R09-175
II
1
2 RESOLUTION NO. R09- (70
3
4
5 A RESOLUTION OF THE CITY COMMISSION OF
6 THE CITY OF BOYNTON BEACH, FLORIDA,
7 APPROVING AN AGREEMENT BETWEEN THE CITY
8 OF BOYNTON BEACH AND ART AND CULTURE
9 GROUP, INC., TO IMPLEMENT THE JAYCEE PARK
10 INTERPRETIVE PUBLIC ART MARKERS PROJECT
II IN THE AMOUNT OF $154,090.00; AND PROVIDING
12 AN EFFECTIVE DATE.
13
14
15 WHEREAS, on March 3, 2009 the City Commission authorized the application for
16 the Florida Inland Navigation District's Waterway Assistance Program (W AP) grant that
17 would allow the City to use existing funding as a match to seek additional funding for the
18 entire Art Marker Project; and
I WHEREAS, the City Commission of the City of Boynton Beach, upon
recommendation of staff, deems it to be in the best interests of the residents and citizens of
21 the City of Boynton Beach to approve the Agreement between the City of Boynton Beach
22 and Art and Culture Group, Inc., in the amount of$154,090.00 to implement the Jaycee Park
23 Interpretive Public Art Markers Project.
2 NOW, THEREFORE, BE IT RESOLVED BY THE CITY COMMISSION OF
25 THE CITY OF BOYNTON BEACH, FLORIDA, THAT:
2 Section 1. Each Whereas clause set forth above is true and correct and
2 incorporated herein by this reference.
2 Section 2. The City Commission of the City of Boynton Beach, Florida does
2 hereby approve and authorize the City Manager to execute the Agreement between the City
3 of Boynton Beach and Art and Culture Group, Inc., in the amount of $154,090.00 to
S:\C^\RESO\A.greement~J{esu - Jaycee Park- Art and Culture [O(;,dOl;
II
1 implement the Jaycee Park Interpretive Public Art Markers Project, a copy of said ,
I
2 Agreement is attached hereto as Exhibit "A",
3 Section 3, That this Resolution shall become effective immediately upon
4 passage,
:-Ii
5 PASSED AND ADOPTED this 11- day of November, 2009,
6
7 CITY OF BOYNTON BEACH, FLORIDA
8 j ,0
9
10
11
12
13
14
15
16 C07~:ioner - Ronald We~~and
17
18
19
20 .---
21
~
22 Commissioner - Marlene Ross
23 ATTEST:
24
25
26 ane M ,Prainito, CMC
27 Clerk
28 ~.~
1'f~ ....
29 ":;:;1 'c;;.
~"'..!l'"
> . ,
3 (C" r~te~~
31 i'(~ < 1'(
32 ~,.
, ~
,I ".;~
,,-,c, , . .,.{I_
' ".,~. "'. ,..t..
-,','
S:\CA\RESO\Agreements\Reso - Jaycee Park- Art and Culture loc,doc
I EXHIBIT A I ROQ-115
AGREEMENT
THIS AGREEMENT, dated the \t1 day of N(N{ ~1Il bt:v , 2009, is by and
between:
CITY OF BOYNTON BEACH, a municipal corporation, organized and operating
pursuant to the laws of the State of Florida, with a business address of 1 00 East Boynton
Beach Boulevard, Boynton Beach, Florida 33435, hereinafter referred to as "CITY",
and
Art and Culture Group, Inc. with an address of 66 Saint James Drive, Palm Beach
Gardens, Florida 33418 in hereinafter referred to as "ARTIST." CITY and ARTIST
may hereinafter collectively be referred to as the "Parties."
WITNESSETH:
In consideration of the mutual terms and conditions, promises, covenants and payments
hereinafter set forth, CITY and ARTIST agree as follows:
WHEREAS, public art is a work of art, generally created by a public ARTIST exhibiting the
highest quality of skill and aesthetic principals and includes all forms of the visual arts conceived in
any medium, material or combination hereof, including but not limited to paintings, sculptures, stained
glass, mosaics, murals, and ARTIST designed functional, architectural, landscaped, and landform
elements as described in the Public Art Ordinance 07-002; and
WHEREAS, CITY desires to obtain professional services from ARTIST for the creation of
public art elements for the Jaycee Park Interpretive Public Art Markers; and
WHEREAS, ARTIST possesses specific skills, talent, expertise, experience and knowledge to
provide the CITY with the sculpture in a professional and artistic manner; and
WHEREAS, ARTIST has stated an interest in working on the creation of public art elements
for the CITY; and
WHEREAS, the CITY desires to commission the ARTIST to create public art elements; and
NOW, THEREFORE, in consideration of the mutual promises, covenants and agreements
herein contained and other good and valuable consideration, the receipt of which is hereby
acknowledged, it is agreed herein between the Parties hereto as follows:
ARTICLE 1
1.1. RECITALS: Each "whereas" clause set forth above is true and correct and herein
incorporated by this reference.
Page 1 of8
ARTICLE 3
SCOPE OF SERVICES
ARTIST shall perform the following services in accordance with this Agreement with CITY as
follows:
3.l. All work performed under this Agreement shall be done in a professional manner.
3.2. The public art elements shall be produced to the CITY's satisfaction and in conformity with the
appropriate moral and ethical standards for the community in which the CITY is located. The quality of
the completed materials is a matter of prime importance and shall meet all applicable industry standards.
The CITY shall have the right to approve and/or reject the public art elements or any portion thereof. The
display, of the public art elements shall be subject to the sole discretion of the CITY.
3.3 The ARTIST ,hall perform and provide services as set forth in the Proposal for the Jaycee Park
Interpretive Public Art Markers elemems dated October 29, 2009, a eopy of which is attached hereto as
Exhibit "A".
34 ARTIST is required to coordinate with construction project management to prepare, install and
complete the public art project. City is not responsible for negotiating, coordinating or managing the
public art project time line. Public Art Administrator will monitor the project and from time to time
document the public art projects process. Project is estimate to begin January 2010 with a completion date
estimation of October 20 I O.
ARTICLE 4
TERM AND TERMINATION
4.l. This Agreement shall take effee' as of the date of executi,m as shown herein below and shall end
upon completion of the ARTIST's work and services described in Articles 2 and 3 hereof.
4.2. All documents, plans, work products, materials, equipment and tools belonging to the CITY
will be furnished to the CITY upon completion and/or terminatIOn of the Agreement, whichever occurs
first.
4.3 The CITY's rights to exhibit, publish, broadcast, advertise and otherwise use of the lik"ness of
the public art elements shall survive the termination of this Agreement.
ARTICLE 5
COMPENSATION
5.l. The CITY shall provide compensation and/or payments to the ARTIST as set forth in the
Proposal for the Jaycee Park Interpretative Public Art Markers elements dated October 29, 2009, a
copy of which is attached hereto as Exhibit "B".
