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R19-0061 2 3 4 5 6 7 8, 9 10 11 12 13 14 15 16 17 18. 19 20 21 22 23 24 25 26 27 28 29 30 RESOLUTION NO. R19- 006 A RESOLUTION OF THE CITY OF BOYNTON BEACH, FLORIDA, APPROVING AND AUTHORIZING THE CITY MANAGER TO SIGN THE ARTIST AGREEMENT WITH DONALD GIALANELLA OF ST PETERSBURG, FL IN THE AMOUNT OF $97,680.00 FOR THE TOWN SQUARE INTERACTIVE PUBLIC ART PROJECT.; AND PROVIDING AN EFFECTIVE DATE. WHEREAS, at the December 18, 2018 City Commission meeting the Commission approved the Town Square Public Art Master plan concepts that were presented; and WHEREAS, The public art projects will contribute to a well planned Town Square redevelopment plan that will brand the city, generate cultural tourism and stimulate economic development; and WHEREAS, to implement the public art projects each will have an agreement with the selected artist to begin the projects public input sessions, fabrication and installation timeline to meet the 2020 construction schedule; and WHEREAS, the City Commission of the City of Boynton Beach, Florida, upon the recommendation of staff, deems it to be in the best interests of the City residents to approve and authorize the City Manager to sign an Artist Agreement with Don Gialanella in the amount of $97,680.00 for the Town Square Interactive Public Art Project. NOW, THEREFORE, BE IT RESOLVED BY THE CITY COMMISSION OF THE CITY OF BOYNTON BEACH, FLORIDA, THAT: Section 1. The foregoing "Whereas" clauses are hereby ratified and confirmed as being true and correct and are hereby made a specific part of this Resolution upon adoption hereof. Section 2. The City Commission hereby approves and authorizes the City CAProgram Files(x86)\neevia.com\docConverterPro\tempWVD03032275B-F7B8-4DEF-8B5A-BEBA73039761\Boynton Beach. 14349.1. Artist_Agreement_with_Don_Gialanel la_-_Reso. docx 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 Manager to sign an Artist Agreement with Don Gialanella in the amount of $97,680.00 for the Town Square Interactive Public Art Project. A copy of the Agreement is attached hereto I as Exhibit "A." Section 3. This Resolution shall become effective immediately upon passage. PASSED AND ADOPTED this /�' day of J1 NU , 2019. CITY OF BOYNTON BEACH, FLORIDA YES NO v' Mayor — Steven B. Grant L Vice Mayor — Christina L. Romelus Commissioner — Mack McCray Z�- Commissioner — Justin Katz L.- Commissioner ' Commissioner — Aimee Kelley v VOTE '5�-b ATTEST: )�4 6 JudithPyle, CMC City Cl k (Corporate Seal) ` 1 CAProgram Filds� WV=+&com\docConverterPro\temp\NVDC\3032275B-F7B8 4DEF-8B5A-BEBA73039761\Boynton Beach. 14349.1.Artist_Agreement_with_Don_Gialanella_-_Reso.docx R.19 -D 00 ARTIST AGREEMENT THIS AGREEMENT, dated the 28 day of PS 1/3 N 2018,is by and between: City of Boynton Beach, a municipal corporation, organized and operating pursuant to the laws of the State of Florida,with a business address of P.O. Box 310, Boynton Beach, FL 33425, hereinafter referred to as"CITY", and DOA/ALO GJALA47,44A with an address of 9/G' 11'2;s"iit7Z F/- 7j/3 in hereinafter referred to as "ARTIST." CITY and ARTIST may hereinafter collectively be referred to as the "Parties." WITNESSETH: In consideration of the mutual terms and conditions, promises, covenants and payments hereinafter set forth, CITY and ARTIST as follows: WHEREAS, public art is a work of art,isenerally created by a public ARTIST exhibiting the highest quality of skill and aesthetic principals and includes all forms of the visual arts conceived in any medium, material or combination hereof, including but not limited to interactive, kinetic, paintings, sculptures, stained glass, mosaics, murals, and ARTIST designed functional, architectural, landscaped, and landform elements as described in the Public Art Ordinance 07-002; and WHEREAS,CITY desires to obtain professional services from ARTIST for the creation of public artwork;and WHEREAS,ARTIST possesses the specific skills, talent, expertise, experience and knowledge to provide CITY with the artwork in a professional and ARTISTic manner; and WHEREAS, ARTIST has stated an interest in working on the creation of public artwork for the PUBLIC ART PROJECT;and WHEREAS,CITY desires to commission the ARTIST to create public artwork for initial display at the Interactive Plaza in Town Square, Boynton Beach,Florida(the"Site")on the terms and conditions set forth in this agreement. NOW, THEREFORE, in consideration of the mutual promises, covenants and agreements herein contained and other good and valuable consideration, the receipt of which is hereby acknowledged, it is agreed herein between the Parties hereto as follows: ARTICLE 1 1.1. RECITALS: Each"whereas"clause set forth above is true and correct and herein incorporated by this reference. ARTICLE 2 SERVICES AND RESPONSIBILITIES 2.1. ARTIST hereby agrees to create the public artwork described in proposal attached hereto as Exhibit A(the"Inter- active Public Art Project"),or other services which may otherwise be required,as further enumerated in the Scope of Ser- vices set forth in Article 3 herein below. 