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R26-162
RESOLUTION NO. R26-162 A RESOLUTION OF THE CITY COMMISSION OF THE CITY OF 2 BOYNTON BEACH, FLORIDA, ADOPTING THE BOYNTON 3 BEACH PUBLIC ART MASTER PLAN; AND FOR ALL OTHER 4 PURPOSES. 5 6 WHEREAS, public art contributes to the cultural vitality, economic development, 7 placemaking, and civic identity of the City of Boynton Beach, and the City Commission desires to 8 establish a comprehensive, long-term strategy to guide the planning, funding, commissioning, 9 placement, and maintenance of public art throughout the City; and 10 WHEREAS, the City retained Futureforms, working in coordination with the City's Planning 11 and Zoning Division, to prepare the Boynton Beach Public Art Master Plan (the "Plan"), which 12 included a community engagement process from October through December 2025 consisting of 13 four virtual sessions, one in-person community workshop,and a citywide survey,with participation 14 from the arts community, local artists and galleries, the small business community, City arts staff, 15 the Arts Advisory Board, and residents and community members; and 16 WHEREAS, the Plan establishes a framework of primary corridors ("Art Spines") and key 17 intersections ("Art Nodes") across the City, identifies proposed artwork locations, artwork 18 typologies, budget ranges, and implementation best practices, and promotes the equitable 19 distribution of public art across all City Commission districts; and 20 WHEREAS, on August 12, 2026, the City's Arts Advisory Board voted unanimously to 21 recommend that the City Commission approve the Plan, with recommendations; and 22 WHEREAS, the City Commission, upon the recommendation of staff and the Arts Advisory 23 Board, has deemed it in the best interests of the City's citizens and residents to adopt the Boynton 24 Beach Public Art Master Plan. 25 NOW, THEREFORE, BE IT RESOLVED BY THE CITY COMMISSION OF THE CITY OF BOYNTON 26 BEACH, FLORIDA, THAT: 27 SECTION 1. The foregoing "Whereas" clauses are hereby ratified and confirmed as 28 being true and correct and are hereby made a specific part of this Resolution upon adoption. 29 RESOLUTION NO. R26-162 30 SECTION 2. The City Commission of the City of Boynton Beach, Florida, does hereby 31 adopt the Boynton Beach Public Art Master Plan, as further detailed in Exhibit A, attached hereto. 32 SECTION 3. This Resolution shall take effect in accordance with the law. 33 34 [SIGNATURES ON THE FOLLOWING PAGE] RESOLUTION NO. R26-162 35 PASSED AND ADOPTED this O day of Q v;ex-N.40 x-- 2026. 36 CITY OF BOYNTON BEACH, FLORIDA 37 YES NO 38 39 Mayor- Rebecca Shelton ✓ 40 41 Vice Mayor-Thomas Turkin 'y" 42 43 Commissioner-Angela Cruz `/ 44 45 Commissioner- Mack McCray '/ 46 47 Commissioner-Aimee Kelley '/ 48 49 VOTE 6 -o 50 ATTEST: 51 52 . /7--. 53 Tammy Stan 'one Rebecca Shelton 54 City Clerk _ Mayor 55 „<\-\-C .9.NEgn , 0 FLAT E •. 56 ; .0%2() APPROVED AS TO FORM: 57 (Corporate Seal) S ro; �ro 0(0 l= • 59 • I58 ,,.4 v.. \ •\`-' ..•• t� heO/AWa/ilh' `\ ' Shawna G. Lamb %61 �```` �.."` - City Attorney R4F R l' / �- y-` _s ''+'R ,�, , "'mt ST' w-+mss.� I � i .;..^'''., "'w ate`�.: �t� ti �',4,'"�g-t �, vR h7. .rfR --'• .. : w. '4:A s ya�,) .,.• ."...... ',,, aka, ""may ,.Cke x. § N y r. e� °' �g k. w. BOYNTON BEACH PUBLIC ART MASTER PLAN Date: AUGUST 12, 2026 I FINAL DOCUMENT Public Art Master Plan Consultant: Futureforms la— NBoynton Beach Public Art Master Plan 08/14/2026 1 Page 1 ° ' �� FUTUkE:F(lf��IS TABLE OF CONTENTS 4 - Community Engagement 6 0 ,4,01Key Findings 7 ,00,--: Art Narrative 13 +i '*40, , Strategic Planning 16 00 •?law-k . + „." Public Art Master Plan Framework 17 it- ,1' Existing Initiatives 22 ' ► Artwork Typologies 30 Ralfonso Proposed Public Art Locations 39 . » Ocean Ave 41 Boynton Beach Blvd 59 1 MLK Jr Blvd 67 Federal Hwy 76 I 4th St 88 i • Seacrest Blvd 95 ' - Congress Ave 104 City-Owned Properties 112 Greg Manklsofr k "- - Public Art Distribution by District 135 \. Implementation Best Practices 149 ';� Art Call Resources 151 / .:a 1 Best Practices 155 Appendices 158 A. Public Arts Master Plan Precedents 158 1 ' *Artwork images throughout this document are for 11 li, \ • _ B. Local & Regional Artists 166 reference only. They are not recommendations of Albert Paley * ' 1 1 specific artwork or artists. I tam Boynton Beach Public Art Master Plan I 08/14/2026 1 Page 2 Milli' 0 FE11'URE:FORMS OVERVIEW This Public Art Master Plan for Boynton Beach establishes a long-term vision for how public art can strengthen community identity, enhance the public realm, and support economic and cultural development across the *Al I th 6.• „ city. /f OOP' , 4 Guided by extensive community engagement, the plan identifies keyOr _ themes — including Culture, Ocean, Interaction, and Local Identity. • , � Community feedback also emphasized the importance of distributing __ 4P ? art throughout everyday civic spaces, particularly along sidewalks, ��" '' ,Tw' • major intersections, plazas, parks, and key corridors such as, particuW41P*`- ��' Boynton/The Heart of Boynton, Federal Highway, and Congress Avenue. 1 ' iF , tri-- `r I -,14,1t, 1"-_ . y/ Building upon existing initiatives, including the Art in Public Places , ,I, ' • S Program, the International Kinetic Art Experience, the Transforming Traffic 7� .� , Boxes into Public Art Program, and community-led projects, the Public Art ' ' , i Master Plan positions public art as both a cultural asset and a catalyst for placemaking and economic vitality. The framework introduces a network of "Art Spines" and "Art Nodes" that _ N, strategically concentrate public artwork along major vehicular corridors . • and intersections where residents and visitors most frequently experience T ,I. .. ""'- Ilk- Ili the city. By aligning future artworks with visible and highly trafficked locations, the Public Art Master Plan aims to create recognizable arts districts and strengthen connections between neighborhoods, ------ .gagoloomi 1 destinations, and civic spaces. ,r The Public Art Master Plan intends to establish potential art locations, appropriate typologies and general scale of artworks. It highlights a set Ralfonso I /' : : Boynton Beach Public Art Master Plan 108/14/2026 I Page 3 E UTURE.E ORM c S OVERVIEW CONTINUED of recommended priority locations; however it does not preclude the consideration of additional sites. Any future locations or art typologies not listed in the Public Art Master Plan may still be pursued, provided they meet the established evaluation criteria. dier The Public Art Master Plan document further outlines implementation criteria to guide future investments, prioritizing projects based on community benefit, visibility, cost, proximity to existing artworks, and coordination with future development opportunities. Together, the � .'Public Art Master Plan provides a flexible and actionable roadmap for ".\ / `114 \ l � expanding Boynton Beach's public art presence while reinforcing the city's unique character and sense of place. Please note that all artwork "��111!r� images throughout this document are for reference only. They are not illfAh recommendations of specific artwork or artists. ;. 4 i "iii t-1�'� , ir • 'i 'i ‘ ' ,4000000/14,.....0011 Ill �R?f1; st rn '' ''°,, 70:17E4',,,_,.,..:1\1,4 ' . ' .'"*"1 . .....: II y I k = r - ,- Albert Paley,_i .14 v -� ' Boynton Beach Public Art Master Plan 1 08/14/2026 1 Page 4 ETON (6) fUTURf:F'ORNI i ACKNOWLEDGEMENTS The Public Art Master Plan Consultant Futureforms gratefully 1' �1�4� ,iacknowledges the collaboration, guidance, and dedication of the City of ii tisk ` ri 'i ‘, Boynton Beach throughout the development of this Public Arts Master 1 (`�r \46641/1\‘i';'.:'‘‘\;400)00;/,'‘\\1\:\1:11",' �\ ,1k, �, dip\'Plan. We extend our sincere appreciation to the City Commission, the .� l It:- Nir Planning& Zoning Division, the Recreation & Parks Department, the Art /" ' ����.Advisory Board, project stakeholders, artists, residents, and community \ ' „ ,�members whose insights, expertise, and participation helped shape thevision and recommendations presented in this plan. Their commitment \ 'I 'to fostering arts and culture has been instrumental in creating a shared . j ,�i 4vision for the future of public art in Boynton Beach. \\Ir '� `��� Special thanks to the Planning& Zoning Division project team: �4 A` , . . --.........'------''...!....,__ . 1 '• , , Amanda Radigan, Director of Development -� - _ _�___,___ - - /i / . , , Gabe Sevigny, Interim Director of Planning&Zoning Division \�'`�. `\ ___:___,....4•........ .-11111.11A -.....L.--- f..,.7.-..;7"S11� +� // John Stout, Planner II �< ) -----' 1 Leticia Sabio, Planner I � l _ 17� � lk 11j.. = � �511' f� ---Y , . i \\, rev/ /i.,\ 1 / i _ „-__...-,. _As\ _ , -.NN";‘,0,4r4 , _ 1 si .fitml. -\.4\e' ti� il'41 , , j00.., � 'ifGARTEL in 11 / �,�►, g�44 Ars ROM! t [111�IRE.f:ORM S Boynton Beach Public Art Master Plan 108/14/2026 1 Page 5 y:frw w �p ! aS . , ,fes. f rr. pl,A R COMMUNITY ENGAGEMENT *Artwork images throughout this do cument are for reference only. They are not recommendations of specific artwork or artists. Ii gpy�ON, f t,l IJ�E:f����I�i COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Plan 108/14/20?6 I Page 6 COMMUNITY ENGAGEMENT PROCESS & FINDINGS FORMAT Futureforms engaged with the community of Boynton Beach through __ four virtual sessions, one in-person community workshop, and a public ; survey from October through December 2025. Meetings took place with a number of stakeholder groups including: = ' 8°y�ro IyNS�N -Arts Community (Artists, Galleries) ,70, ilEgn A -" - -Small Business Community S WS + -City of Boynton Beach Art Staff $ '• a -City of Boynton Beach Art Board . ? - Residents and Community Members . 11'IMIP {i'"`- Stakeholders were invited to listen and share about the value of artwork Custom Boynton Beach ins Ana Teresa Fernandez to their community, the types of artwork they would like to see introduced - to the city, and where they would like to see it. a .• r a The following section details insights from these engagements. These , Y findings have informed a strategic approach to the arts master plan - v ,,° 7._ Tai::;_•, _, R framework and thematic directions for the future artworks. This input !rr further informed future artwork locations and areas of future artwork r -‘;3.4:111: ` i p concentration. • '` .4 Shades of Culture "` "ArtSea LM N, 0 S COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Plan I OW14/2026 I Page 7 PUBLIC OUTREACH SESSIONS INTERACTIVE FEEDBACK AND WORKSHOPS Public input was solicited through a series of virtual and in-person We used a digital interactive feedback tool that allowed participants workshops: to anonymously share responses to our questions regarding: types of artwork, future locations and thematic narratives. The input solicited was Virtual Session 1 guided by the following questions: Completed October 22nd, 2025 Attended by: City Staff 1. How valuable are ideas of community, activation, economic impact and support of the local arts when thinking about the future of public art in Virtual Session 2 Boynton Beach? Completed November 22nd, 2025 2.Which existing Boynton Beach artworks would you like to see more of? Attended by: Small Business Owners 3.Where in Boynton Beach do you enjoy seeing art currently? 4.Which Boynton Beach neighborhood is most in need of impactful public Virtual Session 3 art? Completed December 3rd, 2025 5. How do you most often experience art in Boynton Beach? Attended by: Arts Community Members 6.Where would you like to see more art around Boynton? Plazas, medians, parking lots, sidewalks, intersections, beaches? Virtual Session 4 7. What themes or stories do you think of when you think of Boynton Completed December 10th, 2025 Beach? Attended by: Arts Advisory Board 8.What artwork types would you like to see more of in Boynton Beach? Iconic art, wall activations, integrated artwork, temporary, permanent, Community Workshop performances? Completed December 13th, 2025 Attended by: Community Members Public Survey Launched on City of Boynton Beach website on November 11th, 2025 IIV ( LUQ l��ia,����h� COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Plan 1 08/14/2076 Page 8 RI[��.r�r RESULTS OF COMMUNITY ENGAGEMENT KEY FINDINGSM yr A, e ; 47 The community feedback pointed to a number of key considerations that .. ?� have guided the arts master plan framework and direction: •:,k..� w f� �. ` ` " •; ` r�. • • ART THEMES: Culture, the Ocean and Interaction are major themes ,' the community would like to see expressed in the Public Art of their k- .'d lir community. --, P. • ART LOCATIONS: Community members see value in art on or along city David Dahlqulst/Matt MOM ` - sidewalks and at major intersections, while also wanting to see more public art in plazas and parks. • ART CONCENTRATIONS: The community would like to see the Arts _ I "' la Master Plan form identifiable Arts Districts in Boynton Beach. Polling 44- .'`� indicated the following possible areas for future concentration of I.r�_Q� licep. r • • . s., public art: Downtown Boynton/The Heart of Boynton; Federal Highway; Congress Avenue. •Dec.13,2025 Workshop- • ART TYPES: Public Artwork types that resonated with community members included Wall Activations, Temporary and Rotating Art and "' gr Iconic Sculptures. � 1 ! i �- ,,. .4. , ./' ,, • ART COMMUNITY: The community would like to see more artwork - �•+; , • that represents the community of Boynton Beach and looks to the ;Jay 4 i investment in the arts as a mechanism to boost the local economy. 0 Lynn Basa ifiroN FUTLJRL FtJf��lf� COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Ran 108/14/2026 I Page 9 `I Menhmeter "' COMMUNITY FEEDBACK: FUTURE ART LOCATIONS Which Boynton Beach neighborhood is most in need of impactful public art?(Select all that apply) " m The community would like to see more artwork Downtown, with ,vst "�- " "� ;, a concentration in the Heart of I..,.i. Boynton Beach. Federal Highway -1' -lel- .. and Congress Avenue were also ;1.� r,� ; 'I ,a areas of interest for future artwork. _: • North Boynton central Boynton Downtown South Boynton Heart of Boynton Congress Federal Highway .�: - Boynton • • � A dr 1 60 9% -.li I 11--'-''-.--1- L--L4-‘4 1 .A ', r ' iAOF � .10_, SOUTH BOYNTON 'i • �1, xNORTH BOYNTON� a� aw f (_..1. :18% r �-® :� X �, 7.�ach- , .. 18% a Boynton Beach - 7 0 ow , \� t `\`��r .o.Boy Be �..., w.. ; -_. Boynton Beach",.,.,, \\; \ o. Boynton Beach .. �r ,4,/ / o, �' DOWNTOWN BOYNTON FEDERAL HWY CONGRESS AVE HEART OF BOYNTON CENTRAL BOYNTON roN 0FUTURE:FEIRMS COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Plan I 08/14/2026 I Page 10 How do you most often experience art in Boynton Beach? How do you most often experience art in Boynton Beach? COMMUNITY FEEDBACK: WAYS OF EXPERIENCING ART Through community feedback Walking through residential neighborhoods Walking through residential neighborhoods 0 —0 Walking on urban streets we learned that the primary way Walking on urban streets Driving on city streets si Dr,u,n v that people experience art in ® g on city streets Rldingablke ° Boynton Beach is by driving on city 0 .. . Riding a bike While at the beach ,.,,..� Whle of the beaahQ streets. This is followed by artwork Q 0 Sitting molocal plaza or pork 'rvf Sitting in a local plaza or pork experiences in public plazas and Very Often ® parks. of ons„ vnroR.n VIRTUAL SESSION#1 VIRTUAL SESSION#3 How do you most often experience art in Boynton Beach? How do you most often experience art in Boynton Beach? '`'rte Walking Lai through residential neighborhoods ( t Lt.-Amu. fD1g ig Walking through residential neighborhoods it ■ Walking on urban sQtreets Walking on urban O ets L r � 4' I4 1 1 ■ _ a —• a F R- 151 Iri Driving on city streets Driving on city streets 0 0 i •t Riding a bike Riding a bike ,� .~ ,t 0 0 While at the beach While at the beach -- 0 Shab Sitting in plaza or pore Sitting Ina kxal pkua or park --- I — _ 0 0 �- , Very Often ® Not Often venyOften I Albert Paley VIRTUAL SESSION#4 COMMUNITY WORKSHOP N /^ t COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Plan 08/14/2026 Page 11 °.�' FUTURE:FORNIS GULF NANO ART BEACH STREAM PARK COMMUNITY ENVIRONMENT VIBRANT FISHING FARMS MARINE TEMPORARY VILLAGE SUNSHINE LIFE HISTORY FAMILY MARSH CULTURE OCEAN KINETIC NATURE NTERACTION CULTURAL DIVERSITY ONNECTIONS MIXED GROWING IGUANAS MEDIA NAUTICAL :EAUT ART NARRATIVES s' 1 Community discussions pointed to a set of distinct stories that future art in Boynton "or _______________ , Beach could speak to: Nature, Ocean, Water, ` ;: , the Environment, Marine Life, Interaction, �'' Kinetic, and Culture. These stories become , '=- i",' - - y "' ,40.„:.4:-. the framework for future art and inform the .� A �,j" 9�' thematics of the Public Art Master Plan. '. w1r Am Telae Fernandez Lynn Basa !Ralfonso ' � r Alex Rodr1241 N'i 0 : : ��t, COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Plan I O8/14/2026 I Page 12 FUTURI.IOR S ART NARRATIVE: THE OCEAN Stories: Water/Gulf Stream/Beach/Environment/Marine Life/Flow/ Waves/Blue A primary thematic area of interest .. , is the ocean. This could be t translated into numerous artistic r '' ; interpretations: the sea, marine "` environment, the beach, beach T 4`�_ �, ;, ' ��� culture, the waves, flow, the color I fr / op blue. Artwork could take thematic, _ ,N ,' re � , i topical, material and cultural inspiration from Boynton Beach, ` -f •A , � , , , 4 • iii .,,., , , hi the geography of place, its natural environment, flora, fauna and �' ,1 - '" . context. '`' " ' �, jii.„' t' Suzann Victor \ IMESil�tRCiM. i t ;.; a Ana Teresa Fernandez , e Joseph Velasquez(left),Andrea Canham(right) ' , ' , ‘_ „, If I :.-.I S 1 41,1--illiti,- 411 - i .-: 1g6 .te .. 11 r . 11 y :.iii Sit 1 Ned Kahn* Teresa Fernandez Lynn Basa Rebecca Mendez) M _Jr'ato K I' t S COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Plan 1 00/14/2021 1 Page 13 .� Fl1Tl1hEFE1(�N1S ART NARRATIVE: LOCAL CULTURE Stories: Community/Family/ Gathering/Diversity/History/Performance/Dance/Music Local culture and history should �� — •���: cy be supported and represented ;r.- %, • ,� .,,s,,,, it„, through the Public Art Master ;� -x t ti •..° r Plan. This can take the form of "' - • ;� artworks that are inspired by the '-• ,« �" _ t ,t4• history of Boynton Beach, artworks s,•-n: I 4 4' 4,- that are created by local and �` ,;._., _ • regional artists, or performances, Irr - music and gatherings that bring ,l - r community together. "/ e„� ?' - 't• - f'4-f`. '- r+� tf ., ,g 1* ,/,,k,-,. Alex Rodriguez II It Shades efColton 1. :r ^..... >r ` l,-V 1,N,,"1:'. *` 'c-i 414 �* Sreft1;161" ., - .„., . .. - _ .x 4� a•`. ii,‘-i.. r't'e `.—`y ../: 'S\; y. 8wiewI L , i r o� t . -_ ' 1 . ,a `5 Lyr . , 1 ,1`r v. ` V•:� i V•••-' .moi` qi.,-._.:1 .4 • 1 -i . ,, ,...,,'vii . ' , I 0_,m, V ''L' s q't‘'-----"-: ' -\ ' 'A'-' -?-0.1 • AV::: .41kbe. 1.4:....,.-.., ' , -' ' .. - - •••'' i, P —J , 1 A\IIIII1',,,,, /V,',it .‘ , a !AP- 1 . .,; :,-: , , , 1.1b.•i 4,01estsvir Ertl "�.Jl iti ` I £ e t . ., 1 Rosenwald Elementary School Dnimline In Parade • !• 'Workshops atArtSea Living The Sol Oasis Yoga Studio ✓ \, 1P Soards&the Red Hots,Mural by GARTEL COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Plan 108/14/2026 I Page 14 ART NARRATIVE: INTERACTION Stories: Engaging/Playful/Kinetic/Performance Space/Evoking Movement/Illuminated/Dynamic The legacy of the Boynton Beach -- Kinetic Festival is important in both - • o conceiving of the City's future art `J� 4 _ • • • legacy, but also recognizing the I - O • impact that this highly regarded CV program has had over its 13-year �� , I 1 course. The thematic or interaction, I l " ,' ` ! 4 / / • • 0 0 i kineticism and dynamism deeply i I ' rill resonates through the Boynton ;-T , 0 • 0 • Beach art community and should ! I„ continue to be supported through I I,I ` 0 O the Public Art Master Plan. I R1 - i� 0 0 0 0 � j.�%stati�=—�__ Volkan Alkanoglu O 0 • • j Studio Weave — -}I 1 Daily Tous Les lours • • x , ( \ _ , 1j114 '41114444,.. ' - : §-: ' V �. I 4 t & 1 , ,.. - - .. r ate. �� .i,_ti., • - !I �' _ ""_ - ■ I , A, Ili DallyTous Les lours - - $ Erika Rothenberg ''Merge Conceptual The Urban Conga T — COMMUNITY ENGAGEMENT Boynton Beach Public Art Master Plan 108/14/2026 I Page 15 ' 41 0 FUTUREFORMS STRATEGIC PLANNING *Artwork images throughout this document are for reference only. They are not recommendations of specific artwork or artists. fir0FUTUf�E_F(1R�IS STRATEGIC PLANNING Boynton Beach Public Art Master Plan 08/14/2026 I Page 16 PUBLIC ARTS MASTER PLAN FRAMEWORK ART SPINES & INTERSECTIONS - During the community engagement process Boynton Beach community ,- 'Sit, members shared that they would like to see more public art distributed • across the city, especially along sidewalks and at major intersections. , o ' ,•I 1 L ti-M� - '"y' ` They emphasized the fact that their daily experiences through the urban -\ • n ' . _t fabric are primarily conducted by car, so a public arts strategy should sw- . [� - 1 "" - ,, • • - reflect that primary mode of experience. ` ' I' 17 r — =, ' r ,06 . - /a��� , - " k" r' u ' The Public Art Master Plan establishes a series of primary spines and I i; intersections for artwork to gravitate towards. The linear spines are ~ , ::: 'li k . primary vehicular paths, while the intersections are key moments where . , I.:'1:1 I :-- sem,,. 11 these spines intersect. They are moments when a vehicle is waiting Ralfonaow _Albert Paley _ - for a light to change or a pedestrian is waiting to cross the street. Both experiences should be supported by future artwork wherever possible. IIIIIIIIIIIIIII r ■ nPlacing art in these locations increases artwork concentration and ��visibility, creating a series of Art Spines and Art Nodes across the city. �� � "''��� �®These concentrations can eventually become the heart of new arts _ , I' ' '• !'. : .rill �► ��l �t ���1.ii�districts as more energy and investment gravitates towards them. , i _ al The following section describes the Art Spines and Art Nodes, which "�� yQ• '�_' P,are the two elements that overlap to create the Public Art Master Plan - _ "_ -', '"}. * _ ,� 'j7` - framework. It also outlines additional artwork opportunities in public -.4. ' -'" .. spaces, parks, community and recreation centers. --. . / '� - Finally, this section outlines existing initiatives that provide an additional Okuda Alice Aycock .