Minutes 10-11-18 MINUTES OF THE ARTS COMMISSION MEETING
HELD ON THURSDAY, OCTOBER 11, 2018, COMMENCING AT 6 P.M.
AT FIRE STATION NO. 2, TRAINING ROOM
2615 W. WOOLBRIGHT ROAD, BOYNTON BEACH, FLORIDA
PRESENT:
Kim Weiss, Chair Debby Coles-Dobay, Public Arts Manager
Golene Louis
Jehana Zell
Lauren Huff
Susan Oyer, Alternate
Courtlandt McQuire, Alternate
ABSENT:
Marcia Levine
Clovis Moodie
Robyn Lorenz, Vice Chair
I. CALL TO ORDER
Chair Weiss called the meeting to order at 6:02 p.m.
II. ROLL CALL OF MEMBERS
Self-introductions were made. A quorum was present.
III. AGENDA APPROVAL
Motion
Ms. Huff moved to approve the agenda. Ms. Louis seconded the motion.
Ms. Oyer requested Chair Weiss designate what the alternates will do. Ms. Coles-Dobay
explained there were four regular members present and there was a quorum. Ms. Oyer
commented the alternates can fill in as regulars as there are seven regulars. Ms. Coles-
Dobay explained they do not need seven regular members. They need a quorum and
four members comprise a quorum.
Vote
The motion unanimously passed.
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IV. APPROVE MEETING MINUTES
A. August 8 minutes
B. September 13 minutes
The minutes were not available.
V. INFORMATIONAL ITEMS FROM THE BOARD
None.
I. AN NOU NCEM E NTS/RE PORTS
Courtland cQuire explained he has been in advertising and ran one of the largest
agencies in the State. He started his own agency and picked up a fair amount of regional
and national accounts. He moved to Boynton and was looking for a location in the City.
He had a gallery in Brickell before the Art District in Miami was created, which he still
owns. He wanted it to be profitable and he represented all the local artists. It is a full
functioning nightclub, but it is not getting licensed. He had over 100 pieces tucked in
tightly. He represented up to 50 artists at a time from Palm each and Dade County. He
is a foster parent with his wife and daughter and he appreciated being appointed to the
Arts Commission. The agency is named the Red Bar.
A. Oct. 2 report to the City Commission about the local artists participation in the
Town Square
Ms. Coles-Dobay commented she presented what had been reported to the City
Commission at the last meeting. The Commission wanted it to come back to them and
they wanted to know about the emerging artist local arts program for the Town Square
plan. They seemed to be pleased with the report and happy to see that it would be moving
forward.
B. Oct. 17, 5:30 - 7:30pm Board "Super Hero" Dinner
Chair Weiss asked if everyone RSVP'd to the event and learned all did except for Mr.
McQuire because he was just appointed.
VII. PROJECT UPDATES/APPROVALS
A. NONE
Vill. INTL KINETIC ART EXHIBIT AND SYMPOSIUM PLANNING
A. Indoor exhibition call to artist.http://intlkineticartevent.o[g/wp-
cc ntent/u p to s/201 8/09lin d oo r-ki netic-a rtwo rk-invite- 1 9.pd
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Chair Weiss commented Ms. Coles-Dobay created a video featuring the artists for the
indoor exhibition at the Kinetic Art Event. The video is on Facebook and Instagrarn and it
is very nicely done.
Ms. Zell reached out to the principal and art teacher at Poinciana and connected them
with a project for the Kinetic Event. The art teacher at Poinciana referred to other art
teachers at Galaxy and they will be contacted. Ms. Zell is also helping out with the
volunteers.
Ms. Coles-Dobay explained Susan Oyer's class was invited to the event and her students
will be involved. Ms. Coles-Dobay explained the indoor exhibit call to artists was issued.
Most members have seen it and it was recommended the members share it if they know
of any kinetic artists. The deadline for the indoor artwork to be submitted is October 25th.
Ms. Coles-Dobay will do another call and post to help participants. She noted the art could
be op art or kinetic art and it is explained on the indoor call to artists.