2.2. The public artwork shall be installed by the ARTIST in the location at the site as designated by the approved pub- lic art project proposal. 2.3. ARTIST shall furnish all services and labor necessary and as may be required in the performance of this agreement. Page 1 of 21 2.4. ARTIST hereby represents to CITY, with full knowledge that CITY is relying upon these representations when entering into this agreement with ARTIST, that ARTIST has the professional expertise, talent, experience and manpower to perform the services to be provided by ARTIST pursuant to the terms of this agreement. 2.5. ARTIST represents and warrants that all work performed pursuant to this agreement, including but not limited to the public artwork, is an original creation and does not infringe upon or violate any copyrights or other rights of any per- son, firm or organization. ARTIST does hereby indemnify and hold CITY harmless from and against any and all claims and liabilities that may arise as a result of any breach of the foregoing representation and warranty. 2.6. CITY recognizes that authors of visual art have certain rights pursuant to the Federal Visual ARTIST Rights Act of 1990, known as "VARA". CITY will not intentionally distort, mutilate and/or modify the public artwork in a manner that would be prejudicial to ARTIST's honor or reputation. 2.7. CITY is entitled to exhibit, publish, broadcast, advertise and otherwise use the likeness of the public artwork, in any non-commercial, non-profit manner CITY sees fit. Incidental appearance of the public artwork in photographs or in depictions of the store front where the public art is located shall not violate the prohibition set forth in this paragraph. 2.8. CITY agrees to give the ARTIST full acknowledgement and credit as the creator of the public artwork, with the placement of a plaque or similar object on and/or near the public artwork. 2.9. The value of the public artwork is established when the price of the art is commissioned. 2.10. CITY agrees to provide the ARTIST reasonable access to the site to prepare the public artwork for installation. ARTIST may not obstruct access to the entrance to the project and ARTIST shall be responsible for securing the installation site to protect the public from any hazards that may arise during preparation of the site or installation of the public artwork. 2.11. ARTIST may not hire or utilize the services of any sub-contractor, employee or other individual to assist the ARTIST in performing services under this agreement without the prior written approval of CITY. 2.12 ARTIST warranties the final product against all defects in workmanship and materials for a period of one year from the date of installation and agrees to repair or replace defective materials and workmanship at ARTIST's sole cost. ARTICLE 3 SCOPE OF SERVICES ARTIST shall perform the following services in accordance with this Agreement with CITY as follows: 3.1. All work performed under this Agreement shall be done in a professional manner. 3.2. The public artwork shall be produced to CITY's satisfaction and in conformity with the appropriate moral and ethical standards for the community in which the Site is located. The quality of the completed public art is a matter of prime importance and shall meet all applicable industry standards. CITY shall have the right to approve and/or reject the public artwork or any portion thereof. The display,of the public artwork shall be subject to the sole discretion of CITY. 3.3 The ARTIST shall perform and provide services as set forth in the Proposal for the "Interactive Public Art Project",a copy of which is attached hereto as Exhibit"A". 3.4 ARTIST is required to coordinate with Public Art Manager and Town Square project team to prepare, install and complete the public art project. Public Art Manager will monitor the project and from time to time document the public art projects process.The Project is estimate to begin ',IA 20/9 with an estimated completion date of t'E 002<.) Page 2 of 21 ARTICLE 4 TERM AND TERMINATION 4.1. This Agreement shall take effect as of the date of execution as shown herein below and shall end upon completion of the ARTIST's work and services described in Articles 2 and 3 hereof. 