^' .'.,. layer of activation city wide. - See Appendix A for Art Spine and Art Node precedent studies °� N 0STRATEGIC PLANNING Boynton Beach Public Art Master Plan 08/14/2026 I Page 17 FUTUREF( RMS PROPOSED ART SPINES Art Spines are located along rights-of- way through Boynton Beach. These were Artwork along identified based on the adjacent commercial major thoroughfares density, proximity to points of interest and public spaces, and volume of vehicular and foot traffic. *' ' 4The primary Art Spines identified are: • Boynton Beach Boulevard: Primarylink to Artinte rated Y g 1-95 q into the street ® / �'I11 scope BOYNION • Ocean Avenue: Avenue of the Arts ( ,,�`}:' BEACH BLVD 'Pk '• -i .'i • Martin Luther King Jr. Boulevard: North of „���; the cultural district '_ Murals • Federal Highway: Regional North -South connector 7 • 4th Street: Rapidly developing corridor tit .+";� a fi.�, lit • Seacrest Boulevard: Major North -South .: �,+j`'r ..f connector `.. • Congress Ave: Regional North -South Iconic sculptures connector *See Appendix A for Art Spine precedent studies TON ( ; ; t• STRATEGIC PLANNING Boynton Beach Public Art Master Plan 108/14/2026 I Page 18 ITT! 0 FUTUREF ORNIS PROPOSED ART NODES Art Nodes are the intersections of major vehicular and pedestrian flows of movement, where activity 4 is concentrated. Many proposed L A Art Nodes occur near cultural, I� commercial zones and sites of At upcoming development. Art Nodes . GATEWAY BLVD will likely frame a pedestrian i experience, creating moments of pause, seating, and shade while Neighborhood Gateway waiting at an intersection. Mum BUM TUN BEACH BLVD e ® Torr ✓ r, /" 11 Place to pause n /' i 4x1, HIU WOULBHT BD '�. ,� BU ?UN BEACH BLVD 1I ► YN ';. A t`I_. ..:.,` a' 4111Fr It . . _R Placemaking mural Spines Artwork at important intersections Nodes Upcoming Development *See Appendix A for Art Node precedent studies 11W 0 FUTUREFORNI S STRATEGIC PLANNING Boynton Beach Public Art Master Plan � Iltt/I4/?(l , I Pagge 19 PROPOSED ARTWORK IN PARKS AND CITY-OWNED STRUCTURES O Public Parks are distributed throughout throughout the City of Boynton 1= ,,,' ' ,,, � . Beach and present an opportunity to •Y,l - -:,,",,`',1‘,.--,.,..„ `` d f7 activate spaces that might fall further _ :_” 0 away from the City's cultural center. ^ ' ► Functional artworks, such as shade "/. canopies, illuminated sculptures, ....***10i, h and benches, benefit residents who live within the park's vicinity. Playful, , /• - ' 4 r 1410engaging artworks that include l Otactile, interactive, or kinetic elements - .;; _ .'' also call back to the city's Biennial "�,� - ? - ` O ., 0 O Kinetic Art Experience. Caloosa Park . ' Existing city-owned structures may also offer potential locations for murals and other artworks. These can serve as landmarks for wayfinding, O identifying gateways or portals into various neighborhoods, and introduce new cultural and aesthetic , opportunities across the city. - _ 8 : ...146',yeeW,11 ..60.111111= Flrc Rescue StaRbn 2 _ 0 STRATEGIC PLANNING Boynton Beach Public Art Master Plan 08/14/2026 1 Page 20 NT FUTURE:FORNIS l I / IMPLEMENTATION GOAL & PRIORITIZATION CRITERIA r-1 • V r The Public Arts Master Plan increases the public art in Boynton Beach libyapproximately happen in a thoughtful j i---�_._ pproximatel 70%. This development should • -� and considerate manner, taking into account existing concentrations of 1 artwork, future developments in districts, and the acquisition of property irCkS1-1j • I (_`, by the city. Consider the following criteria as a guide to evaluate the —, impact of each location and prioritizing the implementation of artworks H sll= •-. accordingly. 1 I I � I 1. Programmatic or functional need: Artworks that serve a function (by i • / providing seating or shade) can provide an immediate and impactful • i benefit to the community. I �.. • 2. Location: Artworks located at key vehicular nodes or at the center of L._- 7• y commercial or cultural activity will be the most visible and likely to attract • BOYNTON BEACH BLVD •_A._, . '�• • • . .At..., more foot traffic and engagement. 3. Cost: Permanent artwork at large scale can cost more, and may take longer to execute. Smaller or temporary artworks are sometimes more easily implemented, at lower cost, but with less impact. • . ) • . ••••I CITY-WIDEARTWORK 4. Proximity to existing and proposed artworks: Activating spaces where ROM • --I there are no nearby existing artworks can strengthen and reinforce the EXISTING92 t:� __ L_ PROPOSED'61 narrative of the Public Arts Master Plan. / • 1.--- TOTAL:153 • 5. Coordination with existing construction timelines: Dovetail the •. ( installation of artworks in coordination with permitting and construction processes where possible. Artwork foundations, lighting, etc. can be r O 60stlngArt Ratloms streamlined with the construction process, prevent waste, and potentially • EEsting Permanent Art reduce costs. -1 r Reposed Artwork Locations jpp; t T Y STRATEGIC PLANNING Boynton Beach Public Art Master Plan I (18/14/A)2tl I Page 21 ' ,2. 0FUTURE:FORNIS W a EXISTING INITIATIVES *Artwork images throughout this document are for reference only. They are not recommendations of specific artwork or artists. E�UI'Uf�EFUR�I�� EXISTING INITIATIVES Boynton Beach Public Art Master Plan 108/14/2026 Page 22 �-.,-� EXISTING INITIATIVES The following pages outline some of the existing art initiatives in the City of Boynton Beach at the time of establishment of the Public Art Master po °D Iwo oQ Plan (2026). _, '�l���+ • Y'n,N.M►ALQ--'. '` V, Art in Public Places: Any project with a construction value of $500,000 • III !,. .�� o a�11 or more is required to participate in the Art in Public Places program, '�,,� -A.fir '�'' q p p p g �r \ . r,i ' ,; allocating 1% of the total construction value towards public art or payingr: ,;441/4,._, ..,- .\ -J ,r into a city-wide art fund. SAC C`�`� `E O' �'• to ,1 \,, 'V-444541 lia- Kinetic Art Festival: The biennial Kinetic Art Festival has been held in 50 ,,/ ; _ t k� downtown Boynton Beach since 2013. It has since broadened its scope to '� i J'..0, P include interactive artworks as well as kinetic ones. The festival gathers r� `—=f •� artists from around the world forll- •1 . ' �""` • a public art exhibit and symposium. The �_ _ __ Cody Edwards , •Staceenright�w,,, ���' event also features live music and family-friendly art activities. Temporary Art Platforms throughout downtown Boynton Beach showcase art in -_, - prominent locations and give the area cultural significance. ry... : 0 Transforming Traffic Boxes into Public Art Program: The program will • introduce 35 artworks as vinyl wraps for traffic boxes around the city. / • ,, -'.' '. .4- - • r t ; Q 'f'."- ' From the community: Community-driven projects, such as the E. MLK Jr. if. : i =:# ..i ' Blvd. Entry Feature Project, provide aesthetic and cultural improvement , 0' ., f 1 .<I p ',.� e while also strengthening a deeper connection to the City's deep history _ ,F. �" —r, h1' and community. ' ��((-' '���.:, � - -' i < r Jim LaPaso CraigMclnnls i 1 v.y > N, / ; : EXISTING INITIATIVES Boynton Beach Public Art Master Plan 108/14/2026 I Page 23 °0. F=EITEJF\E.F OF Mc EXISTING INITIATIVES Kinetic Art Experience BIENNIAL KINETIC ART EXHIBIT&SYMPOSIUM 2018-2019 BIENNIAL KINETIC ART EXHIBIT&SYMPOSIUM 2008-2009 Notable Art Platforms l. a«ar °T C a Avenue of the Arts II at orms used during ; - -_ e1 L �i • . the Kinetic Art Experience in years __ _ - 11 = --- L • _ past: ^17.x,-_ g +e _ ,T..�._,___ _93 • i� I II • a. Mangrove Park Turn-Around !�"' �` mi �`� I`� ,� b. Boynton Harbor Marina Turn ._ - -- ---- -- — �+ >! Around 101.-^"_4-7--11 ■� - ■��- ,� c. Gazebo at Pete's Pond === :-..----_-;-,-.-.4--7.-24IC _ --- II d. Pete's Pond = Z ■ff "` ',17^:,.+"_. �t^' e. 114 N Federal Hwy -- • W. w~11 � f. NE 2nd Ave and NE 6th Ct '" iiii& f• ,,,r ,=m!,;.- a .A,,....ate..,-c.o.., Notable sculptures from the ARTIST AR,RT AR1IST ARTISTIlwarma International Kinetic Art y` imam Play '"`1`` '"R'""" `a'`�"""`" Alm"'"` R_.:. Experience Boynton Beach 2025: . 4 - III INTERNATIONAL >`i,',Y � �i�� KINETIC ., . — ART EXPERIENCE ANIISI MIST ARTIST ARTIST ARTIST ARTIST BOYNTON KM Soma RD../IWy WO= ".. " „so BEACH 2o2s 4 - .> A ,� 1. , _. ,.._ ,,,., . ii,.. t .s-06 ..L -44 - :411 V IA , 1 . �Q�1T�A FIJI'IJf�E:F(1R�I�� EXISTING INITIATIVES Boynton Beach Public Art Master Plan 108/14/2026 I Page 24 AKI),'r 2018 TOWN SQUARE PUBLIC ART MASTER PLAN Art Platform Locations & Priorities Frgyylocrm — bra. i� -- ti►-w s-*-40- r,-*r e-.sr A.-.•-v-r a r r , t 1` I llR ., I M....d... F • .` ,_ J z i 111 i .. _et .4 . — _ s iiJ 1 ile 't A_ir 4 . . , — North Garap�. il �� .� � � - l-__'b • �,�'=ter - .fit - 4 .11 est i - V r .. , m _ + e �r�'.r /�G ,/y 0 Elevated Base L__:': » j q a n'. ~ ,/,7 / Ground level Barr . 0 Sidewalk Arca r * Interior Location t4 .- —_ „4.,__;____,F,,.. Z~AVE. r �t _Q �' - (. 1 ��� r. +y'.. - V New Base t. �' 'OI tT � Avenue of the Arts Priority Artwork Sites(2018): t.4. �., -71. Boynton Beach Children's Park ii r.•Vill 2. Boynton Beach Arts and Cultural Center lig E.,..7, 3. Centennial Park Along Ocean Avenue •NowI, l'-' 4. Ocean Avenue and NE 1st Street I 1r.. S..157 AVE • , r 1 � 5. Centennial Park in front of Boynton Beach City Hall „� . .,ice; ' ;r V�. . : i'_t r• _ ,n .1.Ufa • I • f� _ n �� •-Rebcation of e><isting art in rte, t�� ._~ rt.'�'.�r. _ i .-New public art r o fJ,r _ _ _-.,t--'_. •i- i :1(f�•'3,_., -p-..•.rh-ra... °s.:-L-' ,' - '*'-Avenue of the Arts artwork sites ^q?•- SFr - - -_ ' .. _ - Garage pubfrC art 3-0 surface sculptures t• SE 21CU:::E EXISTING INITIATIVES Boynton Beach Public Art Master Plan 09/14/2026 Page 25 lip, ill FUTUREFORMS EXISTING PLATFORMS From Seacrest Boulevard to 1st Street spina O ÷ Nodes O editing Art Platforms O •— BdstingPennenentArt o gtilU4'rlllreifidleJ11U11� ! 0 Upcoming Development c A a n 1 • EP-01 EP-06 O EP-02Prrr -04 O•-r".". • O •o• O El Oe • • 0 0 • EP-09 EP-10 O E0 J EP 11 N O • EP-01 EP-03 -.,• EP-05 EP-07 EP-091 -''451.1 ,,,,k. EP-11 • ,✓ EP-13 -.1-1C*4- L • ni y •Q I i� . 411111••gym, ' MCA )00 Y i __ Base. r•Irrcii., ,, `Elevated Base Elevated Base Ground Level Base. Proposed Base Location Elevated Base Sidewalk Area Elevated Imo— • EP-02 EP-04 'EP-06 EP-08 EP-2) EP-12 i • 1•.i - Elevated Base /, , Ground Level Base Base ogimmarl Elevated Base Sidewalk Areae"' Sidewalk Sidewalk toNHI 0 : : �M t` EXISTING INITIATIVES Boynton Beach Public Art Master Plan 108!142026 I Page 26 - F=U7Uf�Ef(lf�l 1.1 EXISTING PLATFORMS From SE 1st Street to Boynton Beach Bascule Bridge Spines 0 EP-19 Nodes O Existing Art Platforms EP-20 e. O EP0-21 • - Existing Pen anent Art r:iYIYJuf IYia+lrhu:t�itl EPO-19 Upcoming Development i • O 0 • 0 .0. O EP-14 •• • • t ' O 0 • . EP-/6 EP-16 EP-17 • I i i 0 O J N 0 • EP-14 '.,Y EP-16 1 'EP-189 EP-20 4. 41 = G round Level Base '"'- Elevated Base t Sidewalk Are Gazebo Area if A EP-15 • EP-17 • • EP-19 EP-21, -:-..a. 1 ,,'m .+k4 - o •' i= f6 ar l 1. . iiI4SeirIllidePik. Ground Level Base Ground Level Base :Fete's Pond 'Mural LocatIon — "PRI?! 0 1 1 r EXISTING INITIATIVES Boynton Beach Public Art Master Plan I 03/1412O26 I Page 27 EXISTING ART PLATFORMS Precedents Cor, . _' ,_ " There are a number of arts � r - ��iii programs that support rotating ,� �, T artworks across the country. The h r l -. . - k cadence and frequency are similar i _ ,n , ,Ii ,. .,.,. to Boynton Beach's Kinetic Festival x. - - artwork that remains in place for \ 18 months. The program budgets sfmuneLeigh �-.I"_i __,,,mss. \ Nice'nEasy - for implementation, maintenance, t r'. `• installation and de-installation. - -i ° Lynda Bowels ,,. t,.(, :1 ct: IC ' 6,- -,,,. ,---Li ,,,,,,,, _ , , , - — ........) ...„,,,,„47, .., it ,!•. Pamela Rosenkranz 11�, I --1 At 1 40,„. ,.. . _ ' , — --- 41' -i I :#1 r''' - i a II +l1 OnaJldeShabaka �__K t /�/ V t< W r - - .'i :91grg 1p�.? qtr. 'aaa... -.., - ;- .; a i B- � .J 710. •. '. . _ . .._ , T' •.I ..4., . . l. _ •t '"_' ... . •. 1 • ' •.. rte r►.M- �. ��..� �r 1. / F!Van Argote A. a - MattScobey YanlraCollado "MichaelEnnSlrvet -.•k:, v, -c . Plinth,Highline NYC Poydras Corridor,New Orleans,La Art on the Plaza,MOCA,North Miami,FL Art Ave,Golden Triangle,Washington,Dc Rotating(18 month)series of new, 18 rotating platforms along Poydras Rotating series of new, monumental and Rotating series of 13 sculptures +window monumental and contemporary art Street contemporary art art Funding:The Friends of the High Line Funding:The Helis Foundation Funding:MOCA Funding:Golden Triangle BID 0lirN' a: : r, EXISTING INITIATIVES Boynton Beach Public Art Master Plan 108/14/2026 Page 28 FUTURE.F ORiM IS EXISTING INITIATIVES Transforming Traffic Boxes into Public Art Program The Art Advisory Board of the City NEW TRAFFIC BOX ARTWORK LOCATIONS NEW TRAFFIC BOX ARTISTS of Boynton Beach unanimously _-. • : BI B2 wa B3 approved the "Transforming Traffic rBOYNTON o4xw`6@,aware . Boxes into Public Art Program" in '.��� �° 2025. Thirty-five digital paintings �-^4 � ' - i h � . will be installed as vinyl wraps on m___; m .. ;, I `'' ' - .. ` . traffic control boxes across the •-• B a � a BrianWood GenieChanal *6 ,StaceeWripht city. Each selected artist is granted • _- m mm m an honorarium for the right to -:.;�,- m m m m �r '` - m y 4t��;"e e i reproduce their work. •*•�• r' r w mcz, ; -• ,l �� S < . ` I.. ,> •s• iii m m m' m m Michael Oconnell Chan q 'y,. -Gabriela LaRosa EXISTING CONDITIONS :. m m ei f■ Fl F2 ?T l ! P1 ©w j.=:: i gal = hili rr<c,h ,..,.. $ ,,e,,. .40 ..:: m...,.,,.,,. �'lb. - ��` 1;Miner Rd&Lawrence Rd Congress Ave and Miner Rd Lyudaryla Bogota Donald Lash Ralph Papa '11111111131 m m ; G6 1 F i il r _____._.___4 ...:.... .., _... .... ._ _ ...,, , ,, ,_ , r„_,._,, ,,,, :..._...., ,_ .... i.fi"—• i Boynton Beach G2 Blvd ART-WRAPPED TRAFFR CONTROL BOXES o ,.,„ e" "' `..7..- 4- -v- .V 'a " �jj�V Gateway Blvd&Ridge Rd -and Seacrest Blvd Location Map N -Diana Garen SWr Courtney Einhorn V P Aldo C herres Ell 0 1'1n11RE:F'ORMS EXISTING INITIATIVES Boynton Beach Public Art MasterPlan 1 08/14/2026 1 Page 29 4tMn y,,+cv ° c1 ARTWORK TYPOLOGIES *Artwork images throughout this document are for reference only. They are not recommendations of specific artwork or artists. � _f ORM!): fUl �M<�- ARTWORK TYPOLOGIES Boynton Beach Public Art Master Plan 108/14/2026 Page 30 ,, � 'Uf�E. ARTWORK TYPOLOGIES Key Subsequent pages for proposed artwork locations include symbols(at the top right of each page)referring to an artwork typology listed here. These are merely suggestions;typology and scale should be adjusted as needed. ;II t _! MURALS MOSAIC&INLAYS INTEGRATED INTEGRATED SEATING ' 'ai1''i1 _A DIGITAL MURALS FACADE- ,_„_ INTEGRATED r�� Oor. 1] . Hiadd E _. S M L ,y #11S M L • \ .. 4 mil '� Nina • INTEGRATED PLAY t..--v l MEI MINI Ue ■ala , .4. . ,,. . ... • Yd .:: Mantra Samuel Ross SCULPTURAL I TOTEMIC ':I.* ./ = KINETIC sJi 'is Sr , r • tl T T ,,,,-- /. - 1. ... .,.. , A.., , 4* T. ct. S M L ic.;= 1 s M L PAVILION I CANOPY , INTEGRATED ILLUMINATION Ali i t Alk f 111 — s M L AI DISPERSED .. U _ . . ,.., . ■ ? it ■Ilhaff i •■hill A 1(liillllltii U o Rondinone s M L g The Urban Conga' ittnNl 0RJTURE.TORNIS ARTWORK TYPOLOGIES Boynton Beach Public Art Master Plan 108/14/2026 I Page 31 ARTWORK TYPOLOGIES Two-Dimensional ,, ,N ■Ii111■ L s M L TRADITIONAL MURALS MOSAICS AND INLAYS , _, \, >' rte` , . �r High-durability artwork fix,*, , , Surface-applied visual ! 4. i interventions for neighborhood integrated into buildings, walls, identity and placemaking. and paving. Murals transform blank building Mosaics and inlays combine 4,- walls and infrastructure into stone, glass, ceramic, or metal i , vibrant public art, creating visualsyriv— - to create permanent artworks - . landmarks without altering - embedded within architectural the built environment. By - surfaces or the ground plane. - - activating underused facades, _, _� Their durability makes them ideal • draillik they strengthen neighborhood Allison Kunath for high-traffic public spaces. Lynn Base identity, improve the pedestrian -- experience, and turn overlooked Community Impact: These - spaces into destinations. 111111* ., installations communicate . »-,, permanence and civic Community Impact: Murals foster investment while celebrating -}mac ``r a sense of place by reflecting er, local identity through `' -`� - . `� N, local stories and culture. They craftsmanship. Their longevity encourage community pride, ' � ; ''.- . F allows them to become '' increase pedestrian activity, and `+ lasting landmarks that serve �+''.. can help discourage vandalism - i generations and strengthen �� ��� by transforming neglectedItliN �„ community character. L `. • surfaces into valued public assets. YullaArgustinorich^ e ' t _ Tereslta Fernandez ARTWORK TYPOLOGIES Boynton Beach Public Art Master Plan I 08/14/2026 I Page 32 bora FUTURE:FE RMS ARTWORK TYPOLOGIES Two-Dimensional lI -J ITTITI L s m L DIGITAL MURALS FACADE-INTEGRATED Technology-driven visual Artwork incorporated directly . 1911 interventions for dynamic , , .- into a building's architectural �I storytelling. envelope. 1 ' J '- 1 1 Digital murals use projection Facade-integrated art is mapping or LED displays to .. l , 141 designed as part of the building ` , ,, - transform building facades into / itself, using custom masonry, programmable works of art. �i perforated metal, textured 1 1 ", Y'l rx Unlike traditional murals, they - concrete, or architectural panels. 1 '''''''C011ifir "' can display changing content, Rather than being applied to the V �' interactive experiences, and Wu Tsang - surface, the artwork becomes FauldersStudio;��, seasonal programming, creating • a permanent feature of the vibrant destinations after dark architecture, adding depth, without permanently altering the �< < ► s texture, and visual interest. / building. .. - :' l Community Impact: Integrated - - Community Impact: Digital "ud� facades create lasting landmarks murals typically include -.,1,. . rt that reflect civic investment j 7"t.` .\\' \ adaptable content that allows ` ••'_• - • . and design excellence. By communities to celebrate ' ' blending art with architecture, 1., i s, local events, showcase artists, { ,, they strengthen neighborhood and keep installations fresh identity, enhance the pedestrian while encouraging pedestrian ' ...tomexperience, and provide - ,. activity and supporting nearby enduring public art with minimal WOHA,ReaIU - VolkanAlkanoglu businesses. maintenance and exceptional longevity. t ARTWORK TYPOLOGIES Boynton Beach Public Art Master Plan 108/14/2026 I Page 33 VIM 0FUTURE:F(lRMS ARTWORK TYPOLOGIES Free-Standing4 4 4 s M L SCULPTURAL TOTEMIC Independent three-dimensional Vertical artistic landmarks for artworks that define space and district identity and wayfinding. create landmarks. Sculptures are freestanding 11P4 \ / Totems are slender, vertical works that serve as focal points ;,y,,,,,,,,, artworks that serve as highly in parks, plazas, and public r/ r visible markers within the urban spaces. Their three-dimensional ._ landscape.Their compact �e . '' form encourages exploration footprint makes them ideal for - from all angles while adding NWgateways, medians, and street .. visual interest, scale, and VolkanAlkanoglu corners, where they help define Yang Bao , identity to the built environment. neighborhoods and guide visitors. Community Impact: Sculptures invite close-up interaction and Community Impact:Visible from create memorable gathering _t.. a distance, totems reinforce places.They strengthen F '� district identity and improve establish '' ,; wayfinding for pedestrians neighborhood identity, yf g recognizable landmarks, and ,;=SSI and drivers alike. They create '''4.,7. , . „is attract visitors, contributing to �; . memorable gateways, celebrate 4+06 vibrant and engaging public local character, and provide spaces. 5_ lasting visual landmarks that t -I - strengthen a community's sense '!' AIIII, •- _-- a Lindy Lee of place. Blessing Hancock '1?”- C ; : ARTWORK TYPOLOGIES Boynton Beach Public Art Master Plan ilfl'14 lC2( I I'acte a4 110 FUTURE.F ORPIS ARTWORK TYPOLOGIES Free-Standing Ali Ark rlik s M L PAVILION CANOPY Habitable artistic structures Artistic overhead structures that • designed for gathering, events, provide shade, comfort, and NOP f,iir— and community use. visual identity. . , 4._ Sculptural pavilions combine Artistic canopies transform the .4kart and architecture to create overhead plane with sculptural =_ 0 distinctive destinations within forms that filter light, provide ';,f: =+ .' ..parks, plazas, and civic spaces. / t\ shade, and define outdoor , r ` They provide sheltered areas forwL I .- '. spaces. Ideal for plazas, I performances, gatherings, and pathways, and gathering areas, quiet reflection while serving as .Matsys `:- they improve environmental volkanAlkanoglu iconic visual landmarks. comfort while creating memorable architectural Community Impact: Pavilions iii Il IIli�l;; i I R '�; experiences. encourage social interaction, l}} i it 4Ill I , support community , N I, ,, Community Impact: Canopies programming, and create k•r„ enhance year-round usability by ,*•\•.Yit Vcr,1✓M •memorable public destinations. ,a °'a. a-. ,,- providing protection from the �, Their architectural presence t: '""" ', .at� -. ,:, elements while creating dynamic :+� ,;>r` strengthens neighborhood - =,:„V., on , Ili* . ,, • patterns of light and shadow. . - �', .'• . IN 6 identity, increases visitor dwell 1,., i;x They encourage people to ° time, and enhances the overall - ''. ,"4. linger, support outdoor activity, _ y 1 experience of public spaces. and establish recognizable -- landmarks that strengthen a TI FUTUREFORMS" f, .9":"•- community's sense of place. '" N, E�l1TlJf�E.:f:(Jf��lC, ARTWORK TYPOLOGIES Boynton Beach Public Art Master Plan 108/14/2026 I Page 35 ;�� , ARTWORK TYPOLOGIES Free-Standing ; •• : fig ! Its ! ■ 5 M DISPERSED ._ 1 r A unified artwork distributed I w ' across a site to create a ' � ' " connected public experience. 