Ms. Coles-Dobay noted Ms. Oyer bought t-shirts as she was helping with the
merchandising at the event. She had samples she has to return. At the next meeting, the
members will review the merchandise items. Ms. Oyer tried to find something unique and
felt as an art event, the merchandise should be a quality product as the event is a higher
caliber event. She requested organic material, but was disappointed in the quality. She
contacted a Boynton vender and he suggested dry fit. She distributed samples, noting
colors are vibrant on a white tee shirt, but if they use a colored tee shirt, the imprint on
the color alters the color. She noted a tee shirt screen on tee cracked. Ms. Huff agreed
to send information to Ms. Oyer. She also favored hiring locally.
IX NEW BUSINESS
Ms. Coles-Dobay showed a video about the kinetic art that was selected for the upcoming
exhibit. There is also #kineticArt. Chair Weiss thought it would be good to think of
suggestions for other things that are not kinetic oriented. The artwork will be installed
October 22 and 23. Out of the 12 artworks, two are permanent and six are conceptual
created just for the Boynton each event. Ms. Coles-Dobay explained the video was a
preview, once the actual art is installed, Ms. Coles-Dobay will create another video. She
reviewed each piece and artist/artist team.
A. Town Square public art projects
1. Interactive Plaza proposal presentation (begins at 6:30pm)
• Review 2 shortlisted artists proposal concepts
Ms. Coles-Dobay distributed documents and a scoring sheet and explained the Arts
Commission issued a call to artists for the project and a Request For Qualifications (RFQ)
and shortlisted the two artists that are making the presentations. The process was
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distributed. Those in attendance will look at both concepts to see how it meets the criteria
in the RFQ. It is important the presentation meets the criteria on the bottom of the first
page of the RFQ, which she reviewed. She reminded all, the criteria came from a public
workshop the Board held in August 2017 where the public shared what type of experience
they wanted in the Town Square. This space was to be an interactive and lively space.
It will be on Ocean Avenue in front of the new City Library/City Hall complex. It was
important to create an experience for residents and visitors.
Self-introductions were made. In addition to the Arts Commission members, the following
individuals were present:
Charlie Rocheleau - Haskell
Anderson Slocombe – City Representative on the Town Square Development
Colin Groff–Assistant City Manager
Kelley Hefferin – E2L, Master Developer
Mark Hefferin. – E2, Master Developer
Lori LaVerriere – City Manager
Grazie Prokopetz - Cultural County of Palm each County
Maggie Harriet
Diane Hubbel
a. 6:30 - 7prn - Ryan Swanson, Urban Conga
Ryan Swanson, Founder and Executive Director of Urban Conga, a multi-disciplinary
design firm focused on promoting community activity and social interaction through play,
was present. He advised the firm achieves this by creating interactive environments and
installations that encourages free choice learning, creativity and exploration through the
pieces in both public and private spaces. They have pieces all over the world.
Urban Conga focuses on design, community, and play to get the public to engage with
the piece. They create a visual experience. Selfies are popular on social media. They
designed a diacromatic film where the public walks around it and it changes color based
on the angle it is viewed from. It reflects back creating a nice selfie moment with the City
in the background. They focus on sound to bring people to the piece and keep them
around and they seek to use the piece as a platform to get the community to talk to one
another. One piece used electronics. Sound is fun for people to engage in and it creates
activity.
Another element they use is touch. Using the same idea of how sounds are triggered,
they want people to touch the art. It makes them feel like they are part of the piece and
the visitor can make the piece their own. It offers open-ended play and the public can
keep coming back and engaging in the piece in a new way.
The pieces are durably made and the focus is on how it will hold up under the elements.
When they say play, they concentrate on play for all demographics. Videos showing
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some of the pieces were viewed. Mr. Swanson advised they can change the sounds.
The piece could sound like a piano one week and drums the next. Mr. Swanson
commented play is a great way to activate space. The pieces focus on dual functionality.
