alumor7urn untrlity poles ,r Sited at the courtyard and groencls of Downtown Dania Beach City Hall { 2020 Y r� , r ;y rm i� i ft jit ( y 4 q � 1 SOltq Waste Trill Ck Driver PPt UCArtftlest Sy prev!ouswork o Proposal for Solid Waste Truck Drivers, August 2023, Gary O&Ild10 2023 Art Advisory Board Agenda Package-Missing June Minutes 65 11 King of the Streets 8/7/2023 EXHIBIT E i � s;t r r Solid Waste Truck Driver Pat00ArtAFoloui rmav VA9 `�i`l1 Ha �t�ut� PREVIOUS WORK fit, t Jr t't r V ° .1 a +�s pttr t a� Al c s5 Sr r tit � I SOLID WASTE TRUCK DRIVERS PROJECT PROPOSAL. GARY MOORE,2023 Proposal for Solid Waste Truck Drivers, August 2023, Gary 0&1,ld10 2023 Art Advisory Board Agenda Package-Missing June Minutes 66 12 EXHIBIT F Traffic Light Cabinets in Boynton Beach, 2023 Red Recommended Vinyl Wraps Two Cabinets in Each Commission District. 8 & 3 on Borders 8 & 9 at Schools (Congress Middle & Boynton High) i i 4• J t �9 r LL g I, I fr I i r lilt t Iwcn� k I r 4 II t j r n i Key Blue: FDOT Approval (Federal Highway and Boynton Beach Blvd) Green: Palm Beach County Approval (Congress Ave & Woolbright Rd) Green: City Road. Palm Beach County Operation (Gateway and Old Boynton) Yellow• Not RecommenM Location. Hidden or Rust August 10 2023 Art Advisory Board Agenda Package-Missing une Minu es 67 EXHIBIT F Western Palm Beach County i�ttt Y " , t i i i r 3 , r# rJ i n � 1 ! t4 r c Ir Tt F r r, li August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 68 EXHIBIT F Pompano Beach Y Ili s 7 t t. z J < t N F t t 1�j t i dds{ r5, �t s W L aa- r � _ Y S t 1 fi August 10 2023 Art Advisory Board Agenda Package-Missing June Minutes 69 From: Cindy Falco To: Weiss.Glenn; Burnston.Sophia No Address Provided.Person with Name at-- Subject: Sculptor by Patti Warshina 316 NW lst Avenue Date: Tuesday,August 8,2023 11:28:57 AM Boynton Beach,FL -33435 Dear Mr. Weiss and Burnston, I am writing to you in regards to the Statute by Patti Warshina WHO IS NOT AN ARTIST! This is NOT ART! Did you do your due diligence to see what she calls art? Have you done your research? This art would not be able to be shown on TV but this is being paid for by WXWL or local PBS Station. How can PBS Support this Artist? and furthermore why would "We The People" of Boynton Beach want this hideious satire/mockery of"We the People" put on display. It is an INSULT. Boynton Beach is a Coastal Beach, Fishing , Family orientated Community, It would better serve the Community at reflecting such works of Art to Reflect the Heartbeat of the City of Boynton Beach, instead of putting these disgusting, broken pieces unattractive ad uncreative messes on dislplay in which you call Art and which promotes NATE!! These items you call art are hateful and Political they are NOT ART. (the LBGQTAI Flag advancing Hate with an arrow, It is totally offensive to every God Loving American and to We as a People. It promotes HATE ! Hatred towards Heterosexuals and attacks on the family Unit and "We the People" have personally been at the abuses of several people in the LBGQT community. This is creating harm. Also the BLM Fists that you call ART is prejudicial and It promotes HATE. All Lives matter!!!!!! These MIDST be REMOVED IMMEDIATLY and STOP selling it to us as Art when it is Hate and it is politicallly motivated. IT IS NOT ART! The 666 cement monstrocity at SeaCrest and East Ocean is another diabolical statement/sign over Boynton Beach and needs to be removed Immediatly as it is the Mark of the Beast, Diabolical . This is NOT Art!! these are political and diabolical statements!!! So STOP insulting our intellegence. I would like this read in the minutes at Thursdays Meeting. Thanking you inadvance, Sincerely, Rev. Cindy Falco From: John Millsnaugh No Address Provided.Person with Name at-- To: Weiss.Glenn; Burnston.Sophia 717 NE 12th Terrace Boynton Beach, FL 33435 Subject: Public Comment for August 10th meeting-Please read into record. Date: Tuesday,August 8,2023 2:03:49 PM Dear Sies. As a resident and tax payer of Boynton Beach since 1998, please do not allow this 'art' to be approved. I would suggest art that reinforces our ties to sport fishing. Please read during public comments. Thanks and have a nice day! From: Deborah Balta To: Weiss.Glenn No Address Provided.Person with Name at-- Subject: Patti Warashina Statue/Congress Ave 11610 Briarwood Crcl,Boynton Beach,FL 33437 Date: Tuesday,August 8,2023 5:34:19 PM Unincorporated Palm Beach County Good Day, While art is the eye of the beholder it also is open to interpretation and is cultural. The culture of Boynton Beach is a seaside community that is vibrant and is family friendly. It embraces the colors of nature,the sandy beaches and never ending sunshine. The sculpture that is up for approval for the Boynton Beach Art Board does not contain any elements of what Boynton Beach represents. At first look,it is not only shocking,but is powerful in its message of asexuality. Art can have a very powerful message and influential narrative to proj.ect an overreaching paradigm. Boynton Beach is representative of old Florida meets new. Keeping with the colors and the local flavor separates us from our neighboring towns.Fishing,beaches,family,Native Americans,our Settlers,to name a few. We are a unique community with a rich past and a bright future. I implore you to not consider the sculpture from Patti Warashina to be representative of our City. Sincerely, Deborah Tarca Sent from my iPhone From: clifton bell No Address Provided. Person with Name at-- To: Weiss.Glenn; Burnston.Sophia 2640 SW 7th St, Boynton Beach, FL Subject: Boynton Beach Art Work Date: Tuesday,August 8,2023 2:32:39 PM Please do us a favor and spend our money on local artists doing works on local Florida culture..please! We don't need there to become here..enough already. Thankyou Clifton J Bell "C.J." Cliftonjbell@bellsouth.net ph: 561-774-5080 No Address Provided. Person with name at From: Seth stem To: 9746 Nickels Blvd Boynton Beach, FL 33436 Weiss.Glenn Subject: Aug 10th Public Comment Date: Wednesday,August 9, 2023 11:29:32 AM To Boynton Beach Community Leaders, What do you think of when you think of Boynton Beach? Or better yet, what message do we want to send to our visitors? I am not one to argue politics, it is not my place nor my job. I am not looking at this artist or statue for her political views. Rather, I ask what does this statue mean to Boynton Beach and it's community? If we are going to decorate our city, let's do it in a way that brings the community together. We have an opportunity to display something that can really show what our city is all about, the love, the passion Boynton Beach has. Quite frankly, it is offensive that we would consider an artist that has such strong political interests. Why divide a community? Why bring in a controversial artist? We have plenty of artists, especially locally without such controversy that could design a uniting art piece, in place of this artist that could create a divide......... For those wondering, I am a registered Democrat. Please unite my city, do not leave us open to any type of political attack or worse. From: Anabel Cardenas To: Burnston.Sophia;Weiss.Glenn Subject: South Florida PBS'Cornelia T.Bailey Cultural Arts Center sculpture,"Harmony" Date: Wednesday,August 9, 2023 3:14:22 PM Hello, I am very excited and look forward to South Florida PBS' Cornelia T. Bailey Cultural Arts center and the sculpture that will grace its outdoor garden. "Harmony" will be as important as the cultural arts center itself. "Harmony", seems to represent a dance of elements, creativity and diversity in a whimsical way. I think"Harmony" will be the perfect sculpture for the cultural arts center and I hope the Boynton Beach Advisory Board approves Harmony. Thank you! Anabel Cardenas From: Amanda Lippman To: Weiss.Glenn Subject: art is love!! Date: Wednesday,August 9, 2023 3:43:31 PM To whom it may concern— I am a member of the media as well as a resident of Boynton Beach and there have been so many awesome things being done to help beautify the city. The Harmony piece is one I am looking forward to seeing in the town! I commend South Florida PBS' effort to install public art in their future cultural arts center, particularly a sculpture of the stature of the artist, Patti Warashina, a world-class, museum collected artist. The outdoor garden sculpture, "Harmony" seems to visually represent the beautiful influence of music on one's well-being and creative nature and in my opinion embodies the spirit of inclusivity that South Florida PBS is known for I sincerely hope that the Boynton Beach Advisory Board approves this piece of art. If you need to chat I am here Amanda lippman Amanda Lippman Senior Account Manager, Digital Strategist and Connector, Sales 8300 NE 2nd Ave, Suite 200 Miami, FL 33138 O: +1 954-804-4945 M: +1 954-804-4945 104,2,'The Sl�-iARK Radio Ub,e 790 �aI3�.,�,., ��.v�4«CAmA}�FL s..