4.2. All documents, plans, work products, materials, equipment and tools belonging to CITY will be furnished to CITY upon completion and/or termination of the agreement,whichever occurs first. 4.3 CITY's rights to exhibit, publish, broadcast, advertise and otherwise use of the likeness of the public artwork for non-commercial non-profit purposes or if for commercial purposes if incidental to photographs or renderings of the site shall survive the termination of this agreement. ARTICLE 5 COMPENSATION 5.1. CITY shall provide compensation and/or payments to the ARTIST as set forth in the Proposal for the the"Inter- active Public Art Project"dated A(C)1 Zc"b a copy of which is attached hereto as Exhibit"A". 5.2 Title to the public artwork passes to CITY of Boynton Beach upon payment of the compensation. ARTICLE 6 CHANGES TO SCOPE OF WORK AND ADDITIONAL WORK 6. CITY or ARTIST may request changes that would increase, decrease or otherwise modify the Scope of Services to be provided under this Agreement. Such changes or additional services must be in accordance with the provisions of the Code of Ordinances of Boynton Beach and must be contained in a written amendment, executed by the Parties hereto, with the same formality and with equal dignity herewith prior to any deviation from the term or scope of this Agreement, including the initiation of any additional or extra work. In no event will ARTIST be compensated for any additional work or change from attached Exhibit A which has not been described in a separate written Agreement executed by the Parties hereto. ARTICLE 7 MISCELLANEOUS 7.1. Insurance. Worker's Compensation Insurance, property damage, liability insurance and vehicular liability insurance shall be maintained by ARTIST during the life of this Agreement to comply with statutory limits for all employees, and in the case any work is sublet,the ARTIST shall require the sub-contractors similarly to provide Worker's Compensation Insurance at the same levels required by the ARTIST for all the subcontractor's employees unless such employees are covered by the protection afforded by the ARTIST. A. ARTIST shall secure and maintain in force, throughout the duration of this Agreement, comprehensive general and automobile liability insurance with a minimum coverage of $1,000,000 per occurrence; $2,000,000 aggregate for personal injury; $1,000,000 per occurrence, $2,000,000 aggregate for property damage; and, professional liability insurance in the amount of$1,000,000(all professional contract services). B. The general liability and vehicular liability policies shall name CITY and CITY of Boynton Beach as an additional insured and shall include a provision prohibiting cancellation of said policy except upon thirty(30)days prior written notice to CITY. C. ARTIST shall secure and maintain in force throughout the duration of this contract workers'compensation insurance in amounts not less than the statutory limits. D. ARTIST shall furnish CITY with a certificate of insurance evidencing all required insurance coverage prior to the start of any work for CITY. Said insurance companies must be authorized to do business in the State of Florida and CITY will not accept any company that has a rating less than B+ in accordance with A.M. Best's Key Rating Guide, latest edition. E. If ARTIST claims to be exempt from this requirement, ARTIST shall provide CITY proof of such exemption along with a written request for CITY to exempt ARTIST,written on ARTIST's letterhead which exemption shall not be effec- tive until signed by CITY. Page 3 of 21 7.2. Independent Contractor. This Agreement does not create an employee/employer relationship between the Parties. It is the intent of the Parties that the ARTIST is an independent contractor under this Agreement and not CITY's employee for any purposes, including but not limited to, the application of the Fair Labor Standards Act minimum wage and overtime payments, Federal Insurance Contribution Act, the Social Security Act,the Federal Unemployment Tax Act, the provisions of the Internal Revenue Code, the State Worker's Compensation Act, and the State Unemployment Insurance law. The ARTIST shall retain sole and absolute discretion in the judgment of the manner and means of carrying out ARTIST' activities and responsibilities hereunder provided, further that administrative procedures applicable to services rendered under this Agreement shall be those of ARTIST,which policies of ARTIST shall not conflict with CITY, State, or United States policies, rules or regulations relating to the use of ARTIST'S funds provided for herein. The ARTIST agrees that it is a separate and independent enterprise from CITY, that it had full opportunity to find other business, that it has made its own investment in its business, and that it will utilize a high level of skill necessary to perform the work. This Agreement shall not be construed as creating any joint employment relationship between the ARTIST and CITY and CITY will not be liable for any obligation incurred by ARTIST, including but not limited to unpaid minimum wages and/or overtime premiums. 