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Minutes 09-19-01ON WEDNESDAY~, SEPTEMBER 19, 20! PRESENT MINUTES OF THE REGULAR cTrY COMMISSION MEE'rZNG HELD IN COMMISSION CHAMBERS, CITY HALL, BOYNTON BEACH, FLORIDA, tl AT 6:30 P.M. Kurt Br~.. James Cl Janet PrE Gera d Broening, Mayor Ron Weiland, Vice Mayor Charlie Fisher, Commissioner Nike Ferguson, Commissioner Mack McCray, Commissioner T. OPENINGS: Call to Order - Mayor G~rald Broening Tnvocation - Rev. Dr. Marshall Cook, Boynton Pledge of Allegiance to the Flag led by Mayor Statement Regarding September 11th -- Mayor B. C. D. Mayor Broening called the meeting to 9rder at 6:30 p.m. R{ Mayor Broening led the Pledge of Allegiance to the Flag. Mayor Broening offered his thoughts and reflections regan September 11m. He urged everyone to be tolerant, patient, trying times. E. IF YOU WISH TO ADDRESS THE COMMTS · FILL OUT THE APPROPRIATE RE(~UEST FORM , GIVE IT TO THE CITY CLERK (ON THE DAIS) BE PORTION OF THE AGENDA HAS BEEN COMPLETED COME TO THE PODIUM WHEN THE MAYOR CALLS INDIVIDUALS MAY SPEAK FOR THREE UNZNTERR ;sner, City Manager lerof, City Attorney ~inito, City Clerk Beach Congregational Church 3roening Gerald Broening ~v. Cook offered the invocation and ling the world changing events of vigilant and respectful during these SION: '.FORE THE "OPENINGS" tOUR NAME IPTED MINUTES. Meeting Minutes Regular City Commission Boynton Beach, Florida September 19, 2001 City Attorney Cherof read proposed Resolution No. 01-253 by title only. He also read proposed Ordinance No. 01-51 by title only. The Public Hearing concerning the final budget was opened. Alice Otis, 203 SW 13th Street, urged the Commission not to build new buildings at this time but to maintain the current ones so that the City's financial reserves can be strengthened. Herb Suss requested that additional money be allocated for the Library and he urged the Commission to pass the Long-Range Library Plan. There being no one else wishing to speak, the Public Hearing was closed. Commissioner Ferguson pleaded with the other members of the Commission to lower the proposed millage to 7.5. He feels that the 7.81 millage is too high. He said that there are ways to save money in this budget; for instance, not purchasing Morey's property and redudng the amount of Commissioners' Community Tnvestment funds. Commissioner McCray stated that just because the budget is approved, the City does not have to spend the entire amount if they find that they do not need something. Commissioner Fisher said that he, too, would like to lower the millage; however, because of last week's events and the state of the economy, he is not comfortable that property values will rise. Tf the millage rate is lowered this year, the City will not have enough money in two years. Vice Mayor Weiland would like to lower taxes; however two to four years from now the City may not have enough funds. He is comfortable with the millage rate but not with the budget. He suggested that the Commission review the budget and make some cuts now. Commissioner Fisher stated that even if the budget is approved tonight, anything costing over $10,000 will come back to the City Commission for a vote. City Manager Bressner agreed with Commissioner McCray's statement that all funds in the budget do not need to be spent. He has taken preparatory steps to economize and urged the Commission to go forward with the budget with the understanding that items will be evaluated and prioritized and adjustments would be made. Commissioner Fisher said that whoever replaces this Commission must follow our lead economizing. in Commissioner Ferguson stated that it is possible he will be on the Commission next year at budget time and he will vote against a budget that does not contain an ad valorem tax decrease. He also suggested a hiring freeze now if finandal trouble is expected in two years. Mayor Broening said he believes this is a realistic budget. The City now has a 5-year plan for the first time and he feels that this will help the City plan for the future. Most budgets can be 2 Meeting Minutes Regular City Commission Boynton Beach, Florida September :L9, 200:~ fine-tuned during the year. He trusts the new staff and the new psychology and believes the future looks very bright. He said the City can find savings by doing things better over time. Motion Commissioner McCray moved to approve proposed Resolution No. 0::[-253. Commissioner Fisher seconded the motion that carried 4 to 1, with Commissioner Ferguson dissenting. Motion Commissioner McCray moved to approve proposed Ordinance No. 0::[-51. Motion was seconded by Commissioner Fisher. Discussion Vice Mayor Weiland supported the millage rate but he cannot support the final budget. He feels that the Commission should take the time now to look for ways to save money. Commissioner Fisher suggested that the public get involved with the budget hearings throughout the year. Mayor Broening stated that the City needs to move forward with the budget. He will re- prioritize items in the City budget throughout the year and will look for ways to improve operations and reduce costs. Vote City Clerk Prainito polled the Commission. The vote was 3 to 2, with Vice Mayor Weiland and Commissioner Ferguson dissenting. F. Agenda Approval: 1. Additions, Deletions, Corrections City Manager Bressner added ]:tem E under the City Manager's Report. This item concerns the purchase of holiday lights. 2. Adoption Motion Commissioner Ferguson moved to approve the agenda with the addition. Commissioner McCray seconded the motion that carried unanimously. PUBL]:C AUD]:ENCE: :[ND:[VI'DUAL SPEAKERS WI'LL BE LZMI'TED TO 3-MZNUTE PRESENTA'r~ONS 3ames Miriana, 728 NE 8th Avenue, said the City needs a new fire station but he does not want it financed through taxes. He said that with the stock market plunging, spending must be revised. He urged the Commission to consider using money on hand. Meeting Minutes Regular City Commission Bovnton Beach, Florida September 19, 2001 Sunny Garcia, 1631 NW 3rd Lane, suggested that the City have a drop off place where people can donate money for New York City. We could show that Boynton is a small City with a big heart. .lames Dismuke, 117 SE 4th Avenue, stated that he purchased a home in Boynton Beach during the past year and is concerned with crime and suspicious activities on his block. He asked what he could do and what help he could get from the City. Mayor Broening said that someone from the Code Compliance Division of the Police Department would contact Mr. Dismuke before the end of tonight's meeting. III. OTHER: A. Informational Items by Members of the City Commission Commissioner McCray announced that St. John's Missionary Baptist Church, 900 N. Seacrest Boulevard, will celebrate their 93rd Church Anniversary on Sunday from 11 a.m. until 4 p.m. and everyone is welcome. Vice Mayor Weiland asked whether the second Public Hearing regarding the Fire Assessment on October 16th will be held at Boynton Beach High School and it was confirmed that it would be. Commissioner Fisher thanked .loe Sciortino and the Golf staff for the recent Adult/Youth Golf Tournament. Commissioner Fisher also wished Commissioner McCray a safe trip to China. IV. ADMINISTRA'DZVE: A. Accept resignation of David Katz, Regular Member, Nuisance Abatement Board Motion Commissioner McCray moved to accept the resignation of Mr. Katz. Commissioner Ferguson and unanimously carried. Motion was seconded by B. Appointments to be made: Appointment To Be Made Length of Term Board Expiration Date II McCray III Ferguson Children & Youth Advisory Bd Stu/Reg/NonVoting i yr term to 4/02 (Tabled-2) Children & Youth Advisory Bd Stu/Reg/Voting :1 yr term to 4/02 I Weiland Bldg. Bd of Adj & Appeals Reg 3 yr term to 4/04 CTabled-2) II McCray Bldg. Bd of Adj & Appeals Alt 1 yr term to 4/02 CTabled-2) II McCray Cemetery Board Alt I yr term to 4/02 II McCray Code Compliance Board Alt 1 yr term to 4/02 4 Meeting Minutes Regular City Commission Boynton Beach, Florida September 19, 2001 ]: Weiland Education Advisory Board Alt I yr term to 4/02 (Tabled-2) :ITT Ferguson Golf Course Advisory Committee Alt 5 yr term to 6/06 ]:V Fisher Golf Course Advisory Committee Alt 5 yr term to 6/06 :]I]: Ferguson Nuisance Abatement Board Reg 2 yr term to 4/03 Commissioner Ferguson nominated Robert J. Lee as an alternate on the Golf Course Advisory Committee. He also nominated John Cooper as a regular member of the Nuisance Abatement Board. All other nominations were tabled. Motion Commissioner Fisher moved to accept the appointments. Commissioner Ferguson seconded the motion that carried unanimously. V. ANNOUNCEMENTS & PRESENTAT]:ON$: A. Announcements: 1. Oceanfront Concert Series on September 21, 2001, 6-9 p.m. at Oceanfront Park - Tsland Heat (Calypso/Soca) Mayor Broening announced the free concert at Oceanfront Park. 2. Presentation of all local School Tmprovement Plans on September 24, 2001 at 6:00 p.m. in the Library Program Room IVlayor Broening announced the presentation of all local School Tmprovement Plans. B. Presentations: 1. Proclamations: a. "Sickle Cell Awareness IVlonth" Mayor Broening read the "Sickle Cell Awareness IVlonth" proclamation and presented it to Saundra Washington Peeples of Palm Beach County. b. "HeadStart Awareness Month" Mayor Broening read the proclamation concerning "HeadStart Awareness Month" and presented it to Lena Rahming. MeeUng Minutes Regular City Commission Boynton Beach, Florida September 19, 2001 Commissioner McCray announced that volunteers are needed at the HeadStart Center in Boynton Beach. c. "Boynton Beach-Qufu Friendship Day" Mayor Broening read the proclamation regarding our Sister City in Qufu, China, and announced that Commissioner McCray will be leading a delegation to China on September 20th, His trip will be funded by private donations. 2. Presentation to Little League team, by Vice Mayor Ron Weiland Vice Mayor Broening made a presentation to the East Boynton Beach Little League All Stars. This is the team that represented South Florida in the State finals. 3ack McVey, President of the East Boynton Beach Little League, thanked the Vice Mayor and the Commission for honoring this team. He said that East Boynton Beach is celebrating their 45m year in Little League. The league is run by volunteers. Maintenance is performed by the City and the concession stand pays for the improvements. Manager Mike Lopez thanked the City Commission. He talked about how important it is to have the boys playing sports with their friends under the supervision of adults. He said dedication is what makes communities excel and he is grateful to the City for their support. V~[. CONSENT AGENDA: Matters in this section of the Agenda are proposed and recommended by the City Manager for "Consent Agenda" approval of the action indicated in each item, with all of the accompanying material to become a part of the Public Record and subject to staff comments. A, Minutes: 1. City Commission Meeting of August 21, 2001 2. Agenda Preview Conference of August 30, 2001 3. Regular City Commission Meeting of September 4, 2001 Bids - Recommend Approval - All expenditures are approved in the 2000-2001 Adopted Budget Approve the "piggy-back" of the City of Port St. Lucie, RFP#0352-01-BG, Contract #20010352, awarded to Management Learning Laboratories, for a Comprehensive Recreation and Parks Needs Assessment, in an amount not to exceed $20,500 (Proposed Resolution No, R01-254) Mayor Broening requested that item VI.B.1 be removed from the consent agenda for discussion. Meeting Minutes Regular City Commission Boynton Beach, Florida September :Lg, 2001 Extend the "ANNUAL CONTRACT FOR LANDSCAPE MAINTENANCE," Bid #079-2730-00/KR, for one (1) additional year to various vendors for an annual estimated expenditure of $691,142 (New Bid #081-2730-01/KR) Award the bid for "MOBILE REFUSE CONTAINERS FOR AUTOMATED GARBAGE COLLECTION PROGRAM," Bid #083-2510-01/KR, to Otto Industries, Inc. for a two (2) year period with an estimated annual expenditure of $30,000 Approve the "piggy-back" of the CITY OF WEST PALM BEACH, BID#00/01-28, awarded to ANCHORS EMERGENCY BOARD UP SERVICE in the amount "not to exceed $10,000" annually Mayor Broening requested that item W.B.4 be removed from the consent agenda for discussion. Award a contract to Construction Technology, Inc. of West Palm Beach in the amount of $944,575 for the construction of Boat Club Park under Bid #077-2413-01/C]D and to establish a total project budget appropriation of $1,044,575 (Proposed Resolution No. R01-255) Extend the "ANNUAL BID FOR DELIVERED REFRESHMENTS FOR THE LATCHKEY AFTER-SCHOOL PROGRAM," Bid #083-2710-00/KR for seven and one half (71/2) months (school year) to SANDRA L. STROKE, of West Palm Beach, Florida with an estimated expenditure of $4,940.76. New Bid #099-2710-01/C3D Award the