Page 3 of~
ARTICLE 6
CHANGES TO SCOPE OF WORK AND ADDITIONAL WORK
CITY or ARTIST may request changes that would increase, decrease or otherwise modify the
Scope of Services to be provided under this Agreement. Such changes or additional services must be
in accordance with the provisions of the Code of Ordinances of the CITY and must be contamed in a
written amendment, executed by the Parties hereto, with the same formality and with equal dignity
herewith prior to any deviation from the term or scope of this Agreement, including the initiation of
any additional or extIa work. In no event will ARTIST be compensated for any work which has not
been described in a separate written agreement executed by the Parties hereto.
ARTICLE 7
MISCELLANEOUS
7.1. Insurance. Worker's CompensatIon Insurance, property damage, liability insurance and ':ehicular
lIability insurance shall be maintained dllling the life of thIs contract to comply with staMory lim;ts for all
employees, and in the case any work is sublet, the ARTIST shalllcquire the sub-Contractors similarly to
provide Worker's Compensation Insurance for all the latter's employees unless such employees are
covered by the protection afforded by th., ARTIST.
A. ARTIST shal' secure and maintain in forcc, throughout the ducation of this "ontract,
comprehensive general and automobile liability insurance with a minimum coverage of
$ I ,000,000 per occurrence; $1,000,000 aggregate for personal InJury; $ 1,000,000 per
occurrence/aggregate for property damage; and, professional liability insurance in the amount
of$ 1,000,000 (all professional contract services).
B. Said general liability policy shall name the City of Boynton Beach as an additional insured and
shall include a provision prohibiting cancellation of said policy except upon thirty (30) days
prior written notice to the City.
C. ARTIST shall secure and maintain in force throughout the duration of this contract Norkers'
compensation insurance to statutory limits.
D. ARTIST shall furnish the City with a certificate of Insurance after award has been made prior to
the start of any work for the City. Said insurance comparJil.s must be duthorized to do business
in the State of Florida and the City will not accept any company that has a rating less than B+
in accordance with A.M. Best's Key Rating Guide, latest edition.
E. Reference Insurance Advisory Form for additional types of insurance and limits required. The
City reserves the right to require additional types of insurance, or to raise or lower the stated
limits, based upon identified riSK.
If ARTIST claims to be exempt from this requirement, A RTlST shan provide CITY ::lroof of
such exemption along with a written request for CITY to exempt ARTIST, written on ARTIST's
letterhead.
Pagc 4 ofR
~ 7 Independent Contractor. This Agreement does not create an employee/employer
I...... relationship between the Parties. It is the intent of the Parties that the ARTIST is an independent
contractor under this Agreement and not the CITY's employee for any purposes, including but not
limited to, the application of thc Fair Labor Standards Act minimum wage and overtime payments,
Federal Insurance Contribution Act, the Social Security Act, the Federal Unemployment Tax Act, the
provisions of the Internal Revcnue Code, the Statc Worker's Compensation Act, and the State
Unemployment Insurance law. The ARTIST shall retain sole and absolute discretion in the jl,dgment
of the manner and means of carrying out ARTIST' activities and responsibilities hereunder provided,
further that administrative procedures applicable to services rendered under this Agreement shall be
those of ARTIST, which policies of ARTIST shall not conflict with CITY. State, or United States
policies, rules or regulations relating to the use of ARTIST' funds provided for herein. The\RTIST
agrees that it is a separate and independent enterprise !Tom the CITY, that it had full opportunity to find
other business, that it has made its own investment in its business, and that it will utilize a high levcl of
skill necessary to pe;-form the work. This Agreement shall not be construed as creating any joint
employment relation,hip between the ARTIST and the CITY and the CITY will not be liable for any
obligation incurred by ARTIST, including but not limited to unpaid minimum wages and/or (overtime
premiums.
7.3. Assignments.
7.3.1. This Agreement, or any interest herein, shall not be assigned, transferred or otherwise
enelllnbe"ed, under any circumstances, by ARTIST without the prior written consent of CITY.
Howe','er, this Agreement shall run to the CITY and its successors and ",signs.
732. Ir is further agreed th8t no modification, amendment or alteration in the krms or
conditions contained herein shall be effective unlcss contained in a written document executed
with the same formality and of equal dignity herewith.
7.4. No Contingent Fees. ARTIST warrants that it has not employed or retained any company or
person, other than a bona fide employee working solely for the ARTIST to solicit or secure this
Agreement, and that it has not paid or agreed to pay any person, company, corporation, indl, idual or
firm, other than a bona fide employee working solely for ARTIST any fee, commission, per~entage,
gift. or other considelation contingent upon or rcsulting from the award or making of this Agreem~nt.
For the breach or ,io!ation of this provision, the CITY shall have the right to terminate the Agreement
without liability at its discretion, to deduct from the contract price, or otherwise recover the full
amount of such fee, commission, percentage, gift or consideration.
7.5. Notice. Whenever any party desires to gi,c notice unto any other party, it must he given
by written notice, sent by registered United States mail, with return receipt requested, addressed to the
party for whom it IS intended and the remaining party, at the places last specified, and that places for
giving of notice shall remain such until they shall I,ave been changed by written notice in compliance
with the proVISions 01 this section. For the prescnt. the ARTIST and the CITY designate the following
as the respective places for giving of notice:
Page 5 of 8
CITY: Kurt Bressner, City Manager
City of Boynton Beach
100 East Boynton Beach Boulevard
Boynton Beach, Florida 33435
Telephone No. (561) 742-60 I 0
Facsimile No. (561) 742-6011
Copy To: James A. Cherof, City Attorney
Goren, Cherof, Doody & Ezrol, PA
3099 East Commercial Boulevard, Suite 200
Fort Lauderdale, Florida 33308
Telephone No. (954) 771-4500
Facsimile No. (954) 771-4923
ARTIST: F ~CroJa.t- 2. G- ~ tl-C .
'" JC\.L.~+\,Ve ~ I 8
e< ,,~\)'?,G- Fl.. 33l.//
Telephone No. 5[01- iPJ..'J.- - q B1q;;)
7.6. Binding Authority. Each person signing this Agreement on bchaIf of either party
individually warrants that he or she has the full legal power to execute this Agreement on behalf of the
party for whom he or she is signing, and to bind and obligate such party with respect to all provisions
cuntained in this Agreement.
77. Headings. Headings herein are for convenience of reference only and shall not be
considered on any interpretation of this Agreement.
78. Severability. If any provision of this Agreement or application thereof to any person or
situation shall tu any extent, be held invalid or unenforceable, the remainder of this Agreement. and the
application of such provisions to persons or situations other than those as to which it shall have been
held invalid or unenforceable shall not be affected thereby, and shaH continue in full force and effect,
and be enforced to the fullest extent pelmitled by law.