7.3 Scrutinized Companies. By execution of this Agreement, in accordance with the requirements of F.S. 287-135 and F.S. 215.473, Contractor certifies that Contractor is not participating in a boycott of Israel. Contractor further certifies that Contractor is not on the Scrutinized Companies that Boycott Israel list, not on the Scrutinized Companies with Activities in Sudan List, and not on the Scrutinized Companies with Activities in the Iran Petroleum Energy Sector List, or has Contractor been engaged in business operations in Syria. Subject to limited exceptions provided in state law, the City will not contract for the provision of goods or services with any scrutinized company referred to above. Submitting a false certification shall be deemed a material breach of contract.The City shall provide notice, in writing,to Contractor of the City's determination concerning the false certification. Contractor shall have five (5) days from receipt of notice to refute the false certification allegation. If such false certification is discovered during the active contract term, Contractor shall have ninety(90)days following receipt of the notice to respond in writing and demonstrate that the determination of false certification was made in error. If Contractor does not demonstrate that the City's determination of false certification was made in error then the City shall have the right to terminate the contract and seek civil remedies pursuant to Section 287.135, Florida Statutes,as amended from time to time. 7.4. Assignments. 7.4.1. This Agreement or any interest herein, shall not be assigned,transferred or otherwise encumbered, under any circumstances, by ARTIST without the prior written consent of CITY. However, this Agreement shall run to CITY and its successors and assigns. 7.4.2. It is further agreed that no modification, amendment or alteration in the terms or conditions contained herein shall be effective unless contained in a written document executed with the same formality and of equal dignity herewith. 7.5. No Contingent Fees. ARTIST warrants that it has not employed or retained any company or person, other than a bona fide employee working solely for the ARTIST to solicit or secure this Agreement, and that it has not paid or agreed to pay any person, company,corporation, individual or firm, other than a bona fide employee working solely for ARTIST any fee, commission, percentage, gift, or other consideration contingent upon or resulting from the award or making of this Agreement. For the breach or violation of this provision, CITY shall have the right to terminate this Agreement with- out liability at its discretion,to deduct from the contract price, or otherwise recover from ARTIST the full amount of such fee,commission,percentage,gift or consideration. 7.6. Notice. Whenever any party desires to give notice unto any other party, it must be given by written notice, sent by certified United States mail, with return receipt requested, addressed to the party for whom it is intended and the remain- ing party, at the places last specified in writing, and that places for giving of notice shall remain such until they shall have been changed by written notice in compliance with the provisions of this section. For the present, the ARTIST and CITY designate the following as the respective places for giving of notice: Page 4 of 21 CITY: Lori LaVerriere, City Manager City of Boynton Beach 3301 Quantum Blvd., Suite#101, Boynton Beach, FL 33426 561-742-6000 Copy To: Debby Coles-Dobay Public Art Manager City of Boynton Beach 3301 Quantum Blvd., Suite#101, Boynton Beach,FL 3342 (561) 742 6026 (562) 742 6089 7.6. Binding Authority. Each person signing this Agreement on behalf of either party individually warrants that he or she has the full legal power to execute this Agreement on behalf of the party for whom he or she is signing, and to bind and obligate such party with respect to all provisions contained in this Agreement. 7.7. Headings. Headings herein are for convenience of reference only and shall not be considered on any interpretation of this Agreement. 