Mr. Swanson advised they looked at the City and wanted something to represent the area
and thought about a reef. The "Reef' piece would be activated and open ended at all
times. They looked at living organisms and were mindful of movement to bring the piece
to life. When people walk around the cylinders, it generates sound based on nearness to
the piece. The diachromatic film changes colors. At night when people touch the piece
in different areas, it changes the color of the piece. The piece is made from aluminum
and would be powder coated to house the elements inside. The organisms can change
and adjust. People can sit on them and touch them and be wheelchair accessible. The
piece will have multiple functionalities so if there is a technology failure, it will still function.
They keep the technology simple, using micro controllers so repairs can be made
remotely for an easy access fix.
The budget breakdown was viewed and Mr. Swanson advised they were allocating
money for maintenance for two years. Their motto is get out and play because as we get
older, adults play less. He commented if adults play, there seemed to be a negative
connotation the adult is not successful. Mr. Swanson commented they travel around the
world to show these spaces can exist.
Mr. Slocombe asked if Mr. Swanson had a site plan that showed where the piece would
be placed and they have not figured out what else was happening in the space. There
will be two larger pieces and one smaller piece within that space. Mr. Slocombe wants to
get a sense of scale in the plan. Mr. Swanson advised they want to see what is coming
in the phase. Once they have that information, they can adapt. They left it open for that
purpose. He estimated they would need a 10-foot radius area and the piece would be
about 12 feet high.
Ms. LaVerriere asked if the piece could be in another color. Mr. Swanson commented
they thought of white because they wanted the piece to illuminate at night. It would have
up-lighting. They kept the process open ended so it could be adapted whether it is the
form or other components. If you want the color to change it could be a brand new color.
Mr. Groff asked how long the adults interact with the pieces. Mr. Groff explained he
tracked the data and they found kids engage with the piece first and immediately. Adults
take a lot longer to engage, but when they do, they engage a lot longer than the children
and they wind up coming back more often. They tracked the data with the British Council.
Chair Weiss asked if adults engage more at night and learned they did and when there
was any opportunity, take a selfie. With the oscillating piece, they use visuals and sight
to attract individuals to the piece and play to keep them there.
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Ms. Prokopetz asked if the sound could be changed and how. Mr. Swanson explained
they are controlled off a small micro-controller and they put mp3 on the sims card, which
could be adjusted for holidays.
A man liked the concept of the Reef, but the scale and shape did not look quite like a reef.
He liked the changing colors, but was unsure about the up-lighting. He advised he has
developed several projects and up-lighting can be a pain to keep and maintain. There
are controllers and LED lighting, but sometimes is more expensive than the actual
artwork. He thought the other example had a lot more glass for reflection and for people
to look around. This piece did not jump out as having a lot of glass and it seemed smaller.
He asked if there was a way to maximize the amount of glass at night to enhance
reflection. Mr. Swanson commented the openings could be changed to different sizes so
the space absorbs people's bodies at different angles. The angles change on it when the
sun reflects different ways. With up-lighting, they would try to build it within the structure
itself. Up-lighting in the ground is an expensive fixture that has to be tied to a controller.
Mr. Swanson explained there are lights inside that glow out of the openings.
Ms. Prokopetz asked if the coral extend vertically. The bottom layer ones would be more
outward facing. Didn't want to take anything away from a person in a wheelchair. Started
to have them come over to have the infrared sensor come down.
Ms. LaVerriere asked if they were looking at a choice of the reef and the pieces shown
on the bridge, or others shown in the videos and learned the only choice is the reef. She
expressed concern kids will climb on it. The peak height of the piece would be 12 feet
and there is concrete on the bottom. Mr. Swanson explained they try to make climbing
avoidable as much as possible, but it was noted it would be too slippery.
A question was posed how far out the light emits and Mr. Swanson explained the
illumination was glow-like. It would not intrude into someone's home and it would
illuminate about 10-feet out.