TWO YEAR CONTRACT FOR VEHICLE TOWING ROTATION PROGRAM, RFQ #088-2110-01/C3D to various qualified tow companies, and authorize the Mayor and the City Attorney to execute the Towing Services Agreement 2001 and issue the Certificate of Qualification to approved tow companies (Proposed Resolution No. RO:L-256) Vice Mayor Weiland requested that item VI.B.7 be removed from the consent agenda for discussion. Approve the recommendation of the Real Estate Administrator selection committee by designating The Urban Group, Inc. as the number one rated firm for providing real estate administration services, authorizing the City Manager or his designee to conduct negotiations with the Urban Group, Inc. for purposes of entering into a professional services contract, and approving a purchase order in the amount of $85,000 for those services Mayor Broening requested that item VI.B.8 be removed from the consent agenda for discussion. Meeting Minutes Regular City Commission Boynton Beach, Florida September 19, 2001 C. Resolutions: Proposed Resolution No. R01-257 Re: Approving release of cash bond of $13,612.50 for the completion of permi~ced work at the Riverwalk Plaza (1608 S. Federal Highway) Proposed Resolution No. R01-258 Re: Authorizing the Mayor to execute an agreement between the City of Boynton Beach and the Florida Department of Transportation Highway Safety Plan, to continue funding 50% of one (1) police officer salary for DUT Enforcement Proposed Resolution No. R01-259 Re: Approving and authorizing the MayoF to sign up to fourteen (14) Agreements for Water Service Outside of the city Limits for the properties on Tucks Road, after review by City Staff and the City A~orney for completeness Proposed Resolution No. R01-260 Re: Approving a monthly rental agreement between the City of Boynton Beach and Stor- All D. Ratification of Planning & Development Board Action: None E. Ratification of Community Redevelopment Agency Action: None F. Approve Library Long-Range Plan for FY 2001-2004 Approve the purchase of one (1) forklift in the amount of $15,086.05 from National Lift Truck Service utilizing State of Florida Contract #760-001-99-1 Approve a payment to U.S. Filter in the amount of $16,600 for the repair of two sanitary sewer pumps at Lift Station 356 Approve a payment to Godwin Pumps of America in the amount of $15,615 for rental of by-pass pumps at Lift Station 356 during pump failure Approve the land purchase of Lot 13, Block 9, BOYNTON RIDGE SUBDIVISION, in the amount of $14,500 for use in the City's Affordable Housing Infill Program Motion Commissioner Fisher moved to approve the consent agenda, as amended. Ferguson seconded the motion that carried unanimously. Commissioner Meeting Minutes Regular City Commission Boynton Beach, Florida September :Lg, 2001 :Items removed for discussion: VI.B.1. Approve the "piggy-back" of the City of Port St. Lucie, RFP#0352-01-BG, Contract #20010352, awarded to Management Learning Laboratories, for a Comprehensive Recreation and Parks Needs Assessment, in an amount not to exceed $20,500 (Proposed Resolution No. RO:L-254) Mayor Broening stated that he hoped that the Recreation & Parks Board and the public will be very involved with this Needs Assessment. Motion Commissioner Ferguson moved to approve item VI.B.1. Fisher and carried unanimously. Motion was seconded by Commissioner VI.B.4. Approve the "piggy-back" of the Ci'TY OF WEST PALM BEACH, BID#00/01-28, awarded to ANCHORS EMERGENCY BOARD UP SERVICE in the amount "not to exceed $10,000" annually Herb Suss questioned what this item was and Mayor Broening explained that this item concerned the boarding up of abandoned properties. Motion Commissioner Ferguson moved to approve item V]:.B.4. motion that carried unanimously. Commissioner Fisher seconded the VI.B.7. Award the TWO YEAR CONTRACT FOR VEHICLE TOWING ROTATION PROGRAM, RFQ #088-2110-01/C3D to various qualified tow companies, and authorize the Mayor and the City Attorney to execute the Towing Services Agreement 2001 and issue the Certificate of Qualification to approved tow companies (Proposed Resolution No. RO:::L-256) Vice Mayor Weiland commented that this contract was the result of hard work between City staff and the towing companies. He questioned whether a towing company would be eligible to move into another class if they passed inspection during the contract period. Wilfred Hawkins, Assistant City Manager, answered that this is possible. Vice Mayor Weiland said that the agreement requires an 8-ton winch and it should require a 4- ton winch. He also said that Scott's Towing & Recovery did not meet all requirements by the deadline date. Assistant City Manager Hawkins explained that Scott's Towing is in the process of obtaining their occupational license. They meet all other requirements and are considered to be an excellent company. They are a local company with new equipment. He stated that if the Commission desires, Scott's Towing would be included in the approval tonight with a time specific for them to obtain their occupational license. 9 Meeting Minutes Regular City Commission Boynton Beach, Florida September 19, 2001 City Manager Bressner said that even if this company is approved, no tows will be authorized until they obtain their occupational license. Motion Commissioner Ferguson moved to approve item VI.B.7. Motion was seconded by Commissioner McCray. The motion was amended to include: a) Winch tonnage is changed from 8 to 4; b) Companies will be eligible to move into another Class if they upgrade their equipment and c) Scott's Towing & Recovery will be given until October 19, 2001 to obtain their occupational license. Motion was carried unanimously. VI.B.8. Approve the recommendation of the Real Estate Administrator selection committee by designating The Urban Group, Tnc. as the number one rated firm for providing real estate administration services, authorizing the City Manager or his designee to conduct negotiations with the Urban Group, Tnc. for purposes of entering into a professional services contract, and approving a purchase order in the amount of $85,000 for those services There was no discussion on item V]:.B.8. Motion Commissioner Ferguson moved to approve item VT.B.8. motion that carried unanimously. Vice Mayor Weiland seconded the VIZ, CZ'FY MANAGER'S REPORT: A. CRA Proposed 2001/02 Budget City Manager Bressner explained that this budget was approved by the CRA last week and they have the authority to approve their own budget. Motion Commissioner Ferguson moved to receive this budget and place it on file. seconded the motion that carried unanimously. Commissioner Fisher Proposed Resolution No. R-01-261 Re: Authorizing the Community Redevelopment Agency of the City of Boynton Beach to issue a promissory note in the principal amount not to exceed three million dollars ($3,000,000) and authorizing the City to guarantee the obligations of the Community Redevelopment Agency (CRA) under the note City Manager Bressner explained that this loan will be financed by tax increments in the CRA disLrict; however, the City Commission is ultimately responsible for the loan. The :L5 year debt service will be $318,000 per year. quintus Greene, Director of Development, said that the CRA expects to generate approximately $943,000 in tax increments in the next fiscal year and the CRA's budget for next year is approximately $4.9 million. 10 Meeting Minutes Regular City Commission Boynton Beach, Florida September 19, 2001 Commissioner Ferguson questioned why the CRA did not apply for a larger loan. City Manager Bressner stated that, at this point, $3,000,000 is the appropriate amount. Commissioner McCray asked if the interest rate will be lowered because of the Federal government lowering the rates. Mr. Greene stated that the original rate was 7.28% and it has been lowered to 6.5%. Hotion Commissioner Ferguson moved to approve proposed Resolution seconded by Corn missioner Fisher and carried unanimously. No. R01-261. Motion was Presentation on Arts Commission Project (Tnitiative 1.2) - Presented by Virginia Farace Virginia Farace, Library Director, introduced members of the team and made the Arts Commission presentation. A copy of this presentation is attached to the original City Commission minutes on file in the City Clerk's office. Ms. Farace said that the team recommends the adoption of an ordinance to establish an Arts Commission. Mayor Broening thanked the team for a beautiful presentation. City Manager Bressner suggested placing the Arts Commission ordinance on a future agenda so that the Commission will have time to evaluate it. Authorization to proceed with the purchase of Morey's Lounge, per the Agreement for Purchase and Sale of Real Property and authorizing the Mayor, City Manager, City Clerk or other officials to execute the closing documents City Manager Bressner explained that since the net cost of the property is more than the appraised value, it will be necessary for the Commission to approve this purchase by an extraordinary vote (i.e., at least 4 in favor). This property would be an appropriate ancillary use for Boat Club Park and could be used for parking and landscaping. A $250,000 grant has been received from palm Beach County. There is an estimated value of $80,000 for the Liquor License, which the City could sell, and the Adult Use License has value. The net cost is $310,000 and the two appraised values are $210,000 and $180,000. Commissioner Ferguson was concerned with spending more money for the property than the appraised value. Mayor Broening said the question is whether it is worth a premium to rid the City of an eye sore on the Federal Highway corridor. He thinks the appraised value is too Iow. Vice Mayor Weiland shared Commissioner Ferguson's concern regarding paying for this property with taxpayers' money; however, he asked if it was worth the price to rid the City of this type of unwanted business on Federal Highway. 11 Meeting Minutes Regular City Commission Boynton Beach~ Florida September 19, 2001 City Manager Bressner said that if the City Commission fails to act on this matter, the contract will expire. Also, if there are not 4 votes approving the purchase, the vote will fail. Commissioner Fisher stated that if this property is purchased by the City, the value of properties in the surrounding area will increase. Mayor Broening said that the City may be paying a premium for this property now; however, its future value will more than offset this cost. Motion Commissioner Ferguson made a motion to table this item. second. The motion failed for lack of a Motion Vice Mayor Weiland moved to approve the purchase of Morey's Lounge. Commissioner Fisher seconded the motion that carried 4 to :[, with Commissioner Ferguson dissenting. Award "THE PURCHASE/INSTALLA'I-[ON OF HOLIDAY LIGHTS AND DECORA-I'IONS FOR THE CTI-Y OF BOYNTON BEACH," Bid#093-2710-01/C]D, to HOLIDAY ILLUMINA'I-JONS, INC., in the amount of $35,030 When asked by Commissioner McCray if the quality of the lights was equal for the two proposals, Recreation Director Wally Majors responded that staff feels comfortable with the quality. The City will be buying these lights and not renting them. The proposed vendor has worked with Jupiter, West Palm Beach and Lantana. Motion Commissioner Ferguson moved to approve item VII.E. motion that carried unanimously. Vice Mayor Weiland seconded the VTIT. PUBL?C HEARZNG: 7:00 P.M. OR AS SOON THEREAFTER AS THE AGENDA PERM'rTS None ZX. FUTURE AGENDA ZTEMS: A. Review of City Noise Regulations (October 2, 2001) B. Traffic Calming and Traffic Control Final Report (October 2, 2001) It was announced that the Traffic Calming and Traffic Control report will be moved to the November 6th City Commission agenda because two Commissioners will be absent at the October 2nd meeting. C. Marina Project Update (October 16, 2001) 12 Meeting Minutes Regular City Commission Boynton Beach~ Florida September 19, 2001 Proposed Demolition of the Mangrove Park School (Old High School) at 125 E. Ocean Avenue (October 16, 2001) Report on ordinance changes for Advisory Board attendance and conduct standards (November 6, 2001 F. Water Conservation Strategy (November 6, 2001) Redevelopment Code issues for non-conforming lots and buildings in commercial areas (November 2001) Ordinance establishing setbacks from schools and/or churches for establishments having liquor licenses (November 20, 2001) I. FRA Whistle Ban - Report (December 4, 2001) X. DEVELOPMENT PLANS: XT. NEW BUSINESS: XII. LEGAL: A. Ordinances - 2nd Reading - PUBLIC HEARING None B. Ordinances- 1m Reading Proposed Ordinance No. 01-50 Re: Amending Part III, Land Development Regulations, Chapter i and Chapter 21, regarding "Banners" (TABLED TO OCTOBER 2~ 200.