4. ; . ill 1 Dispersed artworks consist of ; , '.R' multiple elements installed „ ;, a,.1 . , throughout a space, encouraging visitors to discover the artwork as they move through the site. 41 Together, the individual pieces create a cohesive artistic Jason Bruges narrative that connects spaces and enhances the overall environment.environment. i°. I� Community Impact: By inviting exploration and repeated ` N discovery, dispersed artworks - encourage movement, increasinh engagement and fi creating memorable experiences. I They strengthen a sense of place ) Ii by integrating art throughout rather than concentrating it in a Jill Anholt single location. N T : : t�t, ARTWORK TYPOLOGIES Boynton Beach Public Art Master Plan 108/14/2026 I Page 36 -� FUTUM: ( [ LS ARTWORK TYPOLOGIES Interactive INTEGRATED SEATING i`Q i`O. INTEGRATED PLAY ice" s M L S M L Functional public art designed Sculptures that encourage .. for rest, gathering, and everyday movement, exploration, and all- el 1 interaction. ages engagement. I Integrated seating combines Integrated play transforms x /" b�1 `r sculpture with site furnishings to playgrounds into works of E M4, lcreate functional artworks that public art, combining custominvite people to pause, gather, A . sculptural elements with and engage with public spaces. opportunities for climbing, These custom-designed pieces balancing, and imaginative add character while providing play. These installations create comfortable places to rest along unique destinations that blend otifig .Yuri Sazuki "�y streets, parks, and plazas. recreation with creative design. — Community Impact:Art benches ‘ ..:_ Community Impact:Artistic play encourage social interaction, pieces bring families together, improve pedestrian comfort, encourage active lifestyles, 4-011 and make public spaces more and create vibrant community welcoming. By combining utility gathering spaces. They enhance ,• , .:,' At Ai with artistic expression, they 1� - parks with distinctive landmarks Ii s� r become memorable landmarks ! `l while supporting inclusive, 4 .f ^� ep g ill r.: that enhance neighborhood (40111. �A,'� � '-\ intergenerational experiences ;� identity and encourage people to I,A, that strengthen neighborhood spend more time outdoors. I 1 1 connections. leppe Hein `:;; The Urban Conga T FORMS ARTWORK TYPOLOGIES Boynton Beach Public Art Master Plan I 08/14/2026 I Page 37 ARTWORK TYPOLOGIES Interactive KINETIC 4* '1 INTEGRATED ILLUMINATION. ct. A L�` \ A S M L s M L Sculptural artworks that move Light-based public art designed in response to wind, water, ortfor nighttime identity and1r11 lArr mechanical systems. \`\ I / placemaking. 11t1 Kinetic sculptures incorporate k.:0.ti t ' ; Integrated illumination uses ri. movement as a central design >'h'titin 4,,..-,!'i.:-• LEDs, neon, fiber optics, or g 5:144: t _ x ' p element, responding to -M ; : other lighting technologies 4 natural forces or engineered •:,fi!IV h. to transform buildings and mechanisms to create ever- I. , , 13E;+ public spaces after dark. By a�iil '"" changing visual experiences. .,,;: PROPOSED PUBLIC ART LOCATIONS IfrOoi FUTURE:F(IRMS PROPOSED ARTWORK LOCATIONS Boynton Beach Public Art Master Plan 108/14/2026 I Page 39 FUTURE PUBLIC ART LOCATIONS __ The following section introduces proposed artwork locations based on _ the strategies listed previously: Spines, Nodes, and Public Places/ City- \ Owned properties. �, Maps detail potential artwork sites, examples of artwork typologies that �.; _ :- might might work at the locations, scale of artwork opportunities and artwork examples. Each map also outlines future artworks that would be part of - • '`. • -- JanetEehslman •+F m:; + an "Initial Implementation" strategy and those that would be part of a "Continued Implementation" strategy. This facilitates the prioritization of Hii ' I public art initiatives and guides future implementation priorities. . . ,. • The specific sections are listed on the following pages: . . _ --- . SPINES & NODES !�^ Ocean Ave 41 , 0' Boynton Beach Blvd 59 MLK Jr Blvd 67 Amanda Phingbodhlpakklya. r va,,. -- Federal Hwy 76 4th St 88 Seacrest Blvd 95 I , 1 I � ,1I � i ni i � � II of t>'W1 I Congress Ave 104 FIJI �� ', I°ilii UiU`II' �' ,r City-Owned Properties 112 = , { °� I:4 1 �I �� DISTRIBUTION BY DISTRICT 135 �i � _ II: Haddad Drugan .---:::_s - .r *Artwork images throughout this document are for reference only. They are not recommendations of specific artwork or artists. PROPOSED ARTWORK LOCATIONS Boynton Beach Public Art Master Plan I U8 14/70?r I Faye 40 I i FUTUREFORNIS ,, ,, 4 . . OCEAN AVENUE , ... ,. ,. .. .. „woo • . 4 �� sM � 0 wysr !�i►L ,Il .rMwaaA i,..- 1 ^tl " - .�- .u�inp..: I Oa Pte.�� i r ufrl 1 t 1 , . qr.�- rrrggg.�1�1'1 .j prrr i 1 s IMP viii l_ Il.. ({;Y •1 :r,„ --lig4- 1+ . `"" 1 i 4 1111J.Ja®=1110MOI- 1.1 II MN INN IIIIM MIN moimpr-- Et Imo In a iii I IIIIIIMill.� . : ` MK .. �, rµ : yli.' s - _. --- - _ '*--1--2".. *Artwork images throughout this document are for reference _ " g- - — only. They are not recommendations of specific artwork or artists. mils ill S ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 10814/2026 I Page 41 ARTSPINE: Ocean Avenue Ocean Avenue is central to Boynton Beach's Public Art Master Plan.There are a number of existing permanent artworks on this spine. Nearly two dozen platforms for temporary artwork are also in place,and get activated during the biennial Kinetic Art Experience. The Ocean Avenue Art Spine runs from Seacrest Boulevard to the Boynton Beach Bascule Bridge and is anchored by City Hall and the Arts& '"`^ "•"^ Cultural Center.New developments along this spine will further activate the area,creating a hub for art and culture for residents and visitors. N:. 0 �.-. ii III; • _ i" -+ _ {LI i .i —1 r 1 i -:-' - -'-—: ' .• ;II i , 4\ 1� �� ' y. Ta( t:. 1' ,' �; li ih. 777 t • �' 1 ,. [fti a � _ I. . ; 4a'� 1 r, >'� m�_ 0 1 1; ..- - I� I I. ro ~ •�r ir._ r: r, ._. u \ 7�y �y • C _ `,' _ _ �' It � MURALS EMPORARYAR ' ~� q G , _ .��,'�. LTU RA . U B .� IESRAW = -- BuckminsterFuller Utile Inc Marla Moltenl ' -• _ 0anlelGordon -Amu Sullivan -ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 08/14/2026 I Page 42 ' N' o. : FUTURE:FORMS OCEAN AVE Existing Permanent Art >i Spines A Nodes OExisting Art Plat-Mons EM 01 0 0 • - Existing Permanent Art O .'au.,...,c,e..•sry Upcoming Development EA-09 EA 01 EA-03 _ EA 06 0 EA-os EA-08 O 000 0 0 0 EA-07 „iiiimir 0 0 0 0 0 0Ilium EA-07 EA-04 EA-02 • EA-05 N O r 1: o EA-03 EA-O5 t �1 • EA107 'EA-09 EM-01-1 ___ NCH' • { :. _ -.t.. > n r -i�R4'-."�t `....rte.-, `. - ro y_ . 01) fit \ • \- ;rc'. A - —Min* I) ni y t _ ten,. 4 - - Cody Edwards RaIfonso ''' Dee Dee Morrison Albert Paley I__ Jaak Klndberg; Jeff Kahn ` • - ' EA-04 _ :EA-06�1 EA-os. EM-02 r 1101 1 '1[ KKQ'I N r .I vl . - 1 z g 4 op 41 l DonaldGialana = ellFrank Nyder JoChamness IDonal!Glalanella , ts Crate McGinnis i _ : c� ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 1 08/14/2026 1 Page 43 FUTURE.F(ilei., OCEAN AVE Proposed Artwork Locations Spines Nodes OExisting Art Platforms O • Existing Permanent Art Proposed Art Initial Implementation ` O • — Proposed Art Continued Implementation a,u„.......,.•.n...a... --- _,_---"� 0A-13 upcoming Development L • OA-05 0A-07 OA-11 o a. • o ° • 0A-10 • • • ° ° U • 0A-08 I • o Mil o OA-03 OA-06 OA-15 OA-09 OA-12 N O x04-01 OA-02 w ' OA-04 OA-05 OA-06 OA-07 moi. 'y r r 'R. ; _ _� :it - - l Ii i' 4 " . .4 I Tr ���i11 1 s. t''-':1 - - IrM' .- ..ter '' _ 1 111: -r ,.. - S f tee 'I ZI s'' B r; I 405E Ocean Ave " `wy. W Co e , i u- 100 EOcean A 101 SE 1st Ave SE 3rd St.SE Corner' NE 4th St,NW Corner SE 41h St,SE Comer Federal Hwy _ Come z 6% OA-08/09 -1,,.0A-10 $ J OA-11 1 1, •. r�,I '�OA-131 04-14 r OA-15 1 v e4` �: 7rI r •,,,... r l` X11► i 4' r , rl ytIli ;'. r' IIII 11101, �. : °--1 Q — r t l r .1..: ; r. i Iill� 1/II t q "It' OPCM I N a Federal Hwy P • ,r , 4 ,_''•I �!'� r T, ccSouth of Ocean Ave `''' SE 6th St.SW Corner Federal NE Comer i - East of SE 3rd St 14th St/1st Ave.SE Corner ocean Ave Drawbridge Jcean Ave Drawbridge ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 44 OA-01 100 E Ocean Avenue 1 Inspiration: Interwoven/Sheltering/Symbiotic I T` M LOCATION . ,.,;• i*7, 4:,..,_,-/- , • L.JI., Y 1 r • • Adjacent to City Hall C " •� �►- or• Busy, pedestrian 4. - - ho.I * "1 - . e Y ow • Provides shade or seating "'°� '' oil • Integrates into the street scape Ago,4 • • ',P^ e:ANl. !ilk v E City Library !. y,,,I_ _ ' ,'01 -16.f i. I I ' Neon ; Iri 0 ill ill ' ) i I Il 4 -..,_,Pfik..4 olioi„,. , _ - 1 . ., mit pi ! 111 .�I Iwi ,�t III, ���) ,, .1i ' l lin ! �[����� �a� 11 I ,„. . , . I lit A I. aI et I.M Z. e 1 �� t1 ti . 1V7 l rIIIR&__ .c Yt'1;-0.; ',1 ,- ,..,, I 1 --'"iris .'1r''' \rye wwwwr _ r. Haddad Drugan --+-...._— HoaDe sa N r ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 08/14/2026 I Page 45 ! MS f=l1Tl1REFOR OA-02 101 SE 1st Avenue tisk Inspiration: Coral/Reef/Underwater M - LOCATION " ! l'211./... I . ® • SE corner of City Hall • Visible and accessible from the i �� •/i X Ocean Avenue Art Spine <, . /-4,,,.' - , ���• ' • Engages future development ti. °t\ ' e>% �� y ,'w� i- City Library across the street ;- %' ' -11111.... -ry .'�. • Creates a new entrance to �°� ' 0A-02 Centennial Park \'!cii- .� frP. ' • , I ' ' 1%14 ..*.P't --"c+910100-1, '''' —1 • '� Futureforms Futureforms r! ,,a%-�� „,___. . 4..., i . , 10:7'. ..a. .., . :tra‘ •h • -, • ' •+ fit;, M a •!lityVit`_ y0 r.. • ..y,..c , + ,� ,.,�` ""E` _ ! a.. . -.1St' mfr imil •.1-'• 1 S ' • '• - 's • J a e = ♦ $7. �`, a a � 1 r 1�'.. A eslt t'c` w �": !/ ` -,ter • X1 II fin t Y - , '*' A S ,., — MN Y ��..= , , i/ 4.. it .„ r rI 0 ' mr , .� ai . Mil f Futuretorms _:. _ - ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan nA'I/1/J07R ! F%aae m litre FOf� FUTURE_ M OA-03 Ocean Avenue and SE 3rd Street, SE Corner ,a g A im A • — s a s I Inspiration:School of fish/Coral Reef/ Crustaceans M 4014111N LOCATION . - - • Anchoring new mixed use q • .. * - -- .., . 1 development (planning in . . . , ...-:i '- '.-. 1..?.' AS The Villages North - progress) on Ocean Avenue. . (4/ • . f•, : 'ygi - - or.- • Opportunity to integrate artwork _,. ,Oifit,, - -.- 0A-03 into the street scape . < os\...", ,(°'.i...;‘,7111', °-.-1.•,',N. ‘ ..,'4,, 4cratir:Insp.410, „or\ _ lb: 7' ' •...,<•;el\ e.:,,,;,,,', 71.4.17:40111115.Ni 0. ,.., tr EEZIESI ..,,C \•-,,,../.2\,.... a. "..„,, e r; Imik . -- • :„i4i,,,cv,.,,,v1.1.7 ,\,Nfililipe,\ 10.. zp- , .0 r , ..\..,..,t,-, ,,,>-„_-_,., 14 , ,..,„.1•,./.....„0,,,i... , ..,,, , . ..,.. T ' ' - . ., •, ,....,, ..el. '' ' . N - • ... ,...._!--:kze• 21 11 ""7....7,- ,-', -141i.iiit 0 1 I I _ 1- . k.:9,701,7 r. FlYbrizozo 0 -ik • ..- 7' It"-,t irmr--- -........ .s...1- 4 I li . , „. # 4,r „., ,,_- ..,....!. .4 111%*--e' y, .1 0 . 4,- • __ _ ..... .. , • . -.4. ..., _ g t I ___ at . t _ t .. - . el, • ..,,,,,,,:., - . di. . i • . IN !-- __.„ _ % .., . Nit k fr-----. 'k /I Ali J , ars - • i i‘,,,4110 . _ is Masako Mikl iii Liz West - .. _ hrl FUTUREFORMS ART SPINE OCEAN AVENUE Boynton Beach Public Art Master Plan I 08/14/2026 I Page 47 °--..,../ OA-04 405 E Ocean Avenue II IIN MINIM Inspiration: Barnacles/Shiny Fish Scales/ Texture M LOCATION • Anchoring new mixed-use development (currently namedI The Villages North The Villages North) on Ocean --..1, : T ' Avenue. >s,.. 4, t • Opportunity to integrate \. "'" cuzim sculpture with the facade t r 1116 s Edgewater '--- l¢ i- r 0 t .►., ,,,,,: , , ...._ ,, VolkanAlkanoglu r �-'1 iI Wolfgang Buttre� N woo,/ 11.41:0-41 V MI i s, I 1ilt y* ii:::•••• -,N. . , / nr.¢a�p� ` v _ E 1 Jil Anholt -.1. i Ball Nogues k tuH 0 FUl•IJf�E:F(Jf��l�� ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 48 ; OA-05 Ocean Avenue and NE 4th Sreet, NW Corner Inspiration:Algae Grove/Growth/Protection M LOCATION i - t • A . 1 ,; • Active location west of Dewey Park ( : � Dewey Park • Opportunity for temporary '� (l I� �II \. It I I integration of artwork while site .' li.�l/�i,,,/� • • awaits development a �" , (91:1/ • Shade and pause ' `�, fi /��' 'i01,� i4, , • Interaction and lawzimi ot , ,4 fl-' i lJ,1,4 11; -f es« play a ' `'yam '*Sr, I, r1 3` _ I •"t ` Softlab NYC, ., ! IT2P „A.k , } I i I1 ti (,,” r _ 1._ , r'--4 • t2 •�r+e or '1 :/ _ 44. The Urban Conga .40 11111111111111111 �� FUTURE:FORNIS ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 10&'14/20'2P I Page 4A OA-06 Ocean Avenue & SE 4th Street, SE Corner Inspiration: Underwater/Sun Rays in the Ocean/Ripples M LOCATION 44, i IT,r ��' • South of Dewey Park 1,111 .--- , � • Existing generous bulb out with * il w .. Dewey Park trees `�_ p • Functional artwork providing -./K4---- , r 'I' ; 1 , ,..-----, • • shade, lighting or seating -, >- I' t ...-----, fmmu Pi iiir II * . — M le 'i' I • ,, 1 Miler Darn .4 Al -7 4 •`t, _ 4,, a — R ' Iw ,,Si yDan Corson j ,. .0 rev µ � - - r _ t a " F I ill, , lir ft - ... •-i I . +� ° t T TGF f • woo �,. a • � .. ,W r,p ifA _. ilk - _ • .,. /\ Blessing Hancock ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan I 08/14/2026 I Page 50 N' e4: FUTURE.FORMS OA-07 Ocean Avenue & Federal Highway, NW Corner 3 Inspiration:Sailing/ Voyaging/Exploration/Mapping M LOCATION ---- • New mixed-use development (currently named The Pierce) t" _ -- -- with approved locations for •� - __ " J.�` sculpture and murals -- • Opportunity for a third iconic / , „ . The Pierce sculpture at Ocean Avenue & — illi .9 Ocean One g` � _ Federal Highway. • j ? ,�. i/ - � I _ ,. i i :! Lindy Lee it ( al& it i �►'�- t 4 ' n ' 'i l////�� At. 1 � t 11111111 ir Efl I° all • ,.,,,kii, ME 11 XI ll / II 2, 1 IP: , _ , . " . ,A,T__/-1"17;%I;111:, r. J ...ti _ . 1 , .1 .,. . . . _ .„:„...____-.40___ •1_,..-,-; A-46-t 1 - - _11,.. ..........L.:-,_ , _._ . ___ _ ... _ Volkan Alkanoglu SoftLab �- i�t ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 1 Ofi14/20Wf, I Faye, -i Fir" FUTuRE:FoR s 0A-08 /0A-09 South of Ocean Avenue, East Side of Federal Highway inspiration: Tidal/Flowing/Currents/Fast Moving Waterways M LOCATION • Possible location of new • =nu development • Two artworks anchoring sidewalky I _ Ei. 5. i • Long linear artwork or two pieces by the same artist %<- I -- The Broadstone • -• Blessing Hancock v 11111W rt r 11151112112. 1111111111.1111 ......1.111. .:; aa�� N j rr'. 7 ,1. y t- .... • � ''It. „,fit ,,:.;., / 1 ' _.• .V :=', _ '.. ,.........' 1 111 - a .64011 '_ e • — ;.�. Haddad Dm. n :Fred Eversley VRART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 108/14/2026 Page 52 Nf 11T11(;E_f(IRIS ' OA-10 Ocean Avenue & SE 6th Street, SW Corner 4 Inspiration: Waves/Rhythm/Pulse L LOCATION - . __ • Corner site at SE 6th Street and 1: " Ocean Avenue 7y OA: • • Opportunity for seating and + shade '' • Near restaurants and sidewalk 11 . -- _ r-- I activity i • A place to pause while walking •- � - towards Ocean Avenue Bridge _ — . lii► � ,Ir,y, 11111Anholt Danny Lane w i F -y y Yom' Allier , , ,* I= i 6 i dill -111111( i- r; .._ .4 tai 11. V Mere Conceptual ` .%. r ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 53 °N 01-11111k1:1-0018 OA-11 Ocean Avenue & Federal Highway, NE Corner Inspiration: Growth/Expansiveness/Clouds M LOCATION • Artwork location already ,"I ._,_ identified in approved plan for ,�, Ocean One Ocean One Development fifer • Artwork themes should align with y Public Art Master Plan narratives i 6: �j �- ,�"'-; • Opportunity for seating and shade - � _ ,I•-. ter imv • 4 it .. ed 1. i : � _ _ : , 4i ,' + -_+!r 1111Anholt YoniAlter till i • ,, p • • i v t ` I, • - -, ,,, ...„, , 46,,,-44.-: ,,. -1, - 4.1) .. .,:i. y, l ..ted/ #11, 1A1 111 • � ' I1�t0 tt ;'t io; -- i . 4- 1,---e' `'34,04 t .�, / r-«.„.7--—1 +' fi ` �' , ,"11:'r4..` .:...i... aa...."„ 0 li )• . : ,.,- ,.�a -_ -.-- •1 :tea a . ,1. -1ail bi.v?ifiangsuttress�� a N' _ : �, ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 54 ,,. FUTURE.E ORNI S OA-12 Ocean Avenue, East of SE 3rd Street II MI ■"iIi u■ Inspiration: Community/Culture/Boynton Beach/Local Artists M • Murals along alley walls - :,,fir* * - will rotate until proposed N. *„1"71 development begins construction ,+r '1.2 >�, Highlights local artists • , 0A-12 • Highlights Boynton Beach stories mum iiir '...• ' and narratives 'rk 0 .:"? . illik‘511. sic. , , killpt ,. li - e, �� a� - 4L '` o,<. ti0 ,y�.. i. ,/ ° . _. / ' • , `rte Y IEduardo Mendleta ,( i y ea 1\ r I T1aQ~ f .Z.AN•tit ' ' *Mg n a i �, '4- �°®it ls .W..r...,.�.�. i il sarai Ell : . i;, (' S ;1' -r-r ' O I6�1,� / �, Iii�,,-, f' IA_ „,.. i ? 46 _ , . i. Tracy Gulteau _ Jessie and Katey r t ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 55 MT FUTURE:F(lRMS OA-13 NE 4th Street & NE 1st Avenue, NE Corner Inspiration: Reef Texture/ Texture of the Community -,,,..;;:•,,i,::::*,6 • NewlDevelopment (currently �� :j ie 1 i 4it . q ,.� named The Pierce) lit**i g spool, 0 11 h •'•i \ �m l • Mural location noted in approved I l;#w"0'i 0010 .11 r M �- i i ;h :; 1><' �� �1� ■lir i� si ��1 Nl1II ,� � ENE plans to cover parking garage � i•1w0,. • •1 A . lel • _.....- 1 �� OA-13 ThePlerce ' Possible 3D, textured, Wind \�\`���� \�. -.;,,i��f�M�� • �1j f r Y�,, activated facade \ \�/ Y�i�/'�//���, -. 11 11 11 p rt \ \\ ��//r/ y , ,'17•f, • Artwork themes should align with , p \✓ //��' ''� - • Public Art Master Plan narratives m a - `� N ',, :vz �' THEVERYMANY }>; '‘(,f7'> _. hIl.aV\L : nt �' 4, r : �� Wrill .4" ,y,41114 ' III 111111. . it! Yom . i III {{ 11111'1 R' Q � y � 14 u i' I • 'Add Fuel&Halfstudlo _p _Li/ •..1, NA --- --• IN, g 6. p;.. I PIIII IlL 1 2,,,t, r.,, ,, .___ . ,, %, . _ ,Ii N t h1. ! a`,'•e. - 1/.11 " i r . ) ! : - _ ti / . . ilia: -- �- n s s '. In1jr� 0° ` _ 1 Eduardo Cobra - Nii- ed Kahn - Fy ART SPINE OCEAN AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 56 IraII) FU1:Uf�E:F(1 /s OA-14 Ocean Avenue Bridge Barrier Railing ii m. Inspiration: Gulf Steam/Currents/Rip Tides �ii,��� LOCATION I ti/lai-i1i 1 I/ .4611,.Ain■ I1 • Linear Murals along the Ocean /i-- `1 1 4iii Avenue Bridge / �� /��/` GALAXIES � _____)) ----- . /----,,rol • Visible to cars and pedestrians J-�{, t i i -- '\ crossing bridge r-�����( / ( i� " * � : PiEmma • J 11.:::jj i ('-;_----__. .. ..N.MAI 110/111 Jet Martinez ,,,EFL 0wql Kim West ' 1 I — . Allison Kunath • _ 6 MOW-`e hit. • -Zr , 1114 In* fill �: : <S ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 57 OA-15 Ocean Avenue Bridge Lower Portion mi Hu Niumm Inspiration: Identity/Playful and Bold Typography/Marine Life M LOCATION —-- T • Mural along the lower portion of t- Ocean Avenue Bridge IN • Visible to restaurants and boat "Ilarri f traffic �` \� ', �s 411 ' � -'1°.e ' r-t a � 00014"13 n‘k � �� ` 1.:- OCEANAVE IL Star \ 1 \ \ e I Tir r .• F ' r+n +p rr = - IIII■ in _us , k.:, ,. ,„ 044/14—,t , r / ,, , ri- 5' , iot: eil 1111111 41 i i :_,_: , , ART SPINE:OCEAN AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 58 °N'e4. FUTURE:FEIRMS II�W'�Ylrwhu..W w. -. dl`s' ..,.. ._ 13 _ ..........._ ,. ..,,,,.. ..„ _ , .4''''' -'-'==--P „ „-,•••:,, 1-;,,.,i pi:,r r -..,.......: or:,, -- lir.4,74-1114--.e. -11 z7-7- _ cnnmml, .13 _ __ . ar , .A. _ . • „dlr.: _ -...10,,•!'A,40,_ :� 2. , Ir. •.fir w:.IP- �^ is , - - .�-- c--4'v _. • —+► • a - 46--4.--''. - .r 716 Illk _ .fir w� r . — if t s _ ���' •r „..-•— , * -A . %- „af. :- '- . - --3' '''., -I,-• lik- l, "� illig Ai" Lis- • i •�'w �•iy. .1�,,s� -,1 r � � 41114L014-.4". W if 1110 I a, Ii 4 , dr • �-p. siii *Artwork images throughout this document are for reference • '`. : - only. They are not recommendations of specific artwork or artists. I — �Ir. ]' -`I, 4.41MN11 w.- 0 ART SPINE:BOYNTON BEACH BOULEVARD Boynton Beach Public Art Master Plan 1 08/14/2026 1 Page 5`I °N FUTURE:FORMS ARTSPINE: Boynton Beach Boulevard Boynton Beach Boulevard is part of the downtown Boynton Beach cultural hub.It is the major entry point into the area from 1-95, and runs through many new developments and additional temporary art platforms. Boynton Beach Boulevard is an opportunity to introduce functional,bold,free-standing artworks to support the developing culture and identity of the area. N . _ 0 okr '.� PAVILIONS 11�� rr_ - Hi c PE /fi ,nomllir J w.• 141K . _ 1111 11 / ' �_ IIl �r / i ., 1 II .1- 1 ' IN_ AP _ f r • r . 1 i( vi 'rte,.. .,SophyTuttle . _ Tonkin ..,. ,,. UgoRondlnone ART SPINE:BOYNTON BEACH BOULEVARD Boynton Beach Public Art Master Plan I 08/14/2026 I Page 60 o.: E UTURE:E ORMS BOYNTON BEACH BLVD Proposed Artwork Locations BB 03 BB-04 BB-01 0 O 0 IIMIIIIIIMIMIIIMIIIrllMillnill+ I 0 0 BB-05 N O (M BB-03 BB-05 14_ , ,,. • mi.- r". ., Liai_ urT1:11T�4-_� Railroad Ave.NW Comer 'q 'Federal Hwy,SE Comer Spines 71_ ` ____ .— Nodes 2 BB-02,, [� BB-04 O Existing Art Platforms o le % U . G J 3'�,,,,Y • Existing Permanent Art %l ' H -a. v dElf Proposed Art Initial Implementation I W r r it i -- - • Implementation Art ContinueImplementationi -- Upcoming Development 0 100 Boynton Beach Blvd _Federal Hwy.NE Comer n N' f : : cS ART SPINE:BOYNTON BEACH BOULEVARD Boynton Beach Public Art Master Plan j 08/14/2026 1 Page 61 BB-01 480 Boynton Beach Boulevard4 Inspiration: Porous/ Transparent/Pass-through LOCATION Acs<.. r n Ryna:r� 3„-. 4... , • Gateway artwork, visible from ,; i,r3, 4 > Ulf,' I95 • Tall, bold, visible, illuminated ; ` • ,,� ,1.% r, • Welcoming, iconic ,,... kF '7 � , . '.; , ' II 1' 1 h YSay.,.. -,-zyS +.• �) QS� X 1111 i 1 1 .:ui1..:_:::".,...:.:.i. .cam" A- 1 1'' �+�2��1T, i a ..11111., ,{ .ii fp,VolkanAlkanoglu I O ".� Lynn Basa • ••, .40 C •e., Alli 5 s • 4 _..-._ Ort _,. • - Brad Oldham -— • -- _ Dan Corson ART SPINE:BOYNTON BEACH BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 62 BB-02 100 Boynton Beach Boulevard } Inspiration: Vibrant/Reflection/ Glassy/Luminous L LOCATIONWri • SE Corner and future location r' it of mixed-use development i, (currently named Town Square J North) Town Square North t. \ t i /i ), ' a / /, FredEversley~ ' h rti a i�'L-PI^�r,t.:. :....... tea•. .�. ..i j ' tiSSS, r o`.�r \\, t ) / aim v a$ ,lit . / .. aillEMO lr:�T l,.. __ :: 4 i . ( 11' immi;_ .• N Danny Lane ,� y .,. `e `. VolkanAlkanoglu _...1,Insigaill f Or,* 0 : : ��t, ART SPINE:BOYNTON BEACH BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 63 FUTUf�E_f(l(\I � BB-03 Boynton Beach Boulevard & Railroad Avenue, NW Corner 3 Inspiration: Pavilion/Shade Structure/Temporary/Interactive M LOCATION • Artwork can signal entry to the Heart of Boynton Beach ,,. �'''' r l ‘,w • Faces main entrance/ courtyardIIIii 11Itoap — 11 i'`- ,� on north face of mixed use ,m �� BOYNiON BEACH BLVD - , development (currently named " ✓ The Villages) - Ilk� ".* , ' ,_. The wiagea131V — at East Ocean46 671 ? I ji I . Howeler+Yoon 1 y 0 __ „ , p ati, 4” .11 ... i- t '')a/ ' Hou de soma * _ - l• 'a" r y• r�"wee/. + M'. -ter \',� f/l ,. .. + �~ Yi liar 114111I 7_,,111 �� 1 'i ob.