Mr. Groff advised the site plan is evolving, and he asked if the piece was adaptable to
different locations and learned it was.
b. 7 - 7:30pm - Don Gialanella and Asim Ardaman
Don Gialanella explained he and Asim Ardaman work at the intersection of art and
technology. The presentation is based on a sculpture called Synergesthia consisting of
eight, 10-foot tall stainless steel tubes with a mirror finish. The tubes will be polished and
will reflect the environments. The beam is one of the most successful sculptures and so
would Synersthesia. Each tube is topped with a LED light ring that will be red, green and
blue. Enhanced programming will be built into the hardware to create upgrades, patterns
and sequencing. The lights will bring the sculpture alive in the evenings and creates an
illuminating place after dark. There are proximity sensors in each tube and as people
approach, the tube will generate sound. It will be on the top and in quadrants so the
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sensors could tell which quadrant people are coming from. Each direction could have a
different tone or sound. The program can replicate animals. Basic level sounds are
soothing, ocean waves, wind, crickets, dripping water, birds. The public will interact with
the sculpture on different sensory levels. The design is reminiscent of Stonehenge. The
three elements are reflectivity, the lights, and the sound generating capabilities.
Mr. Ardaman explained they can program how close someone gets and what sound will
come out. In the evening it can have a sequence of lights going around the circle, or they
can program for each day or be adapted for the holidays. It is a modular design for
serviceability. Technology is great and having technology on the top of the tube makes
it easier to service. They can service all eight tubes, plus two extra modules. It has a
microcomputer that is networked, and they can upload any profile, any song, sequence.
Mr. Rocheleau asked about the sound decibels and if someone would be able to hear the
sounds from the other side of the plaza and learned it was up to the City. Mr. Gialanella
advised he could adjust the sound. He noted someone can hop between the poles and
have multiple sounds. The sound would go on with someone in the proximity and go off.
If walking from one tube to the next, the sound will persist and then fade out. They can
mix the colored lighting to create a rainbow. With them all networked and synchronized
they can play sounds or light shows. They could program the system to make a sound if
it has not seen anyone for an hour. Ms. Prokopetz asked if each sensor could play a
track, having a base, a drum and learned they could. The original concept was to tune
each tube.
Mr. Slocombe commented the material used is very reflective. He asked what kind of
material would be used as the poles will be in a very high ultraviolet centric area. Mr.
Gialanella commented stainless steel has to be wiped occasionally. He explained they
preliminarily reviewed the enclosures and stainless steel polish provides an advantage
regarding heat loads. The maximum internal temperature was calculated to be 150 to
160 degrees Farenheit based on internal generated electronics and the maximum sun
load, but the entire surface area is not exposed by direct sunlight, which is another
advantage. It is not a problem from an electronic standpoint and M. Ardaman will conduct
a detailed thermal analysis. They could also use a force fan if necessary.
Mr. Groff nnfind the Cif used polished panels an-4 polished 11 up 11 U L m during The
day. He was more concerned about the heat on the outside of the piece. Mr. Ardaman
explained there is a detailed study on thermal components. He would not want the
surface area to be hot to the touch.
Ms. Oyer understood the light options were an upgrade and they proposed a multitude of
sounds, and multitudes of red, green or blue lighting patterns, and mixing colors to get
rainbow colors.
Mr. Groff explained the current price for LED bulbs was the same cost as the red, green,
and blue lights. The software package will change depending on how it is mixed. Ms.
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Coles-Dobay noted there is a contingency fee included if an upgrade is wanted. A
question was posed about Mr. Ardaman's experience with children interacting with the
piece and an adult, and the timeframe. Mr. Ardaman found, in general, children react
more vigorously than adults. Kids will love it because they can run from one surface to
the next and adults and teenagers like it for selfies. The sound element is something that
will intrigue people of all ages. Messrs. Gialanella and Ardamam gave a demonstration.
The pipes will be 10 feet and the sound was on a 30-second timing. It was explained 52
sounds are available. They can be cords or anything that is put on an mp3 file and they
could adjust the sounds seasonally. Birds sounds could be used and the City could have
a vote or a contest to win a sound for a week. Mr. Gialanella commented with a variety
of sounds, the experience will be different each time.