~ AT THE REQUEST OF THE LEGAL DERA R Ti~ENI~ Proposed Ordinance No. 01-52 Re: Amending Land Development Regulations, Chapter 2 Zoning, Section 6.A.3. providing for an increase in the maximum structure height in the C-1 zoning district from 25 to 30 feet; providing for an increase in the building height for buildings with under building parking to thirty-five feet as a conditional use in the C-1 zoning district; and amending Chapter 2, Section 4.F. providing for the addition of parapets as a potential exemption from height limitations City Attorney Cherof read proposed Ordinance No. 01-52 by title only. 13 Meeting Minutes Regular City Commission Boynton Beach, Florida September :Lg, 200:L Motion Commissioner Ferguson moved to approve proposed Ordinance No. 01-52. Commissioner Fisher seconded the motion. City Clerk Prainito polled the Commission. The motion carried unanimously. C. Resolutions: None D. Other: XIII. UNFINISHED BUSINESS: Commissioner McCray suggested that citizens should bring any donations for the relief effort in New York City, Washington and Pennsylvania to City Hall. X~V, AD]OURNI~ENT: There being no further business before the City Commission, the meeting properly adjourned at 8:35 p.m. ATTEST: ,~Clerk Deputy Qty Cie rk (3 tapes) CITY OF BOYNTON BEACH (.~.~m ~ mmissloner 14 BOYNTON BEACH CITY COMMISSION MEETING PUBLIC COMMENT CARD AGENDAITEMS Fill in the information called for below and give to the City Clerk prior to the start of the City Commission Meeting. Name ~ ~ Telephone $ Summary of Matter to be A~~ If a person decides to appeal any decision made by the City Commission with respect to any matter considered at this meeting, he/she will need a record of the proceedings and, for such purpose, he/she may need to ensure that a verbatim record of the proceedings is made, which record includes the testimony and evidence upon which the appeal is to be based. {F.S. 286.0105) The City shall furnish appropriate auxiliary aids and services where necessary to afford an individual with a disability an equal opportunity to participate in and enjoy the benefits of a service, program, or activity conducted by the City. Please contact Joyce Costello, {561) 742-6013 at least twenty-four hours prior to the program or activity in order for the city to reasonably accommodate your request. BOYNTON BEACH CITY COMMISSION MEETING PUBLIC COMMENT CARD AGENDA ,ITEMS Fill in the information called for below and Eive to the City Clerk prior to the start of the City Commission Meeting. ~~Name ~ i~~/' ~~×l ~ Address Telephone # Summary of Matter to be Addr Agenda # If a person decides to appeal any decision made by the City Commission with respect to any matter considered at this meeting, he/she will need a record of the proceedinEs and, for such purpose, he/she may need to ensure that a verbatim record of the proceedin§s is made, which record includes the testimony and evidence upon which the appeal is to be based. {F.S. 286.0105} The City shall furnish appropriate auxiliary aids and services where necessary to afford an individual with a disability an equal opportunity to participate in and enjoy the benefits of a service, program, or activity conducted by the City. Please contact Joyce Costello, (561) 742-6013 at least twenty-four hours prior to the program or activity in order for the city to reasonably accommodate your request. BOYNTON BEACH CITY COMMISSION MEETING PUBLIC COMMENT CARD FOR ITEMS NOT ON THE AGENDA - PUBLIC AUDIENCE Fill in the information called for below and give to the City Clerk prior to the start of the City COmmission Name Address Summary of Matter to be If a person decides to appeal any decision made by the City Commission with respect to any matter considered at this meeting, he/she will need a record of the proceedings and, for such purpose, he/she may need to ensure that a verbatim record of the proceedings is made, which record includes the testimony and evidence upon which the appeal is to be based. (F.S. 286.0105) · The City shall furnish appropriate auxiliary aids and se~ices where necessary to afford an individual With a disability an equal opportunity to participate in and enjoy the benefits of a service, program, or activity conducted by the City. Please contact Joyce Costello, (561) 742-6013 at least twenty-four hours prior to the program or activity in Order for the city to reasonably accommodate your request. BOYNTON BEACH CITY COMMISSION MEETING PUBLIC COMMENT CARD FOR ITEMS NOT ON THE AGENDA - PUBLIC AUDIENCE Fill in the information called for below and give to the City Clerk prior to the start of the City Commission Meeting. Name if Address / Telephone # Summary of Matter to be Addre~ ! If a person decides to appeal any decision made by the City Commission with respect to any matter considered at this meeting, he/she will need a record of the proceedings and, for such purpose, he/she may need to ensure that a verbatim record of the proceedings is made, which record includes the testimony and evidence upon which the appeal is to be based. (F.S. 286.0105) The City shah furnish appropriate auxiliary aids and services where necessary to afford an individual with a disability an equal opportunity to participate in and enjoy the benefits of a service, program, or activity conducted by the City. Please contact Joyce Costello, (561) 742-6013 at least twenty-four hours prior to the program or activity in order for the city to reasonably accommodate your request. BOYNTON BEACH' CITY COMMISSION MEETING PUBLIC COMMENT CARD FOR ITEMS NOT ON THE AGENDA pUBLIC AUDIENCE Fill in the information called for below and give to the City Clerk prior to the start of the City Commission Meeting. Name Address /~" ~ '~I~''~ L/~--~/~/~__ Telephone,. e d~;,.~bO/'/L)~ ' ~ /~' Summary of Matter to be Addres "' ~6 ~0 ~ If a person decides to appeal any decision made by the City Commission with respect to any matter considered at this meeting, he/she will need a record of the proceedings and, for such purpose, he/she may need to ensure that a verbatim record of the proceedings is made, which record includes the testimony and evidence upon which the appeal is to be based. (F.S. 286.0105) The City shah furnish appropriate auxiliary aids and services where necessary to afford an individual with a disability an equal opportunity to Participate in and enjoy the benefits of a service, program, or activity conducted by the City. Please contact Joyce COstello, {561)742-6013 at least twenty-four hours prior to the program or activity in order for the city to reasonably accommodate your request.' BOYNTON BEACH CITY COMMISSION MEETING PUBLIC COMMENT CARD AGENDA ITEMS Fill in the information called for below and give to the City Clerk prior to the start of the City Commission Meeting. /~_~ ~ // ~~ Name / ? / Address I1// f~/~./~ ~ Telephone # /~ Agenda # . .. Summary of Matter to be AddresSed / / / If a person decides to appeal any decision made by the City Commission with respect to any matter considered at this meeting, he/she will need a record of the proceedings and, for such purpose, he/she may need to ensure that a verbatim record of the proceedings is made, which record incindes the testimony and evidence upon which the appeal is to be based. {F.S. 286.0105) The City shah furnish appropriate auxiliary aids and services where necessary to afford an individual with a disability an equal opportunity to participate in and enjoy the benefits of a service, program, or activity conducted by the City. Please contact Joyce Costello, (561} 742-6013 at least twenty-four hours prior to the program or activity in order for the city to reasonably accommodate your request. BOYNTON BEACH CITY COMMISSION MEETING PUBLIC COMMENT CARD AGENDA ITEMS Fill in the information called for below and give to the City Commission Meeting. ~ ~rior to the start of the City Name Address Telephone # Summary of Matter to be Addressed Ifa person decides to appeal any decision made/~/the City Commission w,th respec~t~o an..y m. atte, .cO~miderreeci3t will need a record of the proceedings and, for~guch purpose, he/she may need to ensure that a verDa~ made, which record includes the testimony a¥/i evidence upon which the appeal is to be biased. {F.S. 286.0105) The City shah furnish appropriate auxilia/-~ aids and services where necessary..to., affoYd, an. ~.nd. ivi.d.ual ~w.~_th opportunity to participate in and enjoy t-lie benefits of a service, pro§ram, or .a.c.~.lVl.ty co.nauc, tea..oy ~n.e .~l~y. Costello, {561) 742-6013 at least twenty-four hours prior to the pro§ram or acuvi~y m order ~or ~ne Cl~y to reasonamy your request. BOYNTON BEACH CITY COMMISSION MEETING PUBLIC COMMENT CARD AGENDA ITEMS for below and give to the City lerk ,,,, ,n the ,n,.orma,:,on cal,,,d Commission Meeting. Name ~ / Address Telephone # Summary of Matter to be Addressed prior to the start of the City If a person decides to appeal any decision made by the City Com/mission with respect to. any matter considered at this meeting, he/she will need a record of the proceedings and, for such purpose, he/she may need to ensure that a verbatim record of the proceedings is made, which record includes the testimony and evidence upon which the appeal is to be based. {F.S. 256.0105) The City shall furnish appropriate auxiliary aids and services where necessary to afford an individual with a disability an equal opportunity to participate in and enjoy the benefits of a service, program, or activity conducted by the City. Please contact Joyce Costello, (561) 742-6013 at least twenty-four hours prior to the program or activity in order for the city to reasonably accommodate your request. STRATEGIC INITIATIVE 1.2 CREATE AN ARTS COMMISSION Table of Contents ASSIGNMENT & A CKNO WLEDGEMENTS STRATEGY 2 RESEAR CH 3 LOCAL ISSUES RE COMMENDATION APPENDIX 8 12 ASSIGNMENT AND A CKNO WLEDGEMENTS Statue in front of Schoolhouse Children's Museum ASSIGNMENT In August 2000, the Boynton Beach City Commission approved 55 Goal Areas. Strategic Initiative Teams were established by the City Manager and asked to create, to initiate and to accomplish an implementation strategy for the assigned goals and objectives. The details of this report relate to Goal 1: Developing a Community Identity - Strategic Initiative 1.2. The assignment was to: Establish an Arts Commission to guide the development of standards and placement of public art and sculptures. The TEAM appointed to this strategy was: team leader Virginia K. Farace, and team members Arleen Dennison, Wally Majors, Kurt Bressner, and Chuck Magazine. The team received review and suggestions from Goal 1 members: Bill Bingham, Wilfred Hawkins, and Quintus Green. ACKNOWLEDGEMENTS Special thanks are extended to those who made contributions to this report: · Boynton Beach City Library Staff for assistance with Internet and Bibliographic searches, · National Recreation and Parks Association (NRPA) members from across the country who responded to an electronic survey by Wally Majors, · City of Boynton Beach Planning Department Staff Dick Hudson who provided some backup material, · Recreation Department Staff Virginia Shea, Melissa Dale, and Heather Spillane who added information about dept. issues and Charles Crawford who took photos to accompany the report. Grateful appreciation is extended to all those communities whose information was made available for analysis and/or inclusion in this report. STRATEGY Latticework on Ocean Avenue Bridge S TRA TEG Y Seeing similarities in the process of establishing an Arts Commission and a Historical Commission, the teams for strategic initiatives 1.2 and 1.3 met and worked together. A survey was developed that would help to gather information about both Arts and Historic Commissions. (See Appendix: Art and Historic Commissions Survey) Over the next several months, Team members contacted other cities, used the IG Knowledge Center, contacted NRPA members, contacted the League of Cities, and did Internet and bibliographic searches. As more information was uncovered, it was obvious that Public Art was an encompassing subject, with many variations and possibilities. This report will provide an overview of the subject and recommendations for the possible scope of a city Arts Commission. A separate report will be issued addressing the creation of a Historic Commission. WHAT IS ART? "---a product that evokes the senses and stimulates emotions. The product may be something thought to be beautiful, interesting, controversial, emotionally moving, educational, or displaying historic or cultural meaning." WHAT IS PUBLIC ART? "---objects in our environment for public use and enjoyment that may be historic, aesthetic, or functional in the form of sculpture, monuments, murals, fountains, or amenities such as seating, lights, signs." (See Appendix: Public Art in the Urban Landscape for an elaboration of the above definitions.) 