7.8. Severability. If anyprovision of this Agreement or application thereof to 'Aso nor situation shall to any g PP ��' P extent, be held invalid or unenforceable, the remainder of this Agreement, and the application of such provisions to persons or situations other than those as to which it shall have been held invalid or unenforceable shall not be affected thereby,and shall continue in full force and effect,and be enforced to the fullest extent permitted by law. 7.9. Governing Law. This Agreement shall be governed by the laws of the State of Florida with venue lying in Palm Beach County, Florida. 7.10. Attorney's Fees. In the event that either party brings suit for enforcement of this Agreement, each party shall bear its own attorney's fees and costs. 7.11. Extent of Agreement. This Agreement represents the entire and integrated Agreement between CITY and the ARTIST and supersedes all prior negotiations,representations or Agreements,either written or oral. 7.12. Equal Employment Opportunity. In the performance of this Agreement, the ARTIST shall not discriminate against any firm, employee or applicant for employment or any other firm or individual in providing services because of sex,age,race,color,religion, ancestry or national origin. 7,13. Waiver. Any failure by either party to require strict compliance with any provision of this contract shall not be construed as a waiver of such provision, and the waiving party may subsequently require strict compliance at any time, notwithstanding any prior failure to do so. 7.14. Counterparts.This Agreement may be executed in multiple counterparts,each of which shall be deemed an orig- inal,and all of which together shall constitute one and the same instrument. Page 5 of 21 7.15 Usage Rights After final acceptance of the artwork by CITY, the following ARTIST' rights shall be guaran- teed: • Maintenance of public artworks shall be the responsibility of CITY or developer or property association and not the ARTIST. The responsible party shall make reasonable efforts to maintain the artwork in good repair. The responsible party shall attempt to consult the ARTIST and collaborator on major repairs. • The artwork shall not be altered, modified, removed or relocated from a site integral to the concept for the work without first consulting with the ARTIST and collaborator, if reasonably possible. If a work, nevertheless, has been significantly altered, the ARTIST and collaborator shall have the right to disclaim authorship. • Copyright of the artwork shall belong to the creator(s), but CITY or developer or property association shall be granted the right to make two-dimensional reproductions for non-commercial purposes. IN WITNESS OF THE FOREGOING,the Parties have set their hands and seals the day and year first written above. CITY ATTEST: CITY OF Boynton Beach, FLORIDA :t i a it BY: dc,,,tig,-0---c- (NAME) 7 Lori LaVerriere,City Manager t Judith''�� A. APPRpyie O D A " FORM: n API OFFICE OF CIT ATTORNEY 0� BOY, State of Florida County of Palm Beach The foregoing instrument was acknowledged before me, the undersigned notary public in an0. for the State of Florida, on this the Q\--V 1 day of , 2018, by Jar;H _ — I G and ‘_-.d;ci. \—p.1�-; ye., City Clerk and City Mana er,respectively. / 4' .0 Pop SHAYLA S.ELLIS — * z,i - *MY COMMISSION#GG 031774 Notary Public, State of Florida = EXPIRES;September 19,2020 Notary Pubr,,. ITh,„Budget ,ry Services Seal of Office SHAYLA ELLIS Printed,Typed or Stamped Name of Notary Public Exactly as Commissioned Individuals Who Signed Are: Personally Known,No Identification Produced Page 6 of 21 ARTIST SIGNATURE (ARTIST FILL OUT THIS PAGE AND HAVE NOTARIZED) ARTIST CONTACT INFORMATION Name /5wV' .O G14L44/5LL/4 Company IrvEsr144. 5TVOW Address {-3 u) 5 d d;-rt ,iJ P,NL c r.4/ 59' ,FL 337.43 Studio 225'5 '/) 4✓� s r /'orf FL, 33//L Cell (b7 --5"47 -J 7-i Email t r✓csrui,C C A /L.coni Web site www Dew : 0M Social Media Signature Country (it 11 I+ Sik{C,5 State of I10(i clA County Piiitd(Gs The foregoing instrument was acknowledged before me, the undersigned notary public in and,for the Country or State of F10ri , on this the clAr day of bCG , 2018, by Di tai . Individual who signed Is: Personally Known,No ID Produced OR ) Identification Produced 71/46-A. l)Ok. Notary Public (Signature) Country or State of eolvo, Notary Public Seal of Office Printed,Typed or Stamped Name of Notary Public Exactly as Commissioned `!"" ""Public ar d Ebner � � [�fe R Swa 111 .4e4 ►Np COrrr rion 601300112 u+►� �ClMG?fIQ21 Page 7 of 21 a EXHIBIT "A" INTERACTIVE PUBLIC ART PROJECT Project description Our proposal for the Boynton Beach town square plaza is an interactive sculpture entitled, Synesthesia. (Synesthesia is a perceptual phenomenon in which stimulation of one sensory pathway leads to automatic, involuntary experiences in a second sensory pathway.) The sculpture consists of eight 10 foot tall vertical stainless steel tubes arranged in a 20 foot diameter