— r I i,q Z. ! i r ,� • r try r r i�[k_4 . r P1' "'\ . _ - P i s _9r t., V''- s • .. a ',.rr.... Pah Sin Studio Liz West A +r ART SPINE:BOYNTON BEACH BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 64 'fir—N, a0. FEITUREFORMS BB-04 Boynton Beach Boulevard & Federal Highway, NE Corner 4 inspiration: Marine life/Ecology/Ocean 5 LOCATION AMIIVIIIIISINSIESPOW • Paved area at NE corner of .,_i0�,' intersection I, • Low free-standing artwork that `-^ �' engages pedestrians � '� �,'i4` \. . . �� '4111111r k' s.' J t0. . BOYNTON BEACH BLVD • Artwork with small footprint or i --j--`-�d, „�' sI _ °"a"°" multiple elements 1. - , -,..,/- • ' , • Can correspond to BB-05 .,: ( .' OCEAN AVE _ Ili i • ., '!t--,\L sem"—.- a� /I/ '''' " " n . I �• J ,R�► 8, M. l "�'A • - t Igq. . t �I i •�"" ' T C t �I i L j-�f I t-111$ tom: tt f I Imo' .-- _ _ -z. ■N■ 4-VIM t4tERalY • .. k . III : , • -":4'i,‘14.*(v -'.,'II',-to,. i - -' - 4. r / s C.. Alir YIlt Craig&Kati MliTON 0 ART SPINE:BOYNTON BEACH BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 65 BB-05 Boynton Beach Boulevard & Federal Highway, SE Corner 3 Inspiration: Marine life/Ecology/Ocean s LOCATION -, _ ''- -•7,S'., '�, • Grassy area at SE corner of '~' b, • 11 ��� ��r^, " intersection j' 111 • Low free-standing artwork - ,.;.,. r • =tea ter, 1 k �� • Short artwork or small footprint ^� � Ocean One • Can correspond to BB-04 - - . j* N : ' : • r-' Teresa Fernandez` •n— „x- I Cecilia Moseley, . a, - r- I z � ���r, !Kira' — .f'ingiM ..,..,., . It I 1 4 i f 4 Imiliiiiiiipi' 7----- :;.-...; '.1*-- k, ., . . :Ph / r , , °; MOrnm" '.0 i: ' i j i iiip_ „,__,. ... , _„ 'IAMICO • Craig as Karl Okada \\• ART SPINE:BOYNTON BEACH BOULEVARD Boynton Beach Public Art Master Plan 108/14/7006 1 Paye 51, - et'l,'* ' c • i ,"""-r' •••--""atr ,._ ,. . . . , ., -- l. ......•• - .ir. '' .4 •.....1. IV.7: :,..., /. l .. ,, - ". •.4:' 11• .. k .... ......• :'at..,-a-41, ..S. ' ,oli.7 .-• ,,— • •1LZ.%.. a74...„ - s . •^-‘. ' •:Iti ' - '...:: - - ,i'.:. -,. - ' f.4-'', - - - • .'" ,' ,,, ---. •.,.. _ . - -- ,riA ' .. , 1 f." ---r. r :i ",,_ ' i,..,,?!-.-A'? .•.•' 1 -... - ry. r,„... .1.•1,_ , . a- 'IN, . . lir , 1. .".' '4 fillrOt " - , 1,[szi R el I P h.-- 4 1r 10 '''• A ill i, G ..j r 44. air . - ii •. fikr,..", ,.., ,.) • - I, . ,i, :.1...4.; . - .7.--:' •-- ' • .•"'•`'.•:" . - . i-- i' • - *-erti. evo, , -_.,.,,„i.,s_s %.--. -4,.,. 1 s li _.,..,•<, 141::'' .' ,s...._ *,,....: '. WC . .,/ , •• .., '•..-: t9r4:.."44'. • 'lir.. .. L.• ., ' ni'14.- 4'. rs. 4/6...S... . 1 /,, # jk I .-ik, •' , ,..1-'•... - .. .,:t • rtef...t., ;4. - ',AL . ,_ ., .,,... , - -:•• . '' , '...;•, 4 , ,.—. — - - -, •.-..—sr_ o P ' .:•; - . ., --'''' 4. 'f.t."•te..1.1..--Ail"; ....' .- '''AitiLi.''1 4.-` ' .. .. . . _ .„....„,.. • _ . •, , - ... ' , --*-..,. .... / - N •i ,, . ,i-i, ,• „,,,-,,,:irt',„ . .41 . • ''''..,e 4g - ... i . ''it-7 't.' '11102"Ilb. f, • \ rgi...;,•••i.:UL • . ' ; .... • ,% , . ..ie. l'..{' .••• 1 .. 1 1.,, -l'i.'"tb*. ..'gQ64.110. A ' '• ''''4. '., 4 4,,,..., ^ I„. , , • ‘..... Pir k i -a. r.. "‘It -4**-- ..... , . e .P;$ '• • 1-\ '...' ' .s.' *f re,' *- . '.11,, . t'' ..eb'-A-. -• '''.Nr.:- -'.• 4. 4 . 240:' - '. • xl,i,s's, 4, ,ge , - 4 „ , ...... \ ...4, , ,. ,.. • . .. , .:, r :-4.- 1‘ , • - . . -T: - '4.", ., bf ' . ri •r,' \ '.. L •, % .k, 4.6 %.• .?, 0 4 • A.—v..0,11.-' ,.'..A. ,..,4r.:,:-,,,„ . , .•, .:141.9'.4. . ^,...... . ..,r.. re • ..,... ,- FF: ,.) 4.--,..... , -(.• •., .k. . 4• . . . .. . ;.*: ., --IT2y a., .. . ' '' 2 • `! ' . • * ' ,re4- • 0• 1 ' Pr,.. .;,..40...0,00„,:dot:, ..;.. ..:‘,. 25.„... ,.. „, ,, iii... • 4.. ....., .., .•_.. 111°L----- \ , •,... ._ ..fk, ''. ' .•x ' ./t .- ,0,40 , ,. .- _104 !,. ., 4 '. . 4 - ',40 - , ', .4' — . • , . . 4 -* - •• k, -))6 , , 4 4,0 .,4,,,,,, ,,...,„. ,. ,. „0,„, n. , ,, ) .1, f .,,,•, ,„ , ••I• , •. • • ,•1., 1.,... :- ' ••• N.., .• *Artwork images throughout this document are for reference only They are not recommendations of specific artwork or artists. - -.'".4 ,.•7 .; Itc*. '7** • ., ,. ... .. et' .w' • . , . - - , •.... -111111M0i4 -4PWIk.- "qr JINN 46 , ART SPINE*MARTIN LUTHER KING JR BOULEVARD Boynton Beach Public Art Master Plan I 08/14/2026 I Page 67 tre. .• FUTINEFORNIS ____ • . .., ART SPINE: Martin Luther King Jr Boulevard -x a A 0 E a i c 0 MIK Entry(Upcoming) • m P Well's , Landing g Martin Luther King Jr.Boulevard is just north of the downtown Boynton Beach arts and cultural Sara Sims Park district.While largely residential,Martin Luther King Jr.Boulevard intersects with Seacrest - Boulevard and Federal Highway,two nodes in the larger Boynton Beach Art Master Plan. Parks and recent developments present opportunities for functional artworks and murals N to create identity for this neighborhood. O COMMUNITY ART LIGHTING_ •e LANDMARKS 4 r„ i �4 " +' f'r1 A .r- ..: SI ,r •ii b� vill+N7GWN LIVING Ilir ic HT ID F 7 $11111 ILAiimi-ik. „ .. .. CPP klii2Hk. ' 71:' .:44''I.' 4'i'. _ .4� - Pro e. 111 EOne I•• -------.�r ! i ; -`+� ± Daniel Templeman Phillip K Smith III rYanka Shonibare .cam a N /rc/� t: : �M S ART SPINE:MARTIN LUTHER KING JR.BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 68 �� F1111Jf�E.E Of�l >' MARTIN LUTHER KING JR BLVD Proposed Artwork Locations LK-01 LK-O4 LK-05 LK-02 I •ell's 0 MLK Entry(Upcoming) • • N. WLanding s ti a Sara Slms Park LK-OB A E 1. li i c 0 co J N O A. LK-01 Inn LK-O5 rt?yam a k _•" Barton Memorial PaFederal Hwy.NE Corner `37 NE 10th Avep� rk ���— --- r_ Spines rn LK-02 II 1 LK-04r LK-06 p \ - Nodes \ 1 F i N, e 1•\- \ r U ✓ �I / �rr • Existing Permanent Art O Y ` r ill 11 J cr � +39, F �� ,i II . Proposed Art Initial Implementation lrT� _ w I � , r r4 t ------ _ I • Proposed Art Continued Implementation cn 11 a �. I a Sara Slms Park f7rN 10th Ave *141 NE 10th Ave ART SPINE:MARTIN LUTHER KING JR BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 69 LK-01 Barton Memorial Park NO 4L Inspiration: Respite/Gathering/Seating/Shade M LOCATION ,::-.1:-.7 A ,,, � ; f • " .t` - �` • Open green space at Barton '' ••_"46 44.,. +�►:�o•, , Park ' -- ..-*---- Memorial • Across the street from a Bethany " ''=� �, lit French Church ' , • MtB.IR BLVD ° - a • Residential neighborhood ; " ' • Artwork provides gathering, i. `' i i II 1 seating, and communal space .- l • , c( (, \ Iti( c l'olU,A s . o co 5. .- -_ • _ Anastasia Peltas. i Re-Site _. -A - - Pt. ,.- • 4. ,. --:, -_ , la' v.%,- . '..+! 4, b s 't w �T •C 1 t ei •, r - - 1...1.....-.,...---,.. -4 . / -..' - !IV;' '644i3 -10',•;1 `-c-'.1.. •. ' ' IC:1_, '' iht„ _ .-- --_ - - - I & � , l �_ rte, ,,..:.._ . . Ecoslstema Urbano l L'�,���� : : ART SPINE:MARTIN LUTHER KING JR.BOULEVARD Boynton Beach Public Art Master Plan (,ii 11'7ri7r 1 i,1., STP-14 0 FUTURE.I OR��,I >' LK-02 Sara Sims Park inspiration: Landmark/Identifying/Minimal/Lighting L LOCATION — " - • Entrance to Sara Sims Park LK-02 • Artwork already in the park, :;$ murals and a small sculpture ,,,,,rte, " 0.,. MLK JB BLVD • Artwork can be subtle to match --:; 1:, � '' S•Slms Park the tone of the park, could be III L. tall and visible, provide shade or 1 lighting 101 1 ..,_ _ , _ _ : .-' " MN Mit �:- =' ,, -_ _ ___1 -___ ii iir■ - - = 01:N. -11111 2- - Meln - \ " " Lapps , k,. - Merge Conceptual T fe ----:7111—W1111.111.-7 - I [ No 1 \. Z . ---._____, ... , 1 ',:tiollmo , it, ' '' . . r. � 11 rR' Anholt ' t114 Is"Mt ll °-H 0FUTURE:F( RMS Y ART SPINE:MARTIN LUTHER KING JR.BOULEVARD Boynton Beach Public Art Master Plan 109/14/2026 I Page 71 LK-03 MLK Jr Blvd & Federal Hwy, SE Corner Inspiration: Interactive/Illuminated/Kinetic /Fluid m LOCATION ti ^` • Green space on SE corner N. • Intersection of two art spines \% • Signifies entry into concentrated =' 0'� \ I art district ` ;::' MLA.IBBLVD • -,,,---‘, ' ' -- -1-'' • Impactful, visible, vertical - I 1___i ll IF # e Lliner i;......immh.1 4ism I�1 Ana Teresa Fernandez 01 1 to _ / ,iitilki / Ylc;1' 7�i AK ‘114kb rM 4 1 1? ••• .0= II 4 lig ir 0 _. .,_ , ,0..... : . . _ _ :,.. . . _ .. , '''' .— ., 1‘ - s ., %.,... . ..., ........,....,._ .4:.:,, ...•. . Ai ..., _ 0,, _ .0 ....44,10_,„,,,, ir...........7.1.,_ _,____ I lir 111 lirmr . , ., :, . IIIIAnhoIt 1, Blessing Hancock ART SPINE:MARTIN LUTHER KING JR.BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 72 Ion <0: FUTUREFUf�NIS LK-04 137 NE 10th Ave _ Inspiration: Community/Cultural/People/Diversity EII'iT iii M LOCATION � �� , .,'y,'idiom IIW . • Tall surface located on mixed- .• use building at Well's Landing \,\ • Community-focused mural - �' representing local residents j 40,41... . 1 Well's y Landing k 0: ), . _ _,v,. -_. ..,,, �6 �" r. ..vov 1 ,A a -- lir I MegSallgman _/ M { `' , _ . ,•,. ( 0 �� .mss i l1.-'‘ -,,,; r44.1-S11:Ar ;*N - '',1 404. -‘1.7• .ecu. 1 �''� ih " `�, 1 ., ea 4. AIFA, A - :4: LONAC Deurone = u " SART SPINE:MARTIN LUTHER KING JR.BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 73 FU1 URE.f OR S LK-05 137 NE 10th Ave 1 Inspiration: Community/Cultural/People/Diversity A M LOCATION • Tall surface located on mixed- -( •use building at Well's Landing j ;r` 44 ,/Is'' i,�, c, . 41 • Community-focused •• • . LK OS mural _ ._ representing local residents / s �„� V 'j Well's ® r,4f1 '.t '1 "l• Ili. 1 ,3 _ ` .. Iv I Lending11(11101 f I ;441 • ��; �� � is i� \ i ^ j 1$100 " likafig •Wrillp - I -ir,‘":.2,..;1‘. '.411111111'44 111"I .4 e ‘. *` moi! Ns. '�ilw. -- T _� r David Flores ' , i � s -, 'c 41.. ./ ,i 411°°°P41111410 t i ' . �6 y. .f, . 6 �i. A,..+`' ,,N r*,-. ...k o.I,k� LONAC Mwanel Pierre Louis -- - : : ���• ART SPINE:MARTIN LUTHER KING JR.BOULEVARD Boynton Beach Public Art Master Plan 08/14/2026 I Page 74 o l FUTURE.E OR S LK-06 141 NE 10th Ave Hl fd� inspiration: Community/Cultural/People/Diversity M LOCATION • Artwork at Well's Landing on l '• _ __ 1 south side of Martin Luther King E, x' Jr. Boulevard , • Wrap-around mural or integrated � < � t r.. Well's wall artwork �, ;; t 99999 ,, Landing I • Pixelated or otherwise ,': ti��//jj, '' [ ! ; , /' N4p 4r a. 0 w r , f }}'??''�'� 3 representational thick 2D l 1Y,,,,', b11r, „ 4 ,. ? � �R �,ti ,, �a S� <r k 5 • itJs�r� , '. r s r }`r � artwork fit R � � r 4?�k t.i rY �4Y' '! x r %1~r VkM S�\� ;``Y"{n Z2 �' C c t Cif „,„,,,,,,„,,,,,,,,,,, ,,,,,,i,,,,, Y ,„, * . 01W'/,‘ ,..' ...i-i er A,,', . , ‘t„,%.:o : 1,,,,,.(11 v ° ° I rio Fl py 4 r ■rr drr Christian Moeller -- -- • , ,.oma -El4 4n 41 oi 'NI 1 '?!.,' rF 4 l0, i . ' - 4.44t, , rx ill. / ,,-lio. ,. API 3_ 4. '; .... ° ,,., .4,,i,' j�, *;r �Y r r ' *0 ' . ' �~ �r: a VIII id � i64 No aIII _ .0. A 13... ,A�Manferdlnl Miki Iwasaki ART SPINE:MARTIN LUTHER KING JR.BOULEVARD Boynton Beach Public Art Master Plan 108114/2026 I Page 75 °N 1=UTUf�E:F(lf��IS FEDERAL HIGHWAY. ; . . . : . _� µ, . _ _.• a -.r _ r -a• n v 1L4 a1C't.. 'r'' ligaclialelik, .4%, I i i is % ‘ ' f • ....-•. ,yam-. ,. .. `'� - . 7l b !II Iwo n -= - pr 1 - a = t.1 ' - v., . " i, I tl ., 1. T . lir 7t tl t t :' t all III 1!I '� .l, r- t a je ll! -- .. q 1 se <. j +c u 1 iv III •e ! t j_ iI sl oil It !IIof 4 `"• f 11 ill / I tua ; 1 i/ II ' b !! SII. != • i I 11.-_ ' a: OIL'- ' .. !/0 ext- w+. ` + 4. y -" � nG • 41,0 r " f 1 ' *Artwork images throughout this document are for reference r► only. They are not recommendations of specific artwork or artists. 1 - t - -=---g-- . IIS IN' FIJT1JRE:FOR�IS ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 108/14/2026 I Page 76 ART SPINE: Federal Highway FLOWING WITH TRAFFIC .z �.:. i Jam The Federal Highway spans the length of Boynton Beach from North to South and runs through , :v.,;. ; a .-. �r ` �� downtown Boynton Beach,intersecting with + F r :,,,,...0,,,,4,,:y.07:, �e: �lIGmajor spines.Actrvation involves using medians �iy�+r,( .+ •'•� .-" : � � ,•� � i^ , . .' � �'~�I��and crosswalks where possible,as well as adding r fn t- p �-,i,,.,'ti's �. •._ � .y,. e.,:„..... p1: artworks at prominent intersections. � i a �; , � � tIr• It` tiArt on the medians would brand the city without �. "y '` �)���''' 1- L .....:: , :.__ _ . distracting focus.Corner artworks are also meant �' ' '. —.--�,_, to be appreciated by car,but can be engaged by , :� pedestrians up close. *- t ��+ MLK JR BLUU - �► Jacques Lesec - ii ,-,-. .:-.4...---4'.'-',. !I. _ i ' '''''' - 1 ,�, „L. WOOLBRIGHT RD r r = Flgi Saint-Louis.-- _ &./r • ORNER ACTIVATION imom Iw - :4r.. , . ,., it r. .,..w: .laiiiiiiiiiiiiiiii. . — : tk , , - W :. .: - ) .y 1111 Anholt • .,,,, F.�ns•a,Alr,.,.. , N, ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 108/14/2026 I Page 77 0AIM , FUTURE: FEDERAL HWY Proposed Artwork Locations PROPOSED ART LOCATIONS FH-01 FH-02 - FH-03 I �: FH-04 a 4• — FH-09 NE 11thAve•aimuidkj NE8thAve_ NE4th Ave , Ocean Ave- ri At ®FH-01 FH-05 FH-06 ,771 / 'FH-07 -1.11.1.1117111FH-08 FH-02 FH 03 EE 7.`•:'•'r • t i t 0,4 _ r tuwcutlh suiir ll,u3, FH-08 � ir. a _ I C FN 04 ® ...,,.ap — r ��l SE 5th Ave �s ,,... -.� 1000 S Federal Htvv� - WoolbrllCht Rd,NW Corner 304 N Federal Hwy FH-05 - FH-091 FH-06 W001111101'RD FH-07 _- Stanley Weaver I 8IMERr High Concentration of Art *Any request for public art in the state- • •••••• Spines •• owned right of way will have to go ± Nodes ' through the Community Aesthetic Feature • — Existing Permanent Art Agreement process with Boynton Beach's 7 Proposed Art Initial Implementation .,ti A District 4 office. The requirements and • I process are outlined in FDOT Design • — Proposed Art Continued Implementation Manual Chanter 127. Upcoming Development F=U1'Uf�E:FUR�IS ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 108/14/2026 I Page 78 FH-01 Federal Highway and 11th Avenue ■ ilii Inspiration:Small/Abstract/Minimal/Surprising discovery s LOCATION 1 - ;,; T s. { . • New Development- Boynton ,Q 5 ®i� I ._; Beach Office Condominium ' L i.II• ;�14 ti� ,• ' • Potential location on a wide T ' ,, !� • ' median _ $ - '' ailwr®a1 Boynton eCo dos • Artwork could be multiple small lilt- Office Condos sculptures (low height but high i� _ l I .. M. ..1, f , • visibility impact) ' ' - . i . A�. '""te' '" r. ti . . 11 ik, . ,.,_ . *. .. ..,,: J 4 - *rh �. x � _. "tr ••-• ►,:,1,w`�M1i, 1 Masako Miki Ana Teresa Fernandez •- .. . I•, 04 1 ■ 0,=' ama I as 4 . .,,. t• 4 ,- .:- - ir ,. r , .• — — - Nicole Nomsa Moyo _ - H ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 08/14/2026 Page 79 o•. FUTURE:FORMS . .,.F! FH-02 Federal Highway and 8th Avenue — ■ Inspiration: Flowing/Following/Linear/ Thin S LOCATION �' ,, • Potential location on a short # ,..,040--µ /' •T 44 }+ • s: wide median YFr -.. _ . , ..e,,,,,..4„;,...:•:,,7:'-'.:.: �, - z1,,.. • Artwork should be low or narrow •i r` , ` to avoid obstruction of views _ ,' n - r . . - • Integrated in the landscape • Visibility through the artwork is recommended ‘1171.* 1 Tonkin Uu N :Xi i ` TV Yi / d F 4 4 r Superflex *,, i ON : : ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 108/14/2026 I Page 80 fes' a• Flffil,E.10kNI � FH-03 Federal Highway and 4th AvenueNMa ; A Inspiration: Small footprint, 2D, Crosswalk activation M LOCATION l P ( , :✓ • Potential location at crosswalk • Artwork should avoid obstruction �� II< P_ �� of views for turninglanes , ' sllll� i '�'" • Simple pedestrian activation . . .'.>s r i # that adds interest with a small ''.. ; _- li footprint --,-.F' -, 110 _. • 2D intervention or small ,;;;��``' ,,i , F' "' ,.:,,,11,,.,.:,,,15..a..l, sculpture +.?.;'11111111 I -_ 1 .-- 9. A t� :f �1.1 ., ' t. 4,, , >, "1111 Anholt - �� i ... ... . _ _„ .t._ Y. '*'',. i - ' i: ^ - - '..- -,"-...ft o• :.,44. .. - -:,- .'t n--"ill )clt3 � . - .7T / .14 IFT'' . 411dgl " 1 1 7 rilir , 7, A L.,* • , 1 110, ) eAtOrk ,,,v..-_...; r . F , a. .. , : igi ,. d:,.... , , --, ., i / - . ilk ' -,t ''' '�/ _,9,e• .i !r�"'+as:.= ,,,. _rpt: r T 1 +'• r' '• , Figi Saint-Louis ,• Fred Eversley Stilti ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 108'14/20'lf, I Pa<F fit ' • 0FUTURE:FOi��Iy �' FH-04 Federal Highway and Ocean Avenue : • 6 II Inspiration: Intimate scale/ Thin/Porous/ Transparent/Passing glance s LOCATION • Numerous nearby developments ' ,I ' on Ocean Avenue include public e artworksI .. • Crosswalk activation with one or �C�i two related pieces on opposite f 1 sides of Ocean Avenue r ! \, I .P-: I, Ocean One • Vibrant but with a small footprint - The Pierce A A,. , — .-----\ _ , 4 i rte' \ J' e. � 1 R' The Urban Conga - -.,_ --- - Craig and Karl ---___.----- The _ _ a.w--JIF"ii nn L- - _--- 4r /ty .(' ' i 1140 . -, ' : . lim ft, . rLa1 ... ., ..,in.,„:...,. vipperrilt. Lit �. a, frio . _. . '1.......' : I Mr. Vi ' 11111\1 1 Vanessa deSilva inti r. FUlll(�E:F(lF;�l�� N' ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 108/14/2026 I Page 82 a FH-05 Federal Highway and 5th Avenue Inspiration: Spire/Totem/ Thin/Small footprint M LOCATION • Potential location on section of median south of SE 5th Avenue 44AI I� • Artwork location is near a park, school, and residential areas • Potential artwork can be taller FH os ; and more vibrant _ 1 Pence Park li • y+ Y '. , „"+ X *�= PhillipK Smith III r ,,:: f.!..: - i-: i , '11111tCH' a , i 4ek- --,it _. NNW # ` + • '•87.-s•-,"i01� ,•�,. .414.:. o _ ;Epi " Mme,; „ ??4,0. ,1:ti: _ - . Ill �: F 3_ _ L._ - • ° 15ti. 2.A e' Danny Lane - Ball Plagues - - - - ..r'P:il- IEKT" _ : t C ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 1081 14/2026 I Page 83 0 FIJI 11f�E.E Of��l,� FH-06 1000 S Federal Highway A lir Inspiration: Ocean creatures/Seashells/Sand Dollars M LOCATION km.,. PenceIII Park • Tall mural or mosaic - - r • Maritime, mosaic, stained glass ' • Minimal footprint activates ,aim_ , , „ow -*CI?.- pedestrian traffic along the • { public walkway corridor • New developments nearby • 1- "'" FH-06 1C 4__ . I- 4 ize . 1 ' , ) , fes. Alill, �- TristanEeaton otietZD�IT f ..,_-_ •wei• . , — s . i i ( ''"..n.'""".IP—........%"..---,,,...... ..""...---,....4 4„,....... . .. .' .. .._.....__....._....._..... -,....._. — y . . _ � 1 e' . ._........ «Ji, ' 11 t i Ayr SII '1. 1ti 111 111 1 1l.. 01 ' \ 1 J .* 1.. 111 ' 41 .T 'Ai ll ZI 111 N, 1 � '> / �I 1111 {.1 - :_ s'i> I01 Of :il ■ 111 {{11.1 W All. ai � "" �'"" James Jean{�,�et '' i Rachel Rodi da1094 ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 108/14/2026 I Page 84 NI . FEJT REFOKM i FH-07 Federal Highway & Woolbright Road, NW Corner . Inspiration: Landmark, Iconic, Engaging, Functional M LOCATION _ • Canopy shading or tall sculpture One Bcynton • Activates the area with � pedestrian traffic . ";ti,et • Tall artwork, minimal footprint r ' ,40F,, FH-07 +r WOOLBHIGHT BD 's 111115111H.-' . s►vr*•• I , a : e Jill Anholt •,,,,,,,I,,,e;,,4 r .0110* -1411 0. ' ! - K bad -- k ,f_ / I -_ - -- III MI - CJ Rench Roxy Paine _ a- ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 1 O8/14/?O2l + P.iq r, i il 0 FUTURE:FORMS FH-08 304 N Federal Highway Inspiration: Respite/Calming/Nature/Flora/Fauna M LOCATION i • Two shade structures present w an opportunity for coordinated , ,_ wraparound murals I --i--.1•_.-...:".„ . _ _� • One at the corner and one �1 :.1, - i further north ',,14W- _. _ �,,: 4 ' 41 • Can be painted mural or mosaicIII . , 1 ��,rudOnn,em.4.1.4 5 111 �'� %I ... J I Nip. 41 sxm, & 4 it I Y K i Ink Dwell ' 11111110.00 111 2 jl ` Sophie Tuttle 111 i . , 11 \ //-1-411il. .';� r 1 l .. r N:, ‘i ,. q. , A .., ,.. . -so.<...' , ,r V '''' •,•*/, i : , 14: . i ) . 4 , ,,, ii. . ii, _ ._... , .. Iy -Sophie Mess- ` -' , • Graphic Rewilding ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan I 08/14/2026 I Page 86 FH-09 Federal Highway and Stanley Weaver Canal II urn Mi1111i1■ Inspiration: Water/Fluid/ Transition/Arrival M LOCATION r(:'_ , 4 + . , I . Busy canal entering downtown i/ !i� �''� . ° ;4 i' X04' Boynton Beach `i/v ils, 771, Stanley Weaver Canal • r • r(;7 �} Murals on long parapets 1 /— - i 1177� I • Opportunities for artwork on ( �. � l "`r° �. — outer sidessitivEL;1 1 ...-6) ---sN,...... , -10r 1 itiprMUM 1 IOW' Jet Martinez L Star 1111111111111111111111111 mors VIIIIIM IOW kW 4 t 1 1111 lei + A r:'ni ) ' i t,. . ' Rebecca MendezIRIM ' ART SPINE:FEDERAL HIGHWAY Boynton Beach Public Art Master Plan 108/14/2026 I Page 87 0 f=111'l1F;FF(Jf) s `I • it ... ....... 1,1 a j .., 'A : RESTi.. . ,,.1, ,y�: : Y j ^ •4� �- y moi. 11 I 1 t• • += IC i# {- . --ate .. ll ` " . .� MIMI .�. d,.,. 11 PIMP _ ''- ''...2....--.-. ' — Aw; :t',�a., .__.1 __ 0. ' • . ,M *Artwork images throughout this document are for reference only. They are not recommendations of specific art .1 1 . � ART SPINE:4TH STREET Boynton Beach Public Art Master Plan 108/14/2026 Page 88 '�Rti ; o0. FUTURE:FORNIS ART SPINE: 4th St r a q 110 lib , 1 , •II, II, 11132113 A 1-Skunk Control_ .a. — — - �� INTIM + E 41ITIL :k. ;ter ��•�;�"I.r...............•••,-...;,,, �0.. • t `\ L! % 11,ti . . 000/ 4I % 4TH ST Proposed Artwork Locations PROPOSED ART LOCATIONS 4S-01 4S-02 4S-03 '''',4S-1341 Jam rN - ;t fi BDYNTON BEACH BLVD #* � � y rs • 1�r .,.""�'_- %-: - """ Pence Park SE 10th Ave.NE Corner SE 12th Ave.NE Corner 1221 4th St::•....MEM 4S-04 i Spines 4S-02 Nodes • - Existing Permanent Art Proposed Art Initial Implementation ..." ' • . , Proposed Art Continued Implementation Upcoming Development ART SPINE:4TH STREET Boynton Beach Public Art Master Plan 108/14/2026 I Page 90 TOM .41)e FUl URE:FOM; 4S-01 Pence Park irtik Inspiration: Shading/Shadow Play/ Vibrant Color L LOCATION • Future improvements may 1 '4,'•. '- ' N include shades, sports courts/ fields, and/or playgrounds, which '" ), ` ..,,,,,,, 45-01 .- F" r � +' ;' may incorporate art throughout ,) ... �x� j the site . • `' _L Pence Park „-..,,,A--,:,.....-. yam.' w r ' r� s r �, v. - A x• o _ _� 1 �, -� -r. ZS! ..r. a —� t -- `tea � •� ...4Jill Anholt - h - . ' 1111111A ' • +' Ball Nogues•\\ - J. / /. oma— , /[ �� _L'' b',�t�t+j114 a 1014 f /'� 7,,��.�, * : Ill .. '. a i` .71— , _ 1W X / / g P i!1?II / am :„ j4rI .... , 1,..... it, .'. :-..-.—.1 ' 4.4k. -Ns-„,..,... ,iv.,, .„.••• _ :,-- ,, 1 L. ii , ,..,.: ' ,,-..ft .r 4 1 ,, i , ' Reddymade - "SoftLab Mal C t ART SPINE:4TH STREET Boynton Beach Public Art Master Plan I 08/14/2026 I Page 91 4S-02 SE 4th Street and SE 10th Avenue, NE Corner kc,,14% Inspiration: Vibrant/Floral/Seating/Shading L LOCATION . -- . - - , ', .t,..• 7-.--..-4: iz: _,.c.„:„.e.--- • Two potential artwork locations. 'r • • ' .. '' _ ,.: . • 4'•,..-r •,,C ' - '',• ,'!,' ';...':•:•;4•1••*: •-i. I • Option A: located on grassy area along SE 4th St e. . .,_ i- - ,.. ,.,,,,, , .7 'N i 0••k,Ar-... .4. -...1 .: -.- • - 1"- % ..t1„. .0.- - .e • Option B: Along Federal Hwy at - -.