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Agenda 09-15-22 City of Boynton Beach Art Advisory Board Agenda Thursday, September 15, 2022, 6:30 pm IN PERSON MEETING Boynton Beach City Commission Chambers 100 East Ocean Ave, Boynton Beach, FL 33435 Listen Only Via Zoom https-Hu s06web.zoom.us/j/85925578086 Meeting ID: 859 2557 8086 19292056099 Art Advisory Board Members Kelli Martin, Chair Clovis Moodie, Vice Chair Cynthia Alexis, Board Member Courtlandt McQuire, Board Member Phyllis Pacilli, Board Member Ace Tilton Ratcliff, Board Member Sam Velazquez, Board Member Ellen Jones, Alternate Gregory Hartmann, Alternate City Staff Glenn Weiss, Public Art Manager Veronica Inberg, Public Art Coordinator Catherine Cherry-Guberman, Minutes Specialist I. Call to Order a. Roll Call b. Excused Absence Requests c. Appointment of alternate(s) for absent member(s) d. Agenda Approval or Amendments II. Approval of Minutes Motion: August 8, 2022 meeting minutes are approved as written or amended. (Ex. A) III. Informational Items from the Board IV. Public Comments Boynton Beach Art Advisory Board Agenda, September 15, 2022 Page 1 V. Announcements/Reports/Presentations A. Exhibitions a. Boynton Library Quilters (1St Floor) and aZul Fashion (2nd Floor) b. Izel Vargas artists talk on September 30, 2022. B. Grants / Fundraising a. SouthArts for Heart of Boynton Unity: Shortlisted. b. State of Florida Program Grant: Score of 92. c. Marcia Levine hired to secure Kinetic Sponsorship C. Upcoming Opportunities a. Sign Up to Sell Work at Affordable Holiday Exhibit: Opens on Nov 18 b. Stencil Artist List c. Curators for Arts & Culture Center Exhibitions d. Loan Artworks to City Facilities including the Mayor's Office D. AiPP and Private Development. See 9-15-2022 Update Report (Exhibit B) VI. Action Items Approval of Artist and Alternate Artists for the Solid Waste Drivers Project Motion: Based on the recommendation of the Solid Waste Drivers Artist Selection Committee, Gary Moore is approved as the artist and Occupy Vacancy (Andre Fuqua, Brianna McIntyre) is approved as the alternate artist. (Exhibit C) Approval of Mural Design on Gator State Storage (Formerly Buckeye Storage) (Ex D) Motion: The mural design is approved at presented for Gator State Storage at 860 W Industrial Ave. (Exhibit D) Approval of Artist and Mural Design for Delray Beach Pawm Motion: Artist Kristin Pavlick and her mural design for Delray Beach Pawn at 3377 N. Federal Hwy, Delray Beach is approved as presented. (Exhibit E) Approval of Pubilc Art Fund Support for Mural at Delray Beach Pawn) Motion: The Art Advisory Board recommends and supports the expenditure of$5,000 from the Public Art Fund for the mural at Delray Beach Pawn after verification that the artist was paid $15,000 for the completed mural. (Exhibit E) Recommendation of Art in Public Places Guidelines Amendments: Property Owner Guidelines Section. ( Legal Approved the Document. ) Motion: The Property Owner Guidelines amendments to the Art in Public Places Guidelines are recommended to the City Commission for adoption. (Exhibit G) VII. Old Business Selection of Artworks for the 2023 Kinetic Biennial (Exhibit F) BoyntonArts Logo (Ex. H) Boynton Beach Art Advisory Board Agenda, September 15, 2022 Page 2 VIII. New Business None IX. Future Agenda Items None X. Adjournment Attached Items Exhibit A: August 8, 2022 Regular Meeting Minutes Exhibit B: Private Development Update Exhibit C: Artist and Alternative Artist for Solid Waste Drivers Project Exhibit D: Gator State Storage Mural Exhibit E: Delray Pawn Mural Exhibit F: Kinetic Artworks Exhibit G: AiPP Guideline Amendments Exhibit H: BoyntonArts Logo Notice If a person decides to appeal any decision made by the City Commission with respect to any matter considered at this meeting, he/she will need a record of the proceedings and, for such purpose, he/she may need to ensure that a verbatim record of the proceeding is made, which record includes the testimony and evidence upon which the appeal is to be based (F.S. 286.0105) The City shall furnish appropriate auxiliary aids and services where necessary to afford an individual with a disability an equal opportunity to participate in and enjoy the benefits of a service, program or activity conducted by the City. Please contact the City Clerk's Office (561)742-6060 or (TTY) 1-800-955-8771, at least forty eight hours prior to the program or activity in order for the City to reasonably accommodate your request. Additional agenda items may be added subsequent to the publication of the agenda on the City's web site. Information regarding items added to the Agenda after it is published on the City's website can be obtained from the office of the City Clerk. The Board (Committee)may only conduct public business after a quorum has been established. If no quorum is established within fifteen minutes of the noticed start time of the meeting, the City Clerk or her designee will so note the failure to establish a quorum and the meeting shall be concluded. Board Members nay not participate further even when purportedly acting in an informal capacity. Boynton Beach Art Advisory Board Agenda, September 15, 2022 Page 3 FY22 PRIVATE DEVELOPMENT Future Public Art, September 12, 2022 EXHIBIT B Milaflor Apts - - u. h P: y Blvd MOW „ t Sly Neurobehavioral Hospital Buckeye Storage Family Medical Boynton Office Oakwood Square n d /Villages & Hyperion z n Ch Bvd 115 N Federal � v Shalimar Apts. Broadstone Apts 0 an Tropical Island C o1 i ght Pw r n B E 18th Riverwalk ff Bethesda Hosp. WXEL/PBS tik0i Pawn Shop to n ; ~. *Artwork Approved Artist Selection in Process Future Public Art Possible Murals Art in Public Places,City of Boynton Beach, FY 22 FY22 PRIVATE DEVELOPMENT Future Public Art, September 12, 2022 EXHIBIT B WXEL/PBS Cultural Arts Center Boynton Beach Office Condo 3401 South Congress Avenue 1102 N. Federal Hwy& M L King Blvd. Owner has proposed sculpture location Owner agrees to new location. No approvals. Tropical Island Restaurant 115 N. Federal Development 126 W Boynton Beach Blvd 115 N. Federal Hwy & Ocean Ave, NW corner Considering a Mural Development proposal approved by City Commission. In discussion. Family Medical Office 1101 N Congress Ave in front of Boynton Beach Shalimar Apartments Mall 3520 W. Boynton Blvd & Knuth Rd Owner would like to commission a green Development proposal approved by wall. No date for art selection process. City Commission 7/5/2022. In discussion. Riverwalk The Villages E. Woolbright Road and Intracoastal 405 E Ocean at 3rd Street Light sculptures and parking garage grill. Development proposal approved by Art sites, artist & artworks approved. City Commission. In discussion on art Artist Mark Fuller. Project Over Budget. Attempting to Resolve Hyperion Apartments Ocean Ave and Federal Neurobehavioral Hospital of the Palm Beaches Development needs Commission approval. In 4905 Park Ridge Blvd at Beta Dr discussion on art. Mural. Art site, artist and artwork approved by Art Board Buckeye State Storage Artist: Kolo Collaborative. Mural Completed 860 W Industrial Way Voluntary Mural to Be Reviewed at Sept 15 Oakwood Square at former Pier One Imports Miraflor Apartments 320 N. Congress Ave, north of W. Boynton Blvd 3491 N. Seacrest Blvd at Mentone Rd. Seating Design. Art site, artist and artwork Owner to hire artist for Bus Shelter approved by Art Board. Artist: Andrew Kovacs, OK Office, Los Angeles Town Square Apartments Artwork 80% complete Apartments at Boynton Beach & Seacrest Just beginning P&D process. Broadstone Apartments 212 S Federal Hwy & SE 2nd Ave Art site selected and approved. Art selection DONATION TO PUBLIC ART FUND discussions in October. Publix Distribution Center Baptist Health, Bethesda Hospital East 5500 Park Ridge Blvd 2815 S Seacrest Blvd & 26th Ave SW Development proposal approved by City Com- Staff discussion without action. mission on May 17, 2022. Publix to donate the full 1%to the Public Art Fund Art in Public Places,City of Boynton Beach, FY 22 EXHIBIT C T?1TY°FCall to Artists 0E�A c H Boynton Beach Solid Waste Truck Drivers, 2022 ° a CIPV OF 80YNTON BEACN PUOtIC ART Call to Artists for Recognition of Boynton Beach Solid Waste Truck Drivers Application icatiea line Extension. Due: ,duly 7, 2022 at 5:00 PIVI, EDT The City of Boynton Beach Public Art Program seeks an artist or artist team to create an online and physical artwork to recognize the work of Solid Waste Truck Drivers in the City of Boynton Beach. Boynton Beach manages its own fleet of around 42 vehicles and drivers to pick up all the residential & commercial waste and recycling in the City of 80,000 people. Generally each driver works a standard set of routes and connects with neighbors and businesses. The drivers as the group see absolutely every City street at least twice a week and carry the City's service to everyone. Much of the staff of the Solid Waste department are current or former residents of Boynton Beach. From their families, personal histories and daily routes, they can have a strong connection to the people that live or work here - especially within the Black, Caribbean and Hispanic communities. The Boynton project is inspired by previous art �I ,� fiery projects that gave dignity to the work and stories of everyone. In 1979-80 with "Touch Sanitation", New York City artist Mierle Laderman Ukeles met over 8,500 employees of the New York Sanitation I. . ... � r„t; Department, shaking hands with each of them and ';t saying, "Thank you for keeping New York City alive". She documented her activities on a map and meticulously recorded her conversations with the Figure r: ukeles listens In NYC workers. https://www.wikiart.org/en/mierle- laderman-ukeles/touch-sanitation-1980 In 2003, Storycorps opened a booth in New York's Grand Central Station to record one person interviewing another person. As of 2022, the stories of over 300,000 have been }' recorded and deposited in the Library of Congress. https://storycorps.org/ Figure 2: Storycorps trailer in Gainesville, FL Boynton Beach Public Art Program City Hall, 125 East Ocean Ave, Boynton Beach, Florida #boyntonarts boyntonarts.org publicart@bbfl.us 561-742-6757 Glenn Weiss, Manager. Veronica Inberg, Coordinator 1 EXHIBIT C T?1TY°FCall to Artists 0E�A c H Boynton Beach Solid Waste Truck Drivers, 2022 ° a CIPV OF 80YNTON BEACN PUOtIC ART In 201 1 , French artist jR invented the Inside Out Project to bring communities together by displaying large photographs of everyone. As of 2022, more than 2,000 communities in 138 countries have displayed the photographs of 400,000 on the walls and streets of their cities including Boynton Beach in 2016. https://www.insideoutproject.net/ j, Figure 3: Inside Out in Hallendale, FL The Boynton Beach Project I � The City of Boynton Beach has no specific requirement of artistic media or p q format for the Solid Waste Truck Driver's project except that the artist(s) 77 r� create a permanent presence online and in public space of Boynton Beach. The sample online presence could be audio u recordings, video recordings, images rx with captions, textual quotes or - f statements poster or sticker designs 74 graphic novella, etc. The presence in FI =' L� public spaces could be in the format of �� `` " .Al street signs, the mosaics, sidewalk imprints, light projections, image/text �� . plaques, truck modification, etc. Figure 4 LJ and Jamie in Boynton In addition to producing the artwork, the artist(s) will provide the minimum following services: • Meet and talk with every employee in the solid waste department. • Do a ride-along with multiple drivers • Take cellphone photography of the interaction with drivers. (Not comprehensive) • Send images to the public art staff for consistent social media posting during the research and development. • With the assistance of the City of Boynton Beach, develop and participate in a public event to unveil the final results with the solid waste truck drivers and other staff. The artist(s) are free to expand the social engagement with the Boynton Beach community and, if agreed by truck drivers, with their family and friends. Boynton Beach Public Art Program City Hall, 125 East Ocean Ave, Boynton Beach, Florida #boyntonarts boyntonarts.org publicart@bbfl.us 561-742-6757 Glenn Weiss, Manager. Veronica Inberg, Coordinator 2 EXHIBIT C NT?1TY°FCall to Artists 0E�A c H Boynton Beach Solid Waste Truck Drivers, 2022 ° a CIPV OF 80YNTON BEACN PUOtIC ART Approval Process Once the artists have been selected, the artist(s) will develop a written and illustrated proposal with a budget. The proposal will be presented to the Art Advisory Board for approval after review by Solid Waste staff. At some point, the artist(s) will develop the specifics of the artworks such that the specific creations can be approved by the Art Advisory Board prior to completion or fabrication. The specifics must be presented to the solid waste truck drivers and staff for approval, too. Desired Qualifications • Talented artist or artist team with experience in completing community-based projects. • Artistic skill in gathering, interpreting and presenting the thoughts, lives or stories of people. • Sufficient time and ways to be in Boynton Beach to interact and to engage with the solid waste truck drivers and select public space of the City. • Knowledge