7.9. Governing Law. This Agreement shall be governed hy the law,; of the State of Florida
with venue lying in Palm Beach County, Florida.
7.10. Attorney's Fees. In the event that either party brings suit for enforcement of this
Agreement, each party shall bear its own attorney's fees and costs.
7.1 I. Extent of Agreement. This Agreement represents the entire and integrated agreement
between the CITY and the ARTIST and supersedes all prior negotiatIOns, representations or
agreements, either written or oral.
7.12. Equal Employment Opportunity. In the performance of this Agreement, the ARTIST shall
not discriminate against any firm, employee or applicant Tor employment or any other firm or
individual in providing services because of sex, age. race, color, rcligion, ancestry or national origin.
Page 6 of~
7.13. Waiver. Any faIlurc bv ARTIST to require strict cornpliance wIth any provisioll of this
contract shall not be "onstrued as a WaIver of such provision. and ARTIST nJay subsequentiy require
strict compliance at any time, notwithstanding any prior failure to do so.
7.14. Counterparts. This Agreement may be executed m multiple counterparts, each ,.f which
shall be deemed an original, and all of which together shall constitute one and the same instrument.
7.15 U sage Rights After final acceptance of the artwork by the CITY, the following
ARTIST' rights shall be guaranteed:
"Maintenance of public artworks shall be the responsibility of thc CITY or developer or
property association and not the ARTIST. The responsible party shall make reRsonable
efforts to maintain the artwork in good repair. The rcsponsiblc party shall attempt to
consult the ARTIST and collaborator on major repairs.
"The artwork shall nut be allelcd, mlJdif~cd. removed or rdocalcd from a site integral to the
concept t;)r the work without first ,:,'~su!ting wilh the ARTIST and collabo,ator, if
reasonably possible If a v.ork, nevc;1heless, has bc'?n significantly altered, the ARTIST
and collaborator shall have the nght to disclaim authorship.
"Copyright of the artwork shall belong to the creator(s), but the CITY or developer or oroperty
association shall he grankd the right to makc two-dimensional reproductions for non-
commercial purposes.
IN WITNESS OF THE FOREGOING, the Parties have ,et their har.ds and scals thcday and
year first written above.
CITY
ATTEST: CITY OF BOYNTON BEACH, FLORIDA'
BY: ~
KURT B ES NER. cln MANAGER
Page 7 of~
ARTIST
'I
WITNESSES:
/Jd~1 Lo-&f ~ Print.
( ~
;::Jevn,/n,<y :3(~-W Title(
STATE OF FLORIDA :
: ss:
COUNTY OF :
-.-.
BEFORE ME-isZ: offker duly authorized hy la~o administer oaths and tak;r;k;owledgments, .
personally appeared ~d j(d~(,r.'VL'2!-- as il{),t;Y _ of 'J.,IJ.ft,JV ~~
who is personally known to me or w has produced as
Ide tifi6atlOn. and acknowledged executmg the foregoing Agreement a' the proper ofticia! of
fit? 't , )kfAr the use and purp'Jses mentIoned therem and that the mstrument IS the act and deed
llj4'~
IN WITNESS OF THE FOREGOI.:1 have set my hand and ot1kia! seal at in the ,=tate and
County atoresaId on thIs ---Li---- d~y of --.:.jI)-i-~A.J.. __ .2009.
~- 0
(Signature of t:;P~bl~C - S~t; of FloridaJ
.- .~' &~Jz?{li~J. MJf/.0 _
(Print. Type or Stamp ~ommission Name of Notary Pubh.,)
NOTARY PUBLlC-STi':::: C:' :';'::,;1""
.....,........, Steohanie D. Kahn
~ ~ JCo~issioD Ii JJD873790
.,........... ExpIres: MAY 22.2013
BONDED THRU ATLA,\'TIC ;;:;N!lL'iGCO, f'/('
Page ~ on
.
.
~ . fit
J\," !)'
,I":
~11....n.~
. . i..
OJ ~~.,.
",
... -
~*
j.
,~
:;, !:i
);': !
, ""',.,
"
,
\;M;, . ,'~~~
'* ,i
, , "
~,,-,,:,.,~;;~~i~:~~.
....~
. .. - I II .
Table of Contents
Project Overview.................................................. .. ......... ........... . ..... .......1
The Collaborative Journey........... .... ...... ... ...... ...... .... '" ....... ...... ...... . ........... ..2
Site Map.......... ......... ............ ....,..... ... ........... ........... ,......... ............ .............3
Location 1 - Public Art concepts and Interpretive Story Content..............................4
Location 2 - Public Art concepts and Interpretive Story Content.....,.........................5
Location 3 - Public Art concepts and Interpretive Story Content............................. ..6
Location 4 - Public Art concepts and Interpretive Story Content. . . . . . . . . . . . . . . . . . . . . . . . .. . . ...7
Location 5 - Public Art concepts and Interpretive Story Content.........................8 - 9
Location 6 - Public Art concepts and Interpretive Story Content........ . . . .. . . . .. .. . .1 0 - 11
Location 7 - Public Art concepts and Interpretive Story Content. .. . . . .. .. .. . ... . . ... ..12 - 13
Location 8 - Public Art concepts and Interpretive Story Content........................... ..14
Proposal for Costs.......... ..... ..,....,......,.......,......................,.......,...,......, .15 - 17
Project Description I Scope of Work for Vendor Estimates............................. 18 - 22
Public Art Marker Project Description I Elevation and Plan View.................... ..23 - 29
Maintenance and Materials Pages........................... ................... ................30 - 31
Design Team..............,........,............................................................ ........ .32
Addendum A - Estimated Timetable
Project Overview
Art in Public Places
Recreation and Parks Department
Jaycee Park
The City of Boynton Beach purchased Jaycee Park in 2004 and has completed
facilities upgrade and native plant landscaping.
Through site interpretation planning and public art, we are creating an holistic
experience at Jaycee Park that will educate and inspire visitors to understand
estual)l ecology and its direct connection to the Gulf Stream ecosystem and
Boynton Beach's rich fishing and cultural heritage.
The Interpretive Public Art Marker Proposal provides a blueprint to produce a
sequential loop trail of Interpretive Public Art Markers - a creative site interpre-
tive design linking programmatic, recreational and passive usage of the park in
an educational and aesthetic manner
1
The Collaborative Journey..
and why pilings, coquina rock, decking with interpretive panels:
At the start, it seemed mangrove mitigation would be the story line for this
project. However, the collaborative journey has brought us to a much more
exciting and larger conclusion - the story of the significant connection
between the coastal waterway environment and the existence of this place
we know as Boynton Beach, Through our research of the written, oral and
visual history of this distinctive place, we found there to be an essential
relationship between the coastal waterways alongside Boynton Beach and
with its beginning, sustenance, growth and continued health. It was these
discoveries that lead us to answer the design question: Why mangrove
mitigation at the Jaycee Park and how does this fit into this particular place
and time? We also discovered that this history and the obvious connection to
the present and future are no longer apparent as the city has grown and
"modernized" in the last couple of decades. We felt honored with the
opportunity as well as obligated to incorporate our treasure of findings into
this project.