- 4 ft"---:,^ -- '''411"" 4:*. - •,.. 4''''''''. . 13111-kr*,„4 1.1.7.4:"4','.'-.3-,:.'1- .4..44'' ft-N..;;;77,-aii 1-:•• T '"11.-1 --•Pt: corner of SE 10th Ave 44:--4(.7.- ,- l,,!..f.1 ' % ' ?If ,-Jilt`-'4,r1:46 -,10;t 4- • . • It-t ' ,., • Artwork could provide seating '4A ' - - - '` ' - • . '-'--v ckilia,-, s • ^ — - • 11.4,..,La, ec-. - - 114E.,,../ ifirwitig amp „ -. - -,----- _ 4:t5.1._"!'iT, iiiliWNWN. -. -••*----Atiot.,.. ,...14, low and / or shading IIIV ..,:-",6- 4S-02A 4S-02B ............. .................-.......,....- . . .•<. s, ,., . ,,,-,-,--_,_----, ---- - 2 4, 1 ,,,,,,... ...,-,4_ 1.1:-... ..-1\\ 1•I'llki.N„s‘..,,.. . v. -.. '. ‘44‘- . V ..... J • .. lEcosistema Urbana 1_ milov\A -'1 tirt 4-. ..._ -... ,- _ - • .--- 2--- - ,:- ' ., . - - -- - •:'''''' , e, . - -..-r -04, '• !IL 'Pai. . 0,A - .37 , '.44k 11111.4112 ,. •. t. .*.g: ,:'- ••911,7 -°le ••••• - • - ••• _ ,. , .,-„ , -''' 11.1.kNi•• . • ' '.• ;i7r5iP-••,.: - . "If• '',.”'-' / A 4TH ST . . , , ...-tc.keif-i44.•, i.. : .; .-„ _I-1k, .r."'.' 4, 4, A '',, ".. , 4,;.• . -.. .s, : ',:-. pir, . 0....%,.V.* . ., , - / . . , Tillr' 11111, ,:,‘•'t -ill '-`:/.. ‘4*,: - - • ,I' 4 • -'4 r ? *, t..,.. . 1 .. ,.. . , ,• ,....• .....„.N,„ ..,. r.i 1. .•t [,1] . :i''''-'),-''...'L'.-,..f ''''. ' Vit..'" 1 .'7-1 ' '4: . . •-til , -,ri''' ) , . 4 ' it 1t7 1 /' „,.. '''',0$ 1 - - -' .±...*1*V OJT i 111,4;'%*.4.'IN•1"L. ' 'i ' '4 t ' I f . . , .. -.,.. . , . .. ,-... 1,....1..,,t--: ,, 7.,- .:,.'• • ,.- , r.g... =, " g'' 4 if''. 4't -'t"-*1 04',4 ,te Wt.' 41.,--:'4- ,Ar' --0 .,'"/V , A ,fir . -.11 ..;/ ,„..„._ ss-. , .,,,!,,,,,,,:,.,;:r•.4„., , . 1," -.. ..'....„C;sj,1. ,b,,,,...„,.-,.. . • t... r'' .." . --.'-'71111,N! -.: - -0---_-_-. .-..,14-Ariv ,T,I1 4 1 e ' -r ,.„`-krt,4.1......- •, i 411':A-', ,.',--,,, / , t: • t. king - 4,, ,: - . - i vi-",,,...-......- ........ . _ ... .-tf,..___-- ....-r7._.44'.1.1...7 . ._ - , _. _ . ‘,/ Nor -Ifo - / -- - LB:FEDERAL HWY jeOne Studio _ .....„, Proct - — P0 FUTUREFORIS ART SPINE:4TH STREET Boynton Beach Public Art Master Plan I 08/14/2026 I Page 92 MN ,•_„. 4S-03 SE 4th Street and SE 12th Avenue, NE Corner _ �, ; 4S-04 221 4th Street A` Mh1 I-71 I inspiration: Nature/ Water/Marine Life/Abstraction/Geometry m LOCATION worn— • Temporary mural on commercial 1 facades up to 150' long e ... ��'?rill 0 !? y\ Mural location is across from ;; 1 500 Ocean Apartments d; r s „ • Large surface that mural could i, leverage to tell a story across its 14 length �,•� /akihi, �' `Y ink ..... _,I.,,,,...., -, te:Mart1A., """"RINEW.----.% , 00101.1 Allison Kunath r _ G . 1 �/ r 1-.• J V^a� F w t . TI�• �„'-> 1 `i /' , - I; I► .�i = � , A, Tis^ �` ' y 1 �F� ", 1 I .`_ •fir° \ - " it/ 1, _ Ink Dwell ;. Bordalo II , ONi ART SPINE:4TH STREET Boynton Beach Public Art Master Plan I 00 1400A I Page l4 1 ' 1‘, rtit ., .. ..,. . . , • ..,....: . , N i i igi 3% ' •,,, 9 I I I Me 1 A . i `2.11.- 1 AMMOMINO • 7 I 10 4iillir 4114' Y ( • I , nr, „ � ' ''•. !`} Ito�' Y I .Y.,1�� r • 1 i J I i I �f ii - ,y 1°' ' �: it-• '� . Hf z • .r.•,.:1 1 • ^ I . in, �,� at . rii T 1 , : -, :______,..1 i p u 4 a a t 4 fr -,..1_ ■ ny 1. y 4 i . • •.3SS. —� C J ` } _ _ � `' *Artwork images throughout this document are for reference --- - ' ` only. They are not recommendations of specific artwork or artists. ON 0 ART SPINE:SEACREST BOULEVARD Boynton Beach Public Art Master Plan I iiti'1,1')0)F=F F'tile `,`, E=11111RE:FOR IS ART SPINE: Seacrest Blvd " Seacrest Boulevardd runs North-South for the IDENTIY MURALS full extent of Boynton Beach,creating nodes at .. major intersections which can be enhanced with 'i artwork qite-errtilfil.= Opportunities include the concentration in 4J(�llflll X downtown Boynton Beach. but extend further out ti . ...,. ,, from the cultural hub to increase the spread and ® �.1 ,; '+ •44., ". ..,01 broader impact of artwork in the Boynton Beach 1- ,� Public Art Master Plan. , F. ' �a � , L Star \- \: \ -4Fr 11111± . • ROA i IDE,LANDMARK` ` ' NIP• *tilt ® . , , VolkanAlkanoglu ' _+ v►y �. il =MIMI - _ . ,_ _-_-_,N, l ., / ."-' :, __ -.-1, - ", _ . 11—.1 viimi.. L.._ . . 1 . r..... . , 11•1111111. • • Iy Antii. 6 + N i , t-__ rn �-- r — Alex Chlu _- _ — - - .e ONS t ART SPINE:SEACREST BOULEVARD Boynton Beach Public Art Master Plan OB/14/2026 Page 96 FU1 RE:E ORRIS SEACREST BLVD Proposed Artwork Locations PROPOSED ART LOCATIONS SB-01l SB-02 ' l.��y j-: 7 S'�� SB 04 *.. V. - GATEWAY tlLVU ,,' 1f.i �� Hester Community Center 217 N Seacrest Blvd ISE 2nd Aye.SE Cor9eistS Wool`riaht Rd.NE Corner SB-01 SB-05 -- SB-06 SB-05 MEL.- 41111ftM 4— v! Mk _ Boynton Beach 'Stanley Weaver Canal Utilities Department BOYNTON BEADY BLVD : r _ ___• SB-04 0 SB-06 WOOLBRBi1I NU EIEM) –""- Spines • Nodes i • — Existing Permanent Art Proposed Alrt Initial Implementation 0 — Proposed Art Continued Implementation Upcoming Development r T < ART SPINE:SEACREST BOULEVARD Boynton Beach Public Art Master Pton 08!14/2026 I Pepe 97 SB-01 Hester Community Center I' " ■limi■ Inspiration: Functional/Playful/Vibrant/Engaging M m LOCATION • Plenty of open space for 4 a freestanding or functional _ _ • Hester artwork g.[ ' Community Center Q • Many mural opportunities - • Playfully integrated into ► _ , , ��� I 'ilkt community X' x .,.. lie iii if it•tit‘,. _ : _ 1 ! 11' ' -:i\ ` ',,' sir p. � c4 :o, The Urban Conga The Urban Conga ‘4, !ip- iv? • • .. , t." ' ' „ Ill !". P • • 17 — - - — _ iipi. b., 46 _A.% .:b {w e / _ may' I Iip�li' .. The Urban Conga i 0 _ 1: : ) r, ART SPINE:SEACREST BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 Page 98 I•Ul URE.I ORNLS SB-02 217 N Seacrest Boulevard n pp MillN Inspiration: Vibrant/Community Centered/Identity Mural m LOCATION • . ',Milli" • Brick facades along Boynton t - Beach present good opportunity "-'1 • �" 1 ' for heroic mural • ' I BOYNTON BEAM BLAU - / I ! ...� 4 r P I 8 • 0' } I 111 AA ,'.11 r C f t I , 0 p , � � • Carla Roque A I.Star 4141' ' r I. 1 l' --1 - Illi ----„..„.„____,_ ANIL / _ _, l 2 i" -_I m * 441 1 k‘P•N.r,..., 111;p r,.. .1, f"nr, ,../-i- -.;cclis;_i)iir., iti, i -,,, A. lk. 4.....il it ic , , , , , (% Ai. ‘. .3. Q 1 0• , CZ 1 / A 4,t,,,, ,,,_ .i.os 94t1 I / : , , 1 , .-z....----3) I , , ..,, it p 0 i Z: 40 tIti/1 i tii , 112qj Ericllooker t I .., r ON 0 t t ART SPINE:SEACREST BOULEVARD Boynton Beach Public Art Master Plan I 08/14/2026 I Page 99 SB-03 Seacrest Boulevard & SE 2nd Avenue, SE Corner4 Inspiration: Bold/Iconic/Placemaking Sculpture M LOCATIONS ",' . {jaNt` ", 9, '0,.;..^:: �- • Corner of mixed-use ;,, ,5 41 11 r +ill I/ development at 1st Ave (Town r `,, Square Phase 1, South) �� � �� • .44 , ' Ott\.'' - — \AOSB-03 11. . .f. . y is= { . .. drifeliS 1 A —' ' • �lx • Town Square t Phase 1 i i,\. Py •:• - • — III --- Wolfgang Buttress 1 / . r\.., 1, F 5 --•.," LukeJerram i* • Ids • 4 �, :.� : 1 NI IP ,: Jr" / 4 . , .....-sr-, ,, „... _ _ , ...._ . , _ _' ;' . % iik la, •s Blessing Hancock / Ana Teresa Fernandez• t t t ART SPINE:SEACREST BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 100 SB-04 Seacrest Boulevard & Woolbright Road, NW Corner 4 Inspiration: Dispersed/Flowing/Dynamic L LOCATION • Corner location • Recent landscaping, ample space for dynamic free standing sculpture, shade canopy or SB-04 ' ;i� ) WOOLBHIGHT HU integrated seating46: _�/ �,., „�' , .....:,..,,, ,.:; ...!, 4i _______,iiiir .,yd hilt . .,:h t` .�" ,.�'''` Ott ill : 11� r ih. l - J �' .I'II t • " 7- Ala---/ V:p 1 I:I �l Y :. : LL te • p =BradOldham , ,, y. 3: Haddad Drugan��_ _ _ 4i- ._ __ I 1 R MO s . ., .. ilk "Lk 1111 tr 91 - F 3) ' i' 4? Daniel Templeman C1 Re nth 1111. FUTUI�E'f'(lf��l i ART SPINE:SEACREST BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 Page 101 SB-05 Stanley Weaver Canal n II Inspiration: Directional/Natural/ Landscape/Fluid M LOCATION 1. - • p • • Mural on parapets �8i~` \ • Part of city-wide water-crossing • .4 activation strategy ., • Thematic in relation to other ` J7. , J1� _ '�r�; ` IOli y ,\.%:).1"1 . cJ murals on Stanley Weaver ,r. , -c '.' S J tit +„''',L,.•.. 5 . .., 1 EmilyEkenhart y.: ter--` � +. l►�_ liticr,iff i I 1� it �,� .�p�, ,, Bordaloll fib` - _ II ,;: Ti ,.- lit \ lti ‘ — ve r 4 i. rid � 1�.. Jet Martinez. ,. : ist ® F IiTlll�l l l)I��l i ART SPIN:SEACREST BOULEVARD Boynton Beach Public Art Master Plan 108/14/2026 I Page 102 SB-06 Boynton Beach Utilities Department Water Tower II mi Inspiration: Flowing/Current/Motion/Ecosystems NII,IIII� LOCATION if ' '`. �/ E" , _"' S - 0 • New mural on the water tower - ;i • Alternatively, digital projection3.-1, ,,r •a' onto the water tower with the VP' 8 3 - , „ periodic introduction/ rotation of " r° }LP A .,. V.OUIBRIGHRC SB-06 new artists and artworks \ ; , ... ,. S '1 ' •, E- f/:400, , /.. I+ f o 'l , VI 16 olO c ° 6. W --- -12-9,J)., eov OQ C''. -.' 4"! * -‘ 4- .,...i7 4- -1,,,, ,t. C, Mike Makatron,Conrad Blzjak,Dylan Butler 4. Julia Specht i 1711/041' I I ill' 11 4 c I R... I l / flIKA� 1 _4 i I 1 ■ - a idigh._,,,, a 44111101111 it is, 1 ART SPINE:SEACREST BOULEVARD Boynton Beach Public Art Master Plan I 08/14/2026 I Page 103 ___ 1,4 I 1 ' 10 NO Alk...4 41,,b, A ! mill 1 ll 4 ♦ V c - .. - . , .0-101.11WW. I. - i:-":11:1•11• * ' e 11111011kbr.. Iry MD Jill ilk `6": ::, ',Ns. lip --..t. •• , • . I...1011111 ta:"Arleidet 4. ow J„ � l ! ' r 4*, it f N. I elokitiiiii t Nim 7�`�77 __ = A - -4111.....__ . -- I _ Ilh. J 'ISA"- „1.64•1v �i" .. .. \�. '+111.1 1 11111011111111'+:11111\----Nimmack. '. v.'! • .4` iir,-. .' • i• t, ,.R ,f.. ,� ;_ �, ' *Artwork images throughout this document are for reference w , t't �• . % only. They are not recommendations of specific artwork or artists. - W . F•U1rURE:F'ORMI i ART SPINE:CONGRESS AVENUE Boynton Beach Public Art Master Plan 1 08/14/2026 I Page 104 lit—log,..,T� ART SPINE: Congress Ave Like Federal Highway,Congress Avenue runs the ~ ;1 € • length of Boynton Beach from north to south.The U — road crosses numerous water bodies,creating an opportunity to create a consistent art experience - while driving. 't'Milli . \. i, ar•ii, �� Wall murals at water crossings can be serialized ,\ .r • I r + Il works by the same artist,or may be connected 1L p thematically with works from a number of artists. • S • Alternatives to murals include mosaics or relief , .iiiiniy - At.artwork,such as metallic panels/screens or z• _ other graphical elements. 4.. / - 1 . .Amanda Phingbedhlpakklya „ -:::: ., .''IllilbIIIIIIII r► ,`. • a 11 la 1 1 i� Ifr.. - ir I , BOYNTON BEACH BLVD - ~ A 1 loplitik . Lynn Basa a WOOLBRIGHT RD - MOSAICS • r. - /740,r Emill r /, N . ° • tea. Tereslta Fernandez • "k lit, Tiffany Beast -y i 1 ART SPINE:CONGRESS AVENUE Boynton Beach Public Art Master Plan I 08/14/2026 I Page 105 I °N' FUTURE:FORYN LSr CONGRESS AVE Proposed Artwork Locations PROPOSED ART LOCATIONS CA-01 CA-02 CA-03 CA-04 CA-01 --•k'1 .I IMMO Ilia I I IA' , South of Meadows Park _Miner Road Stanley Weaver Canal WoolbrllthtRd.SECorner - GATEWAY BLVD CA-05 CA-03 W South CI Limit WO ILBBIGHT RD F__.._.. CA-04 LEM Spines Nodes • — Existing Permanent Art Proposed Art Initial Implementation *Any placement within the right-of- CA-05 ight-ofCA_0b • Proposed Art Continued Implementation way is subject to permitting and design review by the Palm Beach County related upcoming Development Departments. ART SPINE:CONGRESS AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 106 ' N a FUTURE:FORMS CA-01 Congress Avenue, South of Meadows Park 11 1111 Full ■ Inspiration: Illustrative/Pop/Stylistic/Cultural M LOCATION ;n 1 , _ H r MEADOWS BLVD • Narrow canal with short parapet 1 , wallsitr. 111P. r • Driving and pedestrian ily k ° ' • experience '! • . i - f I._____ • Possibly a serial artwork with • .� all walls on Congress Avenue `` .„•r` - completed by one artist , ie. . .41Lik. .. iii 1r. ( I 1 4Ek=t •i":0-:Fe;;.lltyr ~ ems _ ` .i �.... y Amanda Phingbodhlpakklya i ______: _-__ ..,....-__.,..,, - ---.....161, , , i 1 g _ • �y I• ' •• J ,■ \ �. . ? c. .. ' ) , .01111; / -ii--..!--":: - _ ..7., -,... 4. i . • s; s / o — Amanda Phingbodhlpakklya .111114111111111 ______ AR1 0f'Ul UF;E:I'OR I i ART SPINE:CONGRESS AVENUE Boynton Beach Public Art Master Plan 1 08/14/2026 1 Page 107 CA-02 Congress Avenue and Miner Road ITT Inspiration: Marine/Ecological/Underwater M LOCATION _=== =-=_ Nr- • Small canal with medium length ——_ T'_ _ -- - 1111‘parapet walls 7,Eel • Murals with references to inland `. J� ,' aF * `, farming boom + CA-02 G • Themes of mangoes, roses, ^". .0119 /r /' agriculture7. '. iiik • - �� :�� ielr'- ..fir ' lift _411inumermwo00111k 1 �� J J. SophyTuttle t , • 1 rim _ _ ,..„:--„;,,-. '...,.---: PP. -N.. , 4/4.„,. it bow-or 444y,IN%% i/fr41i ---- Ifr-ft(ir,,--kil(---....mmialike so. Tuttle ART SPINE:CONGRESS AVENUE Boynton Beach Public Art Master Plan l 08/14/2026 I Page 108 ;4 : FuTuREFoRms CA-03 Congress Avenue at Stanley Weaver Canal 1 [TIT T 1HiI Inspiration: Mosaic/Graphic/Abstracted M LOCATION • Major canal with wide parapetIlk iiiiia walls & 4111111. CA-03 + zA 4 1 s Lynn Basa 41111, illibill! , _ 1b R I A. .. ` .. �. M - w .� r - - ♦ ,.. - lel ( ' f.p M. ,nt '.. ,- • N-T Teresita Fernandez SA t N : : �, ART SPINE:CONGRESS AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 109 °� a• FUTURE.E FORMS CA-04 Congress Avenue and Woolbright Road, SE CornerI 7 116 11 Inspiration: Flowing/Low/Ground/Dispersed/Thin 5 LOCATION iif.,,, • Sculptures or screens on the +• - ,,�v`. ;, lawn at multiple corners , ._ -f 1; "—SI- /`4- • r1 Aft*7,0111‘ Y�. r' �t�I iI„ir ` 141. 0 WOOLBRIGRi RO CA-04 ” - -• • --- �• 1 xA , 11 .: Flgl Salnt-Louis ,i t.. , =,;`� "••. `- ,�, Miriam KleinStanl r' ' , I r-- -' i'. --'4-- '',:to il _t Al ` [vf.�✓ ��/'l \fie' {' - ! _ ,,,.., ' 1 ,,,.."' ItAllkik.... "4 , ri _so iM 1= HYBYCOZO Daniel Tem.leman ORTART SPINE:CONGRESS AVENUE Boynton Beach Public Art Master Plan 108/14/2026 I Page 110 °N f•U1• ii:FOf��I • CA-05 Congress Avenue at South City Limit n Hui ■hili■ Inspiration: Graphic/Geometric/Stylized/Communal M LOCATION • Double parapets create twice as much space for artwork 4oft.m.....rajr compared to other water i�%� crossings . � • Can be a gateway artwork � IN ,-- ' 1 _ _.... 1 Ilil4hi,, \i __ ' -II tea. 1 . , ►.` . :";yamot, . 11Q1g1Nu�, „ �-- 'r'! "W"- , Allison Kunath ..,.t,' vii Atti 111140 ... 1111V6- 1 �' w '� _...__ _ `may �+, ....„ _ I -'sem` i , ". Munar 0 ART SPINE:CONGRESS AVENUE Boynton Beach Public Art Master Plan 108/14/2026 1 Faye 111 I N' Fl1TE1RE:FOR��S 11 11 Y ��%1'+'' • qtr -., .` _ _.aa . i` Fr. 11 1 , s 1 , ► I ' P I I .� 4 . 1. `� -P`JBLIC PLACES -I CITY-OWNED PROPERTIE .j ' b - �. 1r � � _, . :»---. (,< C _.� _ � mss, • .h"" "tel- h .-..:�'r y ' . ' .-. _„,‘,,.: -. .1.4 , , ..-.,. . • _._ .r, y} —air- • _ , - • .. *Artwork images throughout this document are for reference only. They are not recommendations of specific artwork or artists. N1I FU111RE.f(JRM.�5 ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 1 Pane 1 12 ART IN PUBLIC SPACES & CITY-OWNED PROPERTIES In addition to focusing artwork at Spines and Nodes, there are additional opportunities to continue distributing artwork throughout the city, ' 4 particularly in public parks and natural areas. Open, grassy areas can be / - 'L enhanced with playful artwork, art benches, pavilions, lighting structures, ' ' ,4 l" -- and shade. Small free-standing artworks can serve as location markers y '- - - _ ,� and gathering places. Additionally, murals can also be used to call s,„- 4", 't !>- �; ;__ �, ' attention to city resources or similar structures in highly visible locations. .. 4pp �. � ` ii r t ffti k Debbie and len Marucci ,.,,, Leth Ravitz • G Ojila II l'Y I 111111 a 1 ta _ .- . III IV , , F I_ ii Keshavarz and Rosof-Petersen Donald Gialanella— la ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 I Page 113 INFITI 0 FUTURf:FORMS BOYNTON BEACH Proposed Artwork Locations on City-Owned Property PROPOSED ART LOCATIONS P4-02 - PA-03 • V PX-04., eyj ;r PA 01 444". . ---#,�L_ —i , I____— SB 01 Knollwood Park Meadows Park neer Canal Park -, iR71II1f]'•1<:"'f'� _ i S1• i PA 05 t 0 ' PA-OB /-. i • _ '=t ✓ x'1 - . .A ' t 41fii, • LK-01 LK-02 PA-09 i N ., '!,-%; 19i 4t 11:1 1'C''f PA-03 `: lier r Flre�escue n 6®I h+ ii�'w� 'LTit FTS, . . ll • • T PA �'. —='ll'� PA lU PA-11 PA-12 • PA 04 • PA-08 �' S • • I 1-- PA-14 PA-12 `16 .k.: It ` 4' , -.. �► PA 05 4$02 " -{ v. • y, r•-c''' �; *Shaded areas — . • • 64 .• 5B O6 9thAve A 3rd Sty~ Intracoastal Park = _ :' Mangrove Promenade':' Oceanfront Park Entrance represent the City i I •- PA-13 PA-14 PA-15 of Boynton Beach's • ,__- -. ,l,, ,e. commission + ` K Spines PA O6 1<t districts , 11, A-' Nodes /` - F ., - 41 O- ESdsUn g Art Plattonns 1 @ 1 -_., • — Existing Permanent Art S. • ?'..k (y�]r( Oesanfrsnt Palk Oceanfront Park Lot. QuantumVillage Mall Proposed Art Initial Implementation • • — Proposed Art Continued Implementation T1'45111-1 ' L Upcoming Development r ON rFUTUREFORNIS ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Pubhc Art Master Plan 108/14/2026 I Page 114 PA-01 Knollwood Park on Lawrence Road - 6 Inspiration: Intimate/Subtle/Natural/Texture s LOCATION Rt -t- 4 It MINER RD • Knollwood Park has green __ spaces on the corner and within 7,- the park itself . ,, ',.f:vt- • A singular small sculpture or a set of dispersed but related sculptures would helpactivate f r I x'• the small loop , �� CrL. k % $. eAliY • 1 Debra Scans :i. .._. . ..,.cam._ .. _is a r >: •Lf — - --- —•`-"1"""*""'"*" --i 'II" • ,If(. .. ': .: Ifr r :...fi 2107 :1•4 ..,.",:-4 4-• ,.e.• of+.:441:, :V\ H,r �' • 41, :,(1‘.,,,s,tkiw4,_.; f,r ` f 47 / . A� 1, yrrq t / i� / t t, rk ! a — elor Anna Sew H r use Rondlnone WON F-U1'Uf�E:F(IRNIS ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 I Page 115 r PA-02 Meadows Park On Congress Avenue : 6I I II Inspiration:Seating/Interactive/Play S LOCATION ;.„---,,- ;;3A... : . ,# - .. - .:'.7:.-_1,.I' - --�`-;• ti .s, • Multiple sports courts and a y ,-;;.14,,-,° a� . .. M >y , •° 3. N,,,.,„' Eqp°µ,S BVD playground on-site °- . .4.'` - `,,, ,:: �;�.; << t `; s. t • Large green lawn can . )' '`' .` x ,- �' ,, �.,, #,; m m :-'' .`<{ , accommodate a playful artwork - • r renlita a • Grass on the street facing corner ^�- ,� �.�»t can accommodate art benches - j ., -r, - -�-- I -_ or small sculptures _ ._ r_,t = ______ -...,........._ -_i ___.. - ,. , , JAWr 7 __ ` i `; , 1 II II I - rir / - lows% 44„ '.--- �... , 1, 1 / '- iliiiiiiiil DslhTous Les Joursdaimiaiiii -Mo (Rich man ' ?! ARTWORK ON CITY OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2028 Page 116 I cn•ut;f:F-Oc,NlS PA-03 Pioneer Canal Park on NW 13th Avenue Inspiration: Iconic/Large/Landmark � LOCATION 4 --I• '• ,• iR. �, _ ••.- . • A large sculpture can make for a 4 +c � �, * • ' , '` ,,, „� gathering space or a moment to `:' :YI"�.'Ati -zat r " " take abreak - 4, ;r/ - -, ,, E 7^n PA-03 _z, ! + F'"4 , s • •Situated in the open spaces _ _ s. v -,, MN 1 - ^ around playgrounds and agir-Altilll ® courts , • Possibly climbable ;;,�,�. �r" � :,):: ... . _ -: s. txi�;• I� �•+' Benjamin Langholz ''r • _� x Anti ' — 0 Alk i I / ' 4/ 1 lir _ - -_ Phil Pnebr SCJ Rench, �: TON' f •j ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 08/14/2026 Page 117 ARTS-- FUMRE:FORMS PA-04 Laurel Hills Park on NW 7th Street Inspiration: Interactive/Engaging/Play/Multipurpose s 1 LOCATION " _ ,� ,, J ,+ ''V 'rA'.,/', , • Laurel Hills Park is small with r , ., ;:-7.4.40•;,7-1'.4.40-4:4f...,.,',,,;?1:,,`)'. 4* a modest playground and ,'"' �;�, `r �- .:� FaCill t r, basketball courtsA, • _,, �, l • Residential neighborhood. . t ' �"l 'y_o- y� ,,m `tet, Artwork should be subtle a - '� l • `" 1 but could provide interesting - �` `` lir � , 111 opportunities for engagement -'j'- p`t /� +1'l 14 4 4 fit` �� R �11 ':j ,0:0••;,',,<< .-;.k TS ti `3 �� v _ Daily Taus Les Jours r \"`4!,x Hou de Sousa I j" vr., / �; - I nm I . -411P % - -VP s .iiii— " ' tr-t.. ,k ' -",, '''' - 41111w " i F:14 ,,,, • ,.. ` ♦ N F --.4.:z..---,,-„. I. yam- sem. _ , \\\. _ I N i q it: ♦ `• .+ _ A moi Design Research Laboratory ' °Ni FUTUREFORNIS ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 1 Page 118 PA-05 Fire Rescue Station 2 Water Tank II p MONNE Inspiration: Typographic/Layered/ Vibrant/ Wrapping M LOCATION • Visible from Congress Avenue • Similar to the existing Boynton 1 Beach water tank --� WDDLBgiAD • A highly visual, layered artwork ` �� _ ,.. style could add interest and " ; 1�` ' disrupt the round shape of the -' i � tank v_ - 1 , �� , . P - -- MI) - �� - - - - I • I, .,:. Sophie Mess i,.,,� ..- .. p •• el!� 110 • d x..44 - \, _. . _ 44/L: 0- C . S °fir, --- r aht..v.„,- Dlogo Machado.. Tristan Eaton h..= �. __ gp� t t t ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 I Page 119 PA-06 South Caloosa Park On 35th Avenue MD1044\ Inspiration:Art Bench/Gathering Space/ Climbable L LOCATION • One of the largest sports and PA Ob recreation parks in the city • Open area between programmed , �t,., . fields -/74- /---it ' - • Gathering and rest spaces, ® : :r::. :a ( !te the area in , the middle of the park i , 1 Q - Jeppe Hein - CfL7M 1 4-im.. ./ litoiri . fir 1: 1 1 l'i -,"!"4.1140114 ) ' *. e._..t ''. .e''' —m ,,�•�. • str 0E Ul UIiE:E'OE\�I5 ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 I Page 120 PA-07 North Caloosa Park On 35th Avenue 111 Inspiration: Natural/Textured/Blending/Surprising M LOCATION " N 'k 7. • An artwork placed amongst the , 7 trees at the north end of the . y,,,. ;:;,, ." 1:, _ ,:.:, park t" . :', s -, • Can be more subtle and use �� ;'"x. a '. , '� I texture and materiality to create « `� . Y ; ' 4 ,; : . interest r ,r , A �, . h • Will be a surprise find on the • » r ,i i, walking trail around the park _ . ~' •�� a ►•-,; r?"jD.v - _ .t.--- - - % • r t ++pp ♦ t i1! i• � � AlllsonCrowther4 o mil i 1 A w g � :+ 4 '`_� r J : nh,ii r , . «w r:,411. ` liy ` \ --- , Dewitt Godfrey - e F ,' '...415. � Teresa Solar Abboud ValerieThebwp TON 0 t t ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan I 08/14/2026 I Page 121 PA-08 Galaxy Park On 4th Avenue tT Inspiration: Playful/Energetic/Safe M LOCATION ./t.'„t'k..,. - • �� . • In an open area between Galaxy .4_ '• _- -. Park sports facilities and Galaxy .. i , ° *r"' ` Park Elementary School ,_„, -.. ' i •,....1,:j..1. .