circular array (see diagram in addendum). The tubes are 10"in diameter, mirror polished and reflective, and each topped with an LED ring of light that is automatically activated after sundown. This smart sculpture is fully programmable allowing the lights to change colors and be sequenced. In the same way that The Empire State Building is lit to commemorate various holidays so too can synesthesia be tailored to reflect special days such as red, white, and blue for national holidays, white for Christmas, and green for St. Patty's Day, and so on. This type of complex sequencing will require a software upgrade. With the modulated colored lights, people's experiences with the sculpture will be different every time. The LED lighting brings the sculpture alive in the evenings and gives the sculpture an illuminated and memorable sense of place after dark. Another unique aspect of the sculpture are the sounds generated by the tubes.Activated by proximity sensors, the tubes emit sound when someone approaches-they react to external stimuli. In this way, viewers become part of the art and bring it to life. Concealed inside each tube is a programmable electronic sound generating device that creates the intriguing, gentle sounds of rain, ocean waves, night insects, flowing water,wind, etc. The sound generating device residing inside each tube consists of a microcontroller subsystem with audio output capabilities, also equipped with several gigabytes of storage space to save and manage many different sound profiles. The microcontroller audio output feeds an audio amplifier which in turn drives a waterproof speaker located in each tube. Synesthesia uses complex technology to combine art and science for the benefit of the human experience. The public will interact with Synesthesia on several different sensory levels. Visually, people are drawn to the sculpture because of its clean, bold design. It is reminiscent of a modern Stonehenge, or the pillars of classic Greek architecture. Similar to what is perhaps the most successful public sculpture in the world, the Bean in Chicago,who's reflective surface attracts millions of visitors a year, Synesthesia's mirror-polished surfaces will reflect a surreal image of the surroundings, including the faces of spectators.The selfies will be awesome! The sound the tubes produce will entice people on a whole new level.As visitors come close to the tubes to see their faces, the tubes emit a soothing hypnotic sound. This sound element encourages people to walk from one tube to the next to listen to the variation in tones, encouraging further physical interactivity with the installation. Page 8 of 21 Functionality - How it works The internal electronics for each tube are duplicates of one another, making it a truly modular design. What allows each tube to act differently, such as emitting a different sound, are the settings in the program application running on the microcontroller(microcomputer) in each tube. For each tube,the same application with different settings executes on a microcontroller system board. This system board takes inputs from the outside world (proximity and light level sensors) and uses them to sequence sounds and the glowing tube tops. Depending upon the setting in each microcontroller, the LED array on the top of the tube will glow and the audio sound profile driving the speaker system will begin. Since each tube operates in a similar manner, the configuration settings of each tube is what make it behave differently. Each time an individual approaches a tube, the proximity sensors detect the approaching person and uses this, along with the ambient light level sensor, to alert the microcontroller. The application running on the microcontroller for that tube will then determine what sound and light actions to perform based upon the following: 1. The configuration settings for that particular tube, 2. Is it daylight or night level lighting, 3. What time of the day or time of night it is, 4. What day of the week or day of year it is. The programmability of the microcontroller is key to allowing many different possibilities. Here is an example: • During the morning hours after sunup a person approaches tube A, and triggers a bird to start singing for a short period out of tube A. As they then walk towards tube B, out of tube B a cat starts meowing, and so on for each tube; a different sound would emanate from each of the 8 tubes. • After the sun goes down the top of all of the tubes will start glowing, and then as a person approaches tube A, the sound of crickets start up for a period, and then on to tube B the person hears ocean waves. • The next day, for these same tubes, a completely new set of sounds