�,& .'N4 51,'.,.';011VQ 'N4 St �,�f Ew.3 ................................................. Amanda Lippman Senior Account Manager, Sales Audacy I Miami 8300 NE 2nd Ave, Suite 200 Miami, FL 33138 M: +1 954-804-4945 AudacyInc.com 102.7 The BEACH 1104.3 The SHARK 1 790 The Ticket I KISS Country 99.9sEPl'560 The Joe WQAM 1 101.5 LITE FM I Power 96 From: DONALD A HOFFMAN To: Weiss.Glenn Subject: WXEL artwork Date: Wednesday,August 9, 2023 1:20:36 PM Please read this letter into the public record. I appreciate the work the Art Advisory Board Members have done in the past. Art work around our city is a wonderful idea. I am opposing the art work proposed by WXEL. It does not display family values and is not something that the residents of Boynton can be proud of. A less controversial piece should be selected. What is that suppose to represent? Thank you for your consideration in this matter. Sincerely A concerned Boynton Beach resident. From: grad Rosenberq To: gurnston.Sophia;Weiss.Glenn Subject: South Florida PBS"Harmony Date: Wednesday,August 9,2023 10:13:16 PM Hoping you are well.Just Got word of some upsetting news regarding some pieces of special art in Boynton beach Not being received well by some. I am a resident in Boynton and feel Strongly about this. Here are My thoughts. Hope they are heard. The Cornelia T. Bailey Cultural Arts Center is a huge undertaking for South Florida PBS and a very worthwhile one as well. It will provide free access to educational and entertaining art and cultural activities for all the people of Boynton Beach and South Palm Beach County. "Harmony", the outdoor garden sculpture, that is being considered by the City of Boynton Beach Art Advisory Board, is ideal for the Cornelia T. Bailey Cultural Arts Center for what it represents: diversity, creativity, innovation and inspiration plus it will provide a powerful impact on the city given her size, prominent location, and highest museum quality design and workmanship. I sincerely hope that the Boynton Beach Advisory Board approves the sculpture, Harmony. Best Brad Rosenberg Brad Rosenberg • From: Dina Martinez-Rubio To: Weiss.Glenn Subject: Cornelia T.Bailey Cultural Arts Center Building"Harmony" Date: Thursday,August 10,2023 4:29:59 PM Attachments: Firma Latin Ouarter WPB Logo-300ox.Dnq South Florida PBS 8-10-2023.odf tri r caner West Palm Beach To: City of Boynton Beach Art Advisory Board The Latin Quarter of WPB is an organization with the Mission of connecting private or governmental organization that provide services that will improve the lives of the residents in our communities. We are honored have and continue to work with South Florida PBS. Their commitment to help and support our local community is remarkable. The Cornelia T. Bailey Cultural Arts Center is a huge undertaking for South Florida PBS and a very worthwhile one as well. It will provide free access to educational and entertaining art and cultural activities for all the people of Boynton Beach and South Palm Beach County. "Harmony",the outdoor garden sculpture,that is being considered by the City of Boynton Beach Art Advisory Board, is perfect for the Cornelia T. Bailey Cultural Arts Center for what it represents: diversity, creativity, innovation and inspiration plus it will provide a powerful impact on the city given her size, prominent location, and highest museum quality design and workmanship. We sincerely hope that the Boynton Beach Advisory Board approves the sculpture, Harmony. Best Regards, Dina Rubio Founder& President of the Latin Quarter West Palm Beach 561-301-6319 dina@latinquarterwpb.org www.latinquarterwpb.org From: Carlos Navarro To: Weiss,Glenn Cc: Burnston,Sophia Subject: Harmony sculpture @ Cornelia T.Bailey Cultural Arts Center Date: Wednesday,August 9,2023 5:54:52 PM To:City of Boyton Beach Arts Advisory Board >Good evening... >As an established artist in South Florida and internationally for over 25 years,I myself have gone through the process of installing large scale art in public places,most notably..."The Rose&The Labyrinth",a sculpture/fountain located in the City of Coral Gables,Florida. >I truly believe that Patti Warashina's sculpture,"Harmony",perfectly captures the essence of what a CULTURAL Arts Center stands for.It is a beautiful,fun to admire work of art that will be admired today,as well as by future generations.What it is not is offensive in ANY way! >I understand that there are certain people that are objecting to its placement at the Cornelia T.Bailey Cultural Arts Center,for reasons that to me are totally incomprehensible...which I see as a sign of ignorance and intolerance. >Throughout the years I have had the opportunity to speak many times in front of people in schools,and different organizations...and one of the most important messages I try to convey... is that there is no good art or bad art, right art or wrong art...there is just...ART...and art is simply and unequivocally... subjective.What one person loves... another person may not...yet that doesn't mean there is anything`wrong'with the piece...one person may admire Picasso,another Norman Rockwell,another Warhol,and another Pollack,etc...and this applies not only to paintings&sculptures...but also to theater,film,music,dance,and every other art form. >Please allow this amazing piece of art to flourish in its new home...it will be loved by most immediately,and in time...even those who may have whatever unfounded issue with it...will come to love it also. >Remember...this is a decision that isn't about those who may have an opinion about it today one way or another...but it's also a legacy to generations to come of where our society and culture is at today. >We need to stop with the banning and canceling of things that we may not like nor understand...and be open to art,concepts,and ideas that expand our minds and consciousness as an enlightened,intelligent,and accepting society. >Sincerely, >Carlos A.Navarro From: Joyce Brown To: Weiss,Glenn Subject: From Joyce Brown at Flamingo Clay Studio in Lake Worth Beach Date: Thursday,August 10,2023 11:42:41 AM Hi Gregg: It's Joyce in Lake Worth Beach at the art gallery. I think the last time you were here was when Noemi held her cat rescue event here - or even when Bill Nelson and his wife dropped by during their campaign. I will probably see you at the AFL-CIO Labor Day Picnic in September, but I don't think this can wait. I know that you agree with me that Culture Builds Communities. I just found out that Boynton Beach has been fortunate enough to have PBS relocate to the community and to donate to it a beautiful and grand Cultural Arts Center into which they plan to install a major piece of sculpture. I heard there was some controversy over a statue, an amazing work of art by Patti Warashino. Although she would never remember me, I was fortunate to take a workshop from her. She is one of the most famous sculptors in her field. What an honor to have one of her works here in the county. We are faced with so much negativity these days- hatred of all forms- and I know that you stand on the side of those of us who work through the arts for peace and social justice. Removing or dis-allowing arts to be located in public places defeats these efforts. We both know where the negativity towards this is coming from. I know you are both strong enough and brave enough to fight back. I just wanted you to know you