- i • Interactive/ play sculptures will , ` ' r - provide engagement _ • Can be noise, touch, or sound • ;:_ • it"–�i activation - 1,4? r, ,..a,`.M'= , / : PA-09 NE 9th Avenue and NE 3rd Street 1 Inspiration: Earth/Ecology/Texture/Material/Field M LOCATION • Open green space coded for7 _ public use _ cum • Land artwork or material focused �� J sculptural work Ilan Averbach ;ii 1* J 4,:::4.i..;114, l"Alt 1*\ g% S;lr' Patricia Leighton '' I / ' ,..7' r I #oil. ..:4 II NI IT '� dii lit r .,,,,;. ,--- .--- - 7---,.o ': ygI 6 F r .4 Per.11-1. �1'-' - \ '� Age-,..,!:-__".res dRI.��Y} -_ / ,. .. _ ui - �. h r Superfle„ - . Jill Anholt INITON Fl1Tl1F�EF(1t��1t ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 Page 123 _., .� PA-10 Intracoastal Park Off Federal Highway Inspiration: Tall/Vibrant/Small Footprint/Freestanding t L LOCATION -NOP' 1 k.. 'z ` • Large sculpture amongst the \ pavilions at Intracoastal Park ,- • Tall, thin, with a small footprint `' i • Vibrant and colorful ': r mss. s- (A...4.;11,;:;". 4 1 ME 207gq� • Interest can also be generated - .: N,R"� ._�:� `�r. e through porosity and ' ',,, `h V. 9=. ;• -,ii transparency . n; ,.y�1 ' 4 kd } r .. 7 ., , i ' 4.01, • ., iti: 4 4,, 2,t! ,.,,_01”/„Ito.:(0, %,i FrlendsWith You _. -r WW1 ,y, 1 `` --, - 1 \ �'" Fad+ " _ ./I ��: Li -- - , , ..„ N , ,.... , t -, 1 ; -- a.... - i' t , '+ „ted R- t, .,. alf �>ir c ,. ^I a • /) fir - `F.�':'# f - ‘. 4111/ it,rtr, Appo...ierr.12_ L ,+ .- „! . 'Ea Dbmuke Pawed radahawcross - "WILTON 0 t ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2(126 I Page 124 'MSv E={Jl'IJE�EFUf�ivl.> PA-11 Mangrove Promenade 4 Inspiration: Flow/Current/Ocean/Nautical M LOCATION ;p .1 ;i'r� T*. , :• • On Mangrove Promenade ' �3 1 • Paved recreation area f ?': ., .`i . • Free-standing artwork, could be ` ^ 1,\ , per i educational/ informational A,,r,,,,i.. 7 , Mangrove Promenade • 1 4 Ti. .. ,..,:.:.:y. • A surprise discovery at the end of ___ i \ . `r4 thepath . ,, ; • ..r Troy Corks -w.'�" R }� •rk 1 IIIfni RA di Jam 101,,,,,.: Vanessa da Silva ' Y. i Y ",) ''i 490,, ( , ,,, , „.,, _,i„ i , 01, k : AM 111 • - - ' '-- �T�._- -.. - , .•.F_ - Oleg Lobyldn Haddad Drugan ` - liirll 0ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 I Page 125 F11111RFf Uf��IS PA-12 Oceanfront Park Main Entrance Inspiration:Shade/Suspended/Illuminated L LOCATION ... y. .tr n.A. • Shade or suspended artwork LL; • Replaces the previous shade a,_-. • Era ` J -- structures (now removed) � ,' • Durable and iconic artwork to ' _ : PA 12 signal the entrance to the park • n _ - ,� t• — • Note: Oceanfront Park is _ • Oceanfront Park outside the City boundaries but `. -.7;---- -- maintained by the City `� 'r , hiri { Mensal tib . t ray �� J �- - Janet Echelman `� / ❑ E a. L, '' :::1"'VIrF iltte I \ j 'I 4f PON II 11624 •=11111110 li, AtelierDam •.•'••..A== • The Urban Conga rett 0 :: �� ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 106/14/2026 I Page 126 RITURE.F ORl IS PA-13 Oceanfront Park Beach Viewpoint 4 Inspiration: Intimate Scale/Iconic/Marine Wildlife/Selfie Spot M • Located at the start of the path to the water / :1 1 IU Mr;+ II • Should be bright and vibrant to ' ' I in _. attract attention from the road 1 +.j ', ,. e • Serves as gathering spot and 41/04, �. j ' J. photo opportunity 'I ( fit, �- ti • Note: Oceanfront Park is ,i (/1 rI ( , Oceanfront Party ^: / s! • outside the City boundaries but �, , I — .- maintained by the City ,...4,0"- ,..- _ . , -7- ,,....,,, _ice, ilk ii-i miii_ • J L 9 „ •; /... , Cecilia Moseley r , m —./ 1 ay r .1 aMmIi.......-i ME I.INIV 0 INF I E rmeg /illor I 5 1 ' 11 . '''\V I "1, 11► / ' ;� � IIJ _' 111 1 I rovoomorwmilaiAna Teresa FernandezI SoMab INT 1 f ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 10W14/2(126 Page 127 FUTUREF=OF`NLS PA-14 Oceanfront Park Parking Lot Inspiration:Sky/ Wind/Kinetic/Sound L LOCATION * i I • Located at the start of the path ,01I R� iipt .: to the water i ;111 • Tall, kinetic or interactive ,; ry FI structure .43t,.Iii K � ,,, • Note: Oceanfront Park is `II'I�, j0g.-.dAk.• '.: outside the City boundaries but / Oceanfront Park maintained by the City 1 ,' ;. ,,,,,,A1100 II 1, , ,,,,t, , . . , ,, . .. Haddad Orogen, , 'IPA ' : Nit, • ' ,--..,:' , i . k._--, ....�.. - ., — �7, o i Janet Echelman '1."' rs:r e « 1 ' tit 'TT1 F i . _:., ,....,,, ., , it /11'Ir.. pm t. .� ii!„•10 (. w w 411411 I a • .e"►IAllr I�,/� ‘-;- 1 IE P4 ! li 0. � 1 Yang Bao - JIB Anholt ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 I Page 128 10 ® FUTUhEFORNIS PA-15 Quantium Village Mall on Gateway Boulevard 4 Inspiration: Light/ Color/Illumination/Playful Shape L LOCATION v -JIM! • Located on a stretch of grass at # i • 4,,,,, the corner of Gateway Blvd and 9i`4F90 High Ridge Rd ` A 111 • Likelyvisible from I-95 '-1$. Quondam Village Mall Jp� '�i� ' • Tall, iconic and illuminated IlMb�''' 1 .'AO I it .26.1 ,%C p' totemic sculpture visible from 1 v,1,, AI EWVV BLVD afar �° >:�.-: -\ a 1 111'', • ; --fit . . ,I. 41 — ' %ll1t'A: . .atiy • Phillip K � j , 11 *. Tt ' ' ' 'IP.. , At f •• , q i 1 i ts, Viiiiiseiro... ,..;:. : ,_« II i f ,�`+' Blesskh Hancock 4..; i il MJ� J<. i 1 i N1 i,rMe ie.4F•- i .•„: ' - ill 1 I- -. - - rl ~ „` • 'lh L I :'' IF 7-. il le a Haddad Drinan_ f Jill Anholt I firtifi:1 0 :: ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 106/142026 I Page 129 LK-01 Barton Memorial Park 1OI ` Inspiration: Respite/Gathering/Seating/Shade M LOCATION '*. A. v. .t, .• F s�.{t• , t.4-.,t-4 J'*�# y'4.•s ' "M•'-" 0rai • Open green space at Barton ,, �.r ,, a:v�� . �� s :, �4,;; Memorial Park across the street •4i. : • LK-01 from a Bethany French Church k- %11111,V; - ► ,;r F 4e r • Artwork provides gathering, i ` `` MIME seating, and communal space • This artwork is also mentioned is _ _. M i 1 /.., in the Martin Luther King Jr Blvd ;,• ,, 1 i Spine t i "' P: ' s. 4 , Q ,i +` 11 �1 _ Anastasia Pelias - _. Re Site : F t a - .� j . 4 r i ty 4Y .� - .._ .may u-, . - - '1 -,...,....ii �' r T • 4r, • • Y l ,,.., I_ 3---. ‘ ,1.1,„::/ / ;......- 04agifi-Ile. 11,11K\ - lecosistema Urbano _ - ‘..\\ \N __,, TON t ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan I 08/14/2026 I Page 130 LK-02 Sara Sims Park R Inspiration: Landmark/Identifying/Minimal/Lighting L LOCATION • Entrance to Sara Sims Park • Artwork can be subtle to match the tone of the park. Could be ry° MEMO tall and visible, provide shade or .11... "' temittlx _ �� �'x'rr` i • _ III Sara Sims Park lighting \ L. • This artwork is also mentioned in the Martin Luther King Jr Blvd - _ - _ T ,„,e4-,.., vs - a� h Spine - - _ . , ,��, � �, a �'°�;- _ r 4_� S Jenpe Hein. _ _ , Merge Conceptual IL 4144/P''''.1 � - JYLI r , �. , a • / ;. a orilio P � ` . 0 Jill Anholt ^, ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan I 08/14/2026 I Page 131 IW ti,1 FEITEIREFORNIS 4S-02 Pence Park A°I.Iiii,„ Inspiration:Shading/Shadow Play/Vibrant Color L LOCATION _ 4(117.11.. 1.• Future improvements may '�'r''1.. 1. ,fi''1, ) include shades, sports courts/ fields, and/or playgrounds, which as oz may incorporate art throughout r "'°� the site. Artwork can be located v Off Irv.. Pence Park at swales on NE or SE of site _ _zi "= • This artwork is also mentioned in �' the 4th St Spine - -' t ',' ;—al Y t. t �r� JIIIAnholt i rt `� �► \ �r• .. Ball Nogues ,, „ , oat\ 1 . . III �='._"•7-------- --7-, I.4 p, �' oeiN .' , . `mss li f ; nl OAP ,-°:. .l' 1 II. Fit-4 �� Li s■ - ..'�I.-' Tik ..•.� it -,-i. 1 l r e c., - --E -- %1 `1 •� l!'I - — 4 (i f' X/,'/ l it, ‘,.„4,,‘,...::... ' r - Re add III SoftLab r� r t t ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 I Page 132 Fl1TUREI'0RNIS SB-01 Hester Community Center II mi • Inspiration: Functional/ Playful/ Vibrant/Engaging M M - LOCATION • Plenty of open space for freestanding or functional • ..0'' b - Hester artwork fr' , Community CenterJ , . ,\® • Many mural opportunitiestft` • Playfully integrated into *441i, f. r SB-01 community F, '�1 a .__,,b �1 ` r :f • This artwork is also mentioned in , r 1 � -_,.. the Seacrest Blvd Spine r1t I. - „ .. t „i-- __:- .". 4 rte. i. ► � :� rik The Urban Conga z `1 111 The Urban Conga I i i . : j 1. ),-1, irk% ilK - ,., .l- __,_______.._ i m . r 1 � r✓ �. " 11i ,.., • , 4:II •,.4ir'i,i. , * {{{��� .,t�,K' • aid.-, „„ -. P4 \ ,„ . y V IPlYi Vis. '. ' 1• .j _ _ The Urban Conga — DM 0 t ARTWORK ON CITY-OWNED PROPERTY Boynton Beach Public Art Master Plan 108/14/2026 I Page 133 SB-06 Boynton Beach Utilities Department Water Tower I M II>>I Inspiration: Flowing/Current/Motion/Ecosystems gl M liiil M LOCATION •l ~'. _ : Ix _. • New mural on the water towerr ., ; • - • Alternatively, digital projection li onto the water tower with the ° ` _ , I periodic introduction/ rotation of it. ,, i° f .e new artists and artworks , rr O • This artwork is also mentioned in o. , ' '• `� ��i o ., ��P,UUIBRIGNT RO �t �� �`• O J ; v Ose os the Seacrest Blvd Spine -Ax V.6,:spp'ilt:7"17:14 .- -'4111-% C;s? 15 WO04. ^..,w•,K•, , f �,4-,-,i.,, ,,-.. .,,:. -:„.‘,.....,,,oLom- 6 - - � :': '-' ' ,_ D ,;. ....{...% „„„.: c + a . r ,e, . :,':' 1“... 4. - Mike Makatron.Conrad BlzJak,Dylan Butler 4144- 'y;,i Julia Specht J ' . _ -- If 1, r , i i r 1 1 1. r, 4 i i.:- 1 i i I, ii" li 01_ �- `'E^ . �3. TeamlAB YNiONI r FUS Uf�E'FO��IS ARTWORK ON CrTY--OWNED PROPERTY Boynton Beach Public Art Master Plan 08/14/2026 I Page 134 , i. -... . ., PUBLIC ART DISTRIBUTIONBYJJISTRICT • 11 111 . .,... . ,. .- ..._ •- } I 'IT.% I - . ..., . :t i.. : - „..... ! I I i 1 _... - - - r" 4 -9i" -- :1'.4 .i 7, • :PL.4.4 ,P.-1.."'-.--..•.'•- '1.-r-....""''.... ..u ''i I I 1 •.7. 01014(111.4Ft V.." "'' — ------ - 4 •-:-i. , ..1.1. • ..liar ..1 t ..j I I r-.7 -L, • .. . - , tOeira,- i- , - "''F'•,• . _ -,.., - . . air 4 --,....---- •- 1--,...:.-_, - --a ,. - 1.:.t_ 40),,.. ,4*..,L_ '•--pt , . .lIn , 4 I .. , . o 4 1 - - ,...-.: , 441..... ...4tb.%---"gir • . i „„ .7•-041/01,7` 4 - Ji...t.P.-t- r ..„--,4._--4.-:i4,;,..;-_-:,--.--,-.)-... --.T.-....)..... - - - . ..._, ..ir'".--mpriZIC-"'" - -....... . ,.... ..-„ A • AI, _ •- l'•-•- ""--,- „.0, -. '.- --Iv,-.-_ • .... -... ., _ ._,„-rp-;..&,"",",;.1-,•• '' • _ -- -Afr • - .-- ' - -t_. " - ---1"`"!"--•--- - - Z.,-,. • __. - ‘ "-r. , • ... _ ,A...,_. - _..„, ____ _ ..-_. • . - - - - ..--- '..`• .1,, ve „ .--, - 1 • , .... -lir • -,,,,, . ,-- 41.0::.• *Artwork images throughout this document are for reference 11*. '' ' -- ---- 'er_'.....-* -;----- __,-------r ..,- .. only They are not recommendations of specific artwork or artists. I __....--_.‘- ' — - ,•.' - aMiliiliba " 0 0 DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 135 fill'UREFORIS ART DISTRIBUTION BY DISTRICT 4•,•• . �� ^ � • ° tom , r 71 - ..?t r: ,0 'S This section outlines the overall results of the Art Master Plan, ,. . .,.,��- , t;>•,• • •.; ��7Y - - twr• `. .r .„,,,oI.;-0341- .c- ,4. incroporating all proposed artwork and existing artworks across each x . .71;..,.!• ,„P-.., • Commission district. The following pages demonstrate the potential ' '4 ' :' '$ w .' • `• ,?, increase of public art over time. 1;--. a '''` + r'S te t'• f _ • . 1 4',.`- �•,. Artwork distribution is further represented by District, to support f*f �~ • • • • •' the ongoing dialogue of Boynton Beach's public art priorities and •!., N. opportunities. s'" ;' . •i ..4t." • • . • . •• '• •J As anticipated, the highest concentration of existing works is around the 1, p • ;,;. city's cultural hub. New artworks will further support : . . c--"•'''-.77„,.•-•-77,v y this concentration, z i • , + r creating a downtown arts hub and drawing residents and visitors, while .; , :R -5 • • supporting local businesses and restaurants. ••• } _�: . r 0 ....°' ,° A4 The remaining artworks are distributed widely across the city. Ultimately, „ •. ' • •. j every city district will benefit from new public artworks to support _ , �. ,,Y I. * , , ,,., beautification, activation, navigation, placemaking, and city pride. �_ ,4 n ,t• t .. I - - r - S 1 ‘1..i` >' + , , ` }; Fit 6 x. ',k' , `Et,y J David Dahlquist/Matt Niebuhr ,-s • 1 <F"{ �`-x- 14- '' til DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 136 BOYNTO N BEACH Existing Public Art *Images below are a sample of existing artworks within the city • I EXISTING'92 I t ii. y` (n, Y tily y��e a ;.1','144445:;:;. • "#: • ir....., , , , . ,...k _,.... , • I ..,_.. . ,,.., ...,. . .,,, ...... . ., - . .4 . , .1, , , . -, ‘ _ ... . _ , 1, . _4,,„ _f, , . ti • • GATEWAY BLVD " . . I 1 tlII t • Ralfonso _ Albert Paley f David Dahlqulst/Matt Niebuhr Bs nBs ch • • `, i • �. • T i7 0 �•• ...• Ocean Front l '! OCFANAIV • •K... Beach I0• ., l‘t),,...,.''' 11 -1, I oynton Beach / `t' Collaborative Amanda Phingbodhlpakklya firegMankk l�al . . • •.• -- - — ..... \ a. /EOM • 4011P !•• .. �..�� •% _J t� I ___ M Jr-- • J%° �..- y''Ste[' iMF'�w. • O ed.BngPRIMrofus r}� "�tri 1r • Frank Varga Koos Collabill r Mark Fuller ill, 0 1 1 t DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 137 F(JTURFF(lRMIS BOYNTON BEACH Proposed Public Art *Images below are for inspiration • EXISTING:92 • PROPOSED:61 - TOTAL 153 - - A L --- .: '.." + tiles �•I L� ..t _ +�1 • • - e „ _ • Fs Jeppe Hein Janet Echelman Craig&Karl` '� I • i G B•ml ten Bud,. • • I • CI C V1 • • • •• \ =•..I� • • pMIH.IR BLVD I ' 1 . • 1 I w4. • t . ...i] • . I QUA• ;• ' . ,,,111.1,k hi 4.1.5..4 ti 4 • • • • MI !x: 1•`• w t Beach Front A •'Parka�re��nesi - � � - -:;17--.4g Carla Roque Amanda PhingboAhipakkiya Haddlrf Drugan�+ rte L. -..y • -- -- 3 � d 7 Eau . -• •..'- • ,2: .,:va ,. err'"7:1'N 1<• � Vi I 1lir" :v; , Srpt _____, • • A Ia • •/ ' O Wang Ott Platforms Proposed Artwork locations r _ '— r� ^ _ 1: 1 * LiVest4. -s. IJIIIAnhoR ,� _ I • Jessie&Kat �`� NIKON 0 >EFO(�>�I,>t DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 138 DISTRICT I Existing Public Art Images below are a sample of existing artworks within District 1 r. ' EXISTING:11 1 1 Boynton 8ksh • ' --;;,-'16; ! . 1 1.4 Ser. _W_ 4 • • KocoCollab Mark Fuller r. .2.. ,j.4 I Andrew Kovacs Ii loili 4r--• i ® Rolando Chang Borers Beth Ravitz - .~�• Flonnuella MaryCollln117 / ft ! ° r rte ' -Mil -I / t / • tk 1 \I ! i 1 . , ....._, , 1— --------1 •,,�41 1 r Ii 4, • I '4-- _ , iii,z? . • � , . r L _ Marls- , - Frank Beth Rarltz '�� __ l • Eklstlng Freestanding Art J a t` lig414.1*1 FUTUEZE FORM) DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 139 DISTRICT I Proposed Public Art EXISTING:11z,�r2` PROPOSED: s " – \ ` ,./i--"---- I. a '.5:1; Boynton Beach TOTAL 17 ;' MAI \ \ • s i • •• ;1 • Et\____.: t- „� 4 • P N cA • • • ValerieTheberge Tomato Fernandez AllisonKunath 1 - ® (. P ,-.•i! I. ► igr 1L •.y�i .._ • • YOOIBHIGHi RD _ _� - t%_ +P' 113.44% i .:- *,IM:. ® Lynn Basa Hob H• ;` .Tristlan Eaton —....._____ • -- •• is v A • Edsting Freestanding Art • fS „1 • Proposed Artwork Location OA', f111'UREFORNLt� DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 140 DISTRICT II Existing Public Art Images below are a sample of existing artworks within District II _..� I I \, EXISTING:25 (�``'1 1 I ............,, • � j � ss 7`ca 'r. 0 l3dstingtut Platforms l :`, . •.a. Y k _ • Wit FreestandingArt y\ _ .I`. ��'1! l kyr � . ''s‘4,4,..: °%it � � � iii ll Em r +►= 114. ` \kms t Lucy Keshararz :'?y ir - Frank Varga Debbie and Len Maruccl `�A� rP "' Y w R GATEWAY BLVD }1' , . c--- •• "—gam I I t,. ��. .11— .,: ^�11r,'� \k, t' ` # , , I . r Zhou Hong Jo Chamness _•..a • Neighbourhood Vibe ' ..INN i 1 t ry(X �y[� 4111110064' - 111 • & " to f. � • • ' fl � •.1 •* 1, , Pm • f • • .•mss F�" �"� ��,� �ij ...\ • • • • *':.s • _ _ "ter i -" illt, _..._..._.�......._ A _..._ ,°�....ai___..., Chris Ellades , .Rick Beau Lieu Zhou Hang DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan 108/14/2028 I Page 141 lint FUTUREFORNIS DISTRICT II Proposed Public Art EXISTING:25 I I .1. .\.. - I PROPOSED:21 i :N .• -,, • • _____ : • me • . .. __, _._ I , : O Eating Art Platforms • TOTAL 46 4,, — ::.-7., (,— 11 1 L..... • Existing Freestanding Art i.......' I '<:,,,:i \ - ; .- • Prcposecl Artwork Locations I . I. % : '( Meaninifiii --1' t. 40Ett3012 . , l - '- 'IP arid ••-iiik, l . ':''42! .•.-'..., I-,, 'AIM; --,i '- . -105' I . zi. 11,, i t I =3 il ..`.1. -1.—• 4:I ., ‘,..4 ..... ,. , :. .- _._:. . 4 ,, rp'ti,c" . • . /' ; 1.-- •__. ,.. - • ,... li r %.,.......„. 1 Craig&Karl - Friends With You _ . I,Jet Martinez 1 • _ , _ - - V OE ' , ...... - . $ • •I , .,,,.., . . . ... . . .. ...., '. _...'41 , ., ' .--- ":,•N‘. ...-7 LIZ41.• -*'-'.44r*-7 'I"''..4: .. . •-Y.,ir IEME • '•'•:•• Irr • -,: 6.6 -IV __ j,! 1 Allison Kunath Daniel Templeman Phil Proctor - - 1 • ' • . i • . ! -- - .Vik ! -,-- ,7 . '-, ....• '_,.... . -...- iiiiiiIMMIIIIIIM • . ''''' 'it t tl-I' 1 -., , ,..--,, • • • \ • . ; . ,•• .-4i, .-.., ..,..,,,,, ' Ilk '... . ' • ' \ ,.. -, . • ••0 • •• • • Or I • -- . .....•... .—,:' '. i(*' .0 • i P 1 •- i----. • • II it_ I m • • '• • -, ,:', ' '''\, z's• -1.-'7,2•.‘",`414*.„,,,,. , • ! • - / 4 , t ,_ .. .,.:. „.• . .. .. • ...... _, A \ '...\) • • • •••••••••••••• • .• • • • . , • • . a .•, jilLa is-i es' ..• 1 Masako MI • . r 'if . : .. ,- , , ,...,,,,...z .....Ilk_-,11010 , - __. \ - Bordalo II' ..• : -•'7\:.. .A .1k . Vanessa da Silva I . 1111DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 142 21 -111 0 FUTUREFORNIS DISTRICT III Existing Public Art Images below are a sample of existing artworks within District III , "`P.•A.v ,.•-••• 3„4,,,.',,r g' • 0 • . .e, .10, ... :"F x ' d•I' . - ' . ' '' • _- .. . • II OCEAh or 31 )0 000 0 • • .6 • 4 ' •NA fk 1444 Nk,',. r . 1 • 11PWIF Agg. • . c .4,s' .'''i`4''' •\‘• .Z414.. ''.i•1 t• 'r ,• t.... ...„..p., .. 4:• t„:I '4,.1,,s!,., I .4'" 4rt:41., T) i,•.7p 'P 1 .. . . ."' ,,•,.'4 : ':.: 1 A .7; , •A, IT RE \ El • ,,,...t.I.,..vo -..4.r: 'It.:'"'' . p. , j ......vm._.A. • .14r.- • •.;•i,-.: • .e 4,0I-I ---- \ I .'4 '''' • ' Vi;b ',.' ',r:*•:,, „,,,,•-„4 ....-,- ••••4-4 '' -.4. .7...V.7, `.. Frank Varga . -.`. . ' • - - . . ' — '. ' ,DIzzy Rock M---71ral- -‘14111r......--- ' j David' 4'Da-hiquIst and Matt Niebuhr I • I EXISTING.48 I =MEI • • • • • • — , • 'I It If...M."2'-'1;-Z. 1!...."! - • • • le mama!!! mr !a .....--....„ _ , . . .., ... '5 / 7I = 3677144: ":•7.1= '.. 1 f I ' 61 111•111111.111 11 1 •ri --______ I inomurth % r.. '1%1'141 1,, .-- __ _.._____.19. EOM! • F , ,, /. F.,tis ,,.- . ‘ _....7..t.411-;?. .2...is le / 1 .• - T _ rz.. .. .....77,,z_... , 1 ........„: .........;.. ..,. ..... . .... . . te Zr....1-:Zi 7ireiki PiFc--:. e -- 4- . , , ........ : ,..... .ow No. • I _ ' psNaConrad picks, Dgauhters _.. Mark Fuller '- ,I• 4- '1‘14.' ii71-; 1 , 7 •t • lirt, •-c-, El ) ...-, f 0 loimi. firopktr,.. .. • , • ..,1 F•FF•t -, - 44c.., .,..-N-F„ if i 7 t'r- ,...;0 - ' i :: ''. ' r -If' I 1 Iv .• 1 1' - (IP.11011111HIV ., • % f , - A / / I 1-..... 7 elk) ... 'A , C- =* 4 ,, ,, -... s 0 Ocisting At t Plat f°mu "" 44 „JA- '... 1 :1 1 I i • Edsting Freestanding Art 1 74•' itle.).!, ,Peter OtlInoskl Laurence G artel ' ,,,, I ,x7--t-i.4 .0.1...,•4 Keshavarz and Rosof-Petersen r- DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 143 Fl1111RFR)RNIS ..„„,.. DISTRICT III Proposed Public Art —.....i ,,*:w,,,,: .- .: . • '4 N . 6....„.... .,-... I . • • ,-----, _-_ 0 a 02:11M • .41• --' I ,------,. - ..- -•', `,..., , • •'I!l':461:. - ' er-M, ike:,-•:- 0 III ' i ,----. . r ?.,,,.,..,_ , ......_. ,..._.... . 1 • . • . ,7 Liv$ • ' Opt It- , . ---, ..----, ,........_, • . . .., ..•.• \ 1 i . ....' • ..._ -.- --lte .44.4.. _ 1 • Iik . ,70‘. Dan Corson - • let Martinez • EXISTING:48 WOOLBRIGNT RD ., ' • • -----...91 PROPOSED 26• • • • • ,,,, • . . TOTAL 74 kft ''1'1111111j 011111111i ' N'' •.‘ i. NI. 0 ' ' ii rr , 1liegi r ll 1 • 1 i , ,i reeik.15.11!'`-", i 1 ri . i. , ./ ElliEl • :..__....... . I rkeCein9°. -• , 1 , ' .- / • • .-,. • •• '',.'"1A4- N..'•• ' • . . •c, ., • l- • "LADY44(11 ..-• Ci= Haddad Drugan Phillip K Sinith III i .— _ — _ —— • • I I 1-- 011,71V.?Km vt-T it a. 41111:00.41..- _ ___ .... „n, •--,,, • r...1 - 1.• .4 ill 1,- . -2111 0 daiiilL 1 — 41Pif - i alr i?"-- .1 D . 0 I I , I 1, i IR ---. i / 0 aiming Art Platforms ! ...4.-\ .. A • Das ang Freestanding Art li / .. \ • 7 k ---,Tip -- =Qm - / • ., 11APD. _ .... • Proposed Artwork Locations =7: AI MI Anholt Jessie&Kathy- — Jr' II* RJTI1RE:P)RNIS • DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 144 DISTRICT IV Existing Public Art Images below are existing artworks within District IV EXISTING:? I r .♦ ,,,, Iii ;. d i.. . glii —__._ ?�,, - Q jf', (17"7-- 1..4.1,..",:i SAI' \'''' li I/ , 1 all :, , •:41 :c �._..__ • V ��II111F1f1 /lf8111I1. I N . s I sj ---•, ; r. ,Suzl K.Edwards �I Sail N.Edwards loan Therle y 3 ' ......._..._.._.,..... .... i ..40 !a L_—.J _ 4 4 I • 1i y - ® [- '. 'II M ire ., 111* 4.11 • i I r___ ' I / -Frank Varga -�'' •` 'asorgeti RankVar ® -.. '. , 1 I ?,. i , t 1 iiiiiF_ ,. .,' Boynton Beech i Iii#,i t: \ 11110 Mall ( 1. / ; \ ' r44 ,/ e f ''Illi �C' }1I I w: • Editing Freestanding Art - --.,:i Mkkael NurleIland Doyle Cahow ,. 1:: r DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 145 ® FUTUF`E.F R1N I DISTRICT IV Proposed Public Art al, 1-1 "mitt . . ,.. Iller t• . .• EXISTING:7 •44` '.. Illk - PROPOSED:5 • , N ... . ts . \ ' riot.' . TOTAL:12 I • .... . - 1. t , • IP. e •i i , i......, 411PAW • 1/ I .. . e 1, .' - • -11,1 IP"' ib. illrllij'.--JO • ! , „.. ..." . i • , 1 ii, Anna Sew Hoy * Amanda Phingbodhipakklya Daily Tows Les lours . • -....s L.—.7' • 0 •3b•' . . I7 .— . . .•• AI l% 1 : ! = - .., , aro is. In 1 1 i "7,111111:- -,----,... .,,,/,!. .... • ai I. !; .• 1 i 1111 4---. ,..........._....... i ! , i 1 • N4. Ir JI . II t I--. - a . i.- ,........_._...i ,•••••••••••_, 1 -.;., I •-.,I, i ---• .e. 7 .t. e z' -..--- . LEM ki • i • .0.- t - IF ,So phy Tuttle . _ Mgr Phillip K Smith III -- ------ GATEWAY BLVD - —-----.-7 i i I I . Boynton Bee ,ch Mali • i \ : 1 • Usting Frees tandl ng Art • 1 ri • Proposed Artwork Location§ , ;- 1 ..."\ IR F11111RER)RNI!; DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 146 ,„. OCEAN FRONT BEACH PARK Existing Public Art I EXISTING:1 : ' • Rick Beau Lleu • o eeen.nt Beach Perk Plagalia OE7dstlng Art Platforms • EA sti ng Freestanding Art • Existing Freestanding Art Proposed Artwork Locations t: : t, DISTRIBUTION BY DISTRICTS Boynton Beach Public Art Master Plan 108/14/2026 Page 147 tet,, FUTURE.E ORRIS OCEAN FRONT BEACH PARK Proposed Public Art EXISTING:1 -- PROPOSED:3f + t tr���� vr,T‘ I '.41111 TOTAL:4 _-__ n,ir., mor Rift /fair• • a • U�1 !1 _° u�. ._. r1 r - Janet Echelman JIll Anhoft Ana Teresa Fernandez • • Ocean Front Beach Park I — • • Ekls brig Freestanding Art • Proposed Artwork Locations '0 FUTURF:R)RMS DISTRIBUTION BY DISTRICTS Boynton Bosch Public Art Master Plan 108/14/2028 I Page 148 IMPLEMENTATION BEST PRACTICES *Artwork images throughout this document are for reference only. They are not recommendations of specific artwork or artists. 