of the cultural traditions and circumstances of diverse communities similar to those living in Boynton Beach. Eligibility • Must be a US citizen or green card holder. • Must be able to secure general commercial liability insurance for the term of the contract. Ineligibility • Members, immediate family members and business partners of the members of the Art Advisory Board. • Members of any City of Boynton Beach advisory board or City Commission. • Employees of the City of Boynton Beach. Extra Consideration • To expand the diversity of artists creating work in the City of Boynton Beach, artists that have not been previously commissioned for public art with the private developers or the City under its Art in Public Places program. • Artists with life experiences with the diverse ethnic and cultural communities of Florida including but not limited to African Americans, Caribbean Americans and Hispanic Americans. Compensation The artist or artist team will be paid $20,000 for the required artistic services including all travel. Schedule The work will begin in August/September 2022 and complete prior to March. Boynton Beach Public Art Program City Hall, 125 East Ocean Ave, Boynton Beach, Florida #boyntonarts boyntonarts.org publicart@bbfl.us 561-742-6757 Glenn Weiss, Manager. Veronica Inberg, Coordinator 3 EXHIBIT C NT?1TY°FCall to Artists 0E�A c H Boynton Beach Solid Waste Truck Drivers, 2022 ° a CIPV OF 80YNTON BEACN PUOtIC ART On-Site The artist must be onsite for original discussions with Solid Waste staff, ride-alongs with drivers, discussion of final proposal and for the unveiling of completed project. Many meetings and discussions can be virtual. Copyright The artist will retain the copyright to finished work(s) and grant the City rights to reproduce the images or recordings of finished work(s) for non-commercial and publicity purposes including posting on City websites and social media. The artist also grants the City the right to use the images or recordings to repair the artwork online or in public space. Ownership The artist will own all elements of the research and the City will own the finished works. The artist will provide copies of elements of the research for the records of the City. Like most City documents, the research could be made available to the public. If the artist wishes to reproduce the finished works, then the artist Application Submit the following to Public Art Coordinator at .publicart@bbfl.us by 5:00 PM EDT, July 7, 2022. 1 . PDF of Cover Letter with brief artist statement, artist contact information, artist website and one social media address, and, regarding design collaboration, two references with phone numbers and emails. 2. PDF of Resume 3. PDF of 15 images of relevant artwork or projects in horizontal format. Must have a minimum of five unique works or public art projects. Any explanatory text should be in the PDF. See sample image below. Be simple. 4. Optional: Links to 3 Videos of 3 projects 1111111.11.1 M'' n 9 CIRc11 k to type Prolect Title,kear xx_ hr[kt Guarnmm Eco Park,Boynton Beach,2021 Page l Boynton Beach Public Art Program City Hall, 125 East Ocean Ave, Boynton Beach, Florida #boyntonarts boyntonarts.org publicart@bbfl.us 561-742-6757 Glenn Weiss, Manager. Veronica Inberg, Coordinator 4 EXHIBIT C NT?1TY°FCall to Artists 0E�A c H Boynton Beach Solid Waste Truck Drivers, 2022 ° a CIPV OF 80YNTON BEACN PUOtIC ART Questions: Veronica Inberg, Public Art Coordinator, pu licar @ l.us, 561 -742-6757 Addendum k V „7 z: Figure 5: Inside Out Boynton Beach Teens in 2016 Figure 6: Ukeles thanks Sanitation Drivers in 1980 r �7 VA /! �f �f lI, { Itl � � f h Figure 7: The City Big Blue Trucks Boynton Beach Public Art Program City Hall, 125 East Ocean Ave, Boynton Beach, Florida #boyntonarts boyntonarts.org publicart@bbfl.us 561-742-6757 Glenn Weiss, Manager. Veronica Inberg, Coordinator 5 EXHIBIT C Solid Waste Truck Drivers Art Selection Panel City of Boynton Beach Solid Waste Truck Drivers Art Selection Panel Wednesday, August 24, 2022 11:00 AM IN PERSON MEETING and ZOOM Boynton Beach City Hall, 3'd Floor Conference Room 100 East Ocean Ave, Boynton Beach, FL 33435 MINUTES Selection Panel: In Attendance Joe Matthews, Solid Waste Division Ace Tilton Ratcliff, Art Advisory Board (By ZOOM) Cynthia Simmons, Artist Glenn Weiss, Public Art Yimarie Rivera, Cultural Arts John Cane, Solid Waste Division City Staff Management Veronica Inberg, Public Art Coordinator Ace Tilton Ratcliff called the meeting to order at 10:15 am. The agenda and the August 3, 2022 minutes were approved. No declaration of conflicts of interest between panelists and applicants. Weiss reviewed the process and criteria for scoring the artists. Selection for Interviews After a review of all materials submitted by applicants and online links, each panelist scored the artists. Cynthia Simmons moved and John Cane seconded the following. Motion: Gary Moore, Mat Tomersko, Miguel Yurrita and Occupy Vacancy (Andre Fuqua, Brianna McIntyre) are invited to be interviewed for the public art commission for the Solid Waste Truck Drivers Project. The motion passed unanimously. The meeting adjourned at 12:45 pm. 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BOYNTON BEACH, FL. 33483 _-- Applicant Name: LEIEJOSEPHSON _—_--_--------------- Applicant Email Phone:--§s1.750.6744 Submission hone:_ 5s1.750.6744Submission Date: 09108a2—_—_--__ Proposed Installation Date: Upon City Approval.Anticipating materials to be submitted for September's Art Advisory Property Owner's Owner's Name:3377 Delray Beach Investments -----_--^—_------_— Owner's Contact Person LEE JOSEPHSON —_----__ Email 1ee@dlamondsbyraymondlee.com— Business(es) on the Property:DELRAY BEACH PAWN---------_—_—_—_---_—_--_— Artist Name: KRISTIN PAVLICK -------------- Artist Website: kristinpaviick.00m--------------- Artist Email:info@kristinpavllckcom _----—_—_ Artist Phone • (484)880.3360 ---W_—`rr_--_— Mural Location:—_FRONT 1 BACK 1 SIDES OF BUILDING —_--_._._.__�_-----------------_—_--- (Example: Southern wall facing Ocean Ave) Mural Type: PAINTED _--------_--^-- (Example: Painted) Mural Mated al:_Culmination of Molotow and PPG products(to include pressure washing,priming,and sealing) _—_—_._�,_— (Example: Sherwin Williams Exterior UItra) Underlying Surface: STUCCO AND CEMENT ----------_----------- (Example: Painted stucco on concrete block) Mural Lifespan: i0 YEARS------_—_--.__...--_.._- By signing, the property owner agrees to the application and will abide by the Mural Guideli s Signature of Property Owner Date of Signature Adopted Feb 15, 2022 Boynton Beach PubliA�UI.vc)P,. 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EXHIBIT F Kinetic Applicants 7-Sep-22 Artist Location Indoor/Outdoor Web Web CRAFTS/SALES Rob Ives Activity https://robives.com/ JBV Creative Purchase https://jbvcreative.com/ INDOOR Alice Lee UK Indoor https://www.paralielpoint.net/automata Bruce Shapiro Minneapolis Indoor https://www.instagram.com/sisyphus_industri Carlos Rancano Florida, Miami Indoor Diego Ruiza Costa Indoor Glen Farley Indoor https://vimeo.com/310778120 Guy Beckles Florida, Boynton Indoor Jim Bond UK Indoor https://www.instagram.com/p/CKOSciAn2j7/ Jose M.Arellano Florida, Miami Indoor https://www.instagram.com/p/B5awp6aHzBy/ Karolina Masziewicz California Indoor Kell Csalad Hungary Indoor https://www.youtube.com/watch?v=g4S5QED Ken MacBain Indoor Land Art Generator Worldwide Indoor Lu Lyu New York&China Indoor Michelle Drummond Florida, Delray Indoor Mohamdreza Yazdi Iran Indoor https://www.instagram.com/yazdi_sculptor/? Randall Cleaver Indoor Ryan Buyssens Florida,Sarasota Indoor https://www.youtube.com/watch?v=Mdb5RV Sean DeFreitas Florida, Pompano Indoor Sean Ward Kansas Indoor Sterling Rook Miami Indoor Tom Brewitz Florida, Boynton Indoor Walter Rossi Italy Indoor http://www.artwalterrossi.com/ Wuilfredo Soto Florida, Miami Indoor OUTDOOR Alice Lee UK Outdoor https://www.uncommongoods.com/product/ Amos Robinson California Outdoor https://amosrobinson.com/ride-the-wind-road Barry Martin UK Outdoor https://www.barrymartin.co.uk/ Daniele Frazier Brooklyn Outdoor https://www.danielefrazier.com/the-giant-flo Daniele Frazier Brooklyn Outdoor Debbie Mostel Florida, Palm Beach Outdoor Frank Hyder Florida, Miami Outdoor Ivan Black UK Outdoor https://vimeo.com/232466826 Joseph Choma Florida, Boca Outdoor https://www.instagram.com/josephchomades Lin Emery (Owner, Palm Beach) Outdoor Neon UK Outdoor Paul Daniel Maryland Outdoor lhttps://www.youtube.(https://www.youtube.( Sinisa Kukec Florida, Miami Outdoor https://www.instagram.com/p/CgkjhxlDSfm/ Sterling Rook Florida, Miami Outdoor EXHIBIT F Kinetic Applicants 7-Sep-22 Artist Location Indoor/Outdoor Web Web CHASING Rintala Eggertsson Arch Norway Outdoor https://ri-eg.com/Projects Dadang Christanto Indonesia Outdoor https://www.picuki.com/media/29057603837 Akiko Utsumi Japan Outdoor http://akikoutsumi.net/?p=62 lugufelo Florida,West Coast Outdoor htt s: lu ufelo.com index. h ast- ro osal BreakfastNY Brooklyn Indoor https://breakfastny.com/works REJECTED Laura Freeman Maine Indoor Linda Stevenson Indoor Neeraj Gupta India Indoor EXHIBIT G City of Boynton Beach Public Art Program Draft Art in Public Places Guidelines for Property Owners Draft April 20, 2022 (Minor Updates on September 12, 2022) 100529852.1 306-9001821} EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Introduction On October 5, 2005, the Commission of the City of Boynton Beach adopted Ordinance 2005-060 that created the Art in Public Places program establishing a public art requirement on most new and renovation construction projects exceeding $250,000 in value. In 2020, the program was confirmed through ordinance 2020-16 codified in the Code of Ordinances Chapter 27, Article II, Art Advisory Board. In the event that any provision of this public art guidelines limits, qualifies in error or conflicts with a provision of aforementioned enabling ordinances, such provision of the ordinances shall control. In the event of a question involving the provisions of any part of these guidelines,interpretation and clarification as necessary shall be determined by the Public Art staff. The following public art guidelines have been prepared for property owners constructing or remodeling a building or adding murals on existing structures. Boynton Beach strongly recommends that the property owner meet very early in the project planning process with the Public Art staff. As discussed in the guidelines,the property has a choice to pay the Art in Public Places fee or install public art on their property. If installing art,the guidelines provide the entire process,requirements and forms to satisfy the public requirements in Boynton Beach. The "Frequently Asked Questions"provide a basic understanding of the issues and process. The FAQs are followed by specific guidelines and various resources to assist in completing the process. The Art in Public Places program is managed by the Public Art staff with assistance from Planning and Zoning Division and the Building Official. All public art that satisfies the Art in Public Places program must be approved the Art Advisory Board. City of Boynton Beach 100 E. Ocean Ave, Boynton Beach, Fl 33435 www.boynton-beach.org Tyrone Penserga, Mayor Angela Cruz, Vice-Mayor Woodrow L. Hay, Commissioner Thomas Turkin, Commissioner Aimee Kelley, Commissioner Jim Stables, Interim City Manager Kathryn Matos, Assistant City Manager Glenn Weiss,Public Art Manager Art Advisory Board Kelli Martin, Chair Clovis Moodie, Vice-Chair Sam Velazquez, Cynthia Alexis,Phyllis Pacilli, Courtlandt McQuire and Ace Tilton Ratcliff Alternates: Ellen Jones and Gregory Hartmann 100529852.1306-9001821} Page 1 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Art in Public Places Guidelines for Property Owners Table of Contents Introduction 1 Table of Contents 2 Key Information 3 A Significant Choice on Public Art Cost of Compliance with Art in Public Places Construction Project requiring Art in Public Places Frequently Asked Questions 5 Art in Public Places Process 7 Process Checklist: Planning & Zoning, Building Department or No Art Paying for the Art Site Plan Artwork Qualities Artwork Budget Professional Artist Qualifications Artist Selection Assistance Public Art Proposal and Review Criteria Final Installation and Final Approval Post-Installation 18 Public Art Promotion 19 Contacts and Resources 19 Murals Mural Guidelines 20 Forms Art in Public Places Choice Owner's Project Information Proposed Artist Cover Sheet Artwork Proposal Cover Sheet Final Artwork Information 100529852.1306-9001821} Page 2 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program A Significant Choice: Enhance Owner's Property or Contribute to Public Art Fund Each property owner that is constructing a new or renovated building, that falls under the Art in Public Places program, has a significant decision regarding compliance with City code. Choice #1: Purchase and maintain public art on the property Choice #2: Make a contribution of 70% of 1% of the construction value to the Public Art Fund The City recommends the owner make the choice before or during the staff review process of the Major or Minor Development Application with the Planning&Zoning Division(aka DART). Legally, the owner can decide at any point in the planning, design and construction phases to place public art or make a contribution. Later decision-making to install public art may require modifications to the approved site plan or building permits. What is the Cost of Compliance with Art in Public Places? Overall, a qualifying construction project must pay or spend 1% of the total construction value. The cost is divided in two. 1. Payment of 30% of the 1% (0.003 x construction value) at the time of the issuance of any permit for building, demolition, signage, etc. 2. Payment of 70% of the 1% (0.007 x construction value) or the installation of approved public art costing the same amount prior to the issuance of the final certificate of occupancy. 