Mr. Rocheleau asked if the pieces were located in the courtyard if the idea was eight blue
lights were enough lights for people to see it at night or if additional lighting was needed
and learned it had ambient lighting that was not sufficient to light up the plaza. If that was
what was wanted, the City may need to consider street lamps.
Ms. Oyer asked how much room the pieces would take up and learned the circle would
have a 20-foot diameter with about seven feet between each pole. The prototype has
only blue light, but it could be changed through web access. Chair Weiss inquired if
anyone liked what the piece was sitting on, it adds a lot to it. He liked the Mondala
concentric wings. It was suggested the quality of the sound needs to be improved. Mr.
Gialanella agreed, the pieces will be made of 11-gauge stainless steel which is thinner
and the sound will resonate much better.
Ms. Oyer asked how far away the sound would reach and if the same sound will be used
on all of them. She asked if many of the tubes were activated how it would sound and
learned when they design the audible aspect, they will make the sounds work in concert.
Mr. Gialanella had contemplated tones and it could create a chord. Ms. Oyer asked if
the neighbor who lives across the street would hear the sounds late at night and learned
the sound is adjustable. Chair Weiss saw a lot of community engagement and musical
possibilities.
Mr. Groff noted the sound could be programmed off at times while the lighting stayed
active. He explained that was the plan for the Town Square as they are designing all to
be controlled from a central location. This piece is a smart sculpture.
• 7:30 —8:00 pm - Select one for project implementation
Ms. Coles-Dobay requested the members use the ranking sheet and explained when
ranking, number one is the strongest and five is the weakest in each category.
Mr. Slocombe thought both were great pieces. Depending on the location, one was more
suitable than the other. Ms. Zell thought Urban Congo's "Reef' was a more interesting
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piece and thought fingerprints on the poles would be an issue. Ms. LaVerriere was
picturing the site and commented how much the piece would have an impact was
contingent on the site and the artists did not have the benefit of that information. Ms.
Coles-Dobay explained in the call to artists, which they reviewed, it showed the plaza and
the location. The call to artist has that. The Urban Congo "Reef' design would be great
in front of the Schoolhouse Children's Museum and the poles would be awesome towards
City Hall. She thought it would be more elegant and appropriate for the civic building.
Chair Weiss favored the Synersthesia and thought it was more versatile and great
symmetry.
Ms. Oyer requested a location -- Urban Congo piece by the Schoolhouse Children's
Museum and the poles by City Hall. She thought the second was more versatile and
looked more elegant. She thought both artists need to be put to work and they should use
both.
Chair Weiss thought both presentations were great. She originally favored Urban Conga,
but thought Synersthesia was more versatile. It looked important and was not intrusive.
Ms. Oyer liked both and was also concerned about maintenance and upkeep of the
second presentation. She did not like they are so limited on colors without having to pay
for more colors. Chair Weiss noted there was a contingency amount included in price.
Mr. Rocheleau liked the Urban Conga "Reef' concept and noted they have a lot of
experience. Ms. Zell did not think Synesthesia had a lot for experience. Ms. Oyer
commented the City Commission wanted an ocean theme on Ocean Avenue. She was
concerned how far away the sounds would be heard, and was worried about kids and
bikes. Ms. Zell thought the prototype was a disservice as an example of the sound quality.
Chair Weiss commented the second artist had experience and had exhibited at the Dali
Museum, which was amazing.
Mr. McQuire liked both pieces, noting they used similar technology. Aesthetically
Synersthesia was like a modern Stonehenge. He thought it was beautiful and thought
the first presentation was interesting, but it fell short visually. He scored the pieces 27 —
9 in favor of Mr. Gialanella. He thought kids would like something of a higher aesthetic
value. Synersthesia, with the right sounds and more harmonics as opposed to mimicking
nature was more upscale and the sounds could involve the community, children and
others to come up with the sounds.
Mr. Hefferin liked both, but thought the second presentation made a statement. It is very
classy and all ages would really enjoy it. When they add different tunes, the sound will
totally change. He scored the Urban Conga "Reef' 15 and 9 for Synersthesia.