1:1 1! ON, 0 _ _ c BEST PRACTICES Boynton Beach Public Art Master Plan 08/14/2026 'age 149 OVERVIEW The following section outlines best practices for the implementation and maintenance of public art in an urban environment. It provides resources for making calls for public art, guidelines for structuring a Request for Qualifications and a Request for Proposals. The Public Art Master Plan / -f _ also offers best practices for fabrication, installation and maintenance ; ... . .. .• , il(- .. r/ , / - of public artwork, as well as cost considerations for the ongoing care of , • •-. Boynton Beach's Public Art collection. I/ -------- ------ 4"AI- rt ' ie : r' F 0 7 ' f• t ;.: A• -r 'sr- *.\e,.-/ ` 4,n V l .; 1 .161. 41 •> 1� , Ca,J,anii: m mur '7 ht; . A T 'Ar ✓ ,�x�? o,,-may;,:,,, r• `��f' , * *.� i''yy� Utz '''.7 tl6k 7a ti.• , a^ .. a/ Debbie and Len Marucci' + .. �� BEST PRACTICES Boynton Beach Public Art Master Plan 108/14/2026 I Page 150 °N 0FUTURFFEIRMS BEST PRACTICES Art Call Resources ARTIST SELECTION PROCESS OPEN CALL RESOURCES and submit work to opportunities public art projects. Typically, the process begins There are a number of online worldwide. with a Request for Qualifications resources and forums to post - Local arts nonprofits soliciting a resume, portfolio and an Requests for Qualifications OPEN CALL FOR ARTISTS - Arts alliances letter of interest. This is followed and allow artists to respond with A specialized online platform - University and school art by a Request for Proposals that is their interest in a project. Some dedicated to connecting artists departments shared with a small group of artists frequently used are: with global opportunities, who receive an honorarium for their including exhibitions, residencies, OTHER CHANNELS artwork proposal. PUBLICARTIST.ORG grants, and competitions. - Newsletter ecosystems A specialized online platform It acts as an aggregator for -Social media There are a number of ways to and marketplace designed to creative professionals, offering solicit interest from artists: facilitate the public art application resources for both artists and art process for both artists and organizations to foster connections -Through an open call to all artists arts administrators, PublicArtist and enhance visibility. -Through an open call to artists simplifies finding opportunities, with a certain geographic location submitting applications, and CODAWORX (local, regional, national or managing project selection panels A global online platform and international) by providing tools tailored to hub for commissioned art, -An invited call to a group of pre- the specific needs of public art connecting artists and designers selected artists. commissioning. with architects, consultants, and developers for public art projects. Each method can yield different CALLFORENTRY.ORG (CAFE) ranges or expertise and can CaFE has over 19 years of LOCAL RESOURCES be combined to form a robust, experience in call for entries, more While often overlooked, it is inclusive and diverse group of than 1,400 clientele in that period, critical to engage with local arts artworks. and over 175k active artists browse communities in order to generate CaFE listings. It is a free-to-use interest in public art projects as site for artists to build a portfolio well as to connect with artists for BEST PRACTICES Boynton Beach Public Art Master Plan 108/14/2026 I Page 151 � ° ' �� FUTURE:FORM Y BEST PRACTICES Request for Qualifications A strong RFQ makes it easy for the experience, licensing or technical are expected, and the timeline for right applicants to understand the requirements, and geographic or selection). CONTACT INFORMATION AND Q&A scope of the artwork, self-assess diversity requirements. PROCESS their fit and expertise, and respond Even if approximate, include the Provide a clear point of contact, in a structured, comparable way. SUBMISSION REQUIREMENTS RFQ release and deadline, date, and note how/when questions The most successful RFQs tend to Outline which materials are contracting period, anticipated can be submitted. If possible, post share a few core elements, listed expected (resume, portfolio, installation. Indicate the expected questions and answers publicly below. statement of interest, etc.) and project start and end dates. / with all applicants to improve call out specific page limits, This helps applicants determine fairness and reduce confusion. CLEAR PROJECT CONTEXT AND file formats, sizes, and naming feasibility before applying. INTENT conventions. Indicate the required Explain the project scope, scale, content order, submission method BUDGET CONTEXT location, and timeline. Funding and deadline. Standardization will RFQs do not always include full sources and goals, and define make evaluation simpler and more budgets, but strong ones provide success. equitable. estimated project range (noting whether the budget is fixed or WELL-DEFINED SCOPE OF EVALUATION CRITERIA AND flexible), and what costs are SERVICES SELECTION PROCESS included (design, fabrication, Detail the expectation of Applicants should know how installation, etc). deliverables. Clearly define what they'll be judged. This typically is included, and what is not. includes experience and past work LEGAL AND ADMINISTRATIVE Outline phases (concept, design relevance, quality and creativity of REQUIREMENTS development, fabrication, etc) and prior projects, team composition Point out insurance requirements, indicate deadlines. and capacity, understanding of contracting terms, compliance project goals. expectations, ownership/ IP/ or ELIGIBILITY AND QUALIFICATIONS rights that may become an issue in Identify desired qualifications for Also note who is reviewing (panel next phases (if any). This ensures applicants, including required composition, whether interviews that the pool of artists is viable. ��� 'N, /- S BEST PRACTICES Boynton Beach Public Art Master Plan 108/14/2026 Page 152 ji 0 FUl'l1f�E:E•(lF\I •S) BEST PRACTICES Request for Proposals An RFP requests proposals PROPOSAL REQUIREMENTS qualifications and experience, and meetings, etc.). Specify any from a small group of artists by Make clear that applicants have have strong creativity or innovation. immovable dates to ensure compensating them with a design a clear understanding/ approach Proposals should be feasible and proposals are realistic and stipend. A strong RFP specifies narrative for the project. Request have a reasonable schedule with implementable. the key parameters of the project a methodology or work plan, team realistic cost and value alignment. that the artists need to design composition and roles, relevant CONTRACT TERMS AND for. Share a clear list of artwork experience and case studies, detail SELECTION PROCESS AND ADMINISTRATIVE REQUIREMENTS goals, thematic intentions and any of schedule and milestones, and TIMELINE Specify contract type and attributes that are not desirable. budget fee breakdown. Explain how decisions will be made note insurance and liability by outlining review stages (initial requirements as well as payment PROJECT OVERVIEW AND BUDGET CLARITY AND scoring, shortlist, interviews), who structure. Clearly detail legal OBJECTIVES EXPECTATIONS is evaluating (panel, department, conditions (IP, ownership, Identify the parameters you would Specify the total available budget external reviewers), and key dates termination clauses). like the artwork to address. Clearly (or realistic range), and identify (submission, shortlist, interviews, state specific goals, metrics, or what costs should be included award). BACKGROUND MATERIALS impacts. List constraints such as (hard costs, soft costs) and any Provide site information, maps, or site, policy, budget, and timeline. A exclusions. ARTIST CHECK-INS technical documents as needed, good RFP frames the project as a Check in with artists along the as well as prior studies or plans. challenge to respond to—not just a A number of public art projects are way to ensure that the proposals Specify relevant policies or scope to execute. frequently integrated within a larger they are working on are all viable. guidelines, and note community project. For that reason one should This is especially important if you context. DETAILED SCOPE OF WORK be clear about who is responsible are limiting your RFP call to three Specify core tasks and for the artwork foundation, artists or less and ensures you Q&A PROCESS AND ADDENDA deliverables. Outline expected electrical infrastructure, lighting have choice. To ensure fairness and clarity, phases (research, concept, fixtures and installation costs. list the submission process for design, implementation). Indicate PROJECT SCHEDULE AND questions, with deadline for required vs. optional components EVALUATION CRITERIA CONSTRAINTS questions and how answers will be as appropriate, and list roles/ Applicants should demonstrate Detail required milestones or shared (public addenda). responsibilities for both the client their approach and understanding deadlines, and list dependencies and the artist. of the project, list team (permits, funding cycles, public : : t BEST PRACTICES Boynton Beach Public Art Master Plan 108/14/2026 I Page 153 FUTURE.E E RMS ARTIST RECRUITMENT STRATEGY Regional Institutions t .x � FAPINA7! BPOIN• COUNTY FLORIDA ASSOCIATION OF { t.1- � = lil F L PUBLIC ART D.:1,1401PROFESSIONALS ��P.ii1i .ate Florida Cotter jC Creat/,v&4rt3 ARTS & CULTURE Florida Association of Public Florida Division of Arts and Benzaiten Center for Broward Cultural Division Art Professionals (FAPAP) Culture Creative Arts Partnering with our neighbors to the south FAPAP is the cornerstone of public art in As the official state arts agency,they This 14,000-square-foot facility is a local allows for resource sharing and cross the state.Distributingproject calls through manage extensive directories andprovide referencing of artist registries.Broward i; l; powerhouse for three-dimensional art. County manages a large public art portfolio, this network ensures exposure to dedicated administrative resources for government-run Specializing in metal welding,casting,and making them an excellent benchmark for professionals who are well-versed in Florida- art programs.They are an essential partner glass blowing,Benzaiten is an invaluable best practices in regional large-scale public specific regulations,including hurricane-load for broadcasting opportunities to the most resource for sourcing local sculptors and engineering and salt-air material durability. reputable artists working within governmental industrial fabricators capable of producing art commissioning. frameworks across Florida. heavy,permanent monuments. Fort Lauderdale,FL Tallahassee,FL(Statewide) Tallahassee,FL Lake Worth Beach, FL Website:nttos://www.broward.org/arts Website:https://www.floridausiblicart.org/ Website:fos://dos.fl.gov/cultural Website:mos://www.benzaitencenterorg/, BEST PRACTICES Boynton Beach Public Art Master Plan 108/14/2026 I Page 154 NZ 0 FUTURE:FORNIS BEST PRACTICES Fabrication, Transportation, Storage and Installation FABRICATION TRANSPORTATION STORAGE INSTALLATION Artists may choose to fabricate *o" "'+ ,,t? ,&tc Shipping, transportation, and Transportation planning should artworks in their studio or may ,� . storage can materially affect cost, integrate with installation outsource fabrication to a third "` + schedule, risk, and even the final requirements such as crane picks, party. There is a major difference - condition of the artwork. traffic control, police coordination, in risk profile, project management , -1 ' - pedestrian detours, utility needs, and delivery reliability , u % Cities should evaluate whether shutdowns, and contractor between artists who fabricate - the artwork can physically be sequencing. Determine whether their own work and artistsow" ;t, transported to the site based the artist will install the work or if who outsource fabrication to1" , on site limitations, staging this will be handled by a third-party. professional fabricators. 1me I = ';' ability, bridge clearances, and i other factors. Some artworks It is recommended that artists A common best practice is for may also require specialized art and fabricators submit a formal clients to require: handling. Cities should determine transportation plan, rigging/install which party is responsible for methodology, storage contingency 1. Early fabrication plans, insurance and what the coverage plan, and chain-of-custody 2. Identified key subcontractors requirements are. documentation as part of the 3. Engineering review approval process. 4. Milestone approvals I I,: Coordination with construction 5. Clear delineation of ` _-_.2 _ ;;hi and installation schedules may responsibilities among artist, require short-term or long-term fabricator, installer, and general storage. Cities and artists will contractor. need to determine viable storage , 1.0;- locations and which party carries This helps ensure that artists *.,, the cost. Note that long-term deliver a durable public project at '" storage may also introduce risk for civic scale on schedule and within environmental exposure, general budget. damage, vandalism, or theft. N t; _ BEST PRACTICES Boynton Beach Public Art Master Plan 108/14/2026 I Page 155 � 0 FUTURE.lORM t,S BEST PRACTICES Maintenance MATERIAL DURABILITY MAINTENANCE MANUALS ART CONSERVATORS MAINTENANCE BUDGET Material selection is one of the Request that artists provide Art conservators are trained Set aside funding for periodic biggest drivers of long-term public comprehensive maintenance professionals who specialize in upkeep of artworks over time, art maintenance because different manuals. A strong care guide will the preservation, repair, and long- which may include cleaning, repair, materials age, fail, weather, and include detailed material and color term care of artworks. They help retrofitting and other updates. vandalize in very different ways. specifications for all components of ensure that public art remains Cities should evaluate not only the artwork. safe, stable, and visually intact over Most cities get better results the initial appearance of a work, time despite exposure to weather, when maintenance is treated as a but also how a material will Artists should include cleaning pollution, and public interaction. system-level obligation (a dedicated perform over decades in a public instructions and recommended percentage of the overall program environment. cleaning schedules. They should They are often brought in to or capital portfolio) rather than a also provide guides and resources assess proposed materials during case-by-case add-on per project. Consider materiality in relation for replacement parts (it is also design review, advise on durability to environmental exposure, recommended that they provide and conservation risks, develop In a city-wide model, the city frequency of required cleaning/ some basic spare parts - "attic maintenance and cleaning sets aside a fixed percentage of repair, resistance to vandalism/ stock"). Determine whether protocols, document artworks for the entire public art program or graffiti, potential for replacement/ the artists or a third party will long-term care, and perform or capital allocation into a centralized obsolescence, and structural aging. be participating in ongoing oversee repairs when damage or maintenance fund. The typical maintenance for the project. deterioration occurs. range is approx. 1% - 4% of annual A material with lower upfront program allocation. All artworks cost may produce much higher De-installation, decommissioning, For cities, involving conservators draw from this shared conservation maintenance expenses over time. and waste management/ recycling early—rather than only after budget and are prioritized based Cities should evaluate expected details are also important and damage occurs—can significantly on condition assessments. lifespan, cleaning frequency, should be requested where reduce long-term costs and help coating renewal cycles, energy applicable. avoid irreversible alterations to Per-project maintenance allocation consumption, and replacement public artworks. sets aside a percentage (usually intervals. 5%-15%) of each artwork's budget for its future care. pat CI RM S BEST PRACTICES Boynton Beach Public Art Master Plan 08/14/2026 I Page 156 BEST PRACTICES Art Plaques CONTEXTUAL UNDERSTANDING ARTIST RECOGNITION PLAQUE INFORMATION ACCESSIBILITY Art plaques provide context, Identifies the artist, which validates Art plaques should include the Incorporate raised text for the enhance understanding, and their contribution and supports artist name, year of completion, visually impaired; 1/32" at connect viewers to the artwork's their role in the community. and materials used. Description of minimum or per current code purpose, history, and the artist. the work should be concise; one to requirements. Also include Grade They bridge the gap between the CONNECTION TO COMMUNITY two sentences. 2 Braille below the text. Mount public and the art. Plaques often explain how the plaques at 48-60" from the floor art reflects local values, history, It is important to include donor and leave space for wheelchair Plaques give the viewer more or identity, fostering a sense of and/or commissioner credit, as users around the base. information about the artwork, belonging. well as any city collections that ,`. i Ali the artists, the story behind its the art is a part of. A logo of the The Orb creation, its historical or cultural INFORMATION & ACCESSIBILITY curating institution can also be MARC FORMES/THEVERYMANY,2021 significance. Plaques teach Plaques offer information to included. N!® viewers about the materials used, everyone, regardless of their r' '�i; ` the medium, and the techniques background in art, enhancing the LEGIBILITY -1 '1-, Coin,the Pieces employed. artwork experience for all. They The use of sans-serif typefaces often include different languages, improves readability. All caps for The plaque often also provides or a tactile system like Braille. titles may also be advisable. A additional information through a 1 minimum text height of 1/4" (18 `mow QR code that links to information FOUNTAIN A/LQ pt) is recommended. High contrast ►ICs ,. N1ARR on the making, fabrication and �.. ,. WOODY DEOTHELLO 2022 aids legibility. • COLE CR rCHER Fountain pays homage to our complicated relationship �e's+ewti Y.T process of creation of the artwork. vete water as araaperoeandlifefoc Othello '-M- . Ns signature method of enlhroporn rphv ng everyday �•a>, t .. FANCYhods theirpsychological -., relationshe with the,ewer Fo main features a knotted ``_ `` Laura Jean McLaughlin waster spoor stacked alongvdn Mn funcroni s . ilOJ Consistent art plaques across G at ng a w tapnsnron oem,een awndanca and snarciry Julia,2022 aatum nor.*maw enwwe'rooauro that lS renderep el a WIOSsaI Scale.This vulnerable poled asks v ewers to repast uco n Iyet '''"H'".77.'.= n ;n clay g6ve,slip,luster . HQ h Rt e nN fe°M m>+ry�M,a ti� nlni r n,e onsumptbn.end onna ::: A �'".77.'.=7,nn x,.�M.l�„rw.gmw,Z a., lgl''41 r, ' reTn la,:' a tAFMAMinq]y� a city art program enable the �• pNaRnBaa Sin �"" �r.�.N�w�eM�..�m.�m�.p�M..�e,e M, w� u Fd..., AaNe„a,aaRon,,..,„„n..o a.lrsr.A mar oma. U'!7Rta*Pn rAlec�ru�...0.1MtiY visual continuity and narrative ` Y.tarerials Caat aonze and paena a^+p p.n. Tor Pm u.m R;�y "' � / �' RVlW�'T"TT ^+�mf�Y consistency of a public art program. -''•-;,; ©=.y. ;,,s t��- ,.b,,, --ft-r, o ❑ •0"•e..,lR,~'-'a O' Fran o R rt eMAnxvr ni,�S Y IDIS'v o, .. 'fir %,c...fii� .. .. .. �G� � t, _ +.r BEST PRACTICES Boynton Beach Public Art Master Plan I 08/14/2026 I Page 157 ISN 0 FUTURE:HIRM APPENDIX A: Public Art Master Plan Precedents *Artwork images throughout this document are for reference only. They are not recommendations of specific artwork or artists. APPENDIX A!PUBLIC ART MASTER PLAN PRECEDENTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 158 FUTURETORMS PUBLIC ART MASTER PLAN PRECEDENTS The following pages contain research into public art master plan ,,, i_r precedents from around the United States. These precedents were r ` / ,, selected to illustrate specific strategies that could be considered in the - ;,;'1�,, .:� - 1111 Boynton Beach Public Arts Master Plan. The following studies are meant y, ,F . �.j ' i' 1 '1r:. to provide reference and inspiration, not a recommendation to replicate a 'I .*•„. ,Ir P*- i • i i6jy ,�, :��I program directly. ._ iit•-. I ZIT,_ , rr a P"rrit11”r _,, ,p. • Arlij .''e 4. 1e � ' -nr n r}� T . -V,,,,t1-, al 'Thank You Darling I Lily Van DerStokker 1 - Far Away,From Home IZhidongZhang lir :.-.I' . . ' sib -›*.7.:,-- ,-- . air L � —f`t, _—_. N ..---1 fig . ,t r r " III 111 Tjji.uai , L, .1 : . II I, iiii Claus Oldenburg,Coosje Van Bruggen or Jr g 1 gg �— - �`- Plastic Panther I Bordalo 11 ,. :Fly's Eye Dome�Buckminster Fuller - - 1 APPENDIX A:PUBLIC ART MASTER PLAN PRECEDENTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 159 IORIT 0 FUTURE:F( RMS ART SPINE PRECEDENT The Embarcadero, San Francisco, CA •'°':•`•`•••~•• San Francisco's Embarcadero ���1 11 IIIIIIIIIILiiiiNil NI.M.I..I..�L,wp.,F..l•..�• `7 ,r 1 has long been home to numerous , - LI r,�W / ... pieces of art that follow z. '.A C --- pedestrians as they traverse the 1 � city along the water. Pedestrians __ _ j`„,,..._,..5t-__, _- - VIP'. -- encounter works of various scales, - -_ - \ , w'u-, , from the monumental to the - .......�:���, N intimate. Many of the pieces are `j thematically linked to location, y _ ��r'"' — r--_---t history, and the environment, so .1=- the works are tied to the city and - ��_M \,= i become representative of it. odglnalshorellnesldewalkFeature '-------\ o � J Ir alp. \ � _�— , \\ x ±*!' \ .— , "4 If • • r� • :, ..........t s 4. -,. • -....744:,,, - v .. j ,, " - - ------Iti\-:. N - \ f, r1 ��,r,.eP N�.�S�� 1461i:. Ink III, -igair 1 . . ,. :.,; 6., . . . Promenade Ribbon I B.Solomon,V.Acconcl,S.Saltowltz Cupid's Span I Claus Oldenburg,Coo*Van Bruggen — Tail t t t APPENDIX A:PUBLIC ART MASTER PLAN PRECEDENTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 160 I 0FUTUREFlRMS ART SPINE PRECEDENT The High Line, New York, NY The High Line is programmed. �""s �y> CS%ir»n.Portatinn Gate _ _ -: i,. r. maintained, and operated on a '. `' • "' Pershing Square Beam. seasonal schedule, and features ,.