2 RESEAR CH Staircase Mural Schoolhouse Children's Museum A public art program can help communities to interpret their environment and develop a sense of pride and ownership for their "public" places and their neighborhoods. Broward County, F1 · Public art strengthens civic identity and boosts community pride. · It initiates community dialogue. · Public art memorializes the past, expresses shared values and concerns for the future. Public Art in Urban landscape · Gives the urban area a sense of place by contributing to the process of place-making. Philadelphia, Pa: · A vital, healthy cultural life is as important to progress as jobs, clean streets, and economic development. We must feed the minds and spirits of our citizens, even as we make our city safe and livable. Des Moines, Ia: · A public art program would compliment economic development, add to the vitality of the community, provide opportunities for people to experience art in their everyday life and for artists and the citizens to participate in design, look and feel of the city. WHAT MAKES A SUCCESSFUL PUBLIC ART PROGRAM? Successful public art programs have a number of ingredients as identified in a study done by the community of North Vancouver, Canada. These ingredients include: · A commitment to leadership by public bodies. · A broad community understanding of the policies that underpin public art. · Identification of opportunities to create a sense of place through public art. · A solid financial base. 4 · Early collaboration and involvement of the arts community in developing public art. · Support and involvement of the private sector. · Support and involvement of all sections of municipal government including engineering, planning, finance, community services. · Continuous effort to include and draw upon the support of the public. Developing principles to which everyone can agree starts the process of creating a public art plan. For example, the Guiding Principles of the North Vancouver Public Art Program are: · Public art is an expression that is often diverse and innovative. · Public art intends to reflect community values and community identity. · Public art utilizes the creative energy of artists for public benefit. · Public art increases public awareness of the role of art and artists in the community. · Public art is a community resource. · Public art contributes to the economic health of the community. · Public art responds to the natural, social, and built environment. · Public art is a collaboration between the public, public agencies, the private sector, and the design community. HOW BROAD IS THE SCOPE OF PUBLIC ART PROGRAMS? Each community whose art program was reviewed had developed a unique purpose and scope for its Arts Commission. These concepts were incorporated into an ordinance that established the commission and gave the commission its role and responsibilities. The selections that follow show the range of possibilities. Sonoma, Ca: · Sponsor community art forums to encourage a continuing dialog with the arts community. · Develop a public arts ordinance. · Act as liaison between local artists and organizations and the city. · Advise city commission on all matters affecting the arts and aesthetics of the city. Austin · , Tx: Create a physical and human environment which nurtures artists, arts organizations, and arts producers. Nurture and preserve cultural diversity consistent with and reflecting city demographics. Equalize access to the arts. Improve the artistic and administrative quality of city's arts offerings. Promote inclusion of aesthetic considerations in local decision-making through advocacy services, financial and technical assistance, and leadership. Phoenix, Az: · Protect, enhance, serve and advocate excellence in the arts. · Raise level of awareness and involvement of all city residents in the preservation, expansion and enjoyment of the arts. Philadelphia, Pa: · Advise mayor and city commission on arts and cultural matters by assessing current policies, setting priorities, and suggesting new ideas and directions. · Assure inclusion of diverse viewpoints on city cultural policy · Serve as advocates for the arts · Honor local artists, cultural organizations, and institutions. · Make effective use of city facilities and services. · Provide broad stable funding base and ensure equitable distribution and effective use of those funs, · Integrate cultural perspective into the city's planning process. · Give recognition and support to city's cultural resources. · Protect, preserve, enhance city's built and natural environment. 6 · Make artistic and cultural opportunities of high quality available to all residents. No. Richland, Tx: · Bring the arts to all people of all walks of life in an affordable manner. (Mission) Grand · Junction, Co: Help create and nurture a climate and conditions in which the arts and culture can thrive and grow. (Mission) · Complete, implement and periodically revise a community strategic cultural development plan. · Encourage and facilitate cooperation, collaboration, and partnerships with and between the arts community, local government, education, and the business community. · Provide information and education to local artists and arts agencies to enhance funding, management, and marketing skills. · Provide advice to city commission concerning the establishment of community arts priorities and criteria for expenditure of public resources. · Increase both private and public resources for the arts. San Francisco, Ca: · Promote a neighborhood arts program to encourage and support an active interest in the arts on a local and neighborhood level. · Establish liaison between community groups and develop support for neighborhood artists and art organizations. LOCAL ISSUES Banners along Ocean Avenue LOCAL Various issues were identified in the City of Boynton Beach as relevant to this topic. Art League dissolved o Last five members disbanded the Boynton Beach Art League in early 2001 due to lack of membership. Its funds/assets were disbursed. GALA 2002 Refocuses on the Arts o VISION: The vision of G.A.L.A. is to bring together the people of the greater Boynton Beach community and visitors from other cities, states, and countries through an annual celebration of the cultural arts. o GOALS: It incorporates the following aspirations as its goals: } Present world-class artists } Provide a wide range of cultural arts experiences } Provoke the mind & spur economic revitalization } Attract a diverse audience } Involve and integrate the community :~ Provide enriching experiences for the young } Support regional arts activities } Offer an experience for all five senses } Create a celebratory atmosphere with lasting memories } Showcase the newly renovated ocean avenue & downtown area to visitors :~ Enhance the image of Boynton Beach and the state of Florida This year's event will focus on the Cultural Arts. ART FESTIVAL = Art, Music, Dance, Literature, Culinary, Graphic Design, Fashion, Photography, Hands-On, 5-Senses, Quality, Innovative, Interactive--- We Want People To Hear, See, Feel, Smell, Taste And Touch The Experience! NOTE: The G.A.L.A. does incorporate the county's largest Youth Art Exhibit with over 500 pieces of individually created pieces by students (K - grade 12) from Palm Beach county public and private schools. "Boynton Beach Neighborhood Art District" and "The Neighborhood Gallery" o The Art District on Industrial Avenue was created by Richard Beaulieu who does fine arts, sculptures and paintings and by carving school teacher Pat Stone, who did the "Stone Sculpture Project". Their goals are to bring a culture of visual arts in some way to their community with national and local talent, and to enhance the neighborhood. Art in O Workplace program Goals for Art Center staff include revamping and reinstitution of the program. New designs for supplemental and promotional materials and new program will be completed by the end of next summer. O To be determined: public locations in which to display art work (suggesting Art Center, Civic Center, Library, City Hall and City Hall in the Mall) Banners o Hanging art and event banners in the downtown corridor of Ocean Avenue, Federal Highway, Boynton Beach Boulevard and Seacrest Boulevard is currently under review by the city. Murals o Some murals have been created on the sides of buildings and the issue is currently under review by the city. Neighborhood Associations o Many exist throughout the city and may have ideas/plans for public art in their neighborhood. Federal Copyright Law o Copyright is distinct from rights to the work itself, as the city learned when attempting to reuse the Sailfish logo created for the Visions 20/20 Master Plan. O Ownership o£ the work (as comn~only exists for public works in a municipal corporation or governmental entity) does not also n~ake for ownership o£ tl~e copyright. 9 Visual O Artists Rights Act VARA is federal legislation that accords artists certain rights to their artworks. It protects both artists and their artworks by forcing agencies to consider in advance the potentiality of changes to a site for which an artwork is being proposed, and of any future modifications that might occur to the artwork or its site. Funding sources o Methods of funding Public Art need to be identified. City operating funds are not currently available for this purpose. Community Redevelopment Agency needs o Goals of the CRA are to eliminate conditions of slum and blight and to support economic redevelopment. To achieve these goals it needs a critical mass of activities in a defined area. Yet to be defined is the role of public art in the process. Themes in Visions 20/20 o The Master Plan recommends certain themes for identified areas within the city. This may have implications for public art within these areas. City Art Center o The Art Center is currently able to host programs taking place only three evenings per week because of the lack of part time staff to cover and secure the building for evening activities. The center is currently filled to capacity during the day. Plans are that in three to four years, a second story will built to allow for gallery space for adult art exhibitions, classes, clinics, demonstrations and lecture series. The Art Center currently hosts two art shows for the parents of the 60 children enrolled in two summer sessions of Art Camp. Consultants o Paid consultants are available to assist the city in setting up a public arts program. 10 · Other 0 0 0 City events HERITA GE FEST In past years, this celebration incorporated a Youth Art Exhibit that took place at Poinciana Elementary. Organizers received a grant to bring an exhibit to next year's event. SECRET OF THE SAILFISH This event was a part of a Millennium Celebration. The idea was a take-off from the Cows in Chicago. Various artists were commissioned to do artwork that included a sailfish in the work. The various works of art were then placed in miscellaneous businesses throughout the City of Boynton Beach along with a clue. There was an entry form that had a blank message on the back that was to be figured out by obtaining all the clues. The entry form was then mailed in once the message had been figured out and there was a drawing and a Silent Auction of the art as the Grand Finale. O UIL T SHOW The Library Quilters host a bi-annual show of artistic quilts at the Woman's Club. The show receives recognition in national publications and entries from throughout the United States. ART IN THE CITY This was a one-time Neighborhood Specialist project funded this year by a grant via the "MLK a Day in Service". Local artist, Tracey Stokes, taught art to about 50 children at four different facilities from February to April and again in July. Basic theme was to expose children to art who would not have the opportunity to experience it. No plans or funding to continue project in the future. RE COMMENDATION Turtle Sculpture by Richard Beaulieu (City Hall Lobby) RECOMMEJVDA TION Adopt an ordinance establishing an Arts Commission. The components of the ordinance should include the following: Purpose: The Mission of the Arts Commission of the City of Boynton Beach is to advise the City Commission on matters related to the Arts, the development of a plan and programs to promote and support public art, and to recommend standards, guidelines and funding for implementation. Members: The Arts Commission shall be composed of nine (9) regular and two (2) alternate members who are citizens or business owners preferably with the following backgrounds: Artist(s) Art volunteer(s)/activist(s) Planner Private developer Business owner Neighborhood Association member(s) Architect Interested citizen(s) Responsibilities: Act as an Advisory Board to the City Commission on the following: · Provide advice on matters relating to the Arts. · Develop a Public Art Plan and Program for the City. · Recommend standards and guidelines for art and aesthetics in the city. · Recommend funding sources including private and grant funds. · Encourage public/private partnerships in the arts. · Review and make recommendations on proposals for art works for public buildings and public spaces. · Encourage the flow of art into the city, and stimulate art activities and events. · Study art issues and implement art programs as may be delegated to it from time-to-time by the City Commission. 