could be emanating.This makes it such that a person that regularly passes by the Synesthesia each day would not know what new sounds to expect and thereby keeping the interest and interaction level high even with regular visitors. • Continuing this example, at midday noon, all of the tubes could be programmed to sound a cuckoo bird like sound, and then, say at midnight, the top of the tubes could pulseate on an off for a minute. Page 9 of 21 FUNCTIONAL DIAGRAM of ELECTRONICS SYSTEM Blue Glow on Tube-Top gyt!,10.,.: 411,:i_,,, Ir i:: * ''''-, 0 Daylight/Evening-Night light ,="Time of Day &Day of the _Year (:\ r t ( (11.) Microcomputer 1111111100. Inside of each Tube Person Detect Sound System Inside of Tube Keep in mind that all of the electronics are built into a single module, and the module is potted in waterproof material, therefore if the electronics modules malfunction, replacing them is the only remedy. They will be de- signed for a minimum of 10 year lifespan, but delivered are 2 spare electronics modules. Page 10 of 21 ELECTRONICS BLOCK DIAGRAM 4:4.)111 - ---- --- LEDS inside yP of top Ring 1,;,tAt ', ‘4.',-1-1-c„.1:',t':if 0 I k5a �`` k H NIllig = + e y r t t x . '..: ;9 D tr o r' x e'1 � .a xi '.i x:... ,_. 1F a �. hN1iaa .tNe,y ` , a .. 7) 6 t r ,'-'.4t'' �' x�'�' ^k S' � ""''i��'i '� �� �..: f1*4,1 4 , { t ...�� fink",. t `�h ���h� �'�}�'�h'. It Marine Grade ,„ I Speaker Hooking up the external interfaces into the entire system are as follows: 1. Each tube requires 120VAC power of no more than 0.2 Amps (25 watts) (Total 1.6 Amps). 2. Each tube requires a RJ45 network connection running to a ethernet router. 3. To maintain the proper time of day and day of the year, the ethernet router must be connected to the WWW. (This network connection to the web also allows for future sound, lighting and se- quencing software upgrades). Page 11 of 21 DIAGRAM of EXTERNAL INTERFACING cliiiitir7= _ _.(411.104- . o_ Li aiwir-1 lavl er poilaii ,c-iiiiiiiiii: (=,„ -.A1300-Hii 'emit'.7i 47Figiii/L.7) Eiiii ',:. J _ - - j t!"1.=00000000 • ,. 4 4 • 4 • • 41 • a [17 Ili 01 i 1 ill [1! - i ) ; IF fr, II_j ., ,_ .. . ; I 1,, : I al i 1 i . .—•=0—. ...—i...... , _ . 1. , ,._ _..........,, ,...... . ...s .. .,. .. „.....i, ,:... ......._ • .. . 1 . .... , . .. . . . . . IIMI 120VAC, < 3 Amps Page 12 of 21 Durability of materials Synesthesia will be constructed from 316 Stainless steel which is 18/8 (18% chromium and 8% nickel). This marine grade stainless steel that an outdoor longevity of 100 years or longer because of stainless steels corrosion resistance, durability and low maintenance. It is the ideal material for public sculpture. The safety and well-being of visitors is the fundamental priority when designing public sculpture. To ensure the highest level of safety, all construction will be secure and permanent with no sharp edges or loose parts. The sculpture will be fabricated using precise technology and sound fabrication methods. It will be incredibly strong, durable, weatherproof, and safe for human interaction. The electronic components will be encapsulated in an electronic waterproof coating with heat dissipation thermal fins inside the top of each tube. The electronics will be designed for high temperatures and mitigated with chimney effect airflow inside the tubes. Small slits near the top and bottom of the tubes allow natural convection airflow help with thermal management, by allowing the air to travel from the bottom up through the top passing over the thermal heat sink fins during hot days. The electronics will be designed to last ten years with daily use, and two spare electronic units will be delivered for easy replacement of an electronic tube-top should any of the units malfunction. The only direct exposure to the elements of non-stainless steel parts are the edges of the acrylic disc on the top of the tube. This acrylic chosen will be rated for long term exposure with minimal degradation for 10 years and topped with a protective stainless steel disc. Page 13 of 21 Timeline The project begins Monday January 7th, 2019 and the deadline for completion being February 18th, 2020, allowing a little over a year of production time. The following is a rough draft of a possible production schedule; February- March, 2019- Finalize drawings and plans for production. Specify vendors for materials and supplies. Survey site and get engineering reports. April- May, 2019 - Order materials. Construction of electronic components. Polish stainless steel tubes. Fabricate lucite discs. Edit final sound profiles. June- July, 2019 - Machine tubes for caps and mounting brackets. Pour concrete footers and run electric cables at site. Prepare surface of