Given the story that needed to be told, the rich history to draw from and the
need for the public art in the park to be both interactive and low maintenance;
it was agreed that pilings, coquina rock, decking, carved / glazed tile and high
pressure laminate interpretive panels would be the perfect media for the
interpretive public art markers. These building materials immediately give
visual reference to the strong ties between the coastal waterways, coastal
estuaries and Boynton Beach. These materials also offer a multitude of
opportunities to encourage more interaction with the interpretive message;
allow the public art to be functional, site specific and touchable; and create
more areas of interaction within the park while complementing the wonderful
new facilities and landscaping.
2
s\te tJ\ap
\
'.
.
\t'~AOO~K~'" -tI~~.."'''i - v-'
.......
~r~""';>
\..f"rvV''''
~,/l:' ,\'f"l
11'(rf' '
~. :i;,
'"
..
- _.
. ....~~..~.;;' -
_ ~"~,~~ ~Vhi~I'''I'{
---7lJ" .
.,--' ,,-- .,...." .-. ....
-;;;..~~. ~----- --=-
3
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 1.0 Main (north) entrance to loop trail
>:'
Ti, I, i!
'" ~
',~ '~~;'.""
>.."
i-:
West View
South View
Title: Welcome and introduction
Topics:
Site map and introduction to the story of the community and its' connection to the
land and ocean.
Elements:
The public art marker consists of a grouping of three pilings and two coquina rocks
with two interpretive panels mounted on the pilings. Located on the north side of
the pathway close to the parking lot, yet also visible from the playground and south
side of the parking lot, this marker sets the stage for the entire loop trail. In contrast
to the other facilities in the park, the pilings and rock will draw interest and the im-
ages on the interpretive panels will bring attention to the beginning of a wonderful
story.
4
I
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 2.0 North side of north loop trail
,
~,
-' "
,
" ~ \
" , 'J
t.... .. ':'f'
,..,
'~~,
; , i
-- --" !...,
i
(;,
I
,..'
- '/'
Title: Brief look at Boynton Beach: the historical and cultural context of the community
Topics:
Illustrations of past locales, FEC railroad to Boynton Beach Hotel transportation
corridor circa 1896 and Ocean Avenue early years, original town, post office, school,
Images of key points in history: 1 )original geography and pioneers, 2) Boynton, FEC
and first growth, 3) 1930-60s charter fishing hey-day, 4) 1940-70s tourism along US1
and 5) today's commitment to nourish sense of community,
Elements:
A series of three coquina rocks placed along the north side of the walkway, providing
a natural sculptural base for a series of 3 mid-size interpretive panels. This public art
marker creates a sequence of messages mounted on the rock and altogether low to
the ground. The panels will be a curvilinear, organic shape meant to mimic water
streaming and feel like time passing,
5
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 3.0 Side path 1, north of loop under existing Banyan trees
'-.
!
r
r-
~ n 11._
i'
i
, .: ~ 1
) i \
I ,
\ \ I i .J
;
" \" .-'- I I
\\ --.~~r" I !
-.
!i '.' : ... ,) .' ~ ,--..". i
/' '"'-'-''''''- .,._~:-.,~ ..<' \
'. C"". -'
\.~~ :'.-".. ..."..-
,t)'l'(..) ~'- ~
>.t:- -
..--'
/'
,,, -'-' ""-~",- ",
.,.,
.' ,----.
f _~_
V - - --- -- --/ '-......--..,
I ,-_.-- 1~ "
\
'1-"= I
--- l !J ~~'~~ \
Title: Captains and Mates -.........-""'---.--..-/ ,-
Flip Book Detail
Topics:
Biographies, highlights and quotes from Boynton charter captains and their mates.
In honor of their mentoring relationship with the young men who are now successful
adults carrying on the tradition of learning, sharing and giving back to the world.
Presented in a reflective tone.
Elements:
Using pilings and various sized coquina rock a "room" will be created by placing
these elements in a circular fashion under the Banyan Trees. A wood bench will be
built between and connected to two larger rocks and two interpretive flip- books
mounted on the rocks, one on either side of the seating. The interpretive public art
marker in this location offer the opportunity for multiple imaginary play experiences
for younger members of the community, or a place for reflection for any age. It is
also the perfect spot to re-gather groups that will be touring the park.
6
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 4.0 Estuary overlook by Fiddler Crab Pavilion, side path 2
I
! ..'
\~...
Title: Estuary Ecology
Topics:
Who lives here? Mangrove and sea grass ecosystems. Species examples,
common and rare.
Why is it important? Biological productivity, base of marine food chain, value as
habitat, nursery of the sea, value as resource for human needs- economic, recreational
and enjoyment of nature.
What is a created/restored wetland? Details and value of mitigation.
Expand on details of species connection to near-shore marine ecosystem/ Gulf Stream
Elements:
Coquina rock and wood will be combined to provide seating. Two interpretive panels
will be mounted on metal posts and set in coquina rock to resemble marine signage.
This interpretive public art marker can be used for multiple purposes: a place for people
to sit and contemplate the information contained in the interpretive panels or a place to
visually connect with the water immediately to the east, mangroves immediately to
the south and park activities to the west. The elements ofthis location are also
designed to create the needed "teaching place" for the group tours by providing
seating. It also provides an informal and additional gathering place within the park.
7
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 5.0: Top/eastern center of loop trail
. -- .,
i
-":... \ .~._.. ..- -.-
Title: Gateway to the Gulf Stream
Topics:
Experiencing the connection between estuary, Boynton Inlet, Gulf Stream and
marine ecology and Boynton's fishing legacy
Elements'
"Schooling: from estuary to Gulf Stream"
Schooling fish symbolically connect the estuary (Location 4) to the Gulf Stream
(Location 7). Located on the east side of the park between the concrete walking
path and mitigation area, two large coquina rocks will be secured in the ground.
One rock will be approximately 5' high by 3' wide above grade and the other rock
will be approximately 3' high by S' wide above grade. Carved and glazed tiles will
be custom made to fit each rock. The subject matter will be schools of fish that
inhabit the areas of the estuaries and Gulf Stream; making the visual connection
and linking the importance of the estuary to the health of the larger coastal region.
The tiles will be intriguing and touchable up close and afar as well as visible from
nearly all points in the park.
s
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 5.0: Top/eastern center of loop trail
~d
Me S
I I've QZL tL
O./l/;wvtI
.~'EJv,dl-
'~1"'Z -I-w-
(L,/r
r. t ctt --\"'\;uC
~IL
9
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 6.0 West/adjacent to Sailfish Pavilion
--"'-''-
" i.