12 APPENDIX Quilt (Library Lobby) (~uestion Response Arts Historic How often do they meet? What financial commitments {line item budget) do you have on an annual basis (ie. staff, printing, capital, etc.)? Long term? How do you measure success? Why did your community decide this was an imP°rtant strategy to take on? How does this fit into your community's long range plan? Can you share your (action) Yes No Yes No planning documents with us? Is this information available on the web? What is your address? As we continue to plan what public or private agencies or do you feel could help us? Who would you recommend as a known "expert' we could call on as we get further in the process? Additional notes: Please ask Interviewee to forward written materials to: Question Response Arts Historic How often do they meet? What financial commitments (line item budget) do you have on an annual basis (ie. staff, printing, capital, etc.)? Long term? How do you measure success? Why did your community decide this was an important strategy to take on? How does this fit into your community's long range plan? Can you share your (action) Yes No Yes No planning documents with us? Is this information available on the web? What is your address? As we continue to plan what public or private agencies or do you feel could help us? Who would you recommend as a known "expert" we could call on as we get further in the process? Additional notes: Please ask Interviewee to forward written materials to: Public Art in the Urban Landscape Info Public Art in the Urban LandScape Public Art Landscape Architecture encompasses much more than just the landscape. Landscape Architecture is a collaboration of the landscape and everything in it - buildings and structures, people, streets and walkways, open space, social spaces, and functional spaces. Landscape is an environment in which people act and to which they react (Greenbie. My thesis project explores the relationship of public art and the urban landscape through the following questions: What is Public Art? What is the value of art in our urban landscapes? doing to promote public art? This page will explore these topics and more! Stay tuned for more info. Photo Credit: City of Chicago, Graphics and Reproduction Center(l) What is Public Art? Through my studies and travel experiences in the United States and Europe, I have defined public art as objects in our environment for public use and enjoyment that may display the following characters: · historic · aesthetic · functional Public art can be found in the form of: · Sculpture · Monuments · Murals · Fountains · Ammenities such as seating, lights, signs Art: A product that evokes the senses and stimulates emotions. The product may be something thought to be beautiful, interesting, controversial, emotionally moving, educational, or displaying historic or http://www.geocities.com/Paris/1555/public art.html 8/24/2001 Public Art in the Urban Landscape rage cultural meaning. It/hat gives art it's vitality is simply and ineffably the capacity of individuals to interpret and transform the language to express new ideas or restate oM ones in a compelling way (Stem, 9). 'Art' and 'the public' do not belong to different categories or statwl for entirely different phenomena. Art is public by definition. Works of art are theresult of actions aimed at the public. Metaphorically, the arena of art is a public space. People do :not create art without a desire to communicate. All else is a private matter, a hobby, self-ofulfillment. - Ludger Gerdes (Brand, 102). Art in public places In Public places, there are many forms of art that enhance the space and give it character. Sculpture of all kinds can be found in almost any city either representing a historic figure, or expressing a style, thought, or culture. Murals are found on the sides of buildings, sometimes advertising a product or event, or expressing something of cultural, historical, or visual importance. Fountains celebrate the reflections and coolness of water and add white noise, drowning out the sounds of traffic. One thing that is not often considered public art is the playstmcture. Children see them as the most exciting element in the landscape. Public art identifies the city, displaying persons and events in history by use of historic monuments. This form of art can educate the public about these historically important events. They cause people to think about the history, remember the events and people, and even to relive them(Lynch4, 51,52, 54). Traditionally the purpose of public art was one of commemorating important personalities and/or events - literally, the narrating of history in the streets. It was believed that through exposure to art and the inculcation of national and local pride the masses wouM become more cultured and civic-minded (Piercey, 2). Public art and monuments promote social gathering and interaction. The piece of art umally attracts people closer to the object, and often offers a place to sit, or meet, others. The art automatically becomes an identifiable point in the urban environment. It is in this sense that most works of public art are found in public plaza or parks where the site is more suited for such gathering. Many times, these sites, found in the heart of the city, include monuments that symbolize the history of the place, or fountains and sculpture that demonstrate a celebration of place. These objects are seen as attractions to visitors and local citizens alike. Symbolism makes a good city as much as bricks and mortar, glass and steel and shade trees. We are probably all instinctual ancestor worshipers, and we worship the idealization of the past, not its reality, which is mostly lost to us anyway (Greenbie, 122). The urban environment can become personalized with art by demonstrating a particular style, activity, or culture. Art creates a sense of place, it reflects social theory about the place, and displays a style that is attributed to the space. Art is often used in public places to give it character, to make a space interesting, or to simply beautify it. People remember a place because of the artwork that exists in the space - the art acts as a symbol of the place. The Arch in St. Louis is a highly recognized symbol, just as the Statue of Liberty symbolizes New York. This recognition is a place making device. Public art contributes to the process qf place making (Sucher, 157). http://www, geocities.com/Paris/1555/public_art.html 8/24/2001 l-~ubltc ~ ~n me urban Landscape The use of urban art Change is inevitable. Growth and improvement usually accompany change, especially in the urban environment. The land in the urban environment changes from time to time as the needs and uses of the city and its inhabitants change, and the outlooks on what is desired for the city and its appearance vary. City revitalization has become an increasing priority for many cities across the United States. Revitalization has included many goals for the city including beautification, landscaping and street planting, urban parks, and art. Art in the urban setting exists mainly for the sake of the community, joining utility and beauty, and often historic meaning. Public art gives the community an identity - character that can be representative of the city and its people. Sculpture, memorials, monuments, fountains and murals are placed in public places to display historic meaning, cultural significance, md city beautification. Public plazas offer the pedestrian a place enjoy the sites, and play. These places often incorporate art, decoration, and landscape features to make the give it character. Art gives the urban area a place. SeaRle, Volumetric Space Frame by Doris Chase(2) Photo References: (1) :http://cpl. Bb. uic. edu/OO4chicago/timeline/caIder, html (2) : http : /Avww. wolfe, ne t/-fin/art/pub lic. htm l Sources: Brand, Jan, ed. Allocations: Art for a Natural and Artifioial Environment. ~.oeterm~er: Foundat&on World Horticultural Exhq~ition Floria~e, 1992. Cruiksh~nk, Jeffery L. and Pas Korza. Ooing Publio: a Field Guide to Developments in Art in Public Places. W~shington, D.C.: Arts Extension Service, 1988. ~ie, Barrie B. ~paces: D/m~nsions of the Human Landscape. New Haven, Connecticut: Yale Universit~ Press, 1981. Jacobs, J~ne. The Death and Life of the Great American City. New York, New York: R~ndom House, 1961. Lynch, Kevin. Good City Form. Cnmbridge, MAssachusetts: The M.I.T. Press, 1981. Lynch, Kevin. The Image of the City. Cambridge, Massachusetts: The M.I.T. Press, 1960. Lynch, Kevin. M~nag~ng the Sense of a Region. C~n~0ridge, Massachusetts: The MIT Press, 1976. Lynch, Kevin. What T/~e is Th~s Place? C~mbridge, Massaohusetts: The M.I.T. Press, 1972. Raven, Arlene. Art in the Public Interest. New York, New York: Da Ca~o Press, 1989. Stern, Robert A.M. Pride of Place: Building the American Drew. Boston, http://www.geocities.com/Paris/1555/public_art.html 8/24/2001 . Public Art in the Urban LanOscape rage `4 or ,4 Massachusetts: The Houghton Mifflin Cc~pany, 1986. Sucher, David. City C~orts: How to Build an Urban Village. Internet Resources htt~://www, chelt .ac .uk/~ls/pubs/lar~tiss/vol12/page2 .btm1 Hall, Tim. The Landscape of Urban Regeneration: Public Art. Issues, 1997. httl~: //wWw. geog. ox. &c. ~/research/pier~. btm1 Piercey, Daniel. The Place of Public Art in the Contemporary Landscal~e. 1997. Any comments, information, questions? Contact me at: email This page was last updated on 1 August 1998. Go to my new site on Chicago's Public Art. HITOMET~"R --'1 [- s728 / http://www.geocities.com/Paris/1555/public_art.html 8/24/2001 CACHH - Program Comparison http://www;cachh.org/specific_tables.htrr )f 18 CITY Austin ~Broward County Dallas Denver Kansas City ILos Angeles r Los Angeles tMiami INewYork City }Philadelphia Iphoenix Portland Ordinances Consulted ~-50926(1985) 861009-A 95-20(1995) City Code Art. X(1988) --[717(1991) 1718(1991) t460(1993) }60321 166,725(1991) 164,244(1989) 1993, Amended 1994 65(1982) 16-130 G3537(1992) Comparison of Program Specifics IAIIocation 1% [1% caps at 15200,000 2% 1.5% * 0.75% * · see City table 1% 1% up to 1% of [building valuation 1% of capital improverhent 1.5% 1%* 0.50%* *see City table 1% ]up to 1% 15% for project support and community participation activities 15% for curatorial services and the preservation and maintenance of county Artworks Minimum Value of a Project to be Subject to % for Art taxation $50,000 1995 Expenditure $353,207 $500,000 20% for Administration 8% for Arts and none $40,000 artists services r $1,000,000 [$750,000 400,000 no minimum, some budgets are combined Varies Cash deposit into Arts Development Fee Trust Fund, or a 500,000 / non dollar credit for art Iresidential !N/A project or program administrative costs I(except law states N/A - 5% for cyclical ldifferently) maintenance N/A $1,000,000 no minimum no minimum $100,000 N/A $1,766,236 N/A $500,000 ]52,739,700 $400,238 161537 1.33% none none none .05% for maintenance .95% acquisition, siting, and deacessioning f Public Art .33% for selection, administration, community education and registration of Public Art 05/10/2001 1:58 PiV CACHH - Program Comparison http://www.cachh.org/specific_tables.htm San Antonio 84433(1996) 1% ]San Diego ]17757(1992) case by case 209-65 San Francisco 148-74 Seattle ~102210(1973) 105389 2% 15% Program [N/A support 1% 50% of Art works purchased executed by Pacific /A Northwest artists not quantifiable $1,375,000 N/A Plan Development and Selection Methods ~ Who [Who IWho Decides IWho Makes iCity [Who Develops Slide Registry iCity Art Plan Approves IAuthorizes /Selection ISelection Plan ~Disbursement lMethods tMethods Maintained --f Austin Broward County Art in Public Place Panel with Art in Public Place Coordinator in consultation with user department, :onsulting architects and Commision representitivies lBroward Cultural Affairs Council, Public Art and Design Committee Fhe Arts Commission reviews and recommends thePlan to the City Manager The Board of the County [Public Art [Committee, Dallas [Office of City Council ]Cultural Affairs [staff C~oe Mayor's mmission on Denver [Art, Culture and The Mayor IFi m Kansas City Cultural ArtCommission General Manager, Cultural Affairs Department County Agency (Art in Public Places) LA Miami -City Manager for contracts under $37,000 -City Council for contracts over $37,000 County Administrator The Panel recommends