have not only my support, but that of all of the artists represented by my little arts center, as well. Please support the installation of this work of art in the incredible center. Thanks Gregg Joyce Brown Flamingo Clay Studio 15 SOuth J Street Lake Worth Beach FL 215-205-9441 From: juliehines1975gmail.com To: Weiss,Glenn;Burnston,Sophia Subject: Todays approval for the proposed artwork on Congress Avenue at the WFXL/PBS bldg. Date: Thursday,August 10,2023 1:35:12 PM Good afternoon, I am writing in opposition of the proposed art that is set to go up along Congress Avenue for WFLX/PBS. This statute does not represent the heart or culture of Boynton Beach, Florida. It will be an eye sore to the residents that travel along that road and while it's on the property of the TV station, it's visible to all City residents who drive down that road for work, pleasure or to get to the two area parks Caloosa & Barrier Free park. I am also concerned that being so close to Barrier Free park that numerous children will want to climb on the oversized art as many do and take photos. Then to inquire about the art through Google Lens or by the artist you will see that it's associated with an artist from Seattle, Washington. Her artwork is part of a larger collection of many sick and perverse figures. From Donald Trump holding a mask of President Putin,to images of what looks like underage kids/teens with tape covering and not covering private parts. The residents are speaking about this all over Facebook and the oppose it, wonder why in the world this artwork would even be under consideration. Please review some of what the Citizens of Boynton are saying on facebook: <iframe src=https://www.facebook.com/plugins/post..hp? href=https%3A%2F%2Fwww.facebook.com%2Fdonald.tarca%2Fposts%2F10231691209732644&sho v_text=true&width=500 width="500" height="787" style="border:none;overflow:hidden" scrolling="no"frameborder="0" allowfullscreen="true" allow="autoplay;clipboard-write; encrypted- media; picture-in-picture; web-share"></iframe>(122 COMMENTS) and<iframe src=https://www.facebook.com/plugins/oost.pho? href=https%3A%2F%2Fwww.facebook.com%2Fdonald.tarca%2Fposts%2 F10231693880639415&sho w_text=true&width=500 width="500" height="692" style="border:none;overflow:hidden" scrolling="no"frameborder="0" allowfullscreen="true" allow="autoplay; clipboard-write; encrypted- media; picture-in-picture; web-share"></iframe>(100 COMMENTS)there is also several comments on the Chapel Hill (Neighborhood Forum) but can't share since it's a private page. Anyways, I respectfully ask that you deny this artwork and consider a local resident artist or at least an artist within the state of Florida who can show artwork that will represent our City. Could be ocean themed, nautical artsy, etc. I will also be reaching out to Fox News and other local news stations so they can cover this story if this art is approved. Especially with all of this sex trafficking in our state, why would your art committee glorify something in this nature—it's very perverse and disturbing. We can all do better on approving quality art. Also, ask from feedback from your community—we have to look at whatever artwork you decide on and MOST OF ALL—Research the artists other work as it's a reflection of what you are putting in our city. I have attached some of the images in this email. Respectfully, Julie Hines ....4" 1 .. 4 10 ..-... . .. ..- 0 ,10°- . d \Si. r , „ilk i4, ‘ 6 - - '-' .., - _ ,t. [ , i i '-• • . 4, I ilt ei6fr_.x. , 4 I V f *k. 0 4 -ft, I..n. I ‘I '.— Notirme• i • -- .,,_.,,, ,irka „.. • __. fir fr 6:."1 Ct-\. t-I• . -- -- - ..,- J 11 c ' . • ff 1004/1..._ 1,-• ' "'" , % \ , -, irilk --'' ,.‘ v ' •'. N ,,, . •-4:4..iy...,... c, . P- ----,'7/ -.-. 44 it ..., t . ..., . , • , .„..,',-'•• •\ IR"It: A"':' '.. . . . , , •, . ' .--- C 4- . .....aimpi.- ..gre•- • 41.'1 :;:"^..i' . -• , c„...-...i..._. , • ..,__..___ . . ...._ . ,. .. , . • iii • , •.., . ..... . From: Rosv Douglas To: Weiss.Glenn Subject: Helping Out South Florida PBS Date: Thursday,August 10,2023 9:54:39 AM To Whom It May Concern I am very excited and look forward to South Florida PBS' Cornelia T. Bailey Cultural Arts center and the sculpture that will grace its outdoor garden. "Harmony"will be as important as the cultural arts center itself. "Harmony", seems to represent a dance of elements,creativity and diversity in a whimsical way. I think"Harmony"will be the perfect sculpture for the cultural arts center and I hope the Boynton Beach Advisory Board approves Harmony. Thank You, Rosy Douglas Sent from my iPhone • From: Roxanne Frederick To: Weiss.Glenn;Burnston.Sophia Date: Thursday,August 10,2023 7:53:05 AM I object to the Patti Warashina art work that is to be installed outside the commission chambers Sent from my iPhone Roxanne • From: Victoria Michelle To: Weiss.Glenn Subject: South Florida PBS,Harmony Date: Wednesday,August 9,2023 6:40:48 PM Hi Glenn, The Cornelia T. Bailey Cultural Arts Center is a huge undertaking for South Florida PBS and a very worthwhile one as well. It will provide free access to educational and entertaining art and cultural activities for all the people of Boynton Beach and South Palm Beach County. "Harmony",the outdoor garden sculpture,that is being considered by the City of Boynton Beach Art Advisory Board, is perfect for the Cornelia T. Bailey Cultural Arts Center for what it represents:diversity, creativity, innovation and inspiration plus it will provide a powerful impact on the city given her size, prominent location, and highest museum quality design and workmanship. I sincerely hope that the Boynton Beach Advisory Board approves the sculpture, Harmony. Best wishes, Victoria From: Scott K Michaeloff To: Weiss,Glenn Subject: SFPBS"Harmony"statue Date: Thursday,August 10,2023 3:17:06 PM The Cornelia T. Bailey Cultural Arts Center is a huge undertaking for South Florida PBS and a very worthwhile one as well. It will provide free access to educational and entertaining art and cultural activities for all the people of Boynton Beach and South Palm Beach County. "Harmony",the outdoor garden sculpture,that is being considered by the City of Boynton Beach Art Advisory Board, is perfect for the Cornelia T. Bailey Cultural Arts Center for what it represents: diversity,creativity, innovation and inspiration plus it will provide a powerful impact on the city given her size,prominent location, and highest museum quality design and workmanship. I sincerely hope that the Boynton Beach Advisory Board approves the sculpture, Harmony. Sincerely, Scott Michaeloff 21715 Old Bridge Trail Boca Raton FL 33428 EXHIBIT C3 1 2 ORDINANCE NO. 23-017 3 4 AN ORDINANCE OF THE CITY OF BOYNTON BEACH, FLORIDA,AMENDING 5 CHAPTER 27, "ADVISORY BOARDS AND COMMITTEES", SECTIONS 27-21 6 THROUGH 27-27, OF THE CITY OF BOYNTON BEACH CODE OF 7 ORDINANCES REGARDING THE PUBLIC ART FEE; PROVIDING FOR AN 8 AMENDMENT TO THE AMOUNT OF THE PUBLIC ART FEE TO BE PAID FOR 9 SPECIFIC DEVELOPMENTS WITHIN THE CITY OF BOYNTON BEACH; 10 PROVIDING FOR EXEMPTIONS TO THE PAYMENT OF THE PUBLIC ART FEE; 11 PROVIDING FORAN UPDATE TO THE PROCESS FOR THE CONSIDERATION 12 OF ART IN PUBLIC PLACES; PROVIDING FOR CONFLICTS, SEVERABILITY, 13 CODIFICATION AND AN EFFECTIVE DATE. 14 15 WHEREAS, on June 2, 2020, the Boynton Beach City Commission adopted Ordinance 16 20-016, creating Chapter 27 "Advisory Boards and Committees" with the intent to establish a 17 public art fee in order to enhance public art throughout the City of Boynton Beach; and 18 WHEREAS, upon a review of report from City Administration related to the collection 19 and use of the public art fee, the City Commission finds that it is in the beast interest of the 20 City of Boynton Beach to increase the construction threshold for the public art fee from 21 $250,000 to $500,000, and to provide for an update to the process for consideration of the 22 placement of art in public places; and 23 WHEREAS, the City Commission deems it to be in the best interest of the citizens and 24 residents of the City to amend Sections 17-21 through 27-27 of the City of Boynton Beach 25 Code of Ordinances, as they relate to the public art fee. 26 NOW THEREFORE, BE IT ORDAINED BY THE CITY COMMISSION OF THE CITY OF 27 BOYNTON BEACH, THAT: 28 Section 1. The foregoing "Whereas" clauses are true and correct and incorporated 29 herein by this reference. 