Ms. Hefferin got the impression of the Reef and thought the artist took the theme to heart
about what the Town Square was and it drove the design. Mr. Hefferin liked the idea of
the Reef being at the Schoolhouse Children's Museum, because he did not think it would
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fit as well with the City Hall. There are stainless steel signs on the building and
architectural features on the Library/City Hall building that also remind one of
Stonehenge. If both could work, it would be a smart investment.
Ms. Oyer scored 10 and 15 in favor of Urban Conga. She thought Urban Conga had a
greater price variety in the budget versus Synersthesia, which were topping out at the
higher end on all their projects. She commented budget is already a consideration. She
thought if they spend wisely, they can have two pieces in two areas. Urban Conga was
budget conscience and works within a variety of budgets. She thought Synersthesia was
beautiful and she liked shiny and silver, and wanted to put the city logo on the pavers.
Mr. Groff did not vote. He explained the plaza is the entrance into City Hall and it was
important to consider that with what goes on in the area. He liked them both and they
were both doable. He thought the fighting is an issue they would have no matter what
and cautioned to be careful so they do not get overwhelmed at night.
Mr. Slocombe liked both pieces and agreed with Ms. LaVerriere. Synersthesia is more
elegant and suitable in front of City Hall. He agreed the Reef would work better at the
Schoolhouse Children's Museum, but having the benefit of the site, Mr. Slocombe voted
equally for both 13 and 13. Ms. LaVerriere did the same.
Ms. LaVerriere liked the Synersthesia in front of City Hall. She agreed with Mr. McQuire
about the look of the Reef, but loved the concept. The pieces on the bridge in the
video from Urban Conga with colorful sound rounds in the beginning and one piece of
Reef in front of the Schoolhouse Children's Museum would be incredible. Mr. Groff
explained there are others voting outside the public art and they are looking for ideas.
There are other areas they are trying to have art, but this is outside public art. There
are potential new sites. Ms. LaVerriere scored both pieces 11.
Mr. Rocheleau liked the Reef concept after seeing the art in Grand Rapids with bigger
glass as it held people around it. He thought with a different shape and more glass, he
would vote for Urban Conga, but because it did not, he voted 14 and 11 in favor of
Synersthesia.
Ms. Prokopetz scored 12 for the Urban Conga Reef and 19 for Synersthesia. She liked
both concepts. She was concerned with the quality of the sound with the Synersthesia as
it did not sound clear in the surroundings and it was metallic. The Reef was much more
visual and interesting as far as taking selfies.
Ms. Lauren scored the "Reef' 11 versus 15 for Synersthesia because the piece is a
destination piece. Synersthesia was stunning and it goes with City Hall, but the Library
has after school programs. Mr. Groff pointed out the area for the piece was not the main
entrance to the Library. She thought the Urban Congo Reef was a destination and for
selfies and in 10 years from now, it would still be a destination piece. She thought the
Reef goes with the theme for the City. It is different and as artwork, the piece does not
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have to go with the structures of the buildings all the time for them to be contrasting. She
referenced 500 Ocean and the Cavalcade as an example. The building was beautiful,
but it was all about thea ork.
Ms. Zell gave the Reef a 10 and Synersthesia 23 due to the sound quality. She was
concerned the piece would sound horrible. She was in New Orleans and passed by a
piece made by Urban Conga. It was so captivating that they pulled their car over. They
realized what it was and played with it as it was amazing. She agreed Synersthesia was
more stoic or more elegant. The process should function a certain way. It is perfect for a
City Hall, but it is not just a City Hall. It is a Town Square with other facilities. She was
concerned about the interactivity of the piece. It does not seem like it would draw people
in or be as fun. It could be a landmark.
Ms. Louis liked the Reef and thought it was good for kids. She also liked Synersthesia
she liked the connection and interaction. She voted 10 for Synersthesia and 12 for the
Reef.