the method to the City Manager through the Arts Commission Board of County Commissioners RESO# Municipal Art Commission Review and Recommendation by Cultural Affairs Commission and approval by Mayor Art in Public Places Trust Office of Cultural Affairs and Department with project funds Budget Office and City Agency (it varies by project) I~ity Council Cultural Affairs Department, Mayor and City Eouncil Director Cultural Policy Project Evaluation Panel Municipal Art Commission Cultural Affairs Department Master Plan New York City Arts Arts Mayor's office of Percent for Art Commission Commission construction Staff Public Art Office The Selection Panel appointed by Art in Public Place Panel (approved by Arts Commission) Artist Selection Panels Peer Panels Project Evaluation Panel Selection Panel (appointed by Municipal Art Commission) Artist Selection Panel, General Manager Professional Advisory Committee Yes (national) No Yes [Yes (national) No Yes ~Ar0sts Select~on Yes Panel af 18 05/1012001 1:58 PI~ CACHH - Program Comparison http://www.cachh.orgtspecific_tables.htm Philadelphia Phoenix ~Portland ,San Antonio ISan Diego San Francisco Seattle Office of Arts & Culture's Public Art Office Arts Commission IRegional Arts and Culture Council Department of Arts and Cultural Affairs The Commission for Arts and Culture Arts Commission Arts Commission with input from individual city depar~ents, Capital Budget Office, Percent for Art Advisory Council City Council Controller Office, Capital Budget Office City Council Regional Arts I and Culture Regional Arts Council's Public and Culture 'Art Advisory Council Committee City Council [~ablic Art Office, Percent [or Art Advisory Council P~ts 2ommission Selection Committee with advice from Public Art Advisory Committee Public Art Advisory Committee City Council The Commission City Council City Council for Arts and Culture - The Visual Art Committee Office of Management and Budget Board of Supervisors At~s Commission Arts Commission Arts Commission Iury or Percent for Art Advisory Yes Council Peer)anelreview Yes Selection No Committee with approval of Public Art Advisory Committee Artist Selection Iy Panel es Committee Yes Selection Panel No Selection Panel N/A city Austin ]Broward County Dallas Denver Kansas City Los Angeles Los Angeles Name of Contact Information Contact Person IAddress -]Phone Fax Program Art in Public Places I ublic Art and esign IPublic Art Program IPublic Art Martha Peters, Coordinator, Art in Public Places Mary A.Becht, Director lean Creer, Public Art and Design Adm. Margarette Robinette OCA PublicArt Program PO Box 1088 Austin, Texas 178767 (512) 397-1455 IlO0 South Andrews -I venue ort Lauderdale, (305) Florida 33301 357-7475 '[1925 Elm St. Suite [500 [Dallas, TX 75201 I280 14th Street Denver, CO 80202 (214) 670-3284 (303) 640-2696 (512) 397-1460 (305) 357-7456 I(214)670-1404 (303) 640-2737 Percent for Art Arts 414 East 12thl Street Heidi Bilardo Kansas City, 816) Missouri 64108 [Roella Hsieh Louie 433 South Spring Ior Mark Johnston Street, 10th floor [Cultural Affairs Los Angeles, CA (213) IDepartment 90013 Development Public Works Improvement Arts ioella Hsieh Louie 433 South Spring ] r Mark Johnston Street, 10th floor uitural Affairs Los Angeles, CA (213) epartment 90013 274-2115 (816) 274-1515 485-2433 ](213) 485-6835 485-2433 (213) 485-6835 ff18 05110/2001 1:58 PIV CACHH - Program Comparison http://www.cachh.org/specific_tables.htm Miami New York City Philadelphia phoenix Metro Dade Art in Public Places ~Public Art Program Public Art Program [ lPercent for Art Vivian Donnel Rodriguez Director, Art in Public Places Renee Piechocki Carol Clark Lawrence Director, [public Art 111 NW First St., ite 610 Miami, 133128-1982 t2 Columbus Circle New York, New York 10019 1600 Arch Street, 12th Floor Philadelphia, PA 19103 200 W. Greg Washington, 10th Esser floor Phoenix AZ 85003 (305) 375-5362 (212) 841-4222 '215) 823-5432 502) 626-4637 (305)375-5345 (212) 30%6490 i(215) 686-8292 (602) 262-6914 Portland San Antonio San Diego San Francisco ;eattle Public Art Eloise Mac Murray Regional Arts and Culture Council Felix Padron Art & Cultural Affairs I306 SW 6th Ave. (503) Suite 100 Portland, OR 97204 222 East Houston # ] [500 [San Antonio, TX (210) 1782o5 823-5432 Percent For Art Public Art t 1010 Second Ave. Suite 555 Gail Goldman SanDiego, CA (619) 92101 228-0263 533-3051 Public Art ]Public Art Jill Manton Director, Public Art Program Barbara Goldstein #24025 Van Ness Ave., (415) San Francisco, CA 94102 312 1st Ave. N Seattle, WA )8109-4501 252-2585 (206) 684-7311 (503) 823-5111 (210) 222-2787 (619) 533-3788 (415) 252-2595 (206) 684-7172 Austin Austin City Contact Information ] Program Art in Public ]Places Contact [ Address Martha Peters [PO Box 1088 Coordinator, Art inI-iAusfin, TX 78767 (512) Public Places Phone [ Fax 397-1455 I(512) 397-1460 [ Austin Ordinances Specifics i Percentage for ] Specific Art/ Allocation Minimum Value of a Project to be Subject to % for Art Taxation 1995 City 'Consulted Expenditure 850926(1985) 1% l%caps at $353,207 $50,000 $200,000 861009-A Plan Development and Art Selection Methods · ~f18 05/10/2001 1:58 PIV CACHH - Program Comparison http://www.cachh.org/specific_tables.htm city Austin Who Makes the City Art Plan Art in Public Places Panel with Art in Public Places Coordinator in consultation with user departments, consulting larchitects and lcommunity lrepresentatives Who Approves Art Plans TheArts Commision reviews and recommends the Plan to the City Manager Who Authorizes Disbursment - City Manger for contracts under $37,00 ~ City Council for contracts over $37,00 Who Decides Selection Methods The Panel recommends the method to the City Manager through the Arts Commision Who Makes the Selection The Selection Panel appointed by APP Panel (approved by Arts Commision) Slide Registry Maintained Yes(national) Program Art in Public Place Panel Number of Members Ex-officio Members Governing Bodies Term (years) Members 1 representative of the Arts Commission, 6 visual arts professionals ( at least 2 from the enviromental design fields: architecture, landscape architecture, urban planning or design 'Appointed by The/~ts Commission 1.5 Staff Broward County Contact Information City Program Contact Address Phone Fax Broward County Public Art and Design Program Mary A Becht, Director lean Creer, Public Art and Design Administrator 100 South Andrews Ave. Fort Lauderdale, FL 33301 (305) 357-7457 Specifics (305) 357-7456 :ff 18 05110/2001 1:58 P~ CACHH - Program Comparison http://www.cachh.org/specific_tables.htm City Ordinances Consulted fBroward County 95-20 (1995) 1-2%1 Percentage for Art Specific Allocation Minimum Value of a Project to be Subject to % for Art Taxation -15% for project support and community participation activities 15% for curatorial services and the preservation and maintenence of county artworks $1.00 1995 Expenditure ~$500,000 1. The Broward County establishes 2% to be calculated on the total eligible construction costs of capital improvement projects, and 1% to be calculated on the total eligible construction costs for highway and arterial road projects. Plan Development and Art Selection Methods Who Makes Who Who Who Decides l the City Art Approves Art Authorizes Selection Who Makes Plan Plans Disbursment Methods I the Selection The Broward Cultural Affairs Council and The Board ofg County Board of County Commissioners Artist Selection Public Art and the County Administrator Panels Design RESO# Committee Slide Registry Maintained City Broward County No ] Number of Program Members Broward County I Public Art Design Committee (BCAC) Governing Bodies 7 Ex-officio Members Non voting Stakeholder Members fluctuate by project Term (years) Members Chair of the Broward Cultural Affairs Council, artist, architect, museum clirector, gducators, design ~rofessionals Appointed by [ Broward Cultural Affairs Council Staff Dallas Dallas City [ Program Public Art Program Contact Information [ Contact ~ Address [ Phone [Margaret Robinet 1925 Elm St., Suite [ [Office of Cultural 500 1(214) 670-3284 [Affairs Dallas, TX 75201 Fax F (214) 670-1404 Specifics .~f 18 05/10/2001 1:58 PI~ CACHH - Program Comparison http://www.cachh.org/specific_tables.htn Dallas City Ordinances Consulted City Code Art. X (1988) Percentage for Art Specific Allocation IMinimum Value of a Project to be Subject to % for Art Taxation 20% for ' 1.5% Administration .75%] 18% forArts and fn°ne larfists services 1995 Expenditure $40,000 Dallas City Plan Development and Art Selection Methods Who Makes Who [ Who Who Decides the City Art Approves Art Authorizes Selection Who Makes Plan Plans Disbursment Methods the Selection IPublic Art Office of I Cultural Affairs tCommittee, and Department Cultural Policy panels IOCA staff City Council tPeer with ploject funds ISlide Registry Maintained jYes Program Dallas Public Art Commission Governing Bodies Number of Ex-officio Members Members 11 Term (years) Members 5 artists, 3 Cultural Affairs Commission members, 1 architect, 1 landscape architect, 1 Urban Planner Appointed by-[ Cultural Affairs Commission Staff Denver IDenver City I Program Public Art Program ]N/A Contact Information Contact ~ Address I280 14th Street Denver CO 8202 Phone I Fax ' (303) 640-2696 (303) 640-2737 Specifics Denver city Ordinances Consulted 717 (1991) 718 (1991) 46O (1993) Percentage for Art f1% Specific Allocation t Minimum Value of a Project to be 1995 Subject to % for Expenditure Art Taxation $1,000,000 $750,000 Plan Development and Art Selection Methods >f 18 05/10/2001 1:58 PI~ CACHH - Program Comparison http://www.cachh.org/specific_tables.htm City IDenver Who Makes the City Art Plan The Mayor's Commission on Art, Culture and Film Who Approves Art Plans the Mayor Who Who Decides Authorizes Selection Disbursment Methods Budget Office [Project and City Agency (it varies by tEvaluati°n project) IPanel Who Makes the Selection Project Evaluation Panel Slide Registry Maintained Yes (national) Program Denver Governing Bodies Number of Members [8 Ex-officio Members l Term (years) Members At least 8 members expert in the following fields: Arcitecture, Art criticism, Art education, Art history, Choreography, Dance, Communicative Arts, Crafts, Folk and Ethnic Arts, Literature, Media Arts, Music, Opera, Painting, Photography, Sculpture, theater, Urban Design, 2 representatives of the film industry, 3 representatives of business and labor, 4 representatives of business and labor, 4 representatives of the geographic and demographic diversity of the city. l Appointed by Staff The Mayor 1.5 Kansas City Contact Information City t Program [ Contact [ Address [ Phone ] Fax Kansas City Percent for Art Program Heidi Birlardo Ii4TM (816) East 12th treet ansas City, MO 108 274-2115 I(816) 274-1515 )f 18 05110/2001 1:58 P1V CACHH - Program Comparison http://www.cachh.org/specific_tables.htm city Kansas City Ordinances Consulted 60321 Specifics Percentage for Art 1% Specific Allocation Varies Minimum Value of a Project to be Subject to % for Art Taxation 1995 Expenditure IbNO minimum, some udgets are $400,000 [combined City Kansas City Who Makes the City Art Plan Plan Development and Art Selection Methods Cultural Art Commission Who I Who Approves Art Authorizes Plans Disbursment Municipal City Art Commission Council Who Decides Selection Methods Who Makes the Selection Municipal Art Commission Slide Registry Maintained [ Selection Panel (appointed by nicipal IYes ommission) Program (ansas City Municipal Art Commission Governing Bodies Number of Members Ex-officio Members Members Appointed by 1 Term (years) Mayor, President of the board of Park commissioners, Chair of the City Plan Commission Mayor 1 Staff Los Angeles 1' City Los Angeles Program IFDA~ts~ Devel°pment on Private evelopment Contact Information I Contact I Address Roella Hsieh Louie [433 South Spring [or Mark Johnston ]Street 10th Floor ICultural Affairs tLos Angeles, CA tDepartment 190013 Phone 'I Fax (213) 485-2433 (213) 485-6835 ] Specifics City Los Angeles Ordinances Consulted Sec 91.0304 of Municipal Code added through ordinance 166,725 (4/8/91 ) Percentage for Art Specific Allocation Minimum Value /of a Project to be Subject to % for Art Taxation lup to 1% Of building valuation ICash$500,000/non deposit into Arts Development Fee Trust Fund, or a dollar for dollar residential credit for art project or program 1995 Expenditure N/A Plan Development and Art Selection Methods ' ,f 18 05/10/2001 1:58 PM CACHH- Program Comparison http://www.cachh.org/specific__tables.htm! City Los Angeles Who Makes the City Art Plan Who Approves Art Plans Who Authorizes Disbursment Who Decides Selection Methods Who Makes the Selection Slide Registry Maintained General Manager, CulturalAffairs Department IbRec°mmendati°n y Cultural 1Cultural Affairs Affairs and [Deparment, approval