Plaza. August-September, 2019 -Assemble completed tubes and electronic components and test in studio. Prepare tubes for transport to site. October- November, 2019 - Install mounting brackets at site. Transport tubes to site. December, 2019- January, 2020- Install and test final installation of sculpture. Page 14 of 21 Estimated Budget Materials 316 stainless steel pipes (Mirror polished) $ 36,000 Electronic components $ 10,000 Contract Labor $ 5,000 Assistants/labor for fabrication Consultants $10,000 Electrical engineer Transportation $ 4,500 Shipping of work to installation site Travel Transportation, hotels, food while on site $ 800 Insurance $2,500 Loss/theft/damage coverage to protect the supplies and fabricated parts prior to shipping Loss/theft/damage coverage during shipping General liability for self, subcontractors and assistants Artist's fee $20,000 Design,fabrication and installation Contingency (10%) $ 8,880 Total project cost estimate $ 97,680 Page 15 of 21 Maintenance For the external surfaces of the stainless steel tubes, they require virtually no maintenance. For the top stainless steel cap, birds may rest and deposit droppings, and this may require periodic cleaning. For the electronics, since they are sealed in a waterproof potting material, there is no physical maintenance. However, if there is a failure in a module, the entire module is swapped out for a spare module. For software upgrades, because each tube electronics module is connected to the network, software upgrades can be performed remotely.An example of a software upgrade would be flashing or walking light shows from one tube to the next choreographed with various music or other complex sound sequencings between tubes. Philosophy and Process I believe that public art should compliment and focus interest on the site. Effective public art will make the viewer's experience memorable, and create a lasting bond that ties that engagement to the artwork and its environment. My process for conceptualizing and producing public work is rooted in the desire to establish an iconic image that represents and reflects the values of the local community. The underlying tenets guiding my work are a solid work ethic and artistic integrity, which combine to create enduring works of art. Page 16 of 21 i z. i. t+l R i :' 'r f t }" t L't1 4 f� 1```. . a f: y . .0. t r F � , t 1 Concept Image- Synesthesia,day and night. Page 17 of 21 Cap . - LED ring Irj . ir � Circuit board x Housing unit _ Light sensor Vents , __e Proximity MINN �~ sensor (x4) Stainless tube Speaker Wiring conduit /%\ , SYNESTHESIA - Electronics diagram Gialanella 2018 Page 18 of 21 I,„ Stainless pillar Vents Stainless base plate ` r Anchor bolt Leveling nut \l _ 'Pi Ground level •, '' • • �', •v • ' • ••a •' ' Concrete footer ••* • 4 �' ; r`y` •' r • " ......\. •_ SYNESTHESIA - Base Attachment Detail Gialanella 2018 Page 19 of 21 I 20ft 7 5ft Electric lines • Tubes 1x8) SYNESTHESIA- Overhead diagram Gialanella 2018 Page 20 of 21 12/28/2018 Donald Gialanella 910 Southern Pine CT NE St Petersburg, Fl 33703 607-547-1071 Debby Coles-Dobay, Public Arts Manager City Manager's Office,Art in Public Places City of Boynton Beach 3301 Quantum Blvd, Suite#101 I Boynton Beach, Florida 33426 Budget Disbursement Request Public Input at Kinetic Art Event We are requesting an initial disbursement of funds from the Town Hall Plaza interactive sculpture project budget, (please see full proposal Exhibit"A"), to be used for fabrication of the first tube for exhibit and testing at The International Kinetic Art Exhibit and Symposium in Boynton Beach, FL, on February 1 -3, 2019. This exhibit Is a wonderful opportunity for us to test the functionality of a single tube of the sculpture with a live audience at the event. It will also give us the chance to gather ideas for the types of sounds to be used in the final sculpture and collect feedback about the interactivity from visitors. In order to accomplish this in time for the exhibit we ask for roughly 20% of the initial project budget, as well as additional costs related specifically to the symposium exhibition. 1/8 of electronic component budget $1,250 80% of electrical engineers fee. (To design and build one prototype is the majority of the engineering work.) $8,000 1/8 of artist fee $2,500 Total from dedicated project budget $11,750 Additional costs outside of original budget for kinetic symposium One (1)Steel tube, polished, 8'x 10" diam. $1,500 4'diam 9 gauge steel circle for exhibition base $ 625 Machining of tube(Electronics attachment, vents) $ 575 Transport of sculpture to and from exhibit $ 800 Total contingency costs $4,925 Total funds requested at this time $16,675 Page 21 of 21