30 Section 2. That Part II, Chapter 27, "Advisory Boards and Committees", Sections 31 27-21 through 27-27, of the City of Boynton Beach Code of Ordinances, be, and the same are 32 hereby amended to read as follows: 33 i EXHIBIT C3 34 35 Sec. 27-21. Intent. 36 (a) It is the intent and purpose of this article to further the commitment of the city to the 37 aesthetic, historical, cultural and economic enrichment of the community through the creation 38 of works of art so that citizens and visitors to the city are afforded an opportunity to enjoy 39 and appreciate works of art. The requirements of this article shall be construed to promote 40 the aesthetic values of the entire community and to encourage the preservation and 41 protection of works of art. 42 (b) This aF Boll ho I/11/1\l p RAA cited as the "Art ire P ihlic Places PFegF r 43 (2E) Ownership. Unless otherwise expressly agreed to in writing by the city, ownership of all 44 art acquired through expending funds in the Public Art Fund shall be owned by the city 45 according to the ^rt AelvisepyR„ord'c Art in Public Places gGuidelines. 46 Sec. 27-22, Definitions, 47 For the purposes of this section, the following words and phrases shall have the following 48 meanings: 49 (1) Art, Artwork, or Works of Art means tangible creations by artists exhibiting the highest 50 quality of skill and aesthetic principles and includes all forms of the visual arts conceived in 51 any medium, material, or combination thereof, including, but not limited to, paintings, 52 sculptures, engravings, carvings, frescos, stained glass, mosaics, mobiles, tapestries, murals, 53 photographs, video projections, digital images, bas-relief, high relief, fountains, kinetics, 54 collages, drawings, monuments erected to commemorate a person or an event, functional 55 furnishings, such as artist designed seating and pavers, unique or original architectural 56 elements, and artist designed landforms or landscape elements. The following shall not be 57 considered artwork or works of art for purposes of this article: 58 a. Reproductions or unlimited copies of original artwork. 59 b. Art objects, which are mass-produced. 2 EXHIBIT C3 60 c. Works that are decorative, ornamental, or functional elements of the architecture or 61 landscape design, except when commissioned from an artist,OF designed as an integFal aspeEt 62 „f str,„-w,,r eF site. 63 (2) Artist or Professional Artist means a practitioner in the visual arts, generally recognized 64 by critics and peers as a professional of serious intent and ability. Indications of a person's 65 status as a professional artist include, but are not limited to, income realized through the sole 66 commission of artwork, frequent or consistent art exhibitions, placement of artwork in public 67 institutions or museums, receipt of honors and awards, and training in the arts. 68 69 70 29-9460 71 (34) Building means any structure that encloses space and is used or built for the shelter or 72 enclosure of persons, businesses, chattel or property. 73 (415) Development means any construction, or redevelopment, or structural alteration of 74 any private or public building within the limits of the city. 75 (5.6) In-fill housing means new residential units on parcels less than five acres that are not 76 part of an approved planned unit development as defined by the city land development 77 regulations. 78 (6-�) Public Art Fund means a separate, interest bearing account setup by the city to receive 79 monies for the Art in Public Places Program. 80 (7,9) Remodeling or conversion means alterations made to a building within any 12-month 81 period, including, but not limited to, changes to the facade of a building, changes to the 82 interior of a building, increases or decreases in the floor area of a building and changes to 83 exterior improvements. 84 (8-9) Public Art Project means all the costs associated with design and installation of aArtwork 85 including artist fees, artwork(s), art consultant fees, engineering, structural support, lighting, 86 art signage and other site enhancements as stated in the Art in Public Places eGuidelines. 87 3 EXHIBIT C3 88 Sec. 27-25. Establishment of public art fee. I89 (a) ) All development, redevelopment, reconstruction or remodeling projects 90 commenced after the adoption of this article which have a construction value of 91 $259;999500,000 or greater, shall participate in the Art in Public Places Program by 92 paying a public art fee. For the purpose of this section, a project will be considered 93 "commenced" when an application for review is first submitted to the city's 94 Development Department. The public art fee shall be equal to one percent Al of 95 construction value of the project or one million dollars ($1,000,000), whichever is less. 96 The Building Division/Finance Department shall administer the billing and collection as 97 follows: 98 L�1 e44e-As a condition of issuance of the building_permit, collect thirty percent (30%J eF .93 99 of the 1% Af t"e public art fee_ -A++"p- +,rr,o „f bUil iRg peFmit issua Rce oriel 00 (2) As a condition of issuance of the final certificate of occupancy, collect the 01 seventy percent (70%) of the public art fee or, in lieu of payment, confirm the completion of a 02 Public Art Project on the property valued at least at seventy percent (70%) of the public art 03 fee. E)F 097 „f the 10% p r to -Apd- a RdlitieR „f -se „f the .,r+0.f0..-_A+., of E)EEupapey 04 . 05 (3) One hundred percent of the public art fees collected are to be allocated to the pubo 06 Public aft-Art#Fund, Al' d_ir_trih„ti„rS f.,r the pbibliE aFt fbiRd r „ th., r,_-,ti„r 07 of the /art 41yiseFy geaFel PFieF to City CeMMOSSOeR appFeyal 108 (b) The following types of projects are exempt from the payment of the public art fee: 109 (1) Remodeling, repair or reconstruction of structures damaged by fire, flood, wind, 110 earthquake or other calamity determined by the City of Boynton Beach building official. 111 (2) The percent of the project dedicated to affordable housing as defined by the City of 112 Boynton Beach. 113 (3) All projects which were submitted prior to or on October 5, 2005, notwithstanding any 114 subsequent request for site plan extension. 115 (4) Single-family and two-family in-fill housing. 4 EXHIBIT C3 116 (5) Normal, routine maintenance including replacement of existing damaged or failing �L17 structural or non-structural elements, HVAC, plumbing, electric, communication or fire 11118 detection/suppression equipment of a project not associated with an addition, renovation or 119 new construction. 120 (6) Remodeling, repair, reconstruction, or additions made after October 5, 2005 to any 121 existing amenity, clubhouse, building, pool, park, playground and/or common area element 122 located within an existing private residential development. This specific exemption applies 23 retroactively to October 5, 2005. 24 (7) All projects which were submitted for a building permit after or on October 1, 2023 25 with a construction valuation less than $500,000 +h-A+ oro icc„o,1 _AA i„i+i-Al bU9lGl;RG1 roan,-4+or 26 ,+ h.,r �n�2 n ., 27 (c) PFeject eWR he owners of a development that are required to participate in the Art 28 in Public Places Program m ebtaiR r RAh,,r,-,,,-, eRt Lip +„ 79% „f reel, r-sted .,r+fee may 29 complete �a Public aArt aProject on the property 30 seye tY i9eFee„+ (79%) er in lieu of paying the seventy percent (70%) of the public art fee �4 31 lieu of opst-Alley, aFtweFk before the essuappree .,fer+ifer-cat, .,f „ R4 if the following 132 conditions are met: �^ �� 33 (1) T,h,Q A'�'vrrQr Af a de eIepmeRt .