- - 1 �., �.� _ r1 - - + '. rotating work by emerging }° • I I ' �` r ' • z` the Spur r and internationally-renowned i r „: ,--. ' ._ -• 0 U. U ° artists. Programming includes !__ �_ Agin e „eR,,, 1 performance art and multimedia '_ L. 1 y ii - 2' events. Strong artwork curation _ � � ,' ri.+� .r, attracts locals and tourists. and ,t t . ` -1 , ,, t, • ensures the area always feelsii ' k' D ' fresh, while encouraging repeated 1.', S .� Phdt°a asn -e. p MY�e,e,cone O. and continuous engagement with h, .y , a art. tL1'? iii: r ,_._ 1M41.2 hanConnectorISom,FieldOperatIons oardenZonesIDiller-Von Furstenberg Sundeck&Water d 0, Thicket -_f j .._ / ' \S- .,- gild `'.14 1 .`. Alit 11' L y ...leth Avenu9 • �i. t °y+a1, 4 `q' 1 ; - - _ Sauar» L �E i.-� , 'iW i�•!f�3 a"- `� .�," q !,n....;'•.-- t Northern - 1 ..Sour Preserve �o ter {'`'' * 1 j 1 A _ +(rr•:. o ' Chelsea/A 1 y 1 t� � ± - a .e .n::I. r-• Passage ♦ .. t�l f _ T i ie. u �.•.�r•�.T ^ a �e Miler von- i� _ — 2, - ...... . - �� *±� .' 9 furetenherg Si '��- Stmdaek It D - - Water Feature N P i ,ata *.AR O i .► +` Donald Pals _ 1 I �� _ J i d Wendy Key. � ® 11 ,'dr ii flit-a;; 1191 wl ;AR ire f"'' - wwalvand t r'1 ........ Nle 111.1i,!{01 !t -J Y Id Ili �'� �..j ,� ° " / \ \\\\ �, mss.. t0 a a.0 I 1 .owm . l riienv a Co.foundation . 1- +1M11(i� -.>'+' �. YUY • Overlook Observer,Observed I Julia Phillips Thank You Darling I LilyVanDerStokker { Old Tree I Pamela Rosenkranz APPENDIX A PUBLIC ART MASTER PLAN PRECEDENTS Boynton Beach Public Art Master Plan ( 06/14/2026 I Page 161 ART SPINE PRECEDENT The Indianapolis Cultural Trail, IN The Indianapolis Cultural Trail was planned as a place for public art ,;;�;;, �, 0 from its inception. Principles of • ! ' , ii, Q -1•101' 0 0 °J art integration, established prior . . , I 0 o - 'el to design of the Trail, included I is �_■ ' IN0 a focus on quality over quantity, F, ; - P s J ,o - site sensitivit en a in both # �!ll experienced and emerging artists, A e , I� �` ry j I• ` O supporting innovation, and ir r . R 4 v • o promoting connectivity. The artwork s. - is dispersed and the trail is non v o li� iii�lji inear. — Gene 3M Glick Peace Walk Poet'sPlace-Sink,IndianapolisCulturalTrail _JR___ t' t�►f / .wig diP'" x 1 .'iii ,i,„, 44-i a. >a Est .a I . + atr `t '114,-‘,12,1 - ...+p -- 1 ,'� f`` 4L1?; .:i, : 1p ,T _ elf . c r .. j; 3. fi-nc - . ,..,$$..-._...”.-..:‘4,--- -k 4' ;- 8. i 1.1 ., y r ,moi :.../ i «,•-.:a '<. t{ _IsiCh 6 111111 w 1. w ,Ann Dancing Julian 0 le Is Chatham PassageArtist Sean Derry Downtown CanaN.l Indianapolis Public Spaced .• � a-, BI P STON APPENDIX A:PUBLIC ART MASTER PLAN PRECEDENTS Boynton Beach Public Art Master Plan 08%14/2026 Page 162 Via. ( FUTURE.E ORNIt S ART NODE PRECEDENT Miami Design District, FL Mi'MI .JESK N 015T4ICT 14 or0t, - .. ., _ . ♦ ,..B,c✓..q..v . w, ... • __ - ill ' ,. • Cl A 1.—iiA , _ ,, It , ..„.. . : .. _ . . w ,.., ..._... .. „.............._ ,,_.........., , • ,r,„.....i..„. . ... .L.. . liv-tVg Alive,.gur, -ter + illi • na++, Tomorrow Land I Studio Proba Music Pavilion I Frei Otto -- 11 The Miami Design District offers . . a curated public art experience f..4... "'�" A..«r�,. where architecture, landscape, , ; - and contemporary artworks are 1� - seamlessly integrated into the �,y urban fabric. The district functions '41111*1 - - t,,► Aim as both a cultural destination and . .., ,, eilem iiimmu now � ' . .`, �nPflp an everyday public realm. i _ C' r ' S Large scale sculptures and :. "_6-`. '. '- _. ,i_4, - r'1 1 installations by internationally- ' �► • `' a. ' recognized artists are all set within " �; r'`` _--..- a walkable, open-air environment. ` '` _ •r.. Ai Fly's Eye Dome I Buckminster Fuller Downtown Canal Indianapolis Public Space t 0 t: _ t; APPENDIX A:PUBLIC ART MASTER PLAN PRECEDENTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 163 FUTURE_E ORNI 1 ART NODE PRECEDENT The Rose Kennedy Greenway, Boston, MA ' . pr r,,,i;/.0,---c7A . , I.°A maw •}'moi �. ,,. !w, ri - foi gloEnt gi.°. .' ...vs st Pi sr . ..,, , :. -. - 9. -,.—sl --A • •e* ••se I , •.-/\\*II";;:''.., 8 OO .r.r�r '. `1 • y , ! - s '..,At. s .. D _ .1 ENNEDY boa ,.� Y —� , � t � = ' � '� ,) . ? _i F ILA-- ..6. " r k.144. . d ` - RT WALIt RTWALKPR91ER C•.. �//��a wa. t y _ y '.., ARTWALNPRO)ECT ,\v/\ ... �'- .� W.SWAN5ON2025 % _ L ` ,��j�-- .. ` '�O O ./�"� 6 r , 9J _ ASA�. n kJam ,^ �^ Breathe LlfeTogetller PreBlak II Ja'Hari Ortega y+ Poet's Place-Sink,Indianapolis Cultural Trail' . The Rose Kennedy Greenway ii - transforms a former highway 'Ia. corridor into a vibrant public art Ili i " 411111110- Ill landscape. Rotating installations, (, . '' contemporary sculptures, and Il -• i_....,,, interactive works are integrated .: — with gardens and open space. ' .'` �...-.--: , t illikr Alk ___- I Primary artwork is located at the _ __ ..... �� .' intersections of the Greenway %�r - •may-` �� ` with the existing urban fabric. i Y ���` Functionality from swings to seats ' " _ _ r„�. to shade structures - allow the - d' FarAway,From Home IZhidongZhang •�� '� ; Downtown Canal Indianapolis Public Space-- -. public to feel more connected to the art experience on a daily basis. APPENDIX A:PUBLIC ART MASTER PLAN PRECEDENTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 164 liPrN,,,1 0 FU1 UkE:FEIF2iIS ART NODE PRECEDENT Wynwood Walls Miami, FL litry F., --tity-1,7...,;.t , 07.4 is ' 1 51.4.1_ , ii..„....„..,i .ioi .. , � 4;` l I _ I I I teaa ,. ... =i.a. ■ •III :arm y ., '. . ' , (�R•� - I y .., t L :s '+ ' , �"�`�- I-- < ;,,t '.. ,, ... :.. ,rl `lR kir " / vi ';.- j .k /` y.. A; 1'. v 1 __ .rte' 1 f ''y f ..{( Wynwood Walls View From Above an--ij�/ _4, ' 1Multum in Parvo I Faith XLVII anslon I Sophie Mess Wynwood Walls in Miami is '' - �►• a globally recognized public - art destination that offers an ',, j.• J r i=_ . ce ` immersive, walkable experience - '04 l ;,. �`'- ` -ro , where bold, rotating works reflect ty. `,` +' ` *� r-' .�, , } .4'4, 'rc I, - 'i ' % '- a- 0 y. - - j III contemporary urban culture. y- - .�-- � - . _ p ( f 4,4:.:,/,`1 y -- '- -{...; ' '_ -,) ,. ,, C` The result is an open-air gallery _' tr' ,! it I` '�; i i y `' that blurs the line between curated , - , , pi ,, ,1,, 4 '4 c r exhibition and the everyday city. _,iii ` • ,* ' - _� `\ ' l�j. . `� 0„ f, - . 7.., , A • While independent graffiti is illegal, `�`'� ow ,., the city encourages or requires art - elements in most new constructionPlasticPanther I BordaloII The Rehearsal 181cIcletaSemFrolo x. <; r.. .. - projects. . ._.._. N APPENDIX A:PUBLIC ART MASTER PLAN PRECEDENTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 165 -� f Ul Ul�E:FUF\�I,i • h4 r, *S 4 ;sh?"X41 APPENDIX B: Local and Regional Artists IARTroNNFUTUREFORNIS APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan I 08/14/2026 I Page 166 LOCAL & REGIONAL ARTISTS it is important that the Public Art Master Plan supports, promotes and showcases local and regional artists. The following pages contain images '" from a limited list of artists who reside in and operate within the city of -.,,,.Y , 17,T_ Boynton Beach, the county of Palm Beach, and the region in general. /f,;' ,.4'fir r'" i- This list is not comprehensive. These artists have not been contacted p�► nor vetted for their qualifications or interest. This document does not { ;<< } a'+ 4 ! �: A a . constitute a formal recommendation or support for these artists. Rather, . the intention of these pages is to demonstrate the presence of local _— f talent and the various mediums that regional artists work within. 4111111.Refer to the Implementation: Best Practices section for information on riA how to identify qualified artists via online databases and Request for - Qualification and Request for Proposal processes. Ivan Toth Depena Jen Lewin /AsA { N , , r r i '` 2. r - .8 ‘,,, 4 .- . . - ;--; , Al'. �. itir `;:,:>4 . ir .41111 , -. ,I Anon ---7.-- ---a, Donald Glalanella \ Xavier Cortada : ' ' i �'�: F'�11�U(�f:f Of��l i APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 Page 167 REGIONAL ARTISTS Muralists Peter Agardy r,. z Peter Agardy is a professional artist whose workfr. 3" :,.rr�r...�:...r. ".°^ �.........,�...;�••�•�*^��,_„ �* yM • '4-' is deeply rooted in Florida's coastal environment _ Ai& )P' °i6:anY,+iiali�l�;� and marine conservation. His murals and fine art pieces blend realistic sea-life depictions with a ,, '� ; contemporary graphic edge. \ Based in:Boca Raton,FL y-. tittps:/Jwww.Deteragardvfineart.corr� . _ . 4 , l ' , _ ".IA .� �� { A , 'I, Ili . F . L f4di ; , k A +T ,,. ,,4 -4-____ �'' " \may• 0 • 49 `� `tR1.1. ,M . E`/ :. ,/ , .. , " , i, - ' . 4141,‘ . . . • - • . . , i 1 0 iiir icei . : ,...--, -, ) . 4 , AL '''lli17,Nrtrl I 40111111111%, `' r _ r W ; • WOR . 111 : : APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 168 INT°111 0 FUTURE_E ORiM c S REGIONAL ARTISTS Muralists Anon fiA ._� Jhonattan and Samantha Arango comprise Anon, `L' t � ' ' '. a creative studio focused on enhancing urban '';,,,,V....1:',-1.--• x 71 e 'f,.l, environments through geometric murals.Their ; • 2.x � `,",,Z: /' if ' „„I collaborative process emphasizes the power 11'I of public art to foster social connection and h n,,,,, ,- ,., .x ;� `.x,4 4:i-f-' ¶ , p, transformation. �,'F.. x1:x ••- I {. [.., 06.,:-.'.-4, Based in:West Palm Beach,FL v_. . , . , �0`" Z: httt)s://artofanon.com/home 3► . 15 , k.'i -- i ' lk. ,- -. , �,,- ` 1:1/411 4 , 1 ` .. 1 \ .1� lir '' f $ 1t Ar ''t c I, M i e r 4 . • .... . Ili , 1 in r* 0. .-"t.J '-'-A .rfe2,0- 3r .c. �,M111 . ` Ari .� 4' ,, 3k/,ale7 �� .�it '/ ' <i :r 1 h tl y4, t_ _ r APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 169 VIVIE=U1 URE.E OR I!) REGIONAL ARTISTS Muralists Tiffany Beasi - � ?" _ 11 h,\ Tiffany Beasi is an award-winning muralist I 0,'1¢y`�,+i celebrated for her vibrant,graphic-inspired style its,. ; _ '� Via' �" •4'� that brings energy to public and commercial ` li �� spaces.Her work often merges pop culture �\'��1\ 91 I r ��r' r II aesthetics with environmental themes to create = is bold,high-contrast narratives. ; Based in:Boca Raton,FLS,'. (Z1 If' 41101/1/414,11/4 Y,' �; httos://www.tiffanvbeasi_c6omL to '•I ./ • ,---" �' it t/r •-;1 '7". • 4 -,.. . . ., , , ......s.4„ ._ __...„ , ., , is,' ' — - — , _ i fr M/ , '''''..asi(or * • t f ✓ ♦ 1 _ e't - it . iv, , '1,,,„-- --2. .1 - . ...„. ......„,..,... , ..., .., , „--- , ....... , ,/ 4 / ..0.-,• •1,.. . n. _ /, ` I 1. r . • ` - i i , / , APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 170 FUTURE:FORNIS REGIONAL ARTISTS M u ra I ists Xavier Cortada 'x'11 l , ig, A pioneering eco-artist whose work serves as a I I civic catalyst,engaging communities to confront ";•.',., . ! climate change and sea-level rise through science • ,�_ w.' I , 1 iii Li lki - . I- . based public installations. ,�y��y?w' '7." ,•', I Based in:Miami,FL s• ) • �� httos://cortada.com/ ^ 40. INk. 400. 4::::-,',4,—iii$110t :4. 7-;,400 ,1'.! AO i Li i '41. El" 1 . , r .- w �.h ;;"1:.'1. 7;1' •s, •., , r A /../**.i:o.' ' i' M ' 441SVIP 1 .. \ Atit,4: 0 4 M ;I ti Thy c � �N .....:is n....:_ 1 „ � I4 ,11,4,• ,*\ Tor .4e,z,,,,,.."40 • 1 • ,.)i^4 - i"' i ;;„..... .4 -irz- ' ,. ; ---- ----*, .,,--,' -"" '',/ ,, , ''::Ili ' IA.\.. O.0. . :000 1111000,1 0- /dr , -:71/1 N, 1 pi . _,A , , . ,, ,,,,,, .., „,fsil, ,c1/;,)'t-,' — • % ,. 1 • ' i"� Ca10 'V - 7- - I . 'x , ! Y t '" 0 .•, , , A i., �of .Ir~ i ..x..„, .r - 0%.1,J 1' f • ,- , - 1111°''"...... Alq .46 i If' % .,.• Ilk APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 171 igiRroN1 0 FUTURE:FORMS REGIONAL ARTISTS Muralists Ieorgeta Fondos , A Moldovan-American master of large-scale public aw — t art,Fondos transforms architectural spaces + , fr, i through intricate mural installations.Her work 4. y blends classical technique with contemporary �o�-, - ' ,- design,utilizing organic patterns and vibrant light lr,_ 1�, to foster community identity and beauty. .. �� _ - . ..s..... - -=actiges•=. - Based in:South Florida, FL • • r httos://www.muralsbygeorgeta.com/ e� .+* I.w g ,.;.i mow` '; =fi � ( - o . `� ' !pi o'. O CCS,'. � \ 1I 0 9 1 allfr 6; 'IP •--- i 4 I/ 111. lip.-11111.4k Nt di ,o'• ' i ',4" x•: tG" Ire,,- rrrR\f ,*.., rliTtr-i4.1-'-ht ilritilmop \ 4ivi • • •• a •41, I. • • Fr/ ,...,...,14 .16,1).;• ,„ep, . . •ilifir -----... P NIL \- ,--- *kt l ,\ \'....4111111111.'--"4. \.6::11170:' T...Ali %kb . x 4. ...,, p.1 ..ipt:. .., _, . L -7,- --- -----.- ----.- .... , .--,.., 1 '..1-.,1.1 -,-- I' -' ''11e.'.9}1114P„oeut,....,"-Ail#1114. ' ' 11111114 0 FUT1JRE:F(1RMS APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 172 REGIONAL ARTISTS Muralists Hoxxoh A pioneering eco-artist whose work serves as a : ri civic catalyst,engaging communities to confront - climate change and sea-level rise through science- based public installations. 4 . t ` Based in:Miami,FL • _ _ httos://www.elhoxxoh.com/ —'. f143Ni11l/II ISI • 111A l0I1110 4110 rt41,Figti'l1®1115 -- L M' 'M- ��- _ • • - - _ ,_ •.cam=_-..,_! lam - --- i.Cv-. -: .r i.. \1 IMd \, 1 I! � t r - C l ,% f,torli, N ., ,.. --41. ... .... .... .._ 1 .. _ , . ,, if.-tviLliiiov. .** . , 1 .. . ...... t , L. , e - it . ipp,.- ,,,.ow' 7/ . 1 :Alb . IIiiw . _ • _ -, '111111111111.116"7r- -.F.411111W _� ifiral0 -- _ : APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 08/14/2026 I Page 173 FUTuRE.E oRim r s REGIONAL ARTISTS M u ra I ists Cecilia Lueza m A master of color theory who transforms urban // ; gray-space into vibrant,geometric landscapes 101k. ,, through monumental sculptures and immersive a .•A-_ _ asphalt murals. d • •' f �. Based in:St. Petersburg, FL n j httRs://www.lueza.com/ " 41.• Iii I �r�..3 S •AI I 1. I ° 0 0 . it-f .._ 0 0 ---— � ' . 0 _ _._._7. . i i . t r; MEL,.---‘: ..w.., ..-,.,-.''..11 ) )0.. 1 1 . _ - . -;•••, _____.....,,_ _ 1 ,,;..: .. . ..,-4 4 _ ` ` t ' /'' 1 N; _ : APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 174 0FUTURE.E ORM t,S REGIONAL ARTISTS M u ra I ists Craig McInnis ---- Craig Craig McInnis is a versatile artist and muralist r I Adr . known for blending surrealism and pop culture - , I into vibrant,thought-provoking visual narratives 1 _ 4 A,o Y� across the Florida landscape.As a co-founder of I 111 J / /OP"' ; J� t; F Art Synergy, he remains a dedicated community 'AJ . (— advocate, bridging the gap between professional , 1J �, `" r Ibt ' fine art and public urban transformation. i-• 4 • -- Based in:West Palm Beach,Florida • -- _ .. 6 9,_ laps://www,craigmcinnis.com[ ` • ; R A s� ar ,7„., ••..:Pdcza4r----k - Irlwr- --, PE Iiii, .J _. _ ii...,(,--.4„ 46,,,,, ., . .,..... . ._,.. _... „.. ... • . ...„... Q 11s _ •;‘, - - jr `may'. A. i +I . to; I 111 !'i!!!! !III! ! 11111111111 MilittriliCi, i�� PALM BLACK J1' y` s . - 44. #M I 11„I ti ■ et '' ' ff...),.... •. ..,„ an 0, :.„ oximmer • Rp0: 111"_ Tn I firrNI 0 FUTUREFORMS APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 175 REGIONAL ARTISTS Muralists Eduardo "EMO" Mendieta i , ' - . • Eduardo Mendieta is a prolific muralist whose � � Wy+ work seamlessly merges graffiti roots with $ ,• r '" contemporary figurative painting and intricate ; - iliN s+ stencil techniques. His large-scale public ► '� I \ y _ � Iw installations have transformed Florida's urban ' � • \ �� l- IC t. di architecture into vibrant landmarks,reflecting his .,�, II_ ``' ii ,� •\ , . _ ? deep commitment to the evolution of street art. t ' %lR.i 1 -- k'' r _ • * •.••;.11 •`,,x;c ate. Based in:West Palm Beach, Florida — 11>u' I y ►1114- ' 4• .-_/www.eduardomendieta.com/ i1"+� t � °."' r - '574:7,,..,.;• ,, , -'I 4,, ill b -A'', , *Ifritio, _ ti , 14. I - 'i- 1 ``` 11 t'" Ad; 4,4 / _,-- , t. 17r ..,.( • - , �' t. JI I 's 1 . :?' _ r.;,\N‘ , ‘ ..\" ii• ' )) ,.A , C -. . ' 1 IIS[ r + _+1 I .:.41116 I 01/11 J.st ..iii , , ., , ' Y bl 1 ! . 10, • 11 ,0 ) • CHRISTA M AULIF ) i COMMUNITY MIDDLE Sr t Oxy.,. /� �,� .�"' Ifsm APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 176 FUTURE:FORMS REGIONAL ARTISTS Muralists Mwanel Pierre-Louis , ., ' Mwanel Pierre-Louis weaves a tapestry of soul -- and color through his intricate,fragmented ....#1 portraits.By blending realism with graphic w� abstraction, he captures the fluid energy of the - human spirit. His compositions celebrate identity i \• '' "'� and intimacy,in a warm,dreamlike world of deep � III il� ` ,' connection. r , •" ''�- ect I� 11 t*" �•,�� ti r �, \ 33 Based in:Miami,Florida /� _ t , �� `r1`3\Z33\ blips://www.mwanel.com/, ,-4" ' ' Y -.. . sA, -1k. ik,, , y T` i ' .-"- -vseCs'r.°I.- . 111 Allill ilik l' _ -- ,+ tt -y71 1 i - ir w. \ 404 z/ ___ .--.._a te rte: s �1 •Y Id. -. ., ... v // r 4.00 .,, A k„ , t,_% 0 . N'';/.1 \ i Asi :ILL---4tk: -,,At ' . 1'iiik , ik... *sw-i\ ,, , 4 0,4 ....., 1 0 �,, APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 177 '1�tS FIJI'Uf�E:F(1RI REGIONAL ARTISTS Muralists Ivan J. Roque Ivan J.Roque is a visual artist whose work explores the struggle between birth and death r \Al - through wildlife depictions.His style combines r_, ,� I, street art influences with deep symbolic narratives ' -,,/%v ; .:_ in the public realm. / �, J a Based in:Miami/South Florida t � ..../07444...„--,---a ' 7':) httosa/wwtv_ivanrooiie.comJportfolio 61,1111.11111 ....--- ---- ,,-. rcIr--. -._ a �. 11# -- - ; s + „,-- r-fi ,—i — !r : i } \ VS r ,4 t4 Y w r_ ,, I ,: < < ,� ' Age F ' z'4. i / ,---,/,;:(0,.„,„# ,/ - .".'‘ . --' -,, 1 ' 1, E , 0) - . . 1 '7T''-__ / a•, .4 ; I i , ,1,4, IF 7/7 wM� .. •.nv _ - - t .tea---- - APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Ran 108/14/2026 I Page 178 W 0 FUTURE:FORNIS REGIONAL ARTISTS Free-Standing Ivan Toth Depellna ------'"17-- *, r f r( 'r i, � it .' ; , ®�� A multidisciplinary visionary who merges I�• -- +. `' q -' ': +� architecture and technology to create responsive ,,.-�" _L wi{ environments that pulse with light and data-driven ,, ,�, ,.,,'��" ...,:r. I 7--,- .; narratives. " :.r� =; -.' \ ' Based in:Palm Beach County, FL h , i` htto://ivandeoena.com/ "- ... '�;Z.- _ ),,,,..:440," .•..[ i. sT m �7��'y" f.- • ;, ., . 1 .: .: :s. , t`— ,-,,. ----4,... ___,. . 4111rilikIT-- , ., S' it' PV17e• 1. e ••ee.,. „ _ ...w .. w� . •v u u•fi w - e. - b 4.* ..� II' • ••6•11, if 1r i+- Itf♦►♦w ♦► 1•I�� rI `\ f b•o•o•• `►•O40b \ 4•44 f 'e' 40bbvwv t It III* 111111 • -ye. �, •�� i � ' � ' • �.•lij"., 11 1 ':it• r ' till : l r t . . 10 API.1. • .... ..., ._ t ` '; r ,1 !1 i — 'L_ /./ ¢:1 �, o p`� 4 i A iocnasmn ... .4.... w `r i' y�, c 741e. it i mpoomp „4, 4y.,. ,,- . ' �� �� @ • ,' 11r.1/--....i.:,.;:...4,..:,'-.-k1i. i . -,.....T. , X15 • i I,1)-1 I i f=111'l1RE:f=(IF;�IS APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 179 REGIONAL ARTISTS Free-Standing Donald Gialanella `, �y •.-�-: �_i. � . Donald Donald Gialanella is an internationally recognized / ""° 1 sculptor known for large-scale steel installations . , . f �• "----40a14.- �. -4e: and recycled material assemblages.His work ;,! r- features powerful biological forms that invite js' .... � � �� C- ' -. public interaction and reflection on industrial / +� , ``" ) :\ . landscapes. K , leir • 4' • Based in:St.Petersburg,FL , < or „,./ a� ` �,.' r c'. ,.. .,, ,„:„, , ...„.„,... ,..„. " J7itos://www.dflnsCulnture.com/ j j ff, \ { {� `� 7 VI � Jot, _ :: // ‘.. • _ i / tit f7 114:1Y� \ It. .+ ' `' /' ..1 . 416"'.+a. Itsf VA*V �iI'i / atil4 11/44 ,t I e' A 7t r L 4-,-._, ,•i i___. s':` ---.4:-....., • _ ,,,,,,‘, 0,4,,,,,,,,,,,,,,..:,,,. , ... ,,,T.,.....-.71/4.4c'N.,,...00,,,, :•,,,, „,,,iiiii, ',,:,, Ali.,,„:4'N• ,e,.....".....4('• i',,,''',4"..i';':.•.ii-':, -- .: . / , ,! 1 \ .., L- ,-..2%:„... .40'_.-vot...,..-40:0":,' -,...ty,,:- .•-riik,.....4 .1-42.. lit . ,--V-:..—1,4‘, 442' .,..1,, i ,. . v."' •'or,- ,it,',11-7--•-• '''''''4':::- .7 '''''',.:• --;r4;:`::dir'-':40-.6.k.' '''LL: -. I4 •'L',..4.1 Fir- -....., , - I — ' .. s. 0 I = _ _ . v �, Ara ? - /F. . .Al0 - i r A� /,1 'P•ia '14 i-,;.!••.d'„- . -. _: •'"\ •f - APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 1 PCC I °H' ;0: FUTURE FORMS REGIONAL ARTISTS Free-Standing Ralfonso Gschwend Ralfonso is a world-renowned kinetic sculptor ri j who designs massive,interactive installations 1iiii,-..,„ that move with wind or light. His"art in motion" r � philosophy integrates advanced engineering 4- i with organic aesthetics to create dynamic global ... , i ' .APE' s landmarks. ,S if- 41"111111r �0 Vito Based in:West Palm Beach, FL/Geneva, 1 ` imi SwitzerlandN.NIIIII httos://ralfonso.com/ j6614111111111r � 0111 • ` ittj) ? e _ e 1 �- , , r 1'1 ( ,CJI , 1 .1 7Y � a i. C 0 II a iiiiiii: () (4111.4 . ... .- . . 0 't :'.\\\\\‘: T , .., ,. 77 is ..li = — t ,., .A.,1(.1, ... 1 " \ ,� v\ j I � 1 ���1' .,. /^ t_ t APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 181 Ifftlig FUTEJR�E:E OM REGIONAL ARTISTS Free-Standing Jen Lewin •A global force in interactive art who fuses light ° x a �� ° ' " t+ ai. •.-` ;illift 'r�� •. fir' ,:fe, j. -00. )0 440amiiminier, and engineering into"connected environments," ` / � �, transforming public spaces into social catalysts + •i° 4 through play-based installations. +ra..� ,jMj -f i ..... ... IL....,..:::' - ---Based in: Miami, FL ...11F, nttos://www-ienlewinstudio.com/ _; 0 'moo„I N --4*/*/**-- tea- -:. .......c-_-, "1.... 11111 IIIII :. c =.1..."11-, * C -7C?'74;-0: 'G r = r --„"°mow.:r'„, • __ . 1 , — 'L�1.r -3k41 ›5 1.4„ z7 - • 'r.1)-ic -.14:111,;, C;:lr"-- - 4. _ ir '111 • 1� y 111C) ....Jr — IMIMI ,i. ' . 46 AN,- it N, : : ��t APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 182 REGIONAL ARTISTS Free-Standing TYPOE .. r Typoe navigates the intersection of street culture 1+ and high art with sharp wit and bold geometries. 1 • /� His work serves as a colorful yet poignant critique �i cs • A I of modern society,transforming everyday symbols ' : _ " '�."?r; into monumental statements that invite us all to ! r• 4. play,think,and evolve. Based in:Miami, FL 7E@r ..i ' ,, J - � hitpS://www.typoe cQn> .\ 1AP _ yy �y j J ,`, , 0 4 • x . ,Arlilly"4.-1 . f I d7� al� ' r ` ► `_ i • �k R M OWA ��\1 f\ . �� - 1 - \ 'N. 0/‘#(;#%4j- - ' / l'-' ' iNiP S i — — \\\ ICSOIEB4.—.49 1 ' %Iv , Mk •; t� • " - �,� t'° ,r �iiM►. ► I Writ!, t tMS APPENDIX B:LOCAL®IONAL ARTISTS Boynton Beach Public Art Master Plan 108/14/2026 I Page 183 0f UTURETOR 114TI-N F UI'UFaF:F(lF+�l> Boynton Beach Public Art Master Plan 08/14/2026 Page 184