100529852.1306-9001821} Page 3 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Construction Projects requiring Art in Public Places Generally, any addition,renovation or new construction, except for single-family and two-family in-fill houses,with a total construction cost greater than $250,000 must participate in the program. Here is the full list of exceptions from the City code. 1) Remodeling,repair or reconstruction of structures damaged by fire,flood,wind, earthquake or other calamity determined by the City of Boynton Beach building official. 2) The percent of the project dedicated to affordable housing as defined by the City of Boynton Beach. 3) All projects which were submitted prior to or on October 5, 2005,notwithstanding any subsequent request for site plan extension. 4) Single-family and two-family in-fill housing. 5) Normal,routine maintenance including replacement of existing damaged or failing structural or non-structural elements, HVAC,plumbing, electric, or fire detection/suppression equipment of a project not associated with an addition,renovation or new construction. 6) Remodeling,repair,reconstruction, or additions made after October 5, 2005 to any existing amenity, clubhouse,building,pool,park,playground and/or common area element located within an existing private residential development. This specific exemption applies retroactively to October 5, 2005. Determination of Value The value of the construction is determined by the Building Official and the value includes all work for a particular construction project even if the permits are pulled at different times by different contractors. Except for the purchase of the land and soft costs such as architectural fees, the value includes everything from demolition or site clearance to the monument sign and landscaping. Affordable Housing (Number 2 Above) The construction value for the AiPP fees for developments with affordable housing units is the total construction value times the percentage of market-rate housing in the development. (Total Construction Value times Market Rate Units/Total Number of Units) Affordable housing units meet HUD low- income definitions. Single and Two-Family Houses (Number 4 above) The exception is only for an individual single or two-family house. The exception does not apply to the development of a site with multiple houses even if the houses are built at different times under different permits. Routine Maintenance (Number 5 above) If the change is voluntary and not initiated due to damaged or failing elements, then the construction project is not routine maintenance. Amenities in existing Residential Developments (Number 6 above) The exception does not apply to the complete demolition of an existing amenity for the construction of a completely new version of that amenity. 100529852.1306-9001821} Page 4 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Frequently Asked Questions What is public art? In general,public art is artwork displayed in publicly accessible places and buildings. Up until the mid-20th century,public art such as sculptures, mosaics, carvings and handmade building elements were normal parts of a building. To restore the lost aesthetic qualities,more than 500 American states, counties and cities have required public art in public and/or private construction. Today,public art has come to mean traditional sculptures and murals,plus the full range of things made by artists for buildings, streetscapes and landscapes. Who manages the Art in Public Places program? The Public Art Program of the City of Boynton Beach manages the Art in Public Places program. An appointed citizen committee, the Art Advisory Board, approves artwork proposals and final artworks on private property. What qualifies as public art? For this program, the public art can be many kinds of artistic creations by a professional artist. The Art Advisory Board evaluates the artist first, then the artwork. In general, these artists must have experience in public art and be recognized via museum exhibitions,publications and other cultural institutions. Reproductions of original artwork,unlimited copies or mass-produced art objects do not satisfy this program. No matter the quality,items designed by the architects or other designers on the construction project will not satisfy this program. What types of public art does the City prefer? The first criterion for any public art is the finest artwork available that is appropriate to the particular location. The City wishes to enhance its international reputation for kinetic art,its reputation for sustainability and the public art made by the full range of artists from the ethnic communities of south Florida. What construction projects must pay the art fee or install artworks? Generally, except for single-family and two-family in-fill houses, any addition,renovation or new construction with a total construction cost greater than $250,000 must pay the fee or install artworks. Other exceptions exist for rebuilding after disasters, affordable housing,routine maintenance and renovations to residential community clubhouses. See page 4 for more detail. How much will the program cost the property owner? The owner will need to spend 1% of the total construction value. The cost is divided in two. 1. Payment of 30% of the 1% (0.003 x construction value) at the time of the issuance of any permit for building, demolition, signage, etc. This payment funds the overall administration of the program. 2. Payment of 70% of the 1% (0.007 x construction value) or the installation of approved public art costing the same amount prior to the issuance of the final certificate of occupancy. 100529852.1306-9001821} Page 5 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Is the property owner required to have public art on their property? No, the developer may contribute the entire art fee to the Public Art Fund for artworks on public land in the city. The Art Advisory Board will create a plan of future artworks and locations for approval by the City Commission. If the owner wants artwork,where is the artwork located on the property? The public art must be located such that it is readily visible with lighting and fully accessible 24 hours a day to pedestrians and vehicles without significant visual interference by signs,poles, trees,parked vehicles and other objects. The artwork(s) locations should be proposed by the owner and then must be approved by Planning &Zoning and the Art Advisory Board. In the guidelines,the City has established suggested locations for artworks in the downtown including Federal Highway, Ocean Ave, Boynton Beach Blvd, FEC Railroad and ML King Jr Way. How does artwork on private property get selected? First, the property owner should meet with Public Art staff and discuss the project as early as possible in the planning and design process. Issues of sites, costs and artwork quality will be discussed. Once agreed and a site(s) determined, the property owner can choose from two methods. The owner can ask the Public Art Manager to issue a call to artists or the owner can propose directly an artist or work of art. In both cases, the Art Advisory Board and the owner must approve the final result. What if the property owner and the Art Advisory Board cannot agree on an artwork? If no agreement is reached on the artworks, the property owner can end the selection process and contribute the art fee to the Public Art Fund. Or the owner can appeal the decision to the City Commission on the grounds that the proposed artwork does satisfy the adopted guidelines of the City's Art in Public Places Program. How much time does the owner have to propose and to install artworks? The artwork must be installed prior to the issuance of the certificate of occupancy. The City recommends that the owner starts during the design process to propose an artist(s),public art and site design. Does the public art affect the certificate of occupancy? Yes. In unique circumstances, the CO may be issued if the artwork is nearly finished,but not installed. An extension can be granted. If the artwork is not installed within the extension,then the failure is a code violation. Who owns the artworks? The property owner. Who is responsible for the maintenance of the artwork? The property owner. 100529852.1306-9001821} Page 6 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Art in Public Places Process 100529852.1306-9001821} Page 7 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Art in Public Places Process with Planning & Zoning The checklist is provided for every property owner that chooses to satisfy the Art in Public Places requirement on their major and minor development projects. The checklist is a guide. ❑ REVIEW PUBLIC ART IN BOYNTON: At boyntonarts.org, see the public art in the City. ❑ P&Z PRE-APPLICATION CONFERENCE: At the informal pre-application conference with the Planning and Zoning staff,the Art in Public Places program will be discussed and the Art in Public Places Property Owner's Guidelines will be provided. The owner is encouraged to choose as soon as possible between 1.)providing public art on the property or 2.)paying an art fee in- lieu of placing artwork on the property. ❑ PUBLIC ART STAFF MEETING: If the owner is considering or planning public art on the property, the public art staff is available to discuss options and process for public art prior to extensive site design or building design. ❑ P&Z DART APPLICATION REVIEW*: With the major or minor development application to the Planning and Zoning Division, the owner should complete the Art in Public Places form and designate a choice of public art on the property or payment of the art fee. If choosing public art on the property, the P&Z submittals should show the public art location(s)on the site plan, landscape plan,photometric plan (and elevations if applicable), and a general description of artwork type. The location and visibility require the approval of the Art Advisory Board. (See page 11, Site Plan) ❑ BUILDING PERMIT APPLICATION: With the permit fees prior to the start of construction, the owner will pay the 30% of 1% of construction value of each permit as determined by the Building Official. Any foundations, lighting, and landscaping drawings will be reviewed by Public Art staff for compliance with the approved proposal and these guidelines. ❑ ARTIST SELECTION: The owner should select an artist(s) and present artist qualifications to Art Advisory Board for approval. The owner can request that the Public Art staff issue a Call to Artists to solicit artist applications. ❑ ARTWORK PROPOSAL APPROVAL: The artist and owner's team should prepare a public art proposal and present it to Art Advisory Board for approval. The proposal includes detailed colored illustrations and a description of public art in a Public Art Proposal. (See page 15.) ❑ FINAL APPROVAL: The owner will inform the Public Art staff of the installation of public art, site elements and plaque on the property and submit final documentation of artwork, maintenance plan and proof of expenditure. After the on-site review of artwork by representatives of the Art Advisory Board,the Art Advisory Board will evaluate if the finished work matched the approved public art proposal. ❑ CERTIFICATE OF OCCUPANCY: With final approval by the Art Advisory Board, the final CO can be issued. If the proof of expenditure on public art did not equal or exceed 70% of 1% of the total construction value, the owner will pay the difference as an art fee. Note *: The property owner can determine the location and type of art at a later date,but it may require a site plan modification if determined by the Director of Planning &Zoning Division. 