-gFees to FcIITIAw hp Ar�4dw@,;AP ge rrc s 34 The owner of a development agrees to 35 secure the approval of the Art Advisory Board for the location and public visibility of the public 36 art, for the qualified artist(s), for the design of the artwork(s) and the artwork site(s), and the 37 final installed artwork(s) and artwork site(s). Such approvals will be based on the Art in Public 38 Places Efggfa+n:Guidelines; and 39 (2) rPFieTte placemeRt eh the deyelepmeRt site, thie -ArAyeFl( appFeveel by the AFt 40 41 42 4K,4k l4The owner of a development agrees to maintain the artwork(s) in good condition as 43 approved by the Art Advisory Board. apA-4 f the artwork(s) cannot be maintained or repaired, 5 EXHIBIT C3 44 or the owner requests to remove the artwork(s), then the owner will replace the artwork(s) of 45 value equal to the original seventy percent (70%) of the public art fee adjusted by the 1.46 Consumer Price Index;. Alternatively, the owner can contribute the same a-p�value to the 47 Public Art Fund or donate the artwork(s) to the City in good condition. If the owner 48 apiEchooses to replace the artwork(s) in a different form than originally approved, the new 49 artist and art selection criteria shall be in compliance with the Art in Public Places Guidelines.; 50 aP4 51 52 53 54 55 ; 56 ; 57 58 ort celle-toeR 159 160 Sec. 27-26, Public Art Fund. 61 (a) There is hereby created a Public Art Fund -ARA by-the A;* ^�eFy--vara. 62 Funding shall consist of all r^.Atrib toe.ps Pe oved collected public art fees, fe+ 63 ° 64 pF is exceeding $259,NG any cash grants, donations to the city for public art projects 65 from governmental or private resources, earned income from sales or services, and all other 166 funds allocated by the city through the budgetary process for the provision of public art. 67 JLL_ " Expenditures from the Public aA—Art # Fund shall include but not be 1168 limited to expenses associated with the selection, commissioning, acquisition, 169 transportation, maintenance, public education, promotion, administration, program 170 marketing, documentation, removal and insurance of the works of art or in relation �L71 thereto. 6 EXHIBIT C3 172 {b}fc)_The Art Advisory Board can recommend to the City Commission expenditures from the 73 Public Art Fund funds in furtherance of the Art in Public Places Program. 74 ° 75 ° 76es 77 roi^m morrloti^roc 178 79 Sec. 27-27. . Art in Public Places 80 Guidelines 81 82 83 'h` pie', „es,The Art Advisory Board shall prepare and from time to time recommend to 84 the City Commission revisions to the Art in Public Places PFegFam guideelopees Guidelines for 85 adoption by the City Commission and make the same available to the public,,—_ The 86 Guidelines shall beprovide the framework- for: 87 (a) Art in Public Places program organization; organizational governance and staffing 88 responsibilities; ^ eEed iFes project planning; artist selection and criteria; art 89 selection and criteria; art placement criteria; mural criteria; donations; mss-artwork 90 loansoa-R4 memorials;a+4collection management and other items&gdes as adopted by 91 the City Commission; ahel aelMiRictr_RtO^rR ^f the public aFt f-Uhf 92 1,La4(b) Art Advisory Board evaluation of Public Art Project proposals, final installations 93 and maintenance condition of artworks submitted by property owners amain lieu of the 94 payment of the 70% public art fee. 95 _ 96 97 . EXHIBIT C3 198 Section 3. Each and every other provision of the Code of Ordinances of the City of 199 Boynton Beach not herein specifically amended shall remain in full force and effect as 200 previously enacted. 201 Section 4. All ordinances or parts of ordinances in conflict herewith be and the 202 same are hereby repealed. 203 Section S. Should any section or provision of this ordinance or portion hereof, any 204 paragraph, sentence or word be declared by a court of competent jurisdiction to be invalid, 205 such decision shall not affect the remainder of this ordinance. 206 Section 6. Authority is hereby granted to codify said ordinance. 207 Section 7. This ordinance shall become effective immediately upon passage. 208 Section 8. All matters pending before the City boards or committees at the time 209 of effective date of this Ordinance shall continue unabated and be taken up as scheduled 210 before the respective board or committee. 211 FIRST READING this 15th day of August, 2023. 212 213 SECOND, FINAL READING AND PASSAGE this 5t" day of September, 2023. 214 215 CITY OF BOYNTON BEACH, FLORIDA 216 217 YES NO 218 219 Mayor—Ty Penserga 220 221 Vice Mayor—Thomas Turkin 222 223 Commissioner—Angela Cruz 224 225 Commissioner—Woodrow L. Hay 226 227 Commissioner—Aimee Kelley 228 229 VOTE 230 231 232 s EXHIBIT C3 233 ATTEST: 234 235 _ 236 Maylee De Jes6s, MPA, MMC Ty Penserga 237 City Clerk Mayor 238 239 APPROVED AS TO FORM: 240 (Corporate Seal) 241 242 David N. Tolces 243 Interim City Attorney 244 245 9 EXHIBIT C3 1 2 ORDINANCE NO. 23-016 3 4 AN ORDINANCE OF THE CITY OF BOYNTON BEACH, FLORIDA, 5 AMENDING CHAPTER 27, "ADVISORY BOARDS AND 6 COMMITTEES" OF THE CITY OF BOYNTON BEACH CODE OF 7 ORDINANCES; PROVIDING FOR UPDATING OF OUTDATED 8 LANGUAGE, STANDARDIZATION OF APPOINTMENT AND 9 REMOVAL PROCESS FOR REGULAR AND ALTERNATE 10 MEMBERS, QUALIFICATIONS FOR CITY ADVISORY BOARD 11 MEMBERS, AND CLARIFYING DUTIES AND RESPONSIBILITIES 12 OF CITY ADVISORY BOARDS; PROVIDING FOR CONFLICTS, 13 SEVERABILITY, CODIFICATION AND AN EFFECTIVE DATE. 14 15 WHEREAS, On June 2, 2020, the City of Boynton Beach City Commission adopted 16 Ordinance 20-016, creating Chapter 27 "Advisory Boards and Committees" with the intent to 17 consolidate all of the references to advisory boards into one section of the City Code of 18 Ordinances; and 19 WHEREAS, upon a review of report from City Administration, and discussion at the 20 July 18, 2023 City Commission meeting, the City Commission finds that it would be in the best 21 interest of the City of Boynton Beach to update the City's ordinance provisions related to the 22 various advisory boards working on behalf of the City, and to standardize language related to 23 the appointment and removal of advisory board members as provided in Chapter 27 of the 24 City of Boynton Beach Code of Ordinances; and 25 WHEREAS, the City Commission deems it to be in the best interest of the citizens and 26 residents of the City of Boynton Beach to amend Chapter 27, "Advisory Boards and 27 Committees," of the City of Boynton Beach Code of Ordinances, as hereinafter referenced. 28 NOW THEREFORE, BE IT ORDAINED BY THE CITY COMMISSION OF THE CITY OF 29 BOYNTON BEACH, THAT: 30 Section 1. The foregoing "Whereas" clauses are true and correct and incorporated 31 herein by this reference. 32 Section 2. That Part II, Chapter 27, "Advisory Boards and Committees", of the City 33 of Boynton Beach Code of Ordinances, be, and the same is hereby amended to read as follows: I EXHIBIT C3 34 ARTICLE I. IN GENERAL I35 36 Sec. 27-1. City boards and committees defined; generally. 37 (a) Board shall refer to a group of individuals appointed by the City Commission for the 38 purpose of providing advisory assistance to the Commission. No board shall have 39 administrative authority over any department of the city. 40 (b) Committee shall refer to a group of individuals appointed by the City Commission to 41 provide advisory authority on a single subject or issue matter. The City Commission may 42 establish a sunset date for each Committee. Terms board or committee may be used 43 interchangeably herein. 44 (c) The provisions of Chapter 27, Article I, shall apply generally to all city advisory boards 45 and committees unless stated otherwise within applicable law, Florida Statutes, or the Boynton 46 Beach Code of Ordinances. 47 (d) Retroactive effect. To the extent permitted by law, all of the provisions within Chapter 48 27, shall apply to acts and actions occurring or in progress prior to its adoption by the City 49 Commission. All matters pending before the city boards and committees at the time of 50 effective date of this chapter shall continue unabated and be taken up as scheduled before 51 the respective board and committee. 