by [Mayor and City Mayor and City [Council Council iC)ultural Affairs eparment Artsist Selection No Panel, General Manager Program Governing Bodies Los Angeles Cultural Affairs ]Commission 1 Number of Ex-officio Members I Members 5 Term (years) Members Film actress, film producer, businessperson and community advocate and 3 community arts advocates Appointed by - 1 ]Mayor with City Council approval 3 Staff Los Angeles City Program Contact Information Contact I Address Phone Fax ] Los Angeles Public Arts [Rl..oella Hsieh Louie Improvements Arts I°r Mark Johnston Program ]Cultural Affairs ]Department 433 South Spring Street, 10th Floor Los Angeles, CA (213) 90013 485-2433 (213) 485-6835 Specifics city Los Angeles Ordinances Consulted Sec 19.85 of Administrative Code, added through Ordinance 164,244 (1/15/89) Percentage for Art Specific Allocation Minimum Value of a Project to be Subject to % for Art Taxation 1% of Capital Improvements - up to 18% for ~dministrative costs - 5% for cyclic maintenance All public works improvements projects, except where law prevents monies from inclusion in total budget 1995 Expenditure N/A Plan Development and Art Selection Methods city ~osAngeles Who Makes the City Art Plan Who Approves Art Plans Who Authorizes Disbursment Who Decides Selection Methods General Manger, Cultural Affairs Department '[RecommendationI ]by Cultural tCultural Affairs ]Affairs and tDepartment, ]approval by IMayor and City IMayor and Cuty ]Council ]Council ] Cultural Affairs Department Who Makes the Selection Artists Selection Panel, General Manager Slide Registry Maintained :; J of 18 05/10/2001 1:58 PI~ CACHH - Program Comparison http://www.cachh.org/specific_tables.htm Governing Bodies Program Los Angeles Cultural Affairs COmmission Number of Members Ex-officio Members Term (years) Members Film actress, film producer, businessperson and community advocate and 3 community arts advocates Appointed by Mayor with City COuncil approval 3 Staff Miami Contact Information 1 City I Program ! Contact ] Address [ Phone I Fax tMiami ] Ms Vivian Donnel 111 NW First St., [305) 375-5362 ]Metro-Dade Art in Suite 610 , Director, Art in Miami, FL [( tr ~!,305, 375-5345 Public Places Rodriguez Public Places 33128-1982 Specifics Minimum Value City Ordinances Percentage for Specific of a Project to be 1995 Consulted Art Allocation Subject to % for Expenditure Art Taxation Miami 1993 ordinance last 1.5% N/A N/A $1,766,236 ammended in 1994 Plan Development and Art Selection Methods City Who Makes the City Art Plan VIiami [ArtOUnty Agency in Public Places) Who Approves Art Plans Art in Public Who [ Who Decides Authorizes[ Selection Disbursment Methods Director Master Plan Places Trust Who Makes the Selection Professional Advisory Committee Slide Registry Maintained Yes Program Miami Trust-> PAC-> Number of Members 15 11 Ex-officio Members Governing Bodies Term (years) N/A Members Appointed volunteers Paid professionals: 1 landscape architect, 2 architects, 2 Public Art Directors, 4 Museum Directors, 1 Public School Arts administrator Appointed by The Board of County Commissioner appoints the Trust which appoints the PAC Staff ~of18 05110/2001 1:58 CACHH - Program Comparison http://www.cachh.org/specific_tables.htm New York City Contact Information [ City Program Contact ] Address [ Phone Fax 2 Columbus Circle [ [New York City Public Art Program Renee Piechocki tNew York, Newl(212) 841-4222 (212) 307-6490 , ]York 10019 Specifics Ordinances ] Percentage for City t Consulted i Art ] Minimum Value Specific of a Project to be 1995 Allocation Subject to % for I Expenditure Art Taxation I INew York City 165 (1982) [1%1 tSl,000,000 IN/A 1 The City of New York allocates 1% of the first $20,000,000 and .5% of any amount in excess with a $400,00 maximum budget. Plan Development and Art Selection Methods I City the City Art Approves Art Authorizes Selection Who Makes Slide Registry I Plan Plans Disbursment Methods the Selection Maintained Arts Arts York City I[Commission Commission Mayor's office of Percent for Art [Artists selection ll~ew Yes construction Staff [Panel Governing Bodies Program Number of Ex-officio Members Members Term (years) Members Appointed by Staff New York City 11 Representatives of: the Mayor, thePresident of the Metropolitan Museum of Art, the President of the New York Public Library, the President of the Brooklyn Museum [ architect, 1 minter, 1 :culptor, llandscape architect The Mayor Philadelphia I City Program Contact Information Contact '[ Address 1600 Arch Street, 12th floor Philadelphia, PA 19103 Phone ~ Fax [Philadelphia Public Art Program Carol Clark Lawrence (215) 686-2800 (215) 686-8292 Specifics of 18 05/10/2001 1:58 P1V CACHH - Program Comparison http://www.cachh.org/specific_tables.htm City Ordinances Consulted Percentage for Art Specific Allocation Minimum Value of a Project to be Subject to % for Art Taxation 1995 Expenditure Philadelphia 16-130 t 1% lno minimum [$500,000 Plan Development and Art Selection Methods Who Makes Who Who Decides Who Makes Slide Registry City the City Art Authorizes Selection the Selection Maintained Plan Disbursment Methods Philadelphia Office of Arts & Culture's Public Art Office fWho Approves Art Plans Public Art Office with input from individual city departments, Capital Budget Office, Percent for Art Advisory Council Controller Office,Capital Budget Office Public Art Office, Percent for Art Advisory Council Jury or Percent for Art Advisory Yes Council Governing Bodies Program NumberMembersOf Ex-officiOMembers Term (years) I Members /Appointed by Staff Philadelphia Art Commission indefinite 1 Painter, 1 Sculptor, 1 Architect, 1 Landscape Architect, 1 Member of the Fairmont Park Commission, 1 Business Executive, 2 Members of the faculty or governing body of a school of Art and Architecture The Mayor Phoenix Contact Information i City I Program I Contact I Address I Phone I Fax ' 200 W, (602) ~(602) Gre Washington, 10th g Esser Floor Phoenix AZ 85003 .Phoenix ProgramPercent for Art 262-4637 262-6914 City Phoenix Specifics I Ordinances Percentage for I Specific Consulted Art ] Allocation 3537 (1992) tup to 1%1 Inone IMinimum Value of a Project to be Subject to % for Art Taxation ]no minimum 1995 Expenditure 152,739,700 I of 18 05/10/2001 1:58 PM CACHH - Program Comparison - http://www.cachh.org/specific_tables.htm 1 Up to 1% of all Capital Improvements except for land and equipment costs Plan Development and Art Selection Methods Who Makes I Who Who ] Who Decides City the City Art I Approves Art AuthorizesI Selection ~ I Plan Plans Disbursment Methods Phoenix Arts City Council Icity Council commission commission ~ Phoenix Arts Phoenix iWho Makes the Selection Peer review Panel ISlide Registry Maintained IYes Program IArts Number of Members Comission 25 Ex-officio Members Governing Bodies Term (years) Members Appointed by I Staff 3 10 community activists, 1 Publisher, 2 Painters, 2 Sculptors, 1 Marketing Professional, 4 Educators, 2 Developers, 2 Media Professionals, 3 Lawyers ICity Council Portland Contact Information ~ Program I Contact Address I Phone [ Fax City Portland Eloise Mac Murray Public Art Program iRegiona1 Arts and 1Culture Council 309 SW 6th Ave., 'I( [( Suite 100 503) 823-5432 503) Portland OR 97204 823-5111 ~ortland Specifics City Ordinances Consulted 161537 Percentage for Art Specific Allocation 1.33% .95% acquisition, siting and deacessioning of Public art, .05% for maintenance, .33% for selection, administration, community education, and registration of Public Art Minimum Value of a Project to be Subject to % for Art Taxation 1995 Expenditure 3100,000 $400,238 Plan Development and Art Selection Methods [of18 05/10/2001 1:58 PIv CACHH - Program Comparison http://www.cachh.org/specific_tables.htm city Who Makes Who Who Who Decides the City Art Approves Art Authorizes Selection Who Makes Slide Registry Plan Plans Disbursment Methods the Selection Maintained Selectionm Regional Arts Committee with Selection .egional Arts and Culture Regional Arts advice from Committee with ad Culture Council Public i andCulture Public Art approval of No :ouncil Art Advisory Council Public Art CommitteeCommittee Advisory Advisory Portland Program IRegional Arts !and Culture ICouncil Governing Bodies Number of Members Ex-officio Members Term (years) 2 years x 2 Members Appointed by Wide range (visual artists, ~ . . City Council, financial,business'°ther diciplines, METRoThree Counties 17 educators, etc) Staff _ San Antonio City ISanAntonio Program Percent for Art Contact Information Contact [ Address Phone IFelix Padron Arts & Cultural Affairs Ii22 East Houston # 0~ Antonio, TX (210) 8205 228-0263 (210) Fax 222-2787 city Ordinances Consulted Specifics San Antonio 1% I84433 (1996) Percentage for Art Specific Allocation Minimum Value of a Project to be Subject to % for Art Taxation ~'.15% Program Support N/A 1995 Expenditure N/A City San Antonio Plan Development and Art Selection Methods Who Makes the City Art Plan Department of Arts and Cultural Affairs Who Approves Art Plans City Council Who Authorizes Disbursment City Council Who Decides Selection Methods Public Art Advisory Committee Who Makes the Selection Artist Selection Panel Slide Registry Maintained Yes Governing Bodies 5of18 05110/2001 1:58 Plk CACHH - Program Comparison http://www.cachh.org/specific_tables.htm Number of Ex-officio Program Term (years) Members ~Appointed by Staff Members Members Arts and Cultural Affairs and Public Art Advisory Committee [,2 year terms 1 Artist, 1 Urban Planner, 1 Enginer, 1 Architect, 1 Academic in Art or Art History, 1 person from business category, 1 citizen at large Historic Design and Review Commission San Diego Contact Information [ City [ Program I Contact [ Address [ Phone [ Fax San Diego Public Art Program tGail Goldman il010 Second Ave., an Diego,Uite555 CA (619)533-3501 2101 (619)533-3788 City Specifics I Minimum Value I Ordinances Percentage for Specific of a Project to be 1995 Consulted Art Allocation Subject to % for Expenditure Art Taxation ]San Diego 17757 (1992) 1' [N/A [N/A [Not quantifiable * City of San Diego does not have a traditional 1% the amount is negotiated on case by case basis Plan Development and Art Selection Methods Who Makes Who Who Who Decides Who Makes Slide Registry City the City Art Approves Art Authorizes Selection the Selection Maintained Plan Plans Disbursment Methods San Diego The Commision The Commision for Arts and City Council City Council for Arts and Committee Yes [ Culture Culture Program San Diego 15 Number of Members Governing Bodies Term (years) Members [ Appointed by Ex-officio Members 6 patrons, 1 Landscape Architect, 3 Theatre, 2 Community Artists, 1 Architect, 1 Historian, 1 Visual Arts 1 Tourism [ Mayor Staff San Francisco Contact Information ___ of 18 05/10/2001 1:58 Pl~ CACHH- Program Comparison http://www.cachh.org/specific_tables.htm City I Program t Contact I Address Phone Fax San Public Jill Manton, [25 Van Ness Ave., Francisco Art Program Director Public Art I#240 Program ISan Francisco, CA](415) 252-2585 ](415) 194102 252-2595 Specifics City Ordinances Consulted Percentage for Art Specific Allocation Minimum Value of a Project to be Subject to % for Art Taxation 1995 Expenditure San Francisco 209-65 148-74 2% $1,375,000 Plan Development and Art Selection Methods i Who Who Who Decides City Approves Art Authorizes Selection Who Makes Slide Registry Plans Disbursment Methods the Selection Maintained Who Makes the City Art Plan tSan [Arts The visual Art [ [Commission Francisco Committee Board of Supervisors and Finance Committee cA~tSommission Selection Panels fNo (But ]available is the I(AC Liason, [Art Commission Iclient, architect, [Gallery Registry I~prartoSfessional)lArdsts) [of Bay Area V Number of Program] Members ISan Francisco ss,on 17 Governing Bodies Ex-officio Members Term (years) Members 12:3 lay members, 1 artist painter, 1 artist sculptor, 1 writer, 2 architects, 1 landscape architect, 1 musician, 1 1 dancer, 1 theater >rofessional Appointed by [ Staff Mayor Seattle Seattle City Contact Information Program Public Art Program Contact Barbara Goldstein Address [ Phone 312 1st Ave N. Seattle, WA 98109-4501 Fax t(215) 684-7172 (215) 684-7171 Specifics ~of 18 05/10/2001 1:58 CACHH - Program Comparison http://www.cachh.org/specific_tables.htm City Seattle Ordinances Consulted Percentage for Art Specific Allocation Minimum Value of a Project to be Subject to % for Art Taxation t I lworks of art purchased must be 1% executed by arists N/A fresiding in Pacific INorthwest Area 102210 (1973) 105389 1995 Expenditure 1 city Seattle Plan Development and Art Selection Methods Who Makes ] Who Who Who Decides I the City Art i Approves Art Authorizes Selection ] Who Makes Plan Plans Disbursment Methods the Selection Slide Registry Maintained tArts Office of Arts Arts