, '
"
~ ,,,,.-. " ,
1: ~_ _I' :"'-;._
/" ~/. '. ~; .'" r-/f"'
... .'
I /' ..;(: .-.' .... ; ,
. ",. ..~ . ,,,<..~ r .; 11-;,:'
. . .--:'t" ~"r.: .~.'
, ..
.. '. " ". "'"'~ . '",,'.i ..,.'
y..~(.-.;
f,J-/" ":''j . . ,1< ~ "',-,
J'" ;ro,.<yj" -; ~ .,;.;' /"
.: '~ .. ...:' ,
";~{~~~-~ .: \~ , <:"r,;;./f',-
~_.._-, i "'\\: ;./ ~ (/~~~:~
r::;:-:" ~'\
, ' "
:g .
i /JtI1~=-..
. J. ~ J .,.l
.' i: ~-
" , ,': .' , '".
,.1.. ( ..-.-- -="'" f:....."'---.......
i~._-"
Title: Near shore marine ecology
Topics:
What is the Gulf Stream? The geography and importance to Boynton of this major
ocean current.
Why is it important? Influencing climate for farming and tourism, as well as bounty
of fish and marine life for recreation and making a living. Proximity to land
influenced development and thriving of fishing and boating economy.
Who lives there? List/illustrate examples of local and migratory species related to
Boynton's fishing and diving: Dolphin, Kingfish, Wahoo, Billfish and Lobster.
Breakthrough fish population tagging studies of 1960-70s with the collaboration of
charter boat captains and scientists. Highlighted species: Sailfish.
10
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 6.0 West/adjacent to Sailfish Pavilion
?-~~
( ----=<L;;:.-- "'\
I - ~ \
i (;V Lf '; f(i-G' J<l.1i'!
I ?"'rl n I~
I :;-;::::::::; 4 (J 4" \
iDi \. "'3.'
, . l...----/ ---
I - ,\
~- ,
~~- .11'1 ~ \1
~\, ,,<,- /" < - "i (Y i
E;''' f1 '\-
t-\.i.. ' 'Po k......--
\ '__), l..> "_" cr :
J ~ >l " I
_---,_/i,J.'<-----~~
Elements:
The interpretive public art markers in this location combine design methods from
Location 2 & 4, which gives continuity to the whole and also symbolizes the
importance of and the connection between all the information contained in the
interpretive panels. Two low coquina rocks will be placed along the south side of
the path with two curvilinear, organic shaped panels mounted on top_ One mid-size
panel with a second panel attached (sailfish) will be mounted on metal posts with
coquina rock set around the base. This public art marker is designed to resemble
marine sign age.
11
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 7.0 Low deck west of bocce ball courts, north of loop trail
,
~t~T;:
,', ,
. . -.;.'
,
"
(: >~'''''- ~4"<!' ~"._,.
Title: A real fishing community
Topics:
Community revolved around charter fishing, docks, fish fry's, beauty contests,
parades, beach parties at the Boynton Beach Casino, low key, sand in your shoes
tourism, fishing tournaments. A community celebration of simple, authentic living
close to nature and an outdoor life.
12
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 7.0 Low deck west of bocce ball courts, north of loop
GI)
.-Y.
"'\J1
rJ~
LL,
t)Oq~ :::::::.
--
0
_ CO,","1.()foll1'{ -
---
- Cb /,-,
, ,
Elements: - ',. I ,
~ ! . !
- ~ -- '.J __
- .
The interpretive public art marker for ....1-
this location is meant to be an all -
encompassing experience. Placed in ,
~~._--
such a way to integrate with existing
Sabal Palms, giving shade and the feel
of docks in the past, a low raised deck and ramp will be created between the main
loop and the Dockside Pavilion. A bench will be built on the decking and pilings
will be used in the construction of the deck, ramp and bench. This public art
marker is designed to be festive and celebratory in tone, reflecting warmth of the
soul of the community and incorporating a sense of the vibrant fishing community
of the 1950s. The interpretive elements for this location include two interpretive
panels with sandwich-board style mounting and one flip-book mounted on the pil-
ing to the side of the bench.
-
-
Flip Book Detail
13
Public Art Concepts and Interpretive Story Content
Complete Loop Trail
Location 8.0 End of loop trail! off ramp to deck at Location 7
"."',.....-'
"'1',,-
Title: Connecting ecology to our cultural history
Topics:
This park is a very small piece of land connected to the larger south Florida
coastal ecosystem and through history to the lives of people who have lived or
visited Boynton Beach. The end of the trail will provide context for the interpretive
story within the ecology and cultural history it is connected to. Contact
information for City of Boynton Beach Recreation and Parks and Art in Public
Places will be included.
Elements:
Adjacent to Location 7, the public art marker consist of a grouping of two pilings and
two coquina rocks with 2 interpretive panels mounted on the pilings. Visually, it is
intentionally similar to location 1, allowing location 1 and 8 to act like bookends to
the whole park, while drawing interest to the whole and lending continuity as well.
However, within its own location this public art marker also has a specific job to do
as described above; signifying the end of the trail, yet providing new perspective
and insight.
14
Proposal for costs associated with the creative
development, production, fabrication and
installation of Interpretive Public Art Markers
Costs associated with producing and installing interpretive public art markers to
educate the public about onsite mitigation and its value and connection to the
community.
Public art marker fabrication and installation - specifications attached
Creation, construction and installation of a total of eight public art marker locations
using the following materials:
coquina rock
carved & glazed custom made tiles
southern yellow pine pilings
southern yellow pine deck framing
Ipe wood for benches and decking
Includes labor for installation of interpretive panels...... ... .......... ... .......$65,040
Fabrication and delivery of 3 mount plates with weatherable brown
aluminum posts (2 each) and mounting hardware for
panel/art markers at Location 4 and 6... ............ ...... ........... ................$1 ,450
Structural engineer & construction drawings ... ...... ................ ........... ...... ....$12.000
Building permittee (estimate for decking & pilings only)............ .......... ..............$650
Public Art consultant project management using two (2) subcontractors:
manage engineering & construction drawings
contract & coordination with 2 sub-contractors
manage work & installation
manage rock selection & installation
completion of maintenance manual
Total........................................................................................ ..$5,000
Sub-totaL...... ......... ...$84,140
15
Proposal for costs
(continued)
Interpretive panel design and production- specifications attached
Content development for each layout
Layout and final designs for each panel
Copy writing
Copy editing
Proofreading
Image acquisition
Image editing
Image fees- one time usage fees
Hi-resolution scans
Revisions
Graphic production
File preparation for digital output
12 full panel layouts with 6 detail cut-outs
22 layouts for 2 flip books, 5 page, 2-sided w/cover
Total...................................... ........... ...... ........... .. .. ....$44,800
Interpretive panel package fabrication in High Pressure Laminate,
includes design and addition of custom mounting hardware
required for art markers, proofs and shipping........ ...... ...... .. ...... .... ..$5800
Site Interpretation consultant project management
includes contracting fabricator and signage mounting
supplier, coordinating production, delivery and installation
of interpretive panels and collaboration with Public Artist to
determine art marker placement on site attime of in stalL............. ....... .$5350
Subtotal.. ,.,.........,.... ..$55,950
Contingency 10% based on selected art marker option... . ,... "... -.. ..$14,000
TOT AL........."............. .$154,090
16
Proposal for costs
( continued)
NOTES:
1) All prices based on all locations being completed in one phase
2) Prices are based on artist's scale drawings-formal bids by contractors will
be done once construction drawings are complete.