52 53 Sec. 27-2. Board or committee member selection; organization; qualifications; term. 54 (a) No person shall be appointed as a member or alternate member to a city advisory board 55 or committee without the person first submitting an application for appointment. All 56 applications for appointment to a city board shall be on a form authorized by the City 57 Commission. The City Clerk shall review all applications for completeness and qualifying 58 requirements prior to submitting them to the City Commission for consideration. 59 (b) Selection of chair and vice-chair. The chairperson and vice-chairperson for each board 60 shall be selected annually by each board, however, the City Commission must ratify the 61 selection. 2 EXHIBIT C3 62 be aRR poll„ Feap eiRteel The duties of the chair shall be to preside at all board meetings. The 63 vice-chair shall perform the duties of the chair in the chair's absence. The City Commission 64 may remove the chair or vice-chair from their position of chair or vice-chair at any time by 65 majority vote of the City Commission. The removal of the chair or vice-chair from the board 66 shall be done pursuant to Sec. 27-5. 67 hAord Ar uAto to ho\/o thorn romAwod TY/lm tho heard completely, 68 (cg) Regular members. City boards and committees shall be composed of seven regular 69 members and two alternate members, except as may be provided for by Florida Statutes, 70 Special Act or Resolution of the City Commission or elsewhere within the Code of Ordinances 71 of the City of Boynton Beach. 72 (1) Term of service. All regular member appointments shall be for a two-year period, 73 unless a shorter term is required in order for an appointed term to end on a March 31 74 in order that appointments may be made in April. 75 (24) The City Commission shall review applicants and staff recommendations to fill 76 vacancies on city boards every April or as soon thereafter as practicable. 77 (3) Commencement of terms. All board and committee appointments shall commence at 78 on the date of appointment by the City Commission. 79 (42-) Service beyond e€xpiration of terms. In the event appointments are not made prior 80 to the expiration of a term, members shall serve until their successors are appointed by the 81 City Commission. 82 (5-3) The terms of office of the board members shall be staggered so no more than one 83 half#46 of the board is appointed or replaced in any 12-month period. 84 (64) The current term of all board members whom have been appointed prior to 85 September 5, 2023 shall continue uninterrupted until the expiration of said term, or for those 86 board members whose term had expired prior to September 5, 2023 until their successors are 87 appointed by the City Commission. 88 _(dc-) Alternates. The City Commission shall appoint two individuals to serve as alternate 89 members for each board. Alternate members may participate at board meetings in the place 3 EXHIBIT C3 90 of absent board members or recused members,to the same extent as regular members. In the 91 event a vacancy occurs on a board, the alternate shall assume the role of a regular board 92 member for the remainder of the abandoned term or until the City Commission appoints a 93 replacement regular member, whichever occurs first. 94 (1) The term for alternate members shall be for one year. 95 (2) Alternate member appointees may be reappointed for one additional one year term. 96 (3) Notwithstanding any other provision of city code or procedural rule, no alternate 97 member of any city board may serve in the capacity of chairperson, vice chair, or chair pro- 98 tem. 99 00 01 Statutes, Speci-al Act A-F Reselutiep ef the City CAPAPAOssiep Ar elsewhere withip the Cede Af 02 „f the G;+„ „f BE)YR+„r 03 (e) Quorum. The presence of four members or alternate members shall constitute a 104 quorum for each advisory board and committee with seven regular members. Where an 05 advisory board or committee has a different number ofless« +"-Ap seven regular members, the 06 attendance of regular and alternate members representing_a simple majority of the number 07 of regular members of such advisory board shall constitute a quorum. 08 (f) Qualifications. Members and alternate members serving on advisory boards and 109 committees shall possess sufficient knowledge, experience, judgment or background 10 necessary to competently serve the board or committee to which they are appointed. 11 Members and alternate members must also meet any specific qualification requirements for 12 their advisory board. 113 (1) In order to qualify for appointment to and to serve as a member of any board or 114 committee of the city, an individual must be an elector of Palm Beach County, Florida. 115 (2) In selecting individuals to serve on boards and committees of the city, preference shall 16 be given to individuals who are residents of the City of Boynton Beach, provided however, 1117 non-residents who own property in the city, own a business within the city, or serve as an 4 EXHIBIT C3 118 officer, director or manager of a business located within the city may also qualify for 19 appointment provided they possess qualifications or experience required by the Uniquely 20 board or committee to which they are 21 appointed; provided that residency within the City is not required by ordinance or law4a-s 22 23 (3) Individuals may not serve on more than one advisory board at a time. selectiRg 24 25 ,.,h., .J., REA p eRtly sep�e „f the Eit.:c h.,�r.Jc 26 27 28 29 oAAethor orh,icer„ heard thot hoc -OPAO'aF quasijudicial r,eweFc 30 31 32 33 34 35 36 37 38 39 40 41 42 43 (_q4) Term limits. 5 EXHIBIT C3 �L44 (1) No member or alternate member shall be appointed for more than two successive 11145 terms (original term, plus one additional term). A member who has been appointed to fill an 46 unexpired term shall remain eligible to serve two full twe-yeaFsuccessive terms. 1147 (2) Upon completion of the maximum allowable two full terms of membership, no 48 member or alternate shall be eligible for reappointment to the same advisory board ori 49 committee for a period of one year --Moss „the ed by the Ce MMISSIe1 50 (+h) Reorganization. In the case of creation of a new board or committee or the 151 reorganization or reconstitution of an advisory board or committee, three members shall be 152 appointed for an initial term of one year, with the balance of the members being appointed 153 for an initial term of two years. Thereafter, all appointments shall be for two years. 54 Sec. 27-3. FFegbi^R,-„ e mMeetings. 55 LaL—Unless otherwise stated in Chapter 27, all advisory boards and committees shall meet 56 once a month; provided that meetings may be cancelled by the City Manager or 57 designee. Board or Committee Meetings may be cancelled by the board liaison due to a 58 lack of business or quorum. Special meetings may be called by the city manager or board 59 chairman. 60 {a4(b)All meetings of advisory boards and committees shall be public meetings. 161 162 Sec. 27-4. Absences. 63 (a) MembeFs mlcc11 g meetiRgS 64 (24) When a member of any advisery board or committee that has regularly scheduled 65 meetings once a month, has missed three meetings for any reason within Lany 66 one year period during his or her aRRual beaF erm, th-At momhor will ho PAtifiod thAt one 67 additional absence will cause his or her board membership to be terminated. ThereafterfeFe, 68 the fourth absence within one annual board term shall result in automatic removal from the 69 board by ministerial action of the City Clerk, and the member will not be eligible to reapply 70 for any ad±jE + board or committee for a period of twelve (12) months from the date of the 71 fourth absence. 6 EXHIBIT C3 72 73 74 75 C 76 ' ) €)EE lsedc� 77 (1) A beard- PAe_.PA_heF, te whem which aRY ef thp hPlAw PAPAtOAPPd iRstaRces apply, shall 78 79 80 81 morP+ir,rPosl r,r, +ho Fece-Fel at the applicable moo+ir'g 83 a. Pers/lrlal O"Ress eF ihi r , $4 —ho TII., „f a family m mh.,r• 85 EO Death it the fam4 ,• 86 d. € e 87 e. MateMity leave7o eF 88 f. AAmta 89 Sec. 27-5. Removal; aharlsl/lrlmeRt;OyacaRGY 90 (a) All city board members and alternate members serve at the pleasure of the City 191 Commission and may be removed with or without cause at any time by a majority vote of the 192 City Commission, unless otherwise provided by the Charter or Florida Statutes. 