Selection N/A ICommission Management and [Commission Commission Panel rBudget Governing Bodies [ Program 1 Number°f I Ex'°ffici° tTerm(years)[MembersMembers Members [App°intedby I Seattle Arts 15 2 IN/A [Mayor 112 Commission Staff Back of 18 05/10/2001 1:58 PM 0 0 ART IN PITTSBURGH - COMMUNffY ART PKO~RAM rage ~ ot z ComnmniO, Art Development Projects Art ConSetn,ation Art Commission Links Home Page Enudl COMMUNITY ART PROGRAM COMMUNITY ART PROGRAM The City of Pittsburgh is embarking on an effort to create enduring works of public art at the neighborhood level. PublicArtPittsburgh is an opportunity for artists and communities to create projects that celebrate community identity, commemorate untold histories, inspire civic pride, respond to the local environment, and invigorate public spaces. Each project will be the outcome ora parmership combining artists imagination, creativity, skill, and energy with the knowledge, experience, commitment, and enthusiasm of Pittsburgh's communities. The City of Pittsburgh's commitment to a Community Public Art program is an acknowledgment of the positive role art can and should play in defining our city. Each of Pittsburgh's communities posses a partictflar sense of place and history. The variety of community based organizations active in Pittsburgh today testifies to the active role citizens play in working to make their communities more livable. In fact, public art is well suited to make visual the ideas, histories, emotions, dreams, and realities that form our neighborhoods. The City has engaged in a variety of programs to assist communities in their efforts to enhance the physical environment, to increase safety, to provide incentives for appropriate businesses and to access necessary services. Public art can play a role within this context of community empowerment and improvement. In October 1999, the City of Pittsburgh sent out a call for artists, organizations and community members to participate in the development of a permanent works of art. The Pittsburgh Art Commission selected 5 sponsoring community teams from the first submissions: East Allegheny Community Council ~ http://www.city.pittsburgh.pa.us/artcomm/artcom5a, html 8/20/2001 ART IN PITTSBURGH - COMMUNITY ART PKOkiKAM Page East End Cooperative Ministry and Jewish Community Center Penn Avenue Arts Initiative (Friendship Development Associates and Bloomfield-Garfield -Corporation) South Side l_x~cal Development Company Uptown Community Action Group http://www.city.pittsburgh.pa.us/artcomm/artcom5a, html 8/20/2001 Art Commission .t-age ~ or t Art Commission The Art Commission is a nine (9) member panel appointed by the Mayor which works to improve the aesthetic quality of the City's public spaces. Members of the panel must be City residents and represent various disciplines in the arts. The Commission is mandated to review all works of art in city ownership or those proposed to be acquired by the City of Pittsburgh. The Commission is also mandated to review the urban design and architectural and landscape aspects of certain structures in which City funds are invested and which are erected on or above land belonging to the City or public places under its control. For more information on the Art Commission, call (412) 255-2208. Visit the new Art Commissions Site called "Public Art Pittsburgh". PublicArtPittsburgh: current projects The Art Commission has cancelled its meeting of August 29, 2001. Its next meeting is September 26, 2001. Meeting Minutes · ~uty 25~ 2001 · Jm3e 01, 2001_agenda · June 0] 2001 minutes · April 25, 2001 · March 28, 2001 · Februa~_- 28, 2001 City Planning 200 Ross St. Fourth Floor Pittsburgh. PA 15219 (412) 255-2200 Search the whole City of Pittsburgh web site http ://www. city.pittsburgh, pa.us/cp/html/art commission.html 8/20/2001 Introduction by Barbara Goldstein Welcome to Public Art 101, the Seattle Arts Commission's "how to" conference on public art. The Seattle Arts Commission (SAC) is pleased to host this event, and hopes that those who attend it and those who experience it through our curricular guide are encouraged to develop public art in their own communities. The Seattle Arts Commission was founded as the City's arts agency in 1971. It is responsible for administering an Art Support Program which funds artists and arts organizations, a Public Art Program which places visual art in the public realm, and advocating for the support and promotion of art in Seattle. The Public Art Program started in 1973 with the creation of the City's "percent for art "ordinance. This ordinance provides funds for the purchase and commissioning of visual The Seattle P~rts Commission's public art program is not the oldest in the United States, and it's not the largest. However, because of a number of ideas and projects it has pioneered, it may be the best known. The Seattle area is a center for public art, with programs sponsored not only by the City through SAC, but also by King County/Metro, Sound Transit, Washington State and private philanthropists. As a result of this artistic wealth, the Seattle Arts Commission has become a magnet for informational requests about public art. Over the years, we have received many requests to share our procedures, photographs, fact sheets and advice on the acquisition, selection, deaccession and maintenance of public art When we could, we have readily shared information. At the same time, a nagging thought kept occurring to us: was this a service we could provide to the field by sponsoring a conference? Thus, Public Art 101 was born. In 1998, we sponsored our first conference, drawing on the knowledge and expertise that exists in this region. Artists and arts administrators from around the United States attended, and we fielded many follow-up requests to provide curricular materials to people who were unable to attend the conference. This year we derided to host the conference again, providing more t/me for individual sessions, exploring issues in greater depth, inviting speakers from other parts of the country, and adding a number of tours. We also expanded our curricular guide and structured it so that it would cover all the material explored during the conference as well as a few topics we were unable to explore. We hope that the 1999 edition of Public Art 101 curricular guide will provide conference partidpants with additional information on the sessions they attended and that it will be a useful tool for those who were unable to attend the conference. We welcome your comments and feedback, and hope that our experience and the experience of other dties illustrated in this guide will provide you with inspiration to create public art in your own communities. Barbara Goldstein Table of Contents Introduction Chapter 1: Public Funding for Public Art Government-Based Funding Model ...................................................................... 1 City of Seattle Fact Sheet ..................................................................................... 4 Munidpal Code ....................................................................................... 7 Los Angeles Community Redevlopment Agency Fact Sheet ........................... 8 City of San Diego .................................................................................................. 13 City Council Policy .............................................................................. 15 'Regional Arts and Culture Council Portland Fact Sheet ................................ 17 Ordinance ............................................................................................... 19 City of Kent, Washington ................................................................................ :. 23 Ordinance ............................................................................................... 25 Chapter 2: Artist-Initiated Models/Temporary Projects Helen Lessick Artist-Initiated Models: The Glory and the Dream of Public Art... 31 Socrates Sculpture Park: An Overview ........................................... 32 Public Artists Book Projects ............................................................. 34 Matthew Lennon HorseHead Project ............................................................................... 35 Jack Becker FORECAST Public Artworks ............................................................. 36 Chapter 3: Case Studies Introduction ' by Barbara Goldstein .................................................................... 39 Meadowbrook Pond, Fact Sheet .......................................................................... 40 Pike Place Market: Joarme De PUe, 'g_ Day to Remember," Pike Place Market News .................................................................... 42 Wisdom Words by Allynn Ruth, Jill Beppu, and Janice Yee ...................................................................................... 44 Chapter 4 Getting the Word Out Marda Iwasaki Public Art Education Ideas; Building Communities ...................... 47 Chapter 5: Artists Contracts Ruri Ympolsky Contracts with Artists ........................................................... 55 Outline Contract ..................................................................................................... 56 Template of Artwork Commission Agreement ................................................. 63 Seattle Arts Commission Partial Sample Contracts Design Services Agreement ............................................................... 76 Collaborative Design Services Agreement ...................................... 78 Artwork Commission Agreement: Portable Works ........................ 83 Other Examples San Diego Commission for Arts and Culture Engineer/Artist .................................................................................... 86 Artist's Scope of Services .................................................................. 89 King County Private Entity and Artist ............................................................. 93 Chapter 6: Visual Artists Rights Act VARA Introduction by Ruri Yampolsky .......................................................................... 97 Gordon B. Davidson The Impact of the Visual Artists Rights Act of 1990 on the use & redevelopment of dty or county property ............ 98 Consent Fora Regarding the Installation of the Work ............... 117 Chapter 7: How Public is Public Art? Thomas Hayton Applying Federal Copyright Law to Public Art ............................ 119 Chapter 8: Designing a Public Art Plan by Jessica Cusick ................................................................................................. 127 Chapter 9: The Artist as Planner Introduction by Barbara Goldstein .................................................................... 133 Laura Haddad 'gat of Infrastructure," Arcade, September, 1998 ........................ 139 Dan Corson "Art as Biofeedback,". ..................................................................... 144 ¸Il Chapter 10: Planning for Maintenance Ruff Yampolsky Planning for Maintenance ................................................................. 149 Outline on Maintenance by John Scott ............................................................ 151 Documents Regional Arts and Culture Council, Portland Maintenance Report ........................................................................... 154 Conservation Record Two Dimensional Works of Art ................ 155 Conservation Record Print ............................................................... 158 Conservation Record Three Dimensional Works of Art ............. 160 Maintenance Agreement for Sculpture in City of Portland ........ 163 Chapter 11: Art in the Workplace Sean Elwood Collection Management for the Seattle Portable Works Collection Patty Favero Record Keeping and Public Art ....................................................... 173 Guidelines for the Exhibition of Art Owned by the City of Seattle ......... 175 City of Seattle Policy for Review and De-Accession of City-Owned Works of Art .................................................... 178 Art Collections in the Work Place: A Panel ' 182 Chapter 12: Gifts and Memorials: Issues and Policies Introduction by Barbara Goldstein .................................................................... 187 Seattle Arts Commissions Gift Review Policy ............................................... 189 Worksheet for Prospective Donors Offering Gifts of Portable Artworks 192 Portland Memorials Policy ................................................................................. 193 Biographies .......................................................................................................... 195 B~bliography and Resources ............................................................................... 203