3) Prices may be valid 60-90 days only and are subject to change.
4) City of Boynton Beach to mulch path and transplant 3 gallon shrubs a
Location 3.
5) Interpretive panel design, production and fabrication is for the specific
approved package, based on our agreed storyline and content and the
desired park visitor experience. Cost will vary with change in the package
content, quality or additional revisions.
17
Project Description / Scope of Work
Specifications for Vendor Estimates
PROPOSED PUBLIC ART MARKERS
Quantity, sizes and installation specifications
Location 1 -
. Three pilings @ 10" diameter:
1 @ 6 feet above grade
1 @ 5 feet above grade
1 @ 4 feet above grade
. Installation of pilings
. Two Coquina rocks:
1 @ approx. 2' w x 2 W d x 2'h
1 @ approx. 3'w x 1'd x 16 "h
. Placement of coquina rocks
. Include in price the labor to install two interpretive panels; one 22" wide by 26"
high and the second 20" wide by 15" high, Fabrication of panels will be done by
others and mounting mechanics will be provided.
Location 2 -
. Three coquina rocks:
3 @ approx. 3'w x 2 W d x 18" h
. Placement of coquina rocks
. Include in price the labor to install three interpretive panelS that are 24 inches
long by 16 inches deep. Most likely will include drilling into rock and using
epoxy to affix sign to rock. Fabrication of panels will be done by others and
mounting mechanics will be provided.
Location 3 -
. Coquina rocks of various sizes, 9 total:
1 @ 3'w x 2'd x 18"h
1 @ 3 Yo'w x 2'd x 18"h
1 @ 2 Ww x 2'd x 18"h
2 @ 4'w x 2'd x 2'h
1 @ 3 Yo'w x 18"d x 4'h
1 @ 2 Ww x 1'd x 3 Wh
1@4'wx2'dx18"h
1 @ 3 Yo w x 2'd x 18"h
. Placement of 9 coquina rocks
. Four pilings @ 10" diameter:
1 @ 7 feet above grade
1 @ 6.5 feet above grade
1 @ 6 feet above grade
1 @ 5.5 feet above grade.
. Installation of pilings
18
Project Description / Scope of Work
Specifications for Vendor Estimates
Location 3 (cont.) -
. Four foot wide by eighteen inch deep wood bench created between two larger
rocks. Top of bench should be 18" above grade, Most likely will require drilling
into coquina, attaching metal supports and covering with wood.
. Include in price the labor to install two "flip-book" interpretive panels and metal
frames that are 23 inches wide by 10 inches high. Most likely will include drilling
into rock and using epoxy to affix signs to rock. Fabrication of signs will be done
by others and mounting mechanics will be provided,
Location 4-
. Four coquina rock supports for three wooden benches:
4 Coquina rocks @ 3' w x 2' d x 2' h
. Top of IPE wood bench to be 18" above grade, Most likely will require drilling
into coquina, attaching metal supports and covering with wood. Wooden
benches are 2' deep and 4' to 5 11,' long,
. Two interpretive panels will be mounted on aluminum posts.
. Include in price the labor to install two panels, approx. 30"x22" & 28"x21", onto
aluminum posts and into ground. Fabrication of panels & posts will be done by
others and mounting mechanics will be provided.
. A total of five coquina rock to be placed at base of aluminum posts:
4 Coquina rocks @ 3 Yo' to 4' w x 1 11,' d x 18" to 24" h
1 Coquina rock @ 3 Yo' w x 1 Wd x 3' h
. Placement of 9 coquina rocks
Location 5 -
. 2 Coquina rocks approximately 7' x 3'. One to be placed vertically and the other
horizontally.
. Installation of two large coquina rock
. Coquina rocks will need to be partially cut to acquire smooth surface for applica-
tion of clay tiles.
Location 6 -
. Two coquina rocks:
2 @ approx, 3'w x 2 Wd x 18" h
. Include in price the labor to install two interpretive panels onto rocks that are 24
inches long by 16 inches deep. Most likely will include drilling into rock and us-
ing epoxy to affix sign to rock. Fabrication of panels will be done by others and
mounting mechanics will be provided
. An additional 30"x24" interpretive panel to be mounted on aluminum posts.
. Include in price the labor to install the panel onto aluminum posts and into
ground. Fabrication of panels & posts will be done by others and mounting
mechanics will be provided.
. A total of three coquina rocks to be placed around base of aluminum posts.
3 Coquina rocks @ 3 Yo' w x 1 Yz' d x 18" h
. Placement of five coquina rocks
19
Project Description I Scope of Work
Specifications for Vendor Estimates
Location 7 -
. Ramp approx. 42' x 3'
. Decking approx. 12' x 16'
. Decking at 1 foot above grade
. Decking goes around one existing Sabal Palm. There are two additional exist-
ing Sabal Palms on the north and south side of decking/ramp.
. Ramp starts flush with sidewalk at both ends and slopes up to reach 1 foot
above grade for a length of approximately 12 feet where decking is attached to
ramp. Ramp slope is 1" to l' in accordance to ADA requirements.
. The six pilings around decking extend approx 2' above grade and extend l'
above decking. Pilings to be 10" diameter.
. There is a wood bench on top of the decking next to the Sabal Palm. This
bench is to be made of two pilings on each side and wood slates in between.
The top of pilings are to be 2 feet above the decking. The wood bench is to be
18" above the decking. Pilings to be 10" diameter.
. Include in price the labor to install a 24"w x 36" "sandwich board" interpretive
panels that will be located on decking next to Sable Palm opposite of bench.
Fabrication of panel will be done by others and mounting mechanics will be pro-
vided.
. Include in price the labor to install a 23"w x 10" h "flip book" panel and metal
frame that will be located on top of one pair of bench pilings. Sign is too small
to show on drawings. Fabrication of flip book will be done by others and
mounting mechanics will be provided.
. Consideration must be given for the water pipe that runs underground, inside 8'
concrete pathway.