93 (b) Notice of removal. A written notice of removal shall be served upon the city board 94 member or alternate member who has been removed UPeR the giro,-+ie,p of a mair,rifi, of 95 the City Commission. The ""+i,-o .,f romr,"al shall be pFeparorl by the Gity atteF e y a„.l SigRed 96 h.,+h., m „r „r the city m r if se diFeEt d by the Gity Gemmis.-i- 97 (1) Service of notice.The notice of removal shall be served by personal delivery, electronic 98 mail, -or by ordinary first class mail. Service shall be accomplished as soon as is practicable EXHIBIT C3 199 after the City Commission directs service of the notice of removal or, in the event of 200 abandonment of office, after the city manager or designee issues the notice of removal. 201 (2) Effective date of removals. Removal of a city board member shall have immediate 202 effect upon the vote of a majority of the City Commission. 203 (3) A person who is removed from a city board pursuant to the procedures set forth in 04 this section shall not be subject to reappointment to any city board for a period of 36 months 05 from the date of the removal. 06 07p 08 ce.pstituto -Ah_AAd_A_.AmorAt of -A he-Arrl comet 09 Sec. 27-6. (d) Vacancy. The City Commission shall fill any vacancy as soon as practicable 10 after the vacancy. Where a vacancy is caused by the resignation or removal of a member prior 211 to the expiration of their term, a member shall be appointed to complete the unexpired term 12 only, unless the unexpired term is for a period of time less than six months in which case 13 that the appointed member shall then be allowed to serve the following full regular 214 term without reappointment. 215 16 Sec. 27-7-6. Rules and procedures. 17 (a) Each board or committee may make and adopt priorities, by-laws, rules and regulations 218 for their own guidance and for the government and performance of its duties. Subject to the 219 approval, supervision and control of the City Commission and not inconsistent with law. 220 (b) Boards shall keep minutes of their proceedings; record the vote on each 21 quest+e44motion; and, keep records of their discussions, recommendations, and other official 222 actions. 23 24 pFieFte issuapce,AR errs �I�r�i is re dereel wh SigReel bythehair aRel it i I� o 25 (d) All bAAPP1 shall be epeRte the p, 226 s EXHIBIT C3 227 Sec. 27-7. Powers. 228 (a) Nothing in this article shall be construed as restricting or curtailing any of the powers 229 of the City Commission, or as a delegation to the board of any of the authority or discretionary 230 powers vested and imposed by law in the City Commission. The City Commission declares that 231 public interest, convenience and welfare requires the appointment of the following boards or 232 committees to act in a purely advisory capacity to the City Commission for the purposes set 233 forth in this article. Any powers delegated here to the board to adopt rules and regulations 234 shall not be construed as a delegation of legislative authority, but purely of administrative 235 authority. 36 JUL-44)—No member or alternate member of a board or committee shall receive any pay 37 or compensation for any services rendered as a member of such board. 38 (c) A board or committees may acquire by gift or donation, any property related to the 39 subject matter of the respective board or committee. Any gifts or donations acquired 40 shall require prior acceptance by the City Manager or designee and shall become the 41 property of the city, and title of any real property so acquired shall be taken in the name 42 of the city. 43 {b�(c)All references to the Planning and Development Board as covered in Chapter 2,Article 44 I, Section 3 of the City's Land Development Regulations, as amended from time to time, 45 have no further application to the land development application process. The Planning 46 and Development Board's review of land development applications are not a 47 precondition to the City Commission's review and approval of any land development 48 application. 49 (c) Each beaFel shall peFiedically aelvise the City CA-M.M.0 1-35;0 A—R ef OtS fiRGIORgs with Fespect te 50 51 C--A-.PqPqol-;'-;OA-.P eR aRY Fnatte.r referred te- Ot 1.409thip -39 days eF withip sur--h time as pFesEFibed by 52 the City remmicSOeR by specific resell itieA 253 9 EXHIBIT C3 254 Sec. 27-8. Quasi-judicial proceedings before city board; procedure for reconsideration of 255 decision. 256 (a) For the purpose of this Chapter, the term quasi-judicial proceeding shall mean hearings 57 before the Historic Preservation Board, +hp- D1_R„„@„ry I eyelets eRt BeaFd e+-the Building 58 Board of Adjustments and Appeals, or the City Commission related to the following specific 259 types of proceedings: variances; rezoning requests; appeals from administrative decisions of 260 the building official or the planning director; master plan approvals; site plan approvals; 261 modifications of site plans; relief from code requirements; conditional use approvals; site plan 262 extensions; abandonment applications; and, other land development matters 63 requiringa44e ee quasi-judicial hearings pursuant to law. 264 (b) Quasi-judicial hearings shall be conducted in a manner which provides all interested 265 parties with the opportunity to testify, call witnesses, introduce evidence and cross-examine 66 witnesses. An "interested party" means a party to whom mailed notice was required to be sent 67 for the quasi-judicial hearings. 68 (c) Testimony shall be under oath or affirmation. When a proposed development order 269 comes before the City Commission having first been afforded a quasi-judicial hearing before 70 a city board, the testimony presented, and 71 efthe Tecerd-ems e-c ORRE)R y aRel o„irloRicehofe-ro the City ('e-mmissie-R Hall documents and 72 evidence that were submitted, to the board constitute part of the record of the proceeding 73 before the City Commission and it is presumed that the City Commission accepted and 74 considered the documents and evidence in its consideration of the issues before the 75 Commission. 276 77 (dc-) Ne quase veli -,al pFeceedi g shall pre-cee,d „h+il proof of notice of the proceeding, in 78 affidavit form, must behas beeR filed with the office of the city clerk prior to the hearing. Proof 279 of notice must include the name and address of each property owner to whom notice was 280 mailed and a photograph of each sign posted, as hereinafter required. The following notices 281 must be paid for and provided by the applicant: 10 EXHIBIT C3 282 (1) All property owners, homeowner associations, and condominium associations that 283 own property within 400 feet of the boundary line of the property which is the subject of the 284 quasi-judicial hearing shall be mailed, by first class mail, a notice of hearing postmarked no 285 less than 10 calendar days prior to the hearing. 286 (2) One sign for each street frontage of the property shall be posted no less than 10 days 287 prior to the hearing. The sign shall be legible from a distance of 100 feet and shall contain a 288 description of the approval being sought, the date, time and location of the hearing, and a 289 statement that the application being considered is available for inspection in the Development 290 Department of the city. 291 (3) When a quasi-judicial hearing is tabled or continued at the request of an applicant, 292 re-notice of the hearing shall be provided by the applicant in the same manner as original 93 notice; provided that if the item is tabled or continued by a motion of a board or City 94 Commission at a properly noticed hearing to a date and time certain, re-notice is not required. 95 A matter may only be tabled or continued one time without re-noticing the item. 296 (d) The City Commission may reconsider its decision arising from a quasi-judicial 297 proceeding only upon a motion to reconsider made at the meeting at which the decision was 298 rendered or during the next regular City Commission meeting. No quasi-judicial decision shall 299 be considered final until the conclusion of the next City Commission meeting, or if a motion 300 to reconsider has been made and passes, the conclusion of the reconsideration of the matter, 301 and the entry of a written order approved by the City Attorney and signed by the City Clerk. 