Chair Weiss expressed there were unfair things said about the sound quality. She thought
Mr. Gialanella stuck his head out showing a rough idea as opposed to the Reef
presentation as there was music in the background which interfered with the actual sound
coming from the sculpture. Elegance is not part of the criteria, but the piece is to evoke
the senses. She hoped the Arts Commission could obtain both pieces or some iteration.
She thought Synersthesia hit all the marks and would appeal to all. The piece is versatile
and the maintenance issue could be managed.
Mr. Groff explained the City will have downtown maintenance. Chair Weiss commented
on the importance of selfies. The artist and engineers talked about selfies as well and
they did not leave that criteria out. The first presentation was more obvious because the
pieces were larger. She thought the surface beneath the sculpture could have an effect
on children as it could be made a labyrinth or an element to attract more people. Mr.
Slocombe commented all elements have to be reviewed in context. The piece has to fit
in place and make sure the context works and that is why it is important to have team
members present so they can communicate. Mr. Gross advised the City is making
changes to the site, the plaza does not look like that now and some elements were
changed for security and the City has to ensure when visitors come to the site, they are
safe. Some elements are evolving and the developer needs to know so they can
incorporate the pieces.
Ms. Oyer asked what would occur if the piece was delivered and it was hot. Chair Weiss
understood the piece would not be hot. Mr. Groff advised it was not supposed to be hot.
Ms. Coles-Dobay had lots of question about his work. Mr. Ardaman did say he was going
to do the heat calculations to verify the cooling of the tubes. If it failed, the City could go
back to the second choice.
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Ms. Zell explained the piece could be used for social media engagement. individuals
could take selfies and post them and it attracts people. Ms. Huff thought they could work
together with a local community greening that could provide shade. Ms. Louis wanted all
to be mindful of the location. She did not see people coming to hang out in front of City
hall. She preferred a wild look and loved the Reef piece. She understood the location
was not appropriate but pointed out the Reef could be in another location.
Ms. Coles-Dobay held the double scores that Ms. LaVerriere and Mr. Slocombe provided
and announced Synersthesia had 6 and the Reef had 4. With the double scores and the
statements, the piece that would be in front of City Hall, Synersthesia was preferred and
the Reef was preferred in front of the Schoolhouse Children's Museum, which would give
Synersthesia additional scores.
The members raised their hands for Synersthesia had 8. The Reef had 7. Ms. Coles-
Dobay collected the score sheets.
Chair Weiss explained a motion to approve Mr. Gialanella as a public artist and the project
concept was needed.
Ms. LaVerriere commented regarding an Urban Conga piece where youth were hitting a
flat surfaced piece and asked if they would only build that for one location and if it could
be replicated elsewhere. Ms. Coles-Dobay explained the pieces were given as examples
and typically they are not mass produce them. Usually the piece is created just for an
entity. Mr. Swanson tried to show what he could do with open elements. Each piece is
an evolution based on what the team wants. Many artists want to have a concept and
work with the team to develop it.
Motion
Ms. Louis so moved. Ms. Huff seconded the motion that unanimously passed.
A question was posed if the Board could vote that they liked the other piece too and if
they have the budget for it, they could have another vote.
Ms. Coles-Dobay explained it will come back to the Board. The Arts Commission refers
to the next artist in line if the selected artist(s) cannot meet the project or the budget. Mr.
Groff will try to keep everyone engaged and advised the site plan is evolving.
X. UNFINISHED BUSINESS
A. NONE
I. FUTURE BUSINESS
12
Meeting its
its Commission
Boynton Beach, Florida October 119 2018
• Nov. 8 - Old High School/Kapok Tree Courtyard and Gardens concept
presentation
• Nov. 8 - Kinetic Art review Ralfonso's kinetic art concept proposal for Town
Square
• Nov. 8 - New Fire Station public art criteria and call to Emerging Local artists
X111. ADJOURNMENT
There being no further business to discuss, Chair Weiss adjourned the meeting. At 8:38
P.M.
clhu'l
Catherine Cherry
Minutes Specialist
13