Location 8 -
. Two pilings @ 10"diameter:
1 @ 6 feet above grade
1 @ 5 feet above grade
. Installation of pilings
. Two Coquina rocks:
1 @ approx. 4' w x 2'd x 3'h
1 @ approx 5'w x 1'd x 1 W h
. Placement of coquina rocks
. Include in price the labor to install two interpretive panels: one 22" wide by 26"
high and the second 20" wide by 15" high. Fabrication of panels will be done by
others and mounting mechanics will be provided.
. Consideration must be given for the water pipe that runs underground, inside 8'
concrete pathway.
20
Project Description / Scope of Work
Specifications for Vendor Estimates
PROPOSED INTERPRETIVE SIGNAGE
High pressure laminate
Quantity, sizes and mounting specifications
Location 1 1 22" w x 26"h, %" thick, rounded corners
2 holes drilled (stainless carriage bolts through to piling)
1 20" x is" cut-out rounded shape, y," thick (mangrove detail)
3 %-20" all thread studs, 6" length, extending from back of panel
Location 2 3 24" x 16" curvilinear top and bottom, %" thick
3 %-20 all thread studs, 6" length, extending from back of panel
Location 3 5 flip-book pages, 10"w x 9"h, 1/8" thick, double-sided
2 3/8" slotted rounded holes each drilled to accept %" bolt
1 23"w x 10"h baselbinder, %" thick
4%-20 all thread studs, 6" length, extending from back, 2 holes
drilled through to accept %-1" U-bolt
Location 4 1 30"x 22", %" thick, rounded corners wl2 10"x 10" %" cut-out
rounded shapes, top mounted (mangrove canopy detail,
estuary/intertidal detail)
Backed by welded metal plate recessed 8" from panel edge wl8
drilled in tapped holes to mount on 2 Powder coated aluminum
legs wltamper-proof hardware
1 28"x 21", y," thick, rounded corners w/12"x 10" %" cut-out rounded
top mounted (schooling fish)
Backed by welded metal plate recessed 2" from panel edge w/8
drilled in tapped holes to mount on 2 Powder coated aluminum
legs w/tamper-proof hardware
Location 5 No interpretive signage at this location
21
Project Description I Scope of Work
Specifications for Vendor Estimates
Location 6 2 24"x 16" curvilinear top and bottom, Y:z" thick
2 %-20" all thread studs, 6" length extending trom back of each
panel w/tamper-proot hardware
1 30"x 24", Y:z" thick, rounded corners w/30"x 26" %" thick cut-out top
mounted (sailfish)
Backed by welded metal plale recessed 2" tram panel edge w/8
drilled in tapped holes to mount on 2 Powder coated aluminum
legs w/tamper-proot hardware
Location 7 2 24"x 36", indent-cut corners, Y:z" thick, sandwich board mounted
2 holes drilled in bottom (stainless carriage bolts through to legs)
fit for hinges at top
1 16"x 16", Y:z" thick cut out, printed 2-sided (pelican)
1 5-page Flip book, 10" w x 9"h 1/8" thick, double sided
2 3/8" slotted rounded holes each drilled to accept '1,," bolt
1 23"w x 10"h base/binder, Y:z" thick (community historic images)
4 X-20" all thread studs, 6" length extending from back 2 holes
drilled through to accept %-1" U-bolt
Location 8 1 22"x 26", Y:z" thick, rounded corners
2 holes drilled (stainless carriage bolts through to piling!
1 20" x 15" cut-out rounded shape, Y:z" thick (dock detail)
2 %-20" all thread studs. 6" length, extending from back of panel
22
Public Art Markers Project Description
Elevation and Plan View
Location 1
;---__ y,li;,\S
I . I ~-(
I I
I 1- /
I
I I
I I
I I
I I
I ~
:I~Au-'i"'-\-;"~ ~ I I
.
I I I J)
,::"'\"" / , . I I
,.r--' I
I
I. I
I '-- .
(1\ I G,t:::.~ock
^ -- l ;' I, ! \
~\~~~" / I: I ~
~ r
-../ i I I
, j I I "'~'''''
! I 1_. ; I
, .I I --.~"
/ I /
, , ( I
( I , ,
Elevation View
7 i\',Y\l"S
CO<i:,u.;,,"-l\aci.... -.) \
r----.L----.
c?
'--C'."'IJtJ.inC<..
\\,C1d_
{
-r_":"''(i~''t-.. ~, '(' <,'",~ '"
.J..-'" '" '- ...-....,,~ ......'\"-'
Plan View
23
Public Art Markers Project Description
Elevation and Plan View
Location 2
u~INkr?lt~"l<' 'j,qKo..~(,
1-. ' t
._:.=n~~ JL ---r ' 3-- Ie
/ :: " \ (---It .-- II '....., ~! -- --'11 '
/ l! , II II" Ii ':
, "I, 'I" ')
) ..: L {~ ~ ..... !J 'I
(f \, l I
\ ' .
\ " I
J ) )
Elevation View
(\ 1"
.--{LOifJU,"I"\CC rvX'b.-
. '. L
" .r-
I _/.--~
I 1'__-- u
/'"'/
, I "\ ----
/r--,_~, t ../ /~. ~'---'
'- ,,/ . . ....., \ . -~-, "
,..--.- __ I // ~,-l{ \'. _, 0"" ~-'Q~, ",
, ~l/,,' \1 y-+i.Otr '
//l'I1-1.u-. '~..../,"', :"JY. "..t\~ II -/"",MAt:.'
_ p~, /, \ ";...... J,',Oi'" . \, 1 ' , I
I -,) "~I Vr> " ,", /..---.c.. ) \ . ---- - ' j'
-/10-4 \ \ . .- ...... I
I je " ! '~___/-/ '~"Il
\ 1/ .-......... 'f" / r--
\, -......) \'----~- / ,',.
------~ ~~' / -~ ---..--""'"--......
"\ ."-
~- ,----_.
Plan View
24
Public Art Markers Project Description
Elevation and Plan View
Location 3
::> ,- .. "~,,~~. ," ~. ,~.c ,~-c-.,. 7'--" -, r
\ -"~
~-~-,/ ~?---[y. is4, '''\ f,,,'(\y;:;'~" 0 \"~;t"
C<,r/ · .~ -- . &> Te.~Ce.