100529852.1306-9001821} Page 8 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Art in Public Places Process thru Building Department Only Art on Property The checklist is provided for every property owner that chooses to satisfy the Art in Public Places requirement on significant interior remodeling not requiring a development application. The City is notified of the project with a building permit application. The checklist is a guide. ❑ BUILDING PERMIT REVIEW FOR PUBLIC ART: The Building Department Intake Staff or the Public Art Manager reviews the building permit application for Art in Public Places requirement. If the construction project does not require public art,then the contractor will not receive a notice of Art in Public Places. If the construction project does require public art,the contractor will receive information and the Choice Document for completion from the building department. The contractor should complete and submit the Choice Document with "Yes,public art on the property" ❑ PUBLIC ART STAFF CONVERSATION: Prior to completing the choice document, the owner can contact public art staff to discuss options and processes. A copy of the Art in Public Place Guidelines for Property Owners will be provided. ❑ ART FEE WITH BUILDING PERMIT(S): With the permit fees prior to the start of construction, the owner or contractor will pay the 30% of 1% of construction value of each permit as determined by the Building Official. ❑ SITE APPROVAL: High visibility of the public art from vehicles and pedestrians is required by ordinance. The site approval application to the Art Advisory Board should include public art location(s) on the site plan, elevations with art if relevant,rendering if available, landscape plan, artwork lighting and a general description of artwork type. (See page 11, Site Plan) ❑ ARTIST SELECTION: The owner should select an artist(s) and present artist qualifications to Art Advisory Board for approval. The owner can request that the Public Art staff issue a Call to Artists to solicit artist applications. ❑ ARTWORK PROPOSAL APPROVAL: The artist and owner's team should prepare a public art proposal and present it to Art Advisory Board for approval. The proposal includes detailed colored illustrations and a description of public art,plus other information in the Public Art Proposal,page 15. ❑ FINAL APPROVAL: The owner will inform the Public Art staff of the installation of public art, site elements and plaque on the property and submit final documentation of artwork, maintenance plan and proof of expenditure. After on-site review of artwork by representatives of the Art Advisory Board,the Art Advisory Board will evaluate if the finished work matched the approved public art proposal. ❑ CERTIFICATE OF OCCUPANCY: With final approval by the Art Advisory Board, the final CO can be issued. If the proof of expenditure on public art did not tally expenditures equaling 70% of 1% of the total construction value, the owner will pay the difference as an art fee. 100529852.1306-9001821} Page 9 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Art in Public Places Process with No Art (In Lieu of Fee) The checklist is provided for every property owner that chooses to satisfy the Art in Public Places requirements by paying the in lieu of fee and not providing public art onsite. The checklist is a guide. ❑ BUILDING PERMIT REVIEW FOR PUBLIC ART: The Building Department Intake Staff or the Public Art Manager reviews the building permit application for Art in Public Places requirement. If the construction project does not require public art,then the contractor will not receive a notice of Art in Public Places. If the construction project does require public art,the contractor will receive information and the Choice Document for completion from the building department. The contractor should complete and submit the Choice Document with "No public art on the property" ❑ ART FEE WITH BUILDING PERMIT(S): With the permit fees prior to the start of construction, the owner or contractor will pay the 30% of 1% of construction value of each permit as determined by the Building Official. ❑ ART FEE WITH CERTIFICATE OF OCCUPANCY: When the Building Official determines that all conditions are met to issue the Certificate of Occupancy, the owner will pay the in lieu of fee equaling 70% of 1% of the total construction value prior to receiving the CO. Paying for Art on the Property As per the ordinance,the owner must pay the 70% of 1% art fee prior to receiving the CO. The owner has two methods to pay the art fee. ART INSTALLED BEFORE THE CO: If the art is completed before the request for the CO from the Building Official,the owner can submit proof of expenditure on the public art that equals or exceeds the 70% of 1% art fee. (See Art Budget page 13) ART INSTALLED AFTER THE CO: If the artwork is not completed or installed at the time of CO, then the owner must pay the 70% of 1% to the City Building Department and submit a letter to the Art Advisory Board detailing the future process and timeline. The City will refund the owner the art fee when they submit proof of expenditure on the public art that equals or exceeds the 70% of 1% art fee. (See Art Budget page 13). 100529852.1306-9001821} Page 10 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Site Plan The owner or owner's representative should meet with the City's Public Art staff to discuss the Art in Public Places program and its relationship to the site plan. The proposed location of the artwork will be evaluated by the Planning &Zoning staff, City Engineer and Public Art Manager during the Development Application or during the amendment to the Application. Site Planning Requirements The ordinance requires that the public art is readily visible day and night and fully accessible 24 hours a day to pedestrians and/or vehicles. Signs,poles, trees,berms,parked vehicles, fences and other objects should not significantly block the view of the artwork. In regards to the site plan,the City of Boynton Beach strongly encourages the following: • Artworks contribute to the urban design of Boynton Beach through the placement 1.)on the property line against the road with the highest amount of traffic, 2.)on the prominent facade or entrance, 3.)in a public pedestrian place used by a large number of visitors, or 4.) a combination of all • The artworks are a prominent and important part of the overall site plan with a real impact on the site and city. Landscape,hardscape, site furnishing and lighting are designed to enhance the public art and make the artworks better appreciated from the public sidewalk or public space. This includes what is in front of and behind the artwork(s). Elements of the Site Plan Submittal The artwork(s) site should be located on an overall site plan. The site plan should include graphic indications of site corridors for the artwork from the street or public spaces. Lighting for the artwork(s) should be indicated. If the artwork is integrated into the building facade or building elements, the relevant building elevations should be included. Special Siting Requirements In the Special siting chapter, the City is working toward priority locations for public art on the Avenue of the Arts/East Ocean Ave and other downtown properties on Federal Highway, Boynton Beach Blvd, Seacrest Blvd. Good siting practices It is recommended that the project designers consider the following: • Artworks backlit by the sun makes photography difficult. • Shade from buildings, trees or even poles can harm the look of the art • Avoid hotspots on lighting on the art • Give the artwork its own space without the clutter of signage, emergency lights, electrical cabinets, etc. • Create a safe location for the photographer(selfie or otherwise). 100529852.1306-9001821} Page 11 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Artwork Qualities The City of Boynton Beach has established definitions and qualities of public artworks that are eligible to satisfy the requirements of the Public Art Ordinance. Eligible Media and Forms of Public Art The public art ordinance identifies the following artwork media and forms. "tangible creations by artists exhibiting the highest quality of skill and aesthetic principles and includes all forms of the visual arts conceived in any medium, material, or a combination thereof,including,but not limited to,paintings, sculptures, engravings, carvings, frescos, stained glass, mosaics, mobiles, tapestries, murals,photographs, video projections, digital images,bas-relief,high relief, fountains,kinetics, collages, drawings, monuments erected to commemorate a person or an event, functional furnishings, such as artist-designed seating and pavers,unique or original architectural elements, and artist-designed landforms or landscape elements." Ineligible Objects. The following do NOT satisfy the Art in Public Places program 1. "Reproductions or unlimited copies of original artwork. 2. "Art objects, which are mass-produced. 3. "Works that are decorative, ornamental, or functional elements of the architecture or landscape design, except when commissioned from an artist or designed as an integral aspect of a structure or site." 4. Artworks that too closely resembles a business logo, trademarks or branding imagery and therefore would a sign. The guidelines encourage 1. unique works of art made specifically for the owner's property in Boynton Beach through direct contracts with the artist(s); and 2. artworks fabricated in the United States of America. The guidelines encourage public art that has the following attributes • Appropriate art for the site with careful consideration of placement, landscaping and other surrounding elements; • Artwork expressing one or more of the diverse cultures of Boynton Beach; • Surprising and unexpected art; • An experience to be in, touch or interact with; • A powerful impact on the city through size,prominent location,image, and/or multiple artworks; and • Museum-quality public art that is of high quality, approachable and inspiring. 100529852.1306-9001821} Page 12 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Artwork Budget The budget will be presented three times during the public art process. The estimated total artwork budget should be identified during the site plan review process. A detailed budget should be presented with the artwork proposal. A final budget will be submitted with the completion of the work. The selection, design, fabrication and installation have many budgetary elements. Below is a list of allowable expenses that can be charged against the required art budget under the Art in Public Places program. 1. Direct artist' costs in the design and/or fabrication of artworks including artist fees, materials, fabricators,insurance, sales taxes and travel. 2. Art consultant or art dealer's fees up to 15%of the artwork fabrication cost' 3. Delivery and installation of the artwork. 4. Construction and design of structures or foundations supporting the artwork 5. Lighting 6. Acknowledgment plaque identifying the artist, artwork,year and sponsor. 3 Special Budget Category: Artist-Designed Elements of Building,Plaza or Landscape In this category, the budget should show an artist design fee and a remaining budget for the implementation of the artist ideas. In general,the Art in Public Places dollars will be used for the additional cost created by implementing the artist's visual design ideas. For example: 1. On plazas, only the decorative brick or terrazzo topping 2. For fountains, only the special fountain elements,not the plumbing, computers or basic pool if not designed by the artist. Maintenance Future costs for the operation, conservation and maintenance of the artwork cannot be reserved from the original budget. &set_Ccrm 1p lance The owner is responsible for the l Udget control ori the public; art project. In the event that the costs exceed the required 0.007 tines total construction value, the owner shall resolve the budget with the artist and others. The City will be riot be responsible to suPPleMUlt the l Udget based ori its approval of the artwork and l Udget sUbmitted by the owner. 1 The City of Boynton Beach encourages direct contracts with artists as purchases through galleries or art dealers can have a 100%mark-up,thus reducing the amount of art by half. 'Consultants or art dealers should not be permitted to take an additional percentage of the artwork cost from the artist 3 A permanent plaque is mandatory 100529852.1306-9001821} Page 13 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Professional Artist Qualification The qualifications of the artist(s) are the first priority. These qualifications will undergo significant examination. The qualifications are quoted from the ordinance with additional explanation. • "practitioner in the visual arts, generally recognized by critics and peers as a professional of serious intent and ability. Indications of a person's status as a professional artist include,but are not limited to,income realized through the sole commission of artwork, frequent or consistent art exhibitions." In general, these elements should reveal a consistent practice as a VISUAL artist over the years. The critics need to be recognized art critics from printed or online art publications. Exhibitions should be in quality galleries and museums specializing in the visual arts. • "Placement of artwork in public institutions or museums." Other similar artworks in public art collections of merit, sculpture parks of merit and/or museums of university, state,regional or national respect. • "Receipt of honors and awards." Fellowship or awards from the National Endowment from the Arts,national art agency, state arts agency, major metropolitan area arts council and prominent art foundations. • "Training in the arts." Bachelor and/or Masters of Fine Art or fields of design Other criteria established by these guidelines include the Art Advisory Board determination of- Compatibility £Compatibility with the aesthetic quality and community standards of Boynton Beach; • High quality of the artist's recent public work; and • Comparative quality of the recommended artist in relation to other known talented artists. Recommended Submission 1. Comprehensive resume of the artist addressing the basic qualifications. 