302 (1) When a motion for reconsideration is made and approved at the Commission meeting 303 at which the decision was rendered, the Commission may immediately reconsider the matter 304 before them or, the Commission may reconsider the matter at a later time certain which shall 05 be announced, at the meeting, to the applicant and the public in which case n—.No additional 306 notice of the matter shall be necessary. 307 (2) When a motion for reconsideration is made following the close of the Commission 308 meeting at which the decision is made, only the motion to reconsider shall be heard at the 309 next regular City Commission meeting. If the motion to reconsider is adopted by the 11 EXHIBIT C3 310 Commission, the matter which is the subject of the motion to reconsider shall be placed on 311 the next regular City Commission meeting agenda. The agenda item shall be noticed in the 12 same manner as the notice provided when the item was originally considered at the applicant's 13 cost. 14 (3e) Any board may reconsider its decision arising from a quasi-judicial proceeding only 315 upon a motion to reconsider at the meeting at which the decision was rendered. 316 Sec. 27-9. Boards and committees to follow CCNA. 317 Any city boards or committees and the like which have purchasing authority independent 318 of the City Commission, the purchases of such bodies which are subject to the Consultants' 319 Competitive Negotiation Act ("CCNA") shall be processed in accordance herewith; however, 320 the board or committee, or the like will itself perform the functions set forth herein that are 321 otherwise applicable to the City Commission. 322 Secs. 27-10-27-19. Reserved. 323 324 ARTICLE II. BOYNTON BEACH ART ADVISORY BOARD 325 Sec. 27-20. Membership. 26 Appointees to the Art Advisory Board shall be residents of the City or owners of businesses 27 located within the City-ew4e-r-sL p-Fc��with a majority of members (four out of 7) having 28 the following background: artist, art volunteer/activist; planner; private developer; architect; 29 ReighbeFheed- xSA-GiatieR member; opterected citize„ Eligible residents and business owners 30 may be appointed to the Art Advisory Board if the majority of membership meets the 31 background criteria listed above. 32 33 See. 27 23. AFt AelviseFy Re-Ard meetiRgS 34 35 36 37 Peem r r,! determi.,e the ,1---t0es „f its m mberc .,r,1 „ffi,-„rc 12 EXHIBIT C3 38 39 of Boynton BeaEh's OFElinaREe Ne. 01 64 340 341 Sec. 27-24. Purpose and duties. 342 (a) The purpose of the Art Advisory Board is to advise the City Commission on matters 343 related to the arts, to develop a plan and programs to promote and support art in public 344 places, and to recommend guidelines and funding for implementation. It shall be the duty of 345 the Art Advisory Board to act as an advisory board to the City Commission in providing advice 346 on matters relating to the visual arts. 347 (b) The Art Advisory Board may recommend funding sources including private sources and 348 grant funds; encourage public and private partnerships in the arts; review and make 349 recommendations on proposals for art work for public buildings and public spaces; encourage 350 the flow of art into the city; stimulate art related activities and events; study issues related to 351 art and implement art programs as delegated to it by the City's Commission from time to time. 352 (c) The Art Advisory Board shall periodically advise the City Commission of its findings or 353 proposals with respect to the foregoing issues and make recommendations to the City 354 Commission on any matter referred to it within as much time prescribed by the City 355 Commission. 356 (d) The Art Advisory Board shall have the following additional powers and duties: 57 (1) Recommend to the City Commission adoption of Art in Public Places PFegFam 358 Guidelines and amendments thereto; 359 (2) Recommend to the City Commission adoption of a Public Art Master Plan identifying 360 locations for public artworks and establishing a priority order; 361 (3) Recommend to the City Commission authorization of expenditures for maintaining 362 and implementing the Art in Public Places Program; 363 (4) Recommend to the City Commission other expenditures of the Public Art Fund such 364 as hiring staff and services to run the Art in Public Places Program; 13 EXHIBIT C3 365 (5) Exercise their authority to approve, approve with conditions or disapprove proposed 66 installation of artwork including murals based on criteria in the Art in Public Places PFOgra+n 367 Guidelines; and 68 (6) Advance, through education and communication, the Art in Public Places Program 69 GuideliRes, . 370 Secs. 27-28-27-32, Reserved, 371 72 ARTICLE III. BOYNTON BEACH LIBRARY ADVISORY BOARD 373 Sec. 27-33. Purpose and duties. 374 Subject to the control and direction of the City Commission, the Library Board: 75 (1) Shall act in an advisory capacity 'R^R -dFAiRistFati„e` to the City Commission, to assure 376 representation of the ideas of citizens and taxpayers of the city relative to the function and 377 operation of municipal libraries and reading rooms in the city, and such advisory assistance 378 shall include, but not be limited to, recommendations relative to control of expenditures of 379 moneys collected or donated to the credit of any municipal library in this city, and the 380 supervision, care and custody of the grounds, rooms, property and buildings constructed, 381 leased or set aside for municipal library purposes. 82 (2) Shall PA-Ake Fece-RAPAP-Rd-Atie.ps feF the appeiiiptme.pt ef-A suit-Able .10-hr-Ari-ap -APP-1 _AssistaRtS 83 ; 84 85 ; 86 . 87 (3) Shall aRRually OR aR aelviseFy capacity assist the city maR 3FORg a buelget fe $8 the m_A0AtP_. aRce aRel eVriaRSOeR of mU RiCipal libFapy facilities 89 (42) Shall keepTeEeFdrs nverrtE)Fcam-imcrirEEert e etheFwise of all „f the 90 actoyo of the heeord the mU RiCipal libFa Fy system aRGI make reports to the city moRager 91 aPA—the City Commission relative to the activities of the board and the municipal library 92 s sv te ntheFete asaRRbially eF wheReve requested to do so by the Ci1y Commission, 14 � J � W X 0 06 t � 0 N ct N •Q � •,� ct ct .—t N .N N cO CIO N � '$:� U N vi ct o O ct ct ct v CA ct ,ct ct O C) ^ •° Q ct W � � O ct ct ct ctct 12, 8 � � bA � •� vl vl W � ct •� •U 00 U O V) c� `O . ,t o C� ° c� �) ct p ct U c ct ct ct ct �--� ct a) o E O ct O 'uN ct ) .ct �� ctN ct 00 00 gVii. 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Y \._ / .� '�. � ti _ ;;,, �" � � � + .; __ y � �'' ji — � _�I v 1 L, 4J lu z D0 E O O U E 0 2 0 -i � a 0. .(n ,toe 'Wok 04 04041 +jA � � d m t/') � � Q � � � U � � � � � m � � O O m The City of Boynton Beach OFFICE OF THE CITY COMMISSION GST Y o Commissioner Angela Cruz 100 East Ocean Avenue Boynton Beach,Florida 33435 (P): 561-742-6010 1 (F): 561-742-6011 o •\� www.boynton-beach.org E 04, TON I Angela Cruz, As City Commissioner for District 1 in Boynton Beach, which is the location for the proposed art piece. The purpose of having art installations in public places is to beautify our shared spaces while also honoring our community. It has come to my attention that many residents and parents are concerned with the statute being proposed for installation. I am voicing opposition to this proposed statute. I will not support anything that goes against the will of my constituents and is not a product of a local artist. With all the talented artists we have in South Florida, it is important to provide opportunities to help our local economy. In addition, this 15 ft tall statute is out of place for Boynton Beach and does not represent out community. Art in public places should be representative of our community while keeping consistent with the overall vision of Boynton Beach. I respectfully ask the Art Board to go back to reject this proposal, go back to the drawing board and commit to collecting community feedback before spending public dollars on a controversial statute. Respectfully, Commissioner Angela Cruz America's Gateway to the Gulfstream