./' /'- - .--- "
. , ~~ ,
" c" ~y- t::J:J E~'5+;~
hi;::!? \\ t s...1:l<t.\
1\'\ ///.:;'";;:::0.1.. .~. 'P<>.\M
l " ''J /.' " -- ///,.c-----'\, (~\
~. '(. /t"/;/;;;;;;;:;/ \7~\;\"\\", ""'"
x/ /' '" / -""'at I \ "-
, ''""0'/''\, ~.W'I, ! " _ '\
1 f, .' (( ~
~ . ------...... \ "",
,J II
", _. r- ~'~. " I
y ,r- -~ f' . ) I. '1);
. ...' \ Lc">~\Pl"\o.. r ,0<:l'." (;1 '
;') . -' D \>0..1 ,(Hl.:" ..
l -" - ',~<
_// ::.\~-~-)
/-<
(-" \(
. I
'-~__J
Plan View
25
Public Art Markers Project Description
Elevation and Plan View
Location 4
-- -.-' ,
.- -
-, '<I ':>Cl.J.\\ji\>;;-~'tH' t-.~ .j -- (\:llu\..'- )'-J~~' ,;~
C _/' ",-- \ J-- ~, hO~,I" .~\
". ~
~ , ~- ',11.1\' . ;!j l.
, , /- .
- , I I -'...
1-'-'" \ I. ,.
',~ , '.
"'''. j""'f,'!' <.
- , .
--\
!.~ .~-~--'--
;; ->"'../--.' . (;',-\'>
\~- rn)~ Y"I-'. \ \ ,',-
.,
,
I I~
I;
i: I ,
i ~
,"---'--'
~ -';~' ~--.,..
Plan View
-,
"
\.
"
"(.
26
Public Art Markers Project Description
Elevation and Plan View
Location 6
In-krl"tdive "51~nUi(t
/
/
I ~, J~V\~ocl ~
~~
( I (I /
Elevation View
~0{J...i.J"'''''A f'.o."h
~-_. ~" .----, """ - 'v
~; ------!'
l , ------.._-----.
- -~ \\ "\
..-/- ~~j '\ -,~ 1
, ~". "- \.',--' <., ./
+-.J.( :i.v..J,.v.', "-
\C" - 'J,~~oA,t ) ----....--.--'! "--.._--.------------~--"
,
\ ",,~D.~e ~j __ - 1.,..,"1'1', yt"e '~,<J" ~h:f'<l~"
I, --~
,,~ -------------- '- --- ," , y
-- _.- - '-...l ...: o~. \.UI"\o:L. 'r ,oL'
Plan View
27
Public Art Markers Project Description
Elevation and Plan View
Location 7
-:>-~
-
--" - ." --
.-./ .d!.t--
::. . .-<J i)\..4 ,
,...: 'l J ,-' . ;, ~ i V, t -'0 I'
'; ; '~ f e --;..~::.. \,_.0 1- ,l.. ',"'<
,
vJ - ~ '1' i ;) 1-i \\.~ U1\~~t4. I'tW_" d .1 ~ -lv'
\}...)CL-~(j_r \t ~'\ <- 'il
----- -- --_._--~~
-- -.
1,.",)
- ':;:j,,';::":).~~ ';'a.lM~
""' ~.
,
~\
S'
,
i .
r
" ...--~ i ~"'T"
i_'
r, '!:<'t.
, "'- ,< ~ '", -::
--
^"
~
<,~,
.e
:Pi'-' ""- '-l.;'"
'-2,
.._.""_ ..._ ___ _m
28
Public Art Markers Project Description
Elevation and Plan View
Location 8
I' ,r~- 7)"1'
I I '
I r- /
I I
IY\~~!.'.~ I I
:S'~YI~ I I
I I
~ I
I I
" I
~ I
-~ I
I
C~~~((~ --
...
,
,
,
\ ,O'LLlI.~3,d:.
\
, I
\ \ I
Y I , I ~
( I I I ---:-~
I I I
, __l.._._._J__L.__
-
Elevation View
n_~ cP~LliY\O-.l\ocb 1
,
( r1\-\-Qt~l-'e.\.;\Ie
Plan View
29
Maintenance and Materials Pages
INTERPRETIVE PUBLIC ART MARKERS
CLEANING AND MAINTENANCE
Materials used:
Southern Yellow Pine pilings & decking support; IPE wood; Coquina Rock; carved,
glazed tiles and High Pressure Laminate (HPL) interpretive panels.
In general these materials are low maintenance to maintenance free. Normal rain
water and community use will help keep surfaces clean.
Recommend inspection at least once per vear to check for:
. vandalism
. wear and tear, such as loose bolts/screws
. build-up of vegetation, such as falling leaves, which should be removed.
. irrigation water should never be allowed to hit interpretive public art markers as this
could cause staining and other negative side effects over time.
HPL Interpretive Panel Cleanina and Maintenance
Cleaning
. Mild soap and water is always best for general cleaning. Rinse with clean water
after washing. DO NOT use abrasive cleaners, acids or acetone, They will dam-
age the surface of the panel.
. Graffiti (paint, crayon, felt tip markers, etc.) can be removed using organic solvents,
such as Simple Green, Goof-off, or similar non-abrasive, citrus-based cleaners.
. Very stubborn graffiti may require stronger solvents, such as mineral spirits. DO
NOT use lacquer thinner or acetone, as they will damage the surface of the panel.
Always rinse with clean water after cleaning.
. Minor blemishes, nicks, abrasions, burns, or light scratches can be concealed using
a polymer-based boat or car wax.
Maintenance
. Edges should be wiped with a liquid wax, like Thompson's Water Seal annually_
This helps re-moisturize the core edges and maintains the black color of the edge.
. Occasionally wiping a cleaned graphic face with a polymer-based boat or car wax
will assist in removal of graffiti and dirt.
30
,
Maintenance and Materials Pages
INTERPRETIVE PUBLIC ART MARKERS
CLEANING AND MAINTENANCE (cont.)
Cleanina instructions for carved. alazed tiles
. Using mild soap and water, clean surface using a soft nylon brush.
. Rinse well with clean water.
. DO NOT use any abrasive cleansers or wire brushes - these will scratch surface of
the tile.
. In the case of graffiti, any solvent that can be used on glass and concrete can be
used on glaze and grout.
. Inspect at least once per year
. Clean as needed
Cleanina instructions for IPE wood
. Clean the entire bench or deck surface at the same time; do not 'spot" clean as this
will lead to uneven surface color
. Inspect wood and make sure all screws are tightened.
. Use a sodium percarbonate (sometimes called "oxygenated bleach") mixing
6 to 8 oz. per gallon in warm water and apply to the wood.
. Let stand and keep wet for 15 to 20 minutes. Use a nylon bristle brush and quickly
scrub.
. Rinse well with hose type pressure.
. If using a powerwash DO NOT use high pressure - use with less than 1,000 PSI.
. Clean only if needed
31
Design Team
The Jaycee Park Interpretive Art Markers Project is a collaboration between the City of
Boynton Beach Department of Recreation and Parks, Art in Public Places and
Historical Archivist, Wisdom through Wonder, Inc. and Art & Culture Group, Inc.
Linda Emerson, Wisdom through Wonder, Inc.
Lucy Keshavarz, Art & Culture Group, Inc.
Martha Blumel, Envision Graphic Design, Inc.
32