2. Reviews or other writings of recent exhibitions or public artworks. 3. Ten color images of at least 5 relevant artworks completed in the last five years 100529852.1306-9001821} Page 14 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Artist Selection Process Assistance The owner can utilize whatever process they desire. Several standard methods do exist in the United States that will result in an expanded pool of applicant artists that can satisfy the requirements of the property owner, Art Advisory Board and arts professionals. If requested by the owner,the Public Art staff will manage a selection process that matches the City's processes for artist selection. • Develop a Scope of Work, Budget and Schedule • Issue a Call to Artists • Establish a Committee to review applications and recommend a shortlist of artists to the owner • Establish a Committee to review artwork proposals and make recommendations to the owner. Neither the public art staff nor the Art Advisory Board members will make direct recommendations to the owner regarding a single artist for the project. Public art staff only provides advice and assistance in the process that may include contact lists of artists and encouraging artists to apply. The staff does not vote nor approve artists or artworks. 100529852.1306-9001821} Page 15 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Public Artwork Proposal and Criteria The owner should prepare a public art proposal for approval by Art Advisory Board. The proposal should include the following: 1. Detailed drawings or images of the proposed artwork. 2. Description of artwork including overall length,width and height, materials and method of construction. 3. Detailed drawings of the specific public art site showing a. Location of artwork(s) b. Location of lighting for artwork(s) c. Location of plaque for artwork. 4. Full site plan with artwork(s)plus the landscaping,parking,building and view corridors from the public sidewalk and/or public space. 5. If appropriate to the project, colored building elevations with the artwork 6. Statement on maintenance requirements. 7. Summary budget A sample proposal form for the artist is available in the Appendix. Review Criteria As per the Art in Public Places program, the proposal will be evaluated on the following: • Appropriateness of the artwork to the site and site environmental conditions; • Maximum visual accessibility to pedestrian or vehicular traffic; • Quality of the artwork; • Maintenance requirements; and • Whether the artwork too closely resembles a business logo, trademark or branding image and then is rejected as a sign. Additional evaluations established by these guidelines include: • Compatibility with the special art sites; and • Maximizing the public art budget to achieve a maximum amount of quality artwork. 100529852.1306-9001821} Page 16 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Final Installation and Approval The owner should contact the Public Art staff upon the installation of the public art on the owner's property and to submit final documentation of artwork,plaque, maintenance plan and expenditures. The documentation should include the completed "ARTWORK INFORMATION FORM"that includes the maintenance requirements, actual color/material samples and three high-definition color digital images. The maintenance requirements should be a statement from the artist explaining the maintenance needs of the artwork and desired weathering. For example, the artist may or may not wish the oxidation of bronze. The Artwork Information Form, samples and digital images will be utilized for code enforcement in the future. In special cases of digitally printed artworks or complex fabrication/installation,the City will ask for copies of the digital files or fabrication/installation documents. The City's copies will serve as a backup resource in case the owner or future owner misplaces these documents necessary to repair. After the on-site review of artwork by representatives of the Art Advisory Board,the Art Advisory Board will evaluate if the finished work matched the approved public art proposal. 100529852.1306-9001821} Page 17 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Post-Installation Removal of the Artwork In the event that the owner wishes to remove the artwork in the future for any reason and still be in compliance with the ordinance, they must secure the Art Advisory Board approval for one of the following: 1. A new location on the property with good visibility and lighting. 2. Donate the artwork to the city for placement elsewhere and cover all costs of the installation 3. Transfer the artwork to another property in Boynton Beach for public display in a location with comparable or better public visibility. (The new property owner cannot use this artwork to meet the requirement of the Art in Public Places program and must assume permanent responsibility.) 4. Contribute funds to the Public Art Fund equal to the original required amount that has been adjusted as per the Consumer Price Index since installation. 5. Purchase a new replacement artwork equal in value to the original required amount that has been adjusted as per the Consumer Price Index since installation. This new artwork should be approved by the Art Advisory Board Maintenance of the Artwork On an annual basis,the Public Art Program staff will examine the artwork for general condition and comparison with original photographs and material samples. Any failure to maintain the artwork may result in a citation for code compliance violation. Transfer of Property Ownership In the event of the transfer of the property ownership, the artwork will be transferred to the new owner and remain on the property unless approved by the Art Advisory Board under the removal of artwork section above. If the past owner removes the artwork without permission, the current owner will be required to replace the artwork or contribute to the Public Art Fund as per the removal of the artwork above. Continual Damage In the event that the approved artwork is continually damaged by humans or weather, and despite the owner's good efforts,the artwork is always in disrepair,then the owner may ask the Art Advisory Board to approve the removal. In this one case, the owner is not responsible for creating new artwork. The owner should be aware of Visual Artist Rights Act(VARA). Redevelopment of the Property At some time in the future,the property may be redeveloped. If the artwork is integrated with the building or site elements to be demolished and the Art Advisory Board agrees that the artwork cannot be safely removed, then the artwork may be demolished. (See VARA below). If the artwork can be removed without injury to the work of art,then the city recommends the re-use of the artwork on the site. The new development must comply with the ordinance at that time. The older artwork will not satisfy the ordinance requirement for new construction on the site. Visual Artist Rights Act(VARA) The owner should be aware of VARA, a section of the Federal Copyright Legislation. Among other things, this law forbids the willful destruction of a work of visual art. See United States Code Annotated, Title 17. Copyrights, Chapter 1 — Subject Matter and Scope of Copyright, Current through P.L. 105-153, approved 12-17-97. 100529852.1306-9001821} Page 18 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Promotion of Public Art By participating in the Art in Public Place program, the owner is granting the City the right to use images of the owner's public art for public information and promotion of the City and public art. To the extent possible, the City will give credit to the owner and the development. The contract with the artist should grant the image use to the City and owner. Contact Glenn Weiss,Manager Public Art Program weissg@bbfl.us 561-742-6026 boyntonarts.org 100529852.1306-9001821} Page 19 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Murals Guidelines Adopted by the Boynton Beach City Commission on February 15, 2022 Mural Guidelines are a special section of the Art in Public Place (A1PP) guidelines with unique requirements related to murals as permitted in the Land Development Regulations of the City of Boynton Beach. Many parts of the Art in Public Places general guidelines such as artistic and community standards are the same for murals as other public artworks. The Mural Guidelines encourage voluntary murals on privately-owned buildings and sites. Some murals are called voluntary as the murals are not created in compliance with the Art in Public Places program. Art in Public Places murals are permanent whereas voluntary murals can be modified or removed at any time. The Mural Guidelines do not apply to single-family or duplex houses in the City of Boynton Beach. Homeowners can install murals without this review and approval process. The City does encourage homeowners to utilize the guidelines when planning, creating and maintaining a mural. Other laws may restrict the content of painting such as signage for a home business or hate speech. Homeowners associations may have restrictions. The Mural Guidelines do not apply to murals on the interior of buildings except for murals on the interior surfaces of exterior windows that are intended to be seen from the exterior. What is a mural? As per Chapter 1, Article II, Definitions of the LDR, a mural is "a work of art that is hand-painted,hand- tiled or digitally printed image or digital display system on the exterior surfaces of a building or site". "Such a mural is not a sign and shall not contain any advertising or other commercial message with the brand name,product name, abbreviations thereof, company or business name or logo,hashtag, trademark or brand imagery." The Art Advisory Board will determine if an image,painting pattern or other elements on the exterior of a building or site is a work of art. If the Art Advisory Board determines that the image,painting pattern or other element is not a work of art,then other LDRs may be applied such as sign or building design guidelines by the other City departments. 100529852.1306-9001821} Page 20 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Criteria for Approval As per Chapter 4 Article XIV, "Murals", of the LDR, all exterior murals, except on single-family or duplex houses,will be reviewed and approved by Art Advisory Board before installation. Below are the criteria. Criteria for Artistic Quality The criteria for a mural design shall meet the criteria for artists and artwork as established in the AIPP guidelines "Artwork Qualities" Criteria for a Mural Location A mural can occur on any surface on a building exterior or site including walls, columns,windows,roofs, fences,retaining walls, driveways, sidewalks,utility boxes and plazas as long as the location and material do not conflict with other City codes. Criteria for Mural Materials For the intended life of the mural, the materials shall resist the weathering caused by the sun,wind,rain and other environmental factors and resist damage by cleaning products and methods. The underlying surface shall be prepared such that the mural adheres to the surface for the intended life of the mural. Life of a Mural As part of the evaluation of the materials, the applicant should declare the life span of the mural during which the mural will be maintained in excellent condition. The following are sample life spans based on south Florida coastal environment. • North Facing or Shaded Painted Wall: 20 Years* • East, South and West Painted Wall or Roof. 10 Years* • Painted or Stained Street or Drive: 2 Years • Painted or Stained Pedestrian Sidewalks or Plaza: 3 Years • Concrete Skim Coats and Etching: Permanent • Glazed Colored Ceramic, Glass or Stone Mosaic: Permanent • Printed Mural on Ceramic Tiles and Fired: 20 Years • Printed Mural on Adhesive Vinyl, Aluminum Composite Material or similar: 7 Years* • Digital Displays: Depending on Manufacturer's Warranty • Digital Projections: Depending on Manufacturer's Warranty At the end of the declared lifespan, the property owner and the public art staff will consider the removal, renewal or replacement of the mural. The mural may be in good condition at the end of its lifespan and therefore will remain in place. Nothing about the declared lifespan prohibits the owner from removing or repainting the mural before the end of the lifespan. Note *: These life spans require high-quality exterior paints or ink with additional UV protection. Less quality paints can be used for murals with a shorter life span. Additionally, the life span is significantly influenced by the condition of the underlying wall or surface. 100529852.1306-9001821} Page 21 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Evaluation and Approval Any person or business with the signed permission of a property owner may apply to install a mural in the city. By signing the application, the property owner agrees to the application and will abide by the Mural Guidelines Application The applicant will complete the Mural Application with attachments and submit it to the Public Art Manager. The components of the application are as follows: 1. Name and contact of the person applying for the mural 2. Name and contact of the property owner 3. Name, contact,resume and website of the proposed artist 4. Address of the property 5. Name of the business(es)using the property 6. Lifespan of the mural. 7. Mural Type: Painted, tile, mosaic, concrete,vinyl, digital panel, digital projection 8. Mural Location: Walls, columns,windows,roofs, fences,retaining walls, driveways, sidewalks, plazas, etc. 9. Mural Materials: For example: paint manufacturer and product, surface sealer manufacturer,UV protection, anti-graffiti coating,vinyl wrap specifications, etc. 10. Underlying Surface: For example: Stucco on concrete,wood fence, asphalt drive. 11. Attachments a. Image of the overall building and site and image(s) of the proposed location of the mural(s). b. Illustration of proposed image(s). c. If using digital displays and projections, sample images and a policy statement on owner's criteria for future images. Process for Approval of Design and Installation The applicant will submit the application for technical review and recommendation from the Public Art staff. The Public Art staff may request a review by other agencies for traffic safety,public safety, planning and zoning and building departments. The planning and zoning division will review for any conflict with an existing development order. Once the application is complete,the application with the artist's resume and illustrations will be placed on the Art Advisory Board agenda with a staff report by the Public Art Manager. The Board will review the mural for compliance with the established criteria. If not approved, the applicant can modify the design and submit it for review at a future Art Advisory Board meeting. Once the mural is complete, the Public Art staff will photograph the installation and review the installation quality. The photographs,installation report and the original approved design will be placed on the agenda of the Art Advisory Board. If the mural was changed during the installation,the Art Advisory Board can accept the modification or require the mural to be returned to the approved design. Once approved, the applicant will provide material and paint samples for future comparison after weathering. If digitally printed, the applicant will provide the original electronic file for comparison and possible re-printing. 100529852.1306-9001821} Page 22 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Inspections From time to time, the City will inspect the murals for good condition and damage. If the Public Art Manager believes the mural does not match the approved design due to alternation, damage or deterioration, the owner will be notified. In most cases, the owner will have three months to repair the mural. If the mural was altered due to building modification or for artist reasons, the owner can apply to the Art Advisory Board to approve the mural as modified. If the mural was damaged in a way that violates general community standards such as obscenity, the offensive words should be removed as soon as possible. If the mural is not repaired or removed after a failed inspection or a failed request to the Art Advisory Board, then the Community Standard Department will start the procedures for a code violation. Removal Several unique circumstances exist related to the removal of a mural. All these circumstances should be mindful of the Visual Art Rights Act(VARA) and other laws related to the destruction of works of art. • If the mural was installed voluntarily by a private property owner on their property without financial support from the City of Boynton Beach, then the mural can be removed at any time. • If the mural was created to comply with the Art in Public Places code for new or remodeled building construction, then the removal will follow the Art in Public Places guidelines regarding required artworks. • If City fiscal support was provided to a mural on private property,then the agreements written in grants or lease will determine the terms for the removal of the mural. • If the mural is owned by the City on City property then the standard Art in Public Places guidelines for deaccession and removal of a work of art would be applied. Existing Murals in Boynton All existing murals in Boynton Beach will have the same inspection and requirements for maintenance in good condition as the new murals. If the mural was formally approved by the Art Advisory Board, then the mural will be compared to the approved design. Artist Walls The Art Advisory Board may designate walls and other publicly visible surfaces as "Artist Walls". The goal of the Artist Walls is to provide places of experimentation for artists in locations where the City wishes to enhance the artistic brand of the area. These surfaces can be modified with murals without the pre-approval of the artist or mural design. At any time, the Art Advisory Board may review new and existing temporary murals and require the owner to remove or modify if the temporary murals do not conform to the mural ordinance or AiPP guidelines. The owner of buildings, walls or other surfaces must submit a request for designation of"Artist Walls". The request will include illustrations of the specific surfaces and methods by which artists will be selected. The Art Advisory Board will review and approve or deny the request for designation. 100529852.1306-9001821} Page 23 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Boynton Beach Art District For many years, the City has permitted the 'Boynton Beach Art District" to curate many temporary murals on the buildings at 402 and 422 West Industrial Ave, Boynton Beach, Florida 33426. The walls, doors and fences of the warehouses on both properties are designated as Artist Walls until such time that the properties no longer operate an art district with studio spaces and events. (End of Special Section on Murals) 100529852.1306-9001821} Page 24 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Forms 100529852.1306-9001821} Page 25 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program City of Boynton Beach Art in Public Places Choice Most proposed new developments,redevelopments or remodeling projects that are not an infill single- family house or duplex and have a construction value of at least $250,000 are subject to the Arts in Public Places ordinances codified in Part II, City Code of Ordinances, Chapter 27, Article IL More information is available through the Public Art Manager at 561-742-6026. Project Name Project Address PCN Estimated Total Construction Valuation Contact Person for Public Art Decisions Contact Phone Contact Email Date Form Completed The Art in Public Places program has two parts to the fees. An administrative fee of 0.003 x construction value is paid at issuance of each building permit. A public art purchase fee of 0.007 x total construction value can be contributed to the Public Art Fund or used to purchase art for the owner's property prior to issuance of the CO. Check one* Purchase and maintain public art on the property Contribute as an in lieu of fee to the Public Art Fund The City recommends the owner make the choice before or during the staff review process of the Major or Minor Development Application with the Planning&Zoning Division(aka DART). If the owner plans to purchase public art,then does the Development Application include the location on the site plan and/or architectural elevations? Yes, location shown. No, location decided later. *The owner can decide at any point in the planning, design and construction phases to place public art or make a contribution. Later decision-making to install public art may require modifications to the approved site plan or building permits. The construction values are the valuations approved by the Building Official for all permit fees. Therefore the precise Art in Public Places fee may not be known until the building permits are issued. 100529852.1306-9001821} Page 26 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program City of Boynton Beach Project Information Construction Project Date Submitted Project Name Project Address PCN: Estimated Schedule & Construction Cost Estimated Total Construction Cost: Submittal to Planning & Zoning Date Issuance of Building Permits Date Issuance of Certificate of Occupancy Date Property Owner Owner's Business Name Property Owner Business Address Owner's Contact Person Phone Number Email Developer (if Different from Property Owner) Developer Business Name Developer Contact Person Phone Email Owner's/Developer's Representative (Planner, Architect, Project Manager) Owner's/Developer's Rep Name Phone Email 100529852.1306-9001821} Page 27 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program City of Boynton Beach Proposed Artist Cover Sheet Project Name: Property Owner's Name: Property Address: Submission Date: Proposed Artist Name: Studio Address: Website: Email: Phone In order to approve the artist, the Art Advisory Board needs all the following information. 1. Statement about why the artist is an excellent choice for the construction project and Boynton Beach 2. Resume of the artist including information such as • Gallery exhibitions • Museum exhibitions • Public artworks in public spaces of cities, developments or sculpture parks • Awards • Articles or publication about the artist's work (not the artist) • Education in the arts 3. Digital Images 10 images of at least 5 different artworks made in the last five years. 100529852.1306-9001821} Page 28 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program City of Boynton Beach Artwork Proposal Cover Sheet Project Name: Property Owner's Name: Property Address: Artist Name: Proposal Date: In order to approve the final artwork proposal,the Art Advisory Board needs all the following information. 1. Detailed Drawings or Photographs of Artwork(s) 2. General Description of Artwork(s) (Include important dimensions, materials, colors, fabrication method, etc.) 4. Illustration or Rendering of Building or Landscape with the Artwork and a) Lighting b) Landscape or hardscape c) Location of plaque for artwork. 5. General Site Plan with artwork(s) location showing a) Landscaping; b) Parking; c) Building; and d) View Corridors from the Public Sidewalk and/or Public Space. 6. Statement on Maintenance Requirements 7. Budget a) Design fees to Artist(if applicable) b) Artwork Purchase (cost and sales tax) c) Delivery and installation d) Plaque identifying the artist, artwork,year and sponsor. e) If utilized,art consultant or art dealer's fees (Maximum 15%of Fabrication Cost) f) Engineering and construction of foundation, lighting, etc. 100529852.1306-9001821} Page 29 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program City of Boynton Beach Final Artwork Information Completed by Owner Building Name Building Permit Number Street Address Owner's Name Owner's Representative/Contact Mailing Address Phone Email Completed by Artist Artist Contact Information Artist Name Business Name (if Different) Address #1 Address #2 City State Zip Code Business Phone Business FAX E-Mail#1 E-Mail#2 Website Artist Resume Information Artist Name for Publication(if Different) Date of Birth Place of Birth Biographical Paragraph 100529852.1306-9001821} Page 30 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Total Work of Art Title of Artwork (Entire Work) Year of Completion General Description of Artwork Site Attributes of Artwork(If Any) Description of Operational Parameters (If Any) Artist Statement regarding the Artwork Statement Artwork Components or Individual Works Title or Five Word Identifier Materials Height Width Length Frame or Base Description Title or Five Word Identifier Materials Height Width Length Frame or Base Description (Repeat as necessary) Electronic Components of Artwork(If Any) Name of Item Manufacturer Name, City, State, Phone Supplier Name, City, State,Phone (Repeat as necessary) 100529852.1306-9001821} Page 31 EXHIBIT G Draft Art in Public Place Guidelines for Property Owners Draft September 12, 2022 City of Boynton Beach Public Art Program Fabrication Listing of Materials Description of Finishes PMS Color Numbers for Industrial Finishes Fabricator 41 Name, City, State, Phone Fabricator 41 Name, City, State, Phone Fabrication Method(Attach Dwgs) Installation Installer Name, City, State,Phone Installation Method(Attach Dwgs) Date of Installation External Factors Description of Physical Position on Site Description of Environmental Factors. Example: Tree Trimming Description of Site Specific Elements Maintenance Short Term Needs with Future Dates Long Term Needs with Future Dates Note on Appearance of Artwork Schedule of Replaceable Parts (light bulbs, etc) Digital Copies for Future Repair(list& attach Sound Art Description Graphics Descriptions 100529852.1306-9001821} Page 32 FWAND3 22 S2 ,> . - . w.��_��>��w��: CITY OF BOYNTON BEACH PUBLIC ART (D . . .�, > t ©. �.� z.. I„ � � } ��. 1 � �' � � / -#� .---�, �_ �- �� f, � ;��. S�AR 110, �Sv, �.s ii 3 � G` >q t � F } Vild CITY OF BOYNTON BEACH PUBLIC A f j ti CITY OF BOYNTON BEACH PUBLIC ART r , < ................................. 4 2�� 9 City of Boynton Beach Solid Waste Truck Drivers Art Selection Panel Wednesday, Sept 14, 2022 10:30 AM IN PERSON MEETING and ZOOM Boynton Beach City Hall, 3'd Floor Conference Room 100 East Ocean Ave, Boynton Beach, FL 33435 Minutes Selection Panel Joe Matthews, Solid Waste Division John Cane, Solid Waste Division Ace Tilton Ratcliff, Art Advisory Board (ZOOM) Yimarie Rivera, Cultural Arts (Absent) Cynthia Simmons, Artist (ZOOM) Glenn Weiss, Public Art City Staff Management Veronica Inberg, Public Art Coordinator I. Call to Order: 10:40 AM a. Roll Call Held b. Agenda Approved. II. Conflict of Interest. Has anyone on the panel been contacted by the applicants? None reported. III. Approval of August 24, 2022 Minutes Motion: The minutes of the August 24, 2022 of Solid Waste Truck Drivers Artist Selection Committee are approved. IV. Discussion of Project and Process for Selection V. The following artists were interviewed via ZOOM. • 11-11:30 — Gary Moore • 11-30-'12 — Miguel Yurrita • 12-12-30 — Occupy Vacancy (Andre Fuqua, Brianna McIntyre) • 12:30-1 — Mat Tomezko VI. Recommendation of Artist to Art Advisory Board Motion: The Solid Waste Truck Drivers Artist Selection Committee recommends artist Gary Moore for the Solid Waste Truck Drivers Project and Occupy Vacancy (Andre Fuqua, Brianna McIntyre) as the alternative artist. Moved by Joe Matthews and Seconded by John Cane. Approved Unanimously. VII. Adjournment: 1:15 PM Boynton Beach Public Art Program, Sept 14, 2022 Page 1 q E E e \ / a £ ® : > y t § 7 q �� § b f f E � § \ 222 m m 7 /2 D ¥ f e E L) = 6 �/ - / o § 6n U) m :3 U) o 7 § � E 3 LL c.g # � ® cu } \ " L) -E 0 0 / cu ƒ 2 5a) " / D / ° ƒ 22 \ / $2 c G o m e > § 0 o .E E _ _ '\ '> � 2 ƒ 9 / � � \ b2 _0 E \ U) � @ \ 2 / c ¥ f § / > @ ® o c 2 e / � _ k§ ƒ > � � § \./ § 2y � £ e § § / 0 2 � 'a £ o ® > � ± \ � / \ e of E e ® § c ® ® b 2 b / C) U) � ./tet G . 0) e o 2 � � r a) C: / n 7 ® § � .g / e ® te o � § = § E £ / � \ _ £ o km £ � / a) a) % > 2 " C: _0 . m E 2 w m ® - ° b 2 > § / \ \ > / 027 \ U / / ? o w \2 ® /2 2 E ® C1C133 E \ � U) k \ � � � � § —0 c U) U) 2 E0 U) 23 _% 2 ƒ \ � 2 .g @ e 2 .g o ® § e .\ § 2 7 G « 9 _ % e E �o ® � @ c c 07 3 _ f % E ® 5 " \ " / ° § ® \ 2 _0 4-.;,r— 2 § \7 22 0 4— = om ow ® ± :3 \ / u 2k § % a\ R Eo 2 § � oaE � �.® X22 2 ew f / 2 ® 3 § ® 222 � 6 2 E ® 3 E � . �0 CU c = / m E < ƒ - E � M ) 0 u CU4-- 7 k0 � � - \ 2 � � � a) Ec o Em E ® E _ 3 -0 e c § / § � ® e t \ § g c @ _0 / § -r ® \ 0 E % 2 3 '- m £ c = c E4 ew o 7 = / m -0 \ \ \ 7 ® 22 § f .� � � £ @o § § E \ § \ � 2 E $ \ £ % § COU % § E e _ee ._ m L) £ oEm � = moo o �6 n E � ® a � CU 0cu C- L) § ƒ / / � � G � � 7 Ll \ E o E § ° \ § _ § § £ § _) / 7 C [ k o \ cz : � / 2 � U) LLt £ m � » £ ± 25E � < U-o R Gary L.Moore b.PeeDee,SC,1954 Lives and works in Ft.Lauderdale,FL EDUCATION 1992 University of Miami,Coral Cables,FL 1990 Whitney Museum of American Art, Independent Study Program,New York 1995 MFA in Sculpture and Installation Art Norwich University,Montpelier,Vermont CURRENT/RECENT PROJECTS Refurbishment Project:Pharaohs Dance Plaza, Miami Dade Art in Public Places,Miami Museum Development Consultant:School District Palm Beach County,Palm Beach,FI Golden!Public Art for the Overtown Youth Center,Miami Remember the Legacy:Historic Markers,City of Dania Beach,FL Taking it to the streets,Seminar,Cooperstown Graduate Program in Museum Studies,New York SOLO EXHIBITIONS 2019 As if I had slept a thousand years, Historic Hampton House and Cultural Center,Miami 2017 Dark Matter/Sweet Earth,ArtsUP!Project Space Ft.Lauderdale 2005 If 6 were 9:an Installation,Museum of Art,Ft.Lauderdale 2004 Summary Judgements,Miami-Dade College,North Campus,Miami,FL 2002 Burnt Wood Constructions,Miami Dade Cultural Resource Center 1998 Curses,Spells and Amulets,Alliance for Media Arts,Miami Beach Hog-tied to a Star Spangled Ass Kicking,Strokovitch Gallery,Miami Design District,Miami,FL SELECTED GROUP EXHIBITIONS 2019 The Artful Book,LnS Gallery,Coral Cables,FL SWEAT Broadsheets;Miami Dade Main Library,Miami,FL 2015 SWEAT Broadsheets;Center for Book Arts NYC,New York,NY SWEAT Broadsheets;Greenlease Art Gallery,Rockhurst University,Kansas City 2014 Prizm Art Fair,Art Basel,Miami 2013 Prizm Art Fair,Art Basel,Miami 2010 Gullah Geechie and the 7 Dreams,Miami Dade Public Library 2008 The Girl who Raised Pigeons,Miami Dade Main Library Turning Pages:Celebrating South Florida Artist Made Books,Centre Gallery,Wolfsonian Campus, Miami Dade College Arthur&Mata Jaffe Collection:Wimberley Library,Florida Atlantic University, Bienes Center for the Literary Arts,Broward County Main Library 2004 Seven Bronze Medallions:Miami Dade Art in Public Places,Art Basel,Miami Beach 2002 Espanola Way Artist Collective,Art Basel,Miami Beach,FL 1999 Ink Different,University of Miami,Coral Cables 1998 Collaborations:Celebrating 25 Years of Art in Public Places,Miami Dade Public Library,Miami Burning Issues,Museum of Art,Ft Lauderdale,FI Aftica and the Diaspora,Dunedin Fine Art Center,Dunedin,FI Po Mo Funk,Ground Level Gallery,Miami Beach Painted Bride Invitational,Painted Bride Art Center,Phila,Pa 1996 High Flying,Intermedia Arts,Minneapolis,MN 1995 Clean Sweep,Gutierrez Fine Art,Miami Beach Eight,Ocho,Huit,Gutierrez Fine Art,Miami Beach High Flying,Institute of Contemporary Art,Phila,PA 1994 Miami DADa,Bianca Lanza Gallery,Miami Beach Southern Roots,Museum of Art,Ft.Lauderdale Transitions,Bacardi Art Gallery,Miami Unbeknownst:Gary Moore and Deryl Mackie,Centre Gallery,Miami Boka N'Deye,Bakehouse Art Complex,Miami Words and Images,Miami Dade Main Library,Miami 1987 National Afro-American Exhibition of Contemporary, Commemorative Poster and Exhibition,Atlanta GA Works on Paper,Beaver College,Glenside,PA 1986 African Retentions,Villanova University,Villanova,PA SELECTED PUBLIC ART 2020 Honor the Legacy:A series of 7 historical markers, Dania Beach 2015 Festival Daze,Mural at Shirley Branca Park Broward County Public Art and Design,Miramar Park and Recreation Miramar,FI Opa-tisha-wocka-locka Town Center Apartments,Opa-Locka Community Development Corporation Opa-Locka,FI 2014 Two Griffins Dania Beach Community Redevelopment Agency Dania Beach 2011 Wind Through Four Points Palm Beach County Art in Public Places Palm Beach County That Healin'Feelin' Jessie Trice Community Healthcare Network,Corporate Office Building Brownsville,Miami 2010 It is Well Lemon City Cemetery Committee Lemon City,Miami 2007 Yesterday's Tomorrow:a series of 15 historical markers Village of the Arts and Humanities Philadelphia,PA 2006 Pharaohs Dance Plaza:at the Arsht Performing Arts Center Miami Dade Art in Public Places Miami Seeds of Change:Streetscape Department of Engineering,Delray Beach Community Redevelopment Agency Delray Beach,FI College Hill Diamond City of Tampa Florida Public Art Agency,City of Tampa Parks Department Tampa,FI Delray Beach Gateway Feature Delray Beach Community Development Agency Delray Beach,FL 2004 Afromatic African American Heritage Cultural Arts Center, Miami Dade Parks and Recreation,Miami Dade Art in Public Places Liberty City,Miami 2003 Cut and Greet:temporary public art installation and performance Delray Beach Cultural Loop,City of Delray Beach Delray Beach,Fl Harambe Room African American Research Library and Cultural Center Broward County Public Art and Design,Broward County Library System Ft.Lauderdale Puzzle Walk Health Science Building,University of South Florida at Tampa, City of Tampa Public Art Agency Tampa 2001 Image control:a billboard project Public Art Fund,New York,Miami Dade Art in Public Places Allapatah,Miami Ninth Street Pedestrian Mall Miami Dade Art in Public Places,City of Miami,U.S.Department of Transportation Miami AWARDS 2018 Community Foundation of Ft.Lauderdale,Florida for Remember the Legacy:A series of Historic Markers,Dania Beach, FL 2008 Purchase Award,Miami Dade Public Library System 2007 2007 Year in Review,Americas for the Arts in Public Arts National Terrazzo Awards Honoree,Pharaohs Dance Plaza,Carnival Center,Miami 1999 American Society of Landscape Architects,Ninth Street Pedestrian Mall 1996 National Endowment for the Arts:Design for Transportation,Ninth Street Pedestrian Mall International Downtown Association,Ninth Street Pedestrian Mall International Concrete Paving Institute,Ninth Street Pedestrian Mall 1995 Hannibal Cox Grant,Miami Dade Cultural Affairs,Miami 1990 Independent Study Fellowship,Whitney Museum of Art,NY 1990 Helena Rubinstein Support Grant,NY Van Lear Foundation,Support Grant,NY 1989 Research Fellowship,African Influence on Seminole Indian Weaving,University of Miami Florida State Fellowship in Painting,State of Florida PROFESSIONAL EXPERIENCE 2020 Board Development and Community Design Charette, Douglas High School Academy and Diaspora Museum,West Palm Beach, Equity Advisory Committee,Arts Garage,Delray Beach, 2018 Art of Community:Honor the Legacy Community Storytelling Workshops,Dania Beach 2016 Blanche Ealy Museum and Cultural Arts Center,Pompano Beach,Consultant Public Art Program Development 2017 Hand 2 Hand Craftworks,Destination Sistrunk Artist Residency,Broward County Cultural Affairs Saturday Folk Art Workshops,Artist Residency,Spady Museum,Delray Beach,FI 2015 META Art Series Artists Panel,ARC Cultural Center,Opa Locka,FI 2013 President Barack Obama Inauguration Parade Float,National Park Service,Gullah Geechie Corridor Washington,DC 2010 Community Cultural Plan 2020,Broward County Transit with Broward County Public Art and Design Gullah Geechie and the 7 Dreams,Miami Dade Main Public Library,Curator Lemon City Cemetery Community Design Charette,Lemon City Cemetery Community Corporation 2009 St.Augustine-Baracoa Friendship Association,Lecture,Baracoa,Cuba Art for Film:Ten Miami Artists:City of Miami Community Redevelopment Corporation,Curator ClayVessels:Community Art Workshops,Broward County Public Library Lauderhill 2006 333 Biscayne Boulevard:Propeller Public Art Seminar and Competition, Miami International University of Art and Design Crosstown Traffic,Exhibition, Miami International University of Art and Design Miami 2005 Lauderhill Promenade,Community Engagement Workshop Ed Dorell Stone and Associates Pompano Beach,FI 2004 Masterplan for Mixed-Use Development,Truman Navel Facility, Florida Atlantic University Center for Urban Development and Education Key West 2003 Gallery Director,African Heritage Cultural Art Center, Miami Dade Park and Recreation Liberty City,Miami 2001 Miami Design District Public Art Masterplan, DPZ CoDEsign,Miami Dade Art in Public Places,DACRA Companies Miami BIO Moore's first major museum installation was at the Ft.Lauderdale Museum of Art.His studio works have been exhibited at the Institute of Contemporary Art Philadelphia;Miami Dade College Museum of Art and Design,Intermedia Arts,Minneapolis,Minn and Jaffe Center for Book Arts New York,New York.Moore's public art installations are in the collections of Village of the Arts Philadelphia,PA;Creative Time,New York,Miami Dade County,Palm Beach,Delray Beach,City of Ft.Lauderdale,City of Dania Beach and University of South Florida at Tampa,Florida. His public art commissions have been noted with the National Endowment for the Arts:Design in Transportation,American Society of Landscape Architecture,Public Art Network:Year in Review,Miami Herald Newspaper,The Atlanta Constitution,New York Times Back Page Section,Art Papers Atlanta,Art Forum International Magazine and Landscape Architecture Magazine. Gary Moore has taught sculpture and public art&design at the New World School of the Arts Miami,Miami International University of Design and Miami Dade College in Miami,FL.He has recently completed Artist-in-Residence programs Destination Sistrunk,FT. Lauderdale Florida and at the Spady Cultural Heritage Museum,Delray Beach,Florida. Moore has recently completed the public artwork,Honor the Legacy,located in Dania Beach Florida where he has received a grant from the Community Foundation of Ft.Lauderdale to design,fabricate and install a series of seven historic markers to which lays the foundation for a historic marker trail in the Dania Beach downtown district.This is the very first public art project initiated by the CRA and City of Data Beach,Fl. Professional Gary L.Moore has extensive and a wide range of experience in the cultural field. He attended the University of Miami on full scholarship with a major in sculpture. Moore served as a Curatorial Assistant at the Afro-American Cultural and Historical Museum in Philadelphia. As Visual Arts Coordinator for Miami Dade Park and Recreation he was Gallery Director for The Gallery at the African Heritage Cultural Arts Center where he produced and curated twelve exhibitions with the works of local and national artists, created the four day Artist's Professional Development Series,along with overseeing building renovation of the facility and producing temporary public art projects. Moore completed a Fellowship in the Whitney Museum's Independent Study Program(91-92)in New York,New York. In his public art commissions,Moore has conceptualized,designed,fabricated and installed over a dozen permanent public artworks including the award winning Ninth Street Pedestrian Mall.With each commission Moore has performed dual duties as visual artist and project manager while producing and overseeing community public programming workshops and initiatives as vital components to the work. t Y' 6 br ✓5�� ?''1 L (V hxi t A ,�t vJ a'r is r Cast Bronze Historic Marker,Ninth Street Mall Gary L.Moore Overtown,Miami 2001 1 Jh k Hf ixi� Cast Bronze Historic Marker,Ninth Street Mall Gary L.Moore Overtown,Miami. 2001 3 . . - �� . .. . ENRON- Asha— mom Gary rMoore oeLockMiami za 4 : { \ »«w <»\± osha:ocka-wooka Gary EMoore oeLockMiami za 6 l r. n, i Dania Beach:Remember the Legacy Gary L.Moore Dania Beach.FI,2021. 7 z Dania Beach:Remember the Legacy Gary L.Moore Dania Beach.FI,2021. 8 7, f IM Harammbe Room Gary L.Moore Ft.Lauderdale 2003. 10 t� { 3,. ara - Harammbe Room Gary L.Moore Ft.Lauderdale 2003. 11 s„�u r f}I4 WE }sig_ ss[i s�'t tts' i � r i lis n}t a Wind Through Four Points Gary L.Moore West Palm Beach 2011 13 S y'li1 fs t IU p r Wind Through Four Points Gary L.Moore West Palm Beach 2011 14 Cover Letter Boynton Beach Public Art Program ARTISTS: Andre Fuqua, Brianna McIntyre ARTISTS STATEMENT We are an artist collaborative established through a shared history and a passion for telling the story of our city. We strive to underline and address the history of St. Louis through our public art initiative, Occupy Vacancy. Our combined efforts converge to explore architecture, design, social and structural engineering, and political commentary. Storytelling, community engagement, and neighborhood visibility are the driving forces behind our synergistic partnership. Through the adaptation of locally-specific materials and the creation of sculptural forms, we deconstruct and celebrate the histories of neighborhoods through a lens of architectural and cultural preservation. Andre is a visual artist and building materials researcher whose practice is centered on structure and landscape. Through his art and academic research, he explores how building materials affect human responses and daily activity. He has a deep appreciation of the human side of design and is interested in placemaking and community building. Brianna's artistic practice is grounded in her political science background, with a strong emphasis on restorative justice, and community engagement. Her fabrication and material-based practice, rooted in sculpture, fiber art, and object design, aids her in the imbuing of personal stories within charged objects. In her work, she addresses labor, space, and beauty politics through the lens of a Black woman. The differences and similarities within our individual practices, create a collaborative balance that coalesces at the intersection of art, fabrication, and engineering. Collectively, we aim to highlight the heritage of communities through material and design. Through research in museum archives and on ground conversations with members of the community, we work to learn and tell stories that give voice to the voiceless. We create art inspired by the community that gives prominence to cultural history. COVER LETTER In order to appreciate a person's journey, sometimes you have to walk a mile in their shoes. That is the main concept behind our proposal for the community of Boynton Beach. Something that excites us about this opportunity is the chance to ride along with sanitation workers to gain a better understanding of their daily routes. We don't know the names and faces of the individuals who are responsible for trash collection in our own neighborhood, but if we could find out, we'd love the chance to thank them. We're betting that the community of Boynton Beach would do the same. Our proposal aims to give the community an opportunity to show gratitude towards the specific person who collects their trash by color marking and mapping each sanitation worker's route. Along with the transcription of each worker's route, we propose to create a corresponding public art installation with representational flags. Flags are signifiers of ideals, locations, and sometimes a collection of peoples. Behind each flag, there is a story. Our idea is to create a beach installation with a row of colored flags all representing the individual sanitation workers and their driving routes. Each sanitation worker would be assigned a distinctive colored flag, and ideally, we would want to apply a strip of this assigned color on their sanitation truck as an identifier. We propose generating a map of the greater Boynton Beach area that displays color-coded routes for each sanitation worker. The highlighted routes would be displayed on a website platform and also as part of the physical beach installation. When viewers approach the installation, they can cross- reference the colored route that covers their serviced area and approach the flag with the corresponding color. Each flag would have a discrete QR code at the base that would take the user to a web page with a headshot of the sanitation worker (taken by the artists), the worker's bio, and space to send the worker individual thanks. We believe that the community will be respectful and show these essential workers the appreciation they deserve. We also believe this is a great opportunity for the sanitation workers to hear from the community, and hopefully gain encouragement and recognition for all their hard work. With the same emotion behind "Touch Sanitation" by artist Mierle Laderman Ukeles, we want the community to meet and thank the workers that keep the city of Boynton Beach alive. Cover Letter Boynton Beach Public Art Program CONTACT INFORMATION Occupy Vacancy Email: occupyvacancy@gmail.com Website: www.occupyvacancy.com Instagram: @occupyvacancy REFERENCES Stephanie Koch Gallery Director The Luminary steehanie heluminaryarts.com 314-773-1533 Andree Bober Founding Director and Curator Landmarks, the public art program at the University of Texas at Austin abober _landmar sut.or 512-495-4315 ANDRE FUQUA b. 1993 St. Louis, Missouri Education 2018 MS, Civil Engineering, Columbia University, New York, NY 2016 RBACC, Painting and Drawing, School of the Art Institute of Chicago, Chicago, IL 2015 BS, Civil Engineering (Minor: Architecture), Columbia University, New York, NY Exhibitions 2021 Group Exhibition, BATON, Northern-Southern Gallery, Austin, TX 2021 Group Exhibition, TOOO, Northern-Southern Gallery, Austin, TX 2021 Group Exhibition, Real and Imagined Spaces, University of Texas at Austin, Austin, TX 2020 Group Exhibition, Make America What America Must Become, Contemporary Arts Center New Orleans, New Orleans, LA 2020 Group Exhibition, Occupied, GrayDUCK Gallery, Austin, TX 2019 Group Exhibition, The Revival-EAST 2019, Creative Action, Austin, TX 2019 Pop Up Exhibition,A New Wave, baba cool cafe, Brooklyn, NY 2018 Pop Up Exhibition, man over mechanism, OneEyed Studios, Ridgewood, NY 2016 Group Exhibition, De Nue, SITE Galleries, Chicago, IL 2016 Group Exhibition, Black Creativity, Museum of Science and Industry, Chicago, IL 2015 Group Exhibition, Shared History. SAIC 150th/SSCAC 75th Joint Anniversary Exhibition, South Side Community Arts Center, Chicago, IL Collaborations and Performances 2020 St. John Park Concrete Pillar by Damon Moseley, Art in Public Places, Austin, TX 2020 Blackberries, Blackberries, The Affrilachian Memory Plays, Austin, TX 2019 Becoming - Window Mural, FAB Fulton's ART360°, baba cool cafe, Brooklyn, NY 2017 Soft.a film by Da'Niro Elle Brown, Pop Rally Presents: Twilight Brothers MOMA, New York, NY Awards 2022 Artist Support Grant, Regional Arts Commission, St. Louis, MO 2021 Futures Fund Grant Recipient, The Luminary, St. Louis, MO 2017 Concrete Industry Foundation Scholar- New York City 2017 Hubertus Willems Scholarship, National Association for the Advancement of Colored People 2015 Dean's Scholarship, School of the Art Institute of Chicago Panels and Discussions 2022 Diversity and Inclusion in Instructional Shops, Student Shop Managers Conference 2022, Washington University, St. Louis, MO 2021 Dreaming While Awake:Art and Activism in a Democratic Future, Contemporary Arts Center New Orleans, New Orleans, LA Press 2021 "Rising Stars: Check Out Occupy Vacancy", Voyage STL Magazine,, November 5, 2021. 2021 "Luminary Gallery Awards$60K In Grants To St. Louis Artists Working For Social Change", St. Louis Public Radio, Jeremy D. Goodwin, April 18, 2021. 2020 "Material Symbolism", Cade Match Project Podcast, Ariel Rene Jackson, July 31, 2021. 2019 "Interview-The Revival", KAZI FM The Voice of Austin, Dora Robinson, November 15, 2019. 2016 "Watchful Eye", Chicago Tribune, Antonio Perez, April 20, 2016. Brianna M. McIntyre b. 1992 St. Louis, Missouri Education Bachelor of Fine Arts at The School of the Art Institute of Chicago (Graduated 2017) Furniture and Designed Objects I Fiber and Material Studies Selected Awards, Honors, Residences 2022 Regional Arts Commission Grant Recipient I St. Louis, MO 2021 The Luminary St. Louis Futures Funds Recipient St. Louis, MO 2020 Women &Their Work Gallery Artist-in-Residence Austin, TX 2017 SAIC Sculpture Scholarship for Anderson Ranch Art Center I Snowmass Village, CO 2016 Archibald Motley, Jr. Student Fund Award I Chicago, IL Projects &Symposia &Appearances 2020 Duro Oluwu: Seeing Chicago I Museum of Contemporary Art I Chicago, IL Project Management, Exhibition Design, Fabrication 2019 Direct Message: Art, Language, and Power I Museum of Contemporary Art I Chicago, IL (Curator: Grace Deveney) 2019 Project Fielding" Teacher's Collective I Board Member 2019 About Face: Stonewall, Revolt and New Queer Art I Wrightwood 659, Chicago, I L Project Management, Exhibition Design, Fabrication 2018 Supreme Being: The Symmetry of What You Saw and What You Say I Clough Hanson Gallery I Rhodes College, Memphis, TN I Exhibition Design, Fabrication 2017 Soft: Film by Da'Niro Elle Brown I Performance I PopRally Presents: Twilight Brothers MOMA, Manhattan, NY 2017 Doing the Most: Rashayla Marie Brown Presents Brianna McIntyre I Artist Talk I Chicago Cultural Center, Chicago, IL 2017 Unsettling the Canon: De-centering Dominant Paradigms/Decolonizing Art Education Symposium I Co-organizer I Leroy Neiman Center, Chicago, IL 2016 De Nue Exchange: Artist Grant and Opportunity Fair Exhibition Program I Organizer Leroy Neiman Center, Chicago, IL 2016 Black at SAIC: 30 American Panel Discussion I Panelist I LeRoy Neiman Center, Chicago, IL Exhibitions 2021 LOCATION LOCATION LOCATION I Group Exhibition I Northern-Southern Gallery Austin, TX 2017 Not In My Name I Group Exhibition I SAIC @ Expo I Chicago, Chicago, IL 2017 If It Feels Good I Group Exhibition I YO:U, Wicker Park, Chicago, IL 2017 SAIC: Bachelor of Fine Arts Exhibition, Sullivan Galleries, Chicago, IL 2016 CONNECT: Hyde Park Arts Festival I Hyde Park, Chicago, IL 2016 Out of Order I Group Exhibition I Defibrillator Performance Art Gallery, Chicago, IL 2016 De Nue I SITE Galleries Chicago, IL 2016 SAIC 150th/ SSCAC 75th Joint Anniversary "Shared History" Exhibition I South Side Community Art Center, Chicago, IL 2015 Re-visioning The Archives I SITE Galleries, Chicago, IL Curatorial Experience 2017 If It Feels Good I Co-Curator I Group Exhibition I YO:U Wicker Park, Chicago IL 2016 Out of Order I Co-Curator I Group Exhibition I Defibrillator Performance Art Gallery Chicago, IL 2016 De Nue I Co-Curator I Group Exhibition I SITE Galleries, Chicago, IL 2016 SAIC 150th/ SSCAC 75th Joint Anniversary "Shared History" Exhibition I Co-curator South Side Community Art Center, Chicago, IL Publications and Talks 2022 "Diversity and Inclusion in Instructional Shops", Student Shop Managers Conference 2022, Washington University, St. Louis, MO, July 14, 2022 (upcoming) 2021 "Rising Stars: Check Out Occupy Vacancy", Voyage STL Magazine, November 5, 2021 2021 "Luminary Gallery Awards $60K In Grants to St. Louis Artists Working for Social Change", St. Louis Public Radio, Jeremy D Goodwin, April 18, 2021 2020 "Brianna McIntyre awarded Women &Their Work studio residency", Sight Lines Magazine, September 29, 2020 2019 "What would Chicago be like with no jails?': New SAIC exhibit challenges artists and Chicagoans to reimagine criminal justice", Darcel Rockett, Chicago Tribune 2016 "SAIC students explore different kinds of blackness in 'De Nue"', Chicago Reader, Aimee Levitt, September 16, 2016 Site Elevation Architectural drawing of the front and back of Occupy Vacancy door sculptures on Enright Ave in the Vandeventer Neighborhood in St.Louis,MO Front Back f X. 39fi2 1. Occupy Vacancy,2023 In progress Andre Fuqua,Brianna McIntyre Site Rendering Street view of Occupy Vacancy door sculptures on(2)vacant city lots on EnrightAve in the Vandeventer Neighborhood in St.Louis,MO ti aun�la S' 4 Jr Uy r � J•,''� Occupy Vacancy,2023 In progress Andre Fuqua,Brianna McIntyre Site Drawing Architectural drawing of Rite of Location on Enright Ave in the Vandeventer Neighborhood in St.Louis,MO Elevation View Section View 2. Rite of Location,2022 In progress Andre Fuqua,Brianna McIntyre — 1 -- i �, ii� y t e 1f ;i li it��ft �i)+rph fP Kik v i'V� ,r��1�� p "P, �S� 1s rtM ;W, �il fliJ l ri l� ' Fr �y },AA h(� �iP � #>✓s, r fj��i�t � i 't lt�f I�'�4%a'� y 3. He(Seeking),2021 Andre Fuqua 3If t € 3 4. Mason jar,2018 Andre Fuqua _e NNE I i �- � 1� �s 5. Ivy League Door,2018 Andre Fuqua r .It z: yy\ i I� A Russell Tom Daniel (Our Black Jesus) 6. selections from Forget Me Nots,2015 Andre Fuqua z � 1, \ 11,4 c� 1 t I � 1ST 7. MLK&35,2021 Brianna McIntyre } 3 � f 8. Resistance Architecture-#LETUSBREATHE Collective,2019 Brianna McIntyre a I � F 9. Visibility